The aesthetics of imperfection in music and the arts: spontaneity, flaws and the unfinished
"The aesthetics of imperfection emphasises spontaneity, disruption, process and energy over formal perfection and is often ignored by many commentators or seen only in improvisation. This comprehensive collection is the first time imperfection has been explored across all kinds of musical perfo...
Gespeichert in:
Weitere Verfasser: | , |
---|---|
Format: | Buch |
Sprache: | English |
Veröffentlicht: |
London ; New York ; Oxford ; New Delhi ; Sydney
Bloomsbury Academic
2021
|
Schlagworte: | |
Zusammenfassung: | "The aesthetics of imperfection emphasises spontaneity, disruption, process and energy over formal perfection and is often ignored by many commentators or seen only in improvisation. This comprehensive collection is the first time imperfection has been explored across all kinds of musical performance, whether improvisation or interpretation of compositions. Covering music, visual art, dance, comedy, architecture and design, it addresses the meaning, experience, and value of improvisation and spontaneous creation across different artistic media. A distinctive feature of the volume is that it brings together contributions from theoreticians and practitioners, presenting a wider range of perspectives on the issues involved. Contributors look at performance and practice across Western and non-Western musical, artistic and craft forms. Composers and non-performing artists offer a perspective on what is 'imperfect' or improvisatory within their work, contributing further dimensions to the discourse. The Aesthetics of Imperfection in Music and the Arts features 39 chapters organised into eight sections and written by a diverse group of scholars and performers. They consider divergent definitions of aesthetics, employing both 18th-century philosophy and more recent socially and historically situated conceptions making this an essential, up-to-date resource for anyone working on either side of the perfection-imperfection debate"-- |
Beschreibung: | xv, 399 Seiten Illustrationen |
ISBN: | 9781350106055 |
Internformat
MARC
LEADER | 00000nam a2200000 c 4500 | ||
---|---|---|---|
001 | BV046987550 | ||
003 | DE-604 | ||
005 | 20210305 | ||
007 | t | ||
008 | 201109s2021 a||| b||| 10||| eng d | ||
020 | |a 9781350106055 |c hardback |9 978-1-3501-0605-5 | ||
035 | |a (OCoLC)1225882545 | ||
035 | |a (DE-599)BVBBV046987550 | ||
040 | |a DE-604 |b ger |e rda | ||
041 | 0 | |a eng | |
049 | |a DE-12 |a DE-11 | ||
084 | |a MUS |q DE-12 |2 fid | ||
084 | |a LR 56820 |0 (DE-625)109812:13528 |2 rvk | ||
084 | |a LR 56090 |0 (DE-625)109797:13528 |2 rvk | ||
245 | 1 | 0 | |a The aesthetics of imperfection in music and the arts |b spontaneity, flaws and the unfinished |c edited by Andy Hamilton and Lara Pearson |
264 | 1 | |a London ; New York ; Oxford ; New Delhi ; Sydney |b Bloomsbury Academic |c 2021 | |
300 | |a xv, 399 Seiten |b Illustrationen | ||
336 | |b txt |2 rdacontent | ||
337 | |b n |2 rdamedia | ||
338 | |b nc |2 rdacarrier | ||
520 | 3 | |a "The aesthetics of imperfection emphasises spontaneity, disruption, process and energy over formal perfection and is often ignored by many commentators or seen only in improvisation. This comprehensive collection is the first time imperfection has been explored across all kinds of musical performance, whether improvisation or interpretation of compositions. Covering music, visual art, dance, comedy, architecture and design, it addresses the meaning, experience, and value of improvisation and spontaneous creation across different artistic media. A distinctive feature of the volume is that it brings together contributions from theoreticians and practitioners, presenting a wider range of perspectives on the issues involved. Contributors look at performance and practice across Western and non-Western musical, artistic and craft forms. Composers and non-performing artists offer a perspective on what is 'imperfect' or improvisatory within their work, contributing further dimensions to the discourse. The Aesthetics of Imperfection in Music and the Arts features 39 chapters organised into eight sections and written by a diverse group of scholars and performers. They consider divergent definitions of aesthetics, employing both 18th-century philosophy and more recent socially and historically situated conceptions making this an essential, up-to-date resource for anyone working on either side of the perfection-imperfection debate"-- | |
648 | 7 | |a Geschichte |2 gnd |9 rswk-swf | |
650 | 0 | 7 | |a Ästhetik |0 (DE-588)4000626-8 |2 gnd |9 rswk-swf |
650 | 0 | 7 | |a Unvollkommenheit |0 (DE-588)4220265-6 |2 gnd |9 rswk-swf |
650 | 0 | 7 | |a Musik |0 (DE-588)4040802-4 |2 gnd |9 rswk-swf |
650 | 0 | 7 | |a Performance |g Künste |0 (DE-588)4173750-7 |2 gnd |9 rswk-swf |
650 | 0 | 7 | |a Komposition |0 (DE-588)4032012-1 |2 gnd |9 rswk-swf |
650 | 0 | 7 | |a Improvisation |0 (DE-588)4127993-1 |2 gnd |9 rswk-swf |
653 | 0 | |a Music / Performance / Philosophy and aesthetics | |
653 | 0 | |a Improvisation (Music) / Philosophy | |
653 | 0 | |a Creation (Literary, artistic, etc.) | |
653 | 0 | |a Imperfection | |
653 | 0 | |a Creation (Literary, artistic, etc.) | |
653 | 0 | |a Imperfection | |
655 | 7 | |0 (DE-588)4143413-4 |a Aufsatzsammlung |2 gnd-content | |
689 | 0 | 0 | |a Musik |0 (DE-588)4040802-4 |D s |
689 | 0 | 1 | |a Performance |g Künste |0 (DE-588)4173750-7 |D s |
689 | 0 | 2 | |a Komposition |0 (DE-588)4032012-1 |D s |
689 | 0 | 3 | |a Improvisation |0 (DE-588)4127993-1 |D s |
689 | 0 | 4 | |a Unvollkommenheit |0 (DE-588)4220265-6 |D s |
689 | 0 | 5 | |a Ästhetik |0 (DE-588)4000626-8 |D s |
689 | 0 | 6 | |a Geschichte |A z |
689 | 0 | |5 DE-604 | |
700 | 1 | |a Hamilton, Andy |d 1957- |0 (DE-588)1046079123 |4 edt | |
700 | 1 | |a Pearson, Lara |0 (DE-588)1136635203 |4 edt | |
776 | 0 | 8 | |i Online version |t Aesthetics of imperfection in music and the arts |d New York : Bloomsbury Academic, 2020 |z 9781350106062 |
940 | 1 | |q BSB_NED_20201211 | |
999 | |a oai:aleph.bib-bvb.de:BVB01-032395468 | ||
942 | 1 | 1 | |c 780.9 |e 22/bsb |
942 | 1 | 1 | |c 781.4 |e 22/bsb |
942 | 1 | 1 | |c 780.1 |e 22/bsb |
Datensatz im Suchindex
_version_ | 1804181926849806336 |
---|---|
adam_txt | |
any_adam_object | |
any_adam_object_boolean | |
author2 | Hamilton, Andy 1957- Pearson, Lara |
author2_role | edt edt |
author2_variant | a h ah l p lp |
author_GND | (DE-588)1046079123 (DE-588)1136635203 |
author_facet | Hamilton, Andy 1957- Pearson, Lara |
building | Verbundindex |
bvnumber | BV046987550 |
classification_rvk | LR 56820 LR 56090 |
ctrlnum | (OCoLC)1225882545 (DE-599)BVBBV046987550 |
discipline | Musikwissenschaft |
discipline_str_mv | Musikwissenschaft |
era | Geschichte gnd |
era_facet | Geschichte |
format | Book |
fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>03912nam a2200637 c 4500</leader><controlfield tag="001">BV046987550</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20210305 </controlfield><controlfield tag="007">t</controlfield><controlfield tag="008">201109s2021 a||| b||| 10||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781350106055</subfield><subfield code="c">hardback</subfield><subfield code="9">978-1-3501-0605-5</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1225882545</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV046987550</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-12</subfield><subfield code="a">DE-11</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">MUS</subfield><subfield code="q">DE-12</subfield><subfield code="2">fid</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">LR 56820</subfield><subfield code="0">(DE-625)109812:13528</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">LR 56090</subfield><subfield code="0">(DE-625)109797:13528</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">The aesthetics of imperfection in music and the arts</subfield><subfield code="b">spontaneity, flaws and the unfinished</subfield><subfield code="c">edited by Andy Hamilton and Lara Pearson</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">London ; New York ; Oxford ; New Delhi ; Sydney</subfield><subfield code="b">Bloomsbury Academic</subfield><subfield code="c">2021</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">xv, 399 Seiten</subfield><subfield code="b">Illustrationen</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">"The aesthetics of imperfection emphasises spontaneity, disruption, process and energy over formal perfection and is often ignored by many commentators or seen only in improvisation. This comprehensive collection is the first time imperfection has been explored across all kinds of musical performance, whether improvisation or interpretation of compositions. Covering music, visual art, dance, comedy, architecture and design, it addresses the meaning, experience, and value of improvisation and spontaneous creation across different artistic media. A distinctive feature of the volume is that it brings together contributions from theoreticians and practitioners, presenting a wider range of perspectives on the issues involved. Contributors look at performance and practice across Western and non-Western musical, artistic and craft forms. Composers and non-performing artists offer a perspective on what is 'imperfect' or improvisatory within their work, contributing further dimensions to the discourse. The Aesthetics of Imperfection in Music and the Arts features 39 chapters organised into eight sections and written by a diverse group of scholars and performers. They consider divergent definitions of aesthetics, employing both 18th-century philosophy and more recent socially and historically situated conceptions making this an essential, up-to-date resource for anyone working on either side of the perfection-imperfection debate"--</subfield></datafield><datafield tag="648" ind1=" " ind2="7"><subfield code="a">Geschichte</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Ästhetik</subfield><subfield code="0">(DE-588)4000626-8</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Unvollkommenheit</subfield><subfield code="0">(DE-588)4220265-6</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Musik</subfield><subfield code="0">(DE-588)4040802-4</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Performance</subfield><subfield code="g">Künste</subfield><subfield code="0">(DE-588)4173750-7</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Komposition</subfield><subfield code="0">(DE-588)4032012-1</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Improvisation</subfield><subfield code="0">(DE-588)4127993-1</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Music / Performance / Philosophy and aesthetics</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Improvisation (Music) / Philosophy</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Creation (Literary, artistic, etc.)</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Imperfection</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Creation (Literary, artistic, etc.)</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Imperfection</subfield></datafield><datafield tag="655" ind1=" " ind2="7"><subfield code="0">(DE-588)4143413-4</subfield><subfield code="a">Aufsatzsammlung</subfield><subfield code="2">gnd-content</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Musik</subfield><subfield code="0">(DE-588)4040802-4</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Performance</subfield><subfield code="g">Künste</subfield><subfield code="0">(DE-588)4173750-7</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Komposition</subfield><subfield code="0">(DE-588)4032012-1</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="3"><subfield code="a">Improvisation</subfield><subfield code="0">(DE-588)4127993-1</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="4"><subfield code="a">Unvollkommenheit</subfield><subfield code="0">(DE-588)4220265-6</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="5"><subfield code="a">Ästhetik</subfield><subfield code="0">(DE-588)4000626-8</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="6"><subfield code="a">Geschichte</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Hamilton, Andy</subfield><subfield code="d">1957-</subfield><subfield code="0">(DE-588)1046079123</subfield><subfield code="4">edt</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Pearson, Lara</subfield><subfield code="0">(DE-588)1136635203</subfield><subfield code="4">edt</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Online version</subfield><subfield code="t">Aesthetics of imperfection in music and the arts</subfield><subfield code="d">New York : Bloomsbury Academic, 2020</subfield><subfield code="z">9781350106062</subfield></datafield><datafield tag="940" ind1="1" ind2=" "><subfield code="q">BSB_NED_20201211</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-032395468</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">780.9</subfield><subfield code="e">22/bsb</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">781.4</subfield><subfield code="e">22/bsb</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">780.1</subfield><subfield code="e">22/bsb</subfield></datafield></record></collection> |
genre | (DE-588)4143413-4 Aufsatzsammlung gnd-content |
genre_facet | Aufsatzsammlung |
id | DE-604.BV046987550 |
illustrated | Illustrated |
index_date | 2024-07-03T15:52:01Z |
indexdate | 2024-07-10T08:59:25Z |
institution | BVB |
isbn | 9781350106055 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032395468 |
oclc_num | 1225882545 |
open_access_boolean | |
owner | DE-12 DE-11 |
owner_facet | DE-12 DE-11 |
physical | xv, 399 Seiten Illustrationen |
psigel | BSB_NED_20201211 |
publishDate | 2021 |
publishDateSearch | 2021 |
publishDateSort | 2021 |
publisher | Bloomsbury Academic |
record_format | marc |
spelling | The aesthetics of imperfection in music and the arts spontaneity, flaws and the unfinished edited by Andy Hamilton and Lara Pearson London ; New York ; Oxford ; New Delhi ; Sydney Bloomsbury Academic 2021 xv, 399 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier "The aesthetics of imperfection emphasises spontaneity, disruption, process and energy over formal perfection and is often ignored by many commentators or seen only in improvisation. This comprehensive collection is the first time imperfection has been explored across all kinds of musical performance, whether improvisation or interpretation of compositions. Covering music, visual art, dance, comedy, architecture and design, it addresses the meaning, experience, and value of improvisation and spontaneous creation across different artistic media. A distinctive feature of the volume is that it brings together contributions from theoreticians and practitioners, presenting a wider range of perspectives on the issues involved. Contributors look at performance and practice across Western and non-Western musical, artistic and craft forms. Composers and non-performing artists offer a perspective on what is 'imperfect' or improvisatory within their work, contributing further dimensions to the discourse. The Aesthetics of Imperfection in Music and the Arts features 39 chapters organised into eight sections and written by a diverse group of scholars and performers. They consider divergent definitions of aesthetics, employing both 18th-century philosophy and more recent socially and historically situated conceptions making this an essential, up-to-date resource for anyone working on either side of the perfection-imperfection debate"-- Geschichte gnd rswk-swf Ästhetik (DE-588)4000626-8 gnd rswk-swf Unvollkommenheit (DE-588)4220265-6 gnd rswk-swf Musik (DE-588)4040802-4 gnd rswk-swf Performance Künste (DE-588)4173750-7 gnd rswk-swf Komposition (DE-588)4032012-1 gnd rswk-swf Improvisation (DE-588)4127993-1 gnd rswk-swf Music / Performance / Philosophy and aesthetics Improvisation (Music) / Philosophy Creation (Literary, artistic, etc.) Imperfection (DE-588)4143413-4 Aufsatzsammlung gnd-content Musik (DE-588)4040802-4 s Performance Künste (DE-588)4173750-7 s Komposition (DE-588)4032012-1 s Improvisation (DE-588)4127993-1 s Unvollkommenheit (DE-588)4220265-6 s Ästhetik (DE-588)4000626-8 s Geschichte z DE-604 Hamilton, Andy 1957- (DE-588)1046079123 edt Pearson, Lara (DE-588)1136635203 edt Online version Aesthetics of imperfection in music and the arts New York : Bloomsbury Academic, 2020 9781350106062 |
spellingShingle | The aesthetics of imperfection in music and the arts spontaneity, flaws and the unfinished Ästhetik (DE-588)4000626-8 gnd Unvollkommenheit (DE-588)4220265-6 gnd Musik (DE-588)4040802-4 gnd Performance Künste (DE-588)4173750-7 gnd Komposition (DE-588)4032012-1 gnd Improvisation (DE-588)4127993-1 gnd |
subject_GND | (DE-588)4000626-8 (DE-588)4220265-6 (DE-588)4040802-4 (DE-588)4173750-7 (DE-588)4032012-1 (DE-588)4127993-1 (DE-588)4143413-4 |
title | The aesthetics of imperfection in music and the arts spontaneity, flaws and the unfinished |
title_auth | The aesthetics of imperfection in music and the arts spontaneity, flaws and the unfinished |
title_exact_search | The aesthetics of imperfection in music and the arts spontaneity, flaws and the unfinished |
title_exact_search_txtP | The aesthetics of imperfection in music and the arts spontaneity, flaws and the unfinished |
title_full | The aesthetics of imperfection in music and the arts spontaneity, flaws and the unfinished edited by Andy Hamilton and Lara Pearson |
title_fullStr | The aesthetics of imperfection in music and the arts spontaneity, flaws and the unfinished edited by Andy Hamilton and Lara Pearson |
title_full_unstemmed | The aesthetics of imperfection in music and the arts spontaneity, flaws and the unfinished edited by Andy Hamilton and Lara Pearson |
title_short | The aesthetics of imperfection in music and the arts |
title_sort | the aesthetics of imperfection in music and the arts spontaneity flaws and the unfinished |
title_sub | spontaneity, flaws and the unfinished |
topic | Ästhetik (DE-588)4000626-8 gnd Unvollkommenheit (DE-588)4220265-6 gnd Musik (DE-588)4040802-4 gnd Performance Künste (DE-588)4173750-7 gnd Komposition (DE-588)4032012-1 gnd Improvisation (DE-588)4127993-1 gnd |
topic_facet | Ästhetik Unvollkommenheit Musik Performance Künste Komposition Improvisation Aufsatzsammlung |
work_keys_str_mv | AT hamiltonandy theaestheticsofimperfectioninmusicandtheartsspontaneityflawsandtheunfinished AT pearsonlara theaestheticsofimperfectioninmusicandtheartsspontaneityflawsandtheunfinished |