Surrealism and photography in 1930s Japan: the impossible avant-garde
"Despite the censorship of dissident material during the decade between the Manchurian Incident of 1931 and the outbreak of the Pacific War in 1941, a number of photographers across Japan produced a versatile body of Surrealist work. In a pioneering study of their practice, Jelena Stojkovic dra...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Abschlussarbeit Buch |
| Sprache: | English |
| Veröffentlicht: |
London ; New York
Routledge
2020
|
| Schlagworte: | |
| Zusammenfassung: | "Despite the censorship of dissident material during the decade between the Manchurian Incident of 1931 and the outbreak of the Pacific War in 1941, a number of photographers across Japan produced a versatile body of Surrealist work. In a pioneering study of their practice, Jelena Stojkovic draws on primary sources and extensive archival research and maps out art historical and critical contexts relevant to the apprehension of this rich photographic output, most of which is previously unseen outside of its country of origin. The volume is an essential resource in the fields of Surrealism and Japanese history of art, for researchers and students of historical avant-gardes and photography, as well as for readers interested in visual culture." -- |
| Beschreibung: | xi, 255 Seiten Illustrationen |
| ISBN: | 9781788314053 |
Internformat
MARC
| LEADER | 00000nam a2200000 c 4500 | ||
|---|---|---|---|
| 001 | BV046984478 | ||
| 003 | DE-604 | ||
| 005 | 00000000000000.0 | ||
| 007 | t | ||
| 008 | 201106s2020 a||| m||| 00||| eng d | ||
| 020 | |a 9781788314053 |9 978-1-7883-1405-3 | ||
| 035 | |a (OCoLC)1220921630 | ||
| 035 | |a (DE-599)BVBBV046984478 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-Y3 | ||
| 100 | 1 | |a Stojković, Jelena |e Verfasser |0 (DE-588)1028386443 |4 aut | |
| 240 | 1 | 0 | |a Out of sight : surrealism and photography in 1930s Japan |
| 245 | 1 | 0 | |a Surrealism and photography in 1930s Japan |b the impossible avant-garde |c Jelena Stojković |
| 264 | 1 | |a London ; New York |b Routledge |c 2020 | |
| 300 | |a xi, 255 Seiten |b Illustrationen | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 502 | |b Dissertation |c University of Westminster |d 2013 | ||
| 505 | 8 | |a 'New' photography (shinkō shashin). Emergence -- Photo-collages -- 'Avant-garde' photography (zen'ei shashin). Images without texts -- Coded revolution -- 'Plastic' photography (zōkei shashin). Materiality -- Locality | |
| 520 | 3 | |a "Despite the censorship of dissident material during the decade between the Manchurian Incident of 1931 and the outbreak of the Pacific War in 1941, a number of photographers across Japan produced a versatile body of Surrealist work. In a pioneering study of their practice, Jelena Stojkovic draws on primary sources and extensive archival research and maps out art historical and critical contexts relevant to the apprehension of this rich photographic output, most of which is previously unseen outside of its country of origin. The volume is an essential resource in the fields of Surrealism and Japanese history of art, for researchers and students of historical avant-gardes and photography, as well as for readers interested in visual culture." -- | |
| 648 | 7 | |a Geschichte 1930-1940 |2 gnd |9 rswk-swf | |
| 650 | 0 | 7 | |a Surrealismus |0 (DE-588)4058665-0 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Fotografie |0 (DE-588)4045895-7 |2 gnd |9 rswk-swf |
| 651 | 7 | |a Japan |0 (DE-588)4028495-5 |2 gnd |9 rswk-swf | |
| 653 | 0 | |a Photography / Japan / History / 20th century | |
| 653 | 0 | |a Photography | |
| 653 | 2 | |a Japan | |
| 653 | 4 | |a 1900-1999 | |
| 653 | 6 | |a History | |
| 655 | 7 | |0 (DE-588)4113937-9 |a Hochschulschrift |2 gnd-content | |
| 689 | 0 | 0 | |a Japan |0 (DE-588)4028495-5 |D g |
| 689 | 0 | 1 | |a Fotografie |0 (DE-588)4045895-7 |D s |
| 689 | 0 | 2 | |a Surrealismus |0 (DE-588)4058665-0 |D s |
| 689 | 0 | 3 | |a Geschichte 1930-1940 |A z |
| 689 | 0 | |5 DE-604 | |
| 775 | 0 | 8 | |i Synchronfassung von |a Stojković, Jelena |t Surrealism and photography in 1930s Japan |d London ; New York ; Oxford ; New Delhi ; Sydney : Bloomsbury Visual Arts, 2020 |
| 999 | |a oai:aleph.bib-bvb.de:BVB01-032392490 | ||
Datensatz im Suchindex
| _version_ | 1804181921232584704 |
|---|---|
| adam_txt | |
| any_adam_object | |
| any_adam_object_boolean | |
| author | Stojković, Jelena |
| author_GND | (DE-588)1028386443 |
| author_facet | Stojković, Jelena |
| author_role | aut |
| author_sort | Stojković, Jelena |
| author_variant | j s js |
| building | Verbundindex |
| bvnumber | BV046984478 |
| contents | 'New' photography (shinkō shashin). Emergence -- Photo-collages -- 'Avant-garde' photography (zen'ei shashin). Images without texts -- Coded revolution -- 'Plastic' photography (zōkei shashin). Materiality -- Locality |
| ctrlnum | (OCoLC)1220921630 (DE-599)BVBBV046984478 |
| era | Geschichte 1930-1940 gnd |
| era_facet | Geschichte 1930-1940 |
| format | Thesis Book |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>02765nam a2200493 c 4500</leader><controlfield tag="001">BV046984478</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">00000000000000.0</controlfield><controlfield tag="007">t</controlfield><controlfield tag="008">201106s2020 a||| m||| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781788314053</subfield><subfield code="9">978-1-7883-1405-3</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1220921630</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV046984478</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-Y3</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Stojković, Jelena</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)1028386443</subfield><subfield code="4">aut</subfield></datafield><datafield tag="240" ind1="1" ind2="0"><subfield code="a">Out of sight : surrealism and photography in 1930s Japan</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Surrealism and photography in 1930s Japan</subfield><subfield code="b">the impossible avant-garde</subfield><subfield code="c">Jelena Stojković</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">London ; New York</subfield><subfield code="b">Routledge</subfield><subfield code="c">2020</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">xi, 255 Seiten</subfield><subfield code="b">Illustrationen</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="502" ind1=" " ind2=" "><subfield code="b">Dissertation</subfield><subfield code="c">University of Westminster</subfield><subfield code="d">2013</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">'New' photography (shinkō shashin). Emergence -- Photo-collages -- 'Avant-garde' photography (zen'ei shashin). Images without texts -- Coded revolution -- 'Plastic' photography (zōkei shashin). Materiality -- Locality</subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">"Despite the censorship of dissident material during the decade between the Manchurian Incident of 1931 and the outbreak of the Pacific War in 1941, a number of photographers across Japan produced a versatile body of Surrealist work. In a pioneering study of their practice, Jelena Stojkovic draws on primary sources and extensive archival research and maps out art historical and critical contexts relevant to the apprehension of this rich photographic output, most of which is previously unseen outside of its country of origin. The volume is an essential resource in the fields of Surrealism and Japanese history of art, for researchers and students of historical avant-gardes and photography, as well as for readers interested in visual culture." --</subfield></datafield><datafield tag="648" ind1=" " ind2="7"><subfield code="a">Geschichte 1930-1940</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Surrealismus</subfield><subfield code="0">(DE-588)4058665-0</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Fotografie</subfield><subfield code="0">(DE-588)4045895-7</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="651" ind1=" " ind2="7"><subfield code="a">Japan</subfield><subfield code="0">(DE-588)4028495-5</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Photography / Japan / History / 20th century</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Photography</subfield></datafield><datafield tag="653" ind1=" " ind2="2"><subfield code="a">Japan</subfield></datafield><datafield tag="653" ind1=" " ind2="4"><subfield code="a">1900-1999</subfield></datafield><datafield tag="653" ind1=" " ind2="6"><subfield code="a">History</subfield></datafield><datafield tag="655" ind1=" " ind2="7"><subfield code="0">(DE-588)4113937-9</subfield><subfield code="a">Hochschulschrift</subfield><subfield code="2">gnd-content</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Japan</subfield><subfield code="0">(DE-588)4028495-5</subfield><subfield code="D">g</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Fotografie</subfield><subfield code="0">(DE-588)4045895-7</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Surrealismus</subfield><subfield code="0">(DE-588)4058665-0</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="3"><subfield code="a">Geschichte 1930-1940</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="775" ind1="0" ind2="8"><subfield code="i">Synchronfassung von</subfield><subfield code="a">Stojković, Jelena</subfield><subfield code="t">Surrealism and photography in 1930s Japan</subfield><subfield code="d">London ; New York ; Oxford ; New Delhi ; Sydney : Bloomsbury Visual Arts, 2020</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-032392490</subfield></datafield></record></collection> |
| genre | (DE-588)4113937-9 Hochschulschrift gnd-content |
| genre_facet | Hochschulschrift |
| geographic | Japan (DE-588)4028495-5 gnd |
| geographic_facet | Japan |
| id | DE-604.BV046984478 |
| illustrated | Illustrated |
| index_date | 2024-07-03T15:50:44Z |
| indexdate | 2024-07-10T08:59:20Z |
| institution | BVB |
| isbn | 9781788314053 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032392490 |
| oclc_num | 1220921630 |
| open_access_boolean | |
| owner | DE-Y3 |
| owner_facet | DE-Y3 |
| physical | xi, 255 Seiten Illustrationen |
| publishDate | 2020 |
| publishDateSearch | 2020 |
| publishDateSort | 2020 |
| publisher | Routledge |
| record_format | marc |
| spelling | Stojković, Jelena Verfasser (DE-588)1028386443 aut Out of sight : surrealism and photography in 1930s Japan Surrealism and photography in 1930s Japan the impossible avant-garde Jelena Stojković London ; New York Routledge 2020 xi, 255 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier Dissertation University of Westminster 2013 'New' photography (shinkō shashin). Emergence -- Photo-collages -- 'Avant-garde' photography (zen'ei shashin). Images without texts -- Coded revolution -- 'Plastic' photography (zōkei shashin). Materiality -- Locality "Despite the censorship of dissident material during the decade between the Manchurian Incident of 1931 and the outbreak of the Pacific War in 1941, a number of photographers across Japan produced a versatile body of Surrealist work. In a pioneering study of their practice, Jelena Stojkovic draws on primary sources and extensive archival research and maps out art historical and critical contexts relevant to the apprehension of this rich photographic output, most of which is previously unseen outside of its country of origin. The volume is an essential resource in the fields of Surrealism and Japanese history of art, for researchers and students of historical avant-gardes and photography, as well as for readers interested in visual culture." -- Geschichte 1930-1940 gnd rswk-swf Surrealismus (DE-588)4058665-0 gnd rswk-swf Fotografie (DE-588)4045895-7 gnd rswk-swf Japan (DE-588)4028495-5 gnd rswk-swf Photography / Japan / History / 20th century Photography Japan 1900-1999 History (DE-588)4113937-9 Hochschulschrift gnd-content Japan (DE-588)4028495-5 g Fotografie (DE-588)4045895-7 s Surrealismus (DE-588)4058665-0 s Geschichte 1930-1940 z DE-604 Synchronfassung von Stojković, Jelena Surrealism and photography in 1930s Japan London ; New York ; Oxford ; New Delhi ; Sydney : Bloomsbury Visual Arts, 2020 |
| spellingShingle | Stojković, Jelena Surrealism and photography in 1930s Japan the impossible avant-garde 'New' photography (shinkō shashin). Emergence -- Photo-collages -- 'Avant-garde' photography (zen'ei shashin). Images without texts -- Coded revolution -- 'Plastic' photography (zōkei shashin). Materiality -- Locality Surrealismus (DE-588)4058665-0 gnd Fotografie (DE-588)4045895-7 gnd |
| subject_GND | (DE-588)4058665-0 (DE-588)4045895-7 (DE-588)4028495-5 (DE-588)4113937-9 |
| title | Surrealism and photography in 1930s Japan the impossible avant-garde |
| title_alt | Out of sight : surrealism and photography in 1930s Japan |
| title_auth | Surrealism and photography in 1930s Japan the impossible avant-garde |
| title_exact_search | Surrealism and photography in 1930s Japan the impossible avant-garde |
| title_exact_search_txtP | Surrealism and photography in 1930s Japan the impossible avant-garde |
| title_full | Surrealism and photography in 1930s Japan the impossible avant-garde Jelena Stojković |
| title_fullStr | Surrealism and photography in 1930s Japan the impossible avant-garde Jelena Stojković |
| title_full_unstemmed | Surrealism and photography in 1930s Japan the impossible avant-garde Jelena Stojković |
| title_short | Surrealism and photography in 1930s Japan |
| title_sort | surrealism and photography in 1930s japan the impossible avant garde |
| title_sub | the impossible avant-garde |
| topic | Surrealismus (DE-588)4058665-0 gnd Fotografie (DE-588)4045895-7 gnd |
| topic_facet | Surrealismus Fotografie Japan Hochschulschrift |
| work_keys_str_mv | AT stojkovicjelena outofsightsurrealismandphotographyin1930sjapan AT stojkovicjelena surrealismandphotographyin1930sjapantheimpossibleavantgarde |