Contested records: the turn to documents in contemporary North American poetry
"Why have so many contemporary poets turned to source material, from newspapers to governmental records, as inspiration for their poetry? How can citational poems offer a means of social engagement? What are the advantages and perils of appropriating text? Synthesizing research in cultural memo...
Gespeichert in:
1. Verfasser: | |
---|---|
Format: | Buch |
Sprache: | English |
Veröffentlicht: |
Iowa City
University of Iowa Press
[2020]
|
Schriftenreihe: | Contemporary North American poetry series
|
Schlagworte: | |
Online-Zugang: | Inhaltsverzeichnis |
Zusammenfassung: | "Why have so many contemporary poets turned to source material, from newspapers to governmental records, as inspiration for their poetry? How can citational poems offer a means of social engagement? What are the advantages and perils of appropriating text? Synthesizing research in cultural memory studies, art history, public sphere theory, and the history of the humanities, Michael Leong answers such questions as he argues that poems driven by the remixing and reframing of found texts powerfully engage with the collective ways we remember, forget, and remember again. Going well beyond Wordsworthian recollections in tranquility, authors of such research-driven and mnemotechnic work use previous inscriptions as a springboard into public intellectualism This is the first book-length study to examine conceptual writing and documentary poetry under the same cover, showing how diverse writers associated with different poetry communities have a common interest in documentation. Putting into provocative conversation writers such as Amiri Baraka, Kenneth Goldsmith, R.B. Kitaj, Mark Nowak, M. NourbeSe Philip, Vanessa Place, and Claudia Rankine, Leong analyzes a range of twenty-first-century poems that have been reviled, celebrated, or in some cases met with equally telling indifference. In doing so, Leong offers nuanced and non-polemical treatments of some of the most controversial debates about race and ethnicity in twenty-first century literary culture. Situating his objects of study within the wider context of the humanities, Leong's Extending the Document in Contemporary North American Poetry suggests nothing less than a continual extension of our conceptions of poetry"-- |
Beschreibung: | x, 268 Seiten Illustrationen 23 cm |
ISBN: | 9781609386894 |
Internformat
MARC
LEADER | 00000nam a2200000 c 4500 | ||
---|---|---|---|
001 | BV046982481 | ||
003 | DE-604 | ||
005 | 20220927 | ||
007 | t | ||
008 | 201105s2020 a||| |||| 00||| eng d | ||
020 | |a 9781609386894 |c paperback |9 978-1-60938-689-4 | ||
035 | |a (OCoLC)1232511552 | ||
035 | |a (DE-599)BVBBV046982481 | ||
040 | |a DE-604 |b ger |e rda | ||
041 | 0 | |a eng | |
049 | |a DE-12 |a DE-29 |a DE-20 |a DE-355 | ||
084 | |a HU 1769 |0 (DE-625)53773: |2 rvk | ||
100 | 1 | |a Leong, Michael |d 1978- |e Verfasser |0 (DE-588)1216340560 |4 aut | |
245 | 1 | 0 | |a Contested records |b the turn to documents in contemporary North American poetry |c Michael Leong |
264 | 1 | |a Iowa City |b University of Iowa Press |c [2020] | |
264 | 4 | |c © 2020 | |
300 | |a x, 268 Seiten |b Illustrationen |c 23 cm | ||
336 | |b txt |2 rdacontent | ||
337 | |b n |2 rdamedia | ||
338 | |b nc |2 rdacarrier | ||
490 | 0 | |a Contemporary North American poetry series | |
505 | 8 | |a Introduction: documental poetics -- "It matters what you call a thing": documentary, investigative, conceptual, documental -- Documentation, paranoia, and aspiration: on Amiri Baraka and R.B. Kitaj -- "Work itself is given a voice": labor, deskilling, and reskilling in Kenneth Goldsmith and Mark Nowak -- The fate of late conceptualism -- Meta-publicity and the public sphere: on Claudia Rankine and Kenneth Goldsmith -- Afterword: whither poetry? | |
520 | 3 | |a "Why have so many contemporary poets turned to source material, from newspapers to governmental records, as inspiration for their poetry? How can citational poems offer a means of social engagement? What are the advantages and perils of appropriating text? Synthesizing research in cultural memory studies, art history, public sphere theory, and the history of the humanities, Michael Leong answers such questions as he argues that poems driven by the remixing and reframing of found texts powerfully engage with the collective ways we remember, forget, and remember again. Going well beyond Wordsworthian recollections in tranquility, authors of such research-driven and mnemotechnic work use previous inscriptions as a springboard into public intellectualism This is the first book-length study to examine conceptual writing and documentary poetry under the same cover, showing how diverse writers associated with different poetry communities have a common interest in documentation. Putting into provocative conversation writers such as Amiri Baraka, Kenneth Goldsmith, R.B. Kitaj, Mark Nowak, M. NourbeSe Philip, Vanessa Place, and Claudia Rankine, Leong analyzes a range of twenty-first-century poems that have been reviled, celebrated, or in some cases met with equally telling indifference. In doing so, Leong offers nuanced and non-polemical treatments of some of the most controversial debates about race and ethnicity in twenty-first century literary culture. Situating his objects of study within the wider context of the humanities, Leong's Extending the Document in Contemporary North American Poetry suggests nothing less than a continual extension of our conceptions of poetry"-- | |
648 | 7 | |a Geschichte 1970-2019 |2 gnd |9 rswk-swf | |
650 | 0 | 7 | |a Lyrik |0 (DE-588)4036774-5 |2 gnd |9 rswk-swf |
650 | 0 | 7 | |a Dokumentarliteratur |0 (DE-588)4012655-9 |2 gnd |9 rswk-swf |
651 | 7 | |a USA |0 (DE-588)4078704-7 |2 gnd |9 rswk-swf | |
653 | 0 | |a Documentary poetry, American / History and criticism | |
653 | 0 | |a American poetry / 20th century / History and criticism | |
653 | 0 | |a American poetry / 21st century / History and criticism | |
653 | 0 | |a American poetry | |
653 | 4 | |a 1900-2099 | |
653 | 6 | |a Criticism, interpretation, etc | |
689 | 0 | 0 | |a USA |0 (DE-588)4078704-7 |D g |
689 | 0 | 1 | |a Lyrik |0 (DE-588)4036774-5 |D s |
689 | 0 | 2 | |a Dokumentarliteratur |0 (DE-588)4012655-9 |D s |
689 | 0 | 3 | |a Geschichte 1970-2019 |A z |
689 | 0 | |5 DE-604 | |
776 | 0 | 8 | |i Erscheint auch als |n Online-Ausgabe, ebk |a Leong, Michael, 1978- |t Contested records |d Iowa City : University of Iowa Press, 2020 |z 978-1-60938-690-0 |w (DE-604)BV047914495 |
856 | 4 | 2 | |m V:DE-605;X:IDS |q application/pdf |u http://digitale-objekte.hbz-nrw.de/storage2/2022/07/06/file_134/9214457.pdf |3 Inhaltsverzeichnis |
999 | |a oai:aleph.bib-bvb.de:BVB01-032390536 |
Datensatz im Suchindex
_version_ | 1804181917779623936 |
---|---|
adam_txt | |
any_adam_object | |
any_adam_object_boolean | |
author | Leong, Michael 1978- |
author_GND | (DE-588)1216340560 |
author_facet | Leong, Michael 1978- |
author_role | aut |
author_sort | Leong, Michael 1978- |
author_variant | m l ml |
building | Verbundindex |
bvnumber | BV046982481 |
classification_rvk | HU 1769 |
contents | Introduction: documental poetics -- "It matters what you call a thing": documentary, investigative, conceptual, documental -- Documentation, paranoia, and aspiration: on Amiri Baraka and R.B. Kitaj -- "Work itself is given a voice": labor, deskilling, and reskilling in Kenneth Goldsmith and Mark Nowak -- The fate of late conceptualism -- Meta-publicity and the public sphere: on Claudia Rankine and Kenneth Goldsmith -- Afterword: whither poetry? |
ctrlnum | (OCoLC)1232511552 (DE-599)BVBBV046982481 |
discipline | Anglistik / Amerikanistik |
discipline_str_mv | Anglistik / Amerikanistik |
era | Geschichte 1970-2019 gnd |
era_facet | Geschichte 1970-2019 |
format | Book |
fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>04221nam a2200517 c 4500</leader><controlfield tag="001">BV046982481</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20220927 </controlfield><controlfield tag="007">t</controlfield><controlfield tag="008">201105s2020 a||| |||| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781609386894</subfield><subfield code="c">paperback</subfield><subfield code="9">978-1-60938-689-4</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1232511552</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV046982481</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-12</subfield><subfield code="a">DE-29</subfield><subfield code="a">DE-20</subfield><subfield code="a">DE-355</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">HU 1769</subfield><subfield code="0">(DE-625)53773:</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Leong, Michael</subfield><subfield code="d">1978-</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)1216340560</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Contested records</subfield><subfield code="b">the turn to documents in contemporary North American poetry</subfield><subfield code="c">Michael Leong</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Iowa City</subfield><subfield code="b">University of Iowa Press</subfield><subfield code="c">[2020]</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">© 2020</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">x, 268 Seiten</subfield><subfield code="b">Illustrationen</subfield><subfield code="c">23 cm</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="0" ind2=" "><subfield code="a">Contemporary North American poetry series</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">Introduction: documental poetics -- "It matters what you call a thing": documentary, investigative, conceptual, documental -- Documentation, paranoia, and aspiration: on Amiri Baraka and R.B. Kitaj -- "Work itself is given a voice": labor, deskilling, and reskilling in Kenneth Goldsmith and Mark Nowak -- The fate of late conceptualism -- Meta-publicity and the public sphere: on Claudia Rankine and Kenneth Goldsmith -- Afterword: whither poetry?</subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">"Why have so many contemporary poets turned to source material, from newspapers to governmental records, as inspiration for their poetry? How can citational poems offer a means of social engagement? What are the advantages and perils of appropriating text? Synthesizing research in cultural memory studies, art history, public sphere theory, and the history of the humanities, Michael Leong answers such questions as he argues that poems driven by the remixing and reframing of found texts powerfully engage with the collective ways we remember, forget, and remember again. Going well beyond Wordsworthian recollections in tranquility, authors of such research-driven and mnemotechnic work use previous inscriptions as a springboard into public intellectualism This is the first book-length study to examine conceptual writing and documentary poetry under the same cover, showing how diverse writers associated with different poetry communities have a common interest in documentation. Putting into provocative conversation writers such as Amiri Baraka, Kenneth Goldsmith, R.B. Kitaj, Mark Nowak, M. NourbeSe Philip, Vanessa Place, and Claudia Rankine, Leong analyzes a range of twenty-first-century poems that have been reviled, celebrated, or in some cases met with equally telling indifference. In doing so, Leong offers nuanced and non-polemical treatments of some of the most controversial debates about race and ethnicity in twenty-first century literary culture. Situating his objects of study within the wider context of the humanities, Leong's Extending the Document in Contemporary North American Poetry suggests nothing less than a continual extension of our conceptions of poetry"--</subfield></datafield><datafield tag="648" ind1=" " ind2="7"><subfield code="a">Geschichte 1970-2019</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Lyrik</subfield><subfield code="0">(DE-588)4036774-5</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Dokumentarliteratur</subfield><subfield code="0">(DE-588)4012655-9</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="651" ind1=" " ind2="7"><subfield code="a">USA</subfield><subfield code="0">(DE-588)4078704-7</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Documentary poetry, American / History and criticism</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">American poetry / 20th century / History and criticism</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">American poetry / 21st century / History and criticism</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">American poetry</subfield></datafield><datafield tag="653" ind1=" " ind2="4"><subfield code="a">1900-2099</subfield></datafield><datafield tag="653" ind1=" " ind2="6"><subfield code="a">Criticism, interpretation, etc</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">USA</subfield><subfield code="0">(DE-588)4078704-7</subfield><subfield code="D">g</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Lyrik</subfield><subfield code="0">(DE-588)4036774-5</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Dokumentarliteratur</subfield><subfield code="0">(DE-588)4012655-9</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="3"><subfield code="a">Geschichte 1970-2019</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Online-Ausgabe, ebk</subfield><subfield code="a">Leong, Michael, 1978-</subfield><subfield code="t">Contested records</subfield><subfield code="d">Iowa City : University of Iowa Press, 2020</subfield><subfield code="z">978-1-60938-690-0</subfield><subfield code="w">(DE-604)BV047914495</subfield></datafield><datafield tag="856" ind1="4" ind2="2"><subfield code="m">V:DE-605;X:IDS</subfield><subfield code="q">application/pdf</subfield><subfield code="u">http://digitale-objekte.hbz-nrw.de/storage2/2022/07/06/file_134/9214457.pdf</subfield><subfield code="3">Inhaltsverzeichnis</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-032390536</subfield></datafield></record></collection> |
geographic | USA (DE-588)4078704-7 gnd |
geographic_facet | USA |
id | DE-604.BV046982481 |
illustrated | Illustrated |
index_date | 2024-07-03T15:49:59Z |
indexdate | 2024-07-10T08:59:17Z |
institution | BVB |
isbn | 9781609386894 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032390536 |
oclc_num | 1232511552 |
open_access_boolean | |
owner | DE-12 DE-29 DE-20 DE-355 DE-BY-UBR |
owner_facet | DE-12 DE-29 DE-20 DE-355 DE-BY-UBR |
physical | x, 268 Seiten Illustrationen 23 cm |
publishDate | 2020 |
publishDateSearch | 2020 |
publishDateSort | 2020 |
publisher | University of Iowa Press |
record_format | marc |
series2 | Contemporary North American poetry series |
spelling | Leong, Michael 1978- Verfasser (DE-588)1216340560 aut Contested records the turn to documents in contemporary North American poetry Michael Leong Iowa City University of Iowa Press [2020] © 2020 x, 268 Seiten Illustrationen 23 cm txt rdacontent n rdamedia nc rdacarrier Contemporary North American poetry series Introduction: documental poetics -- "It matters what you call a thing": documentary, investigative, conceptual, documental -- Documentation, paranoia, and aspiration: on Amiri Baraka and R.B. Kitaj -- "Work itself is given a voice": labor, deskilling, and reskilling in Kenneth Goldsmith and Mark Nowak -- The fate of late conceptualism -- Meta-publicity and the public sphere: on Claudia Rankine and Kenneth Goldsmith -- Afterword: whither poetry? "Why have so many contemporary poets turned to source material, from newspapers to governmental records, as inspiration for their poetry? How can citational poems offer a means of social engagement? What are the advantages and perils of appropriating text? Synthesizing research in cultural memory studies, art history, public sphere theory, and the history of the humanities, Michael Leong answers such questions as he argues that poems driven by the remixing and reframing of found texts powerfully engage with the collective ways we remember, forget, and remember again. Going well beyond Wordsworthian recollections in tranquility, authors of such research-driven and mnemotechnic work use previous inscriptions as a springboard into public intellectualism This is the first book-length study to examine conceptual writing and documentary poetry under the same cover, showing how diverse writers associated with different poetry communities have a common interest in documentation. Putting into provocative conversation writers such as Amiri Baraka, Kenneth Goldsmith, R.B. Kitaj, Mark Nowak, M. NourbeSe Philip, Vanessa Place, and Claudia Rankine, Leong analyzes a range of twenty-first-century poems that have been reviled, celebrated, or in some cases met with equally telling indifference. In doing so, Leong offers nuanced and non-polemical treatments of some of the most controversial debates about race and ethnicity in twenty-first century literary culture. Situating his objects of study within the wider context of the humanities, Leong's Extending the Document in Contemporary North American Poetry suggests nothing less than a continual extension of our conceptions of poetry"-- Geschichte 1970-2019 gnd rswk-swf Lyrik (DE-588)4036774-5 gnd rswk-swf Dokumentarliteratur (DE-588)4012655-9 gnd rswk-swf USA (DE-588)4078704-7 gnd rswk-swf Documentary poetry, American / History and criticism American poetry / 20th century / History and criticism American poetry / 21st century / History and criticism American poetry 1900-2099 Criticism, interpretation, etc USA (DE-588)4078704-7 g Lyrik (DE-588)4036774-5 s Dokumentarliteratur (DE-588)4012655-9 s Geschichte 1970-2019 z DE-604 Erscheint auch als Online-Ausgabe, ebk Leong, Michael, 1978- Contested records Iowa City : University of Iowa Press, 2020 978-1-60938-690-0 (DE-604)BV047914495 V:DE-605;X:IDS application/pdf http://digitale-objekte.hbz-nrw.de/storage2/2022/07/06/file_134/9214457.pdf Inhaltsverzeichnis |
spellingShingle | Leong, Michael 1978- Contested records the turn to documents in contemporary North American poetry Introduction: documental poetics -- "It matters what you call a thing": documentary, investigative, conceptual, documental -- Documentation, paranoia, and aspiration: on Amiri Baraka and R.B. Kitaj -- "Work itself is given a voice": labor, deskilling, and reskilling in Kenneth Goldsmith and Mark Nowak -- The fate of late conceptualism -- Meta-publicity and the public sphere: on Claudia Rankine and Kenneth Goldsmith -- Afterword: whither poetry? Lyrik (DE-588)4036774-5 gnd Dokumentarliteratur (DE-588)4012655-9 gnd |
subject_GND | (DE-588)4036774-5 (DE-588)4012655-9 (DE-588)4078704-7 |
title | Contested records the turn to documents in contemporary North American poetry |
title_auth | Contested records the turn to documents in contemporary North American poetry |
title_exact_search | Contested records the turn to documents in contemporary North American poetry |
title_exact_search_txtP | Contested records the turn to documents in contemporary North American poetry |
title_full | Contested records the turn to documents in contemporary North American poetry Michael Leong |
title_fullStr | Contested records the turn to documents in contemporary North American poetry Michael Leong |
title_full_unstemmed | Contested records the turn to documents in contemporary North American poetry Michael Leong |
title_short | Contested records |
title_sort | contested records the turn to documents in contemporary north american poetry |
title_sub | the turn to documents in contemporary North American poetry |
topic | Lyrik (DE-588)4036774-5 gnd Dokumentarliteratur (DE-588)4012655-9 gnd |
topic_facet | Lyrik Dokumentarliteratur USA |
url | http://digitale-objekte.hbz-nrw.de/storage2/2022/07/06/file_134/9214457.pdf |
work_keys_str_mv | AT leongmichael contestedrecordstheturntodocumentsincontemporarynorthamericanpoetry |