Marie Duval: Maverick Victorian cartoonist
Gespeichert in:
| Hauptverfasser: | , , |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Manchester
Manchester University Press
2020
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| Schriftenreihe: | Interventions: Rethinking the nineteenth century
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| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | x, 272 Seiten Illustrationen |
| ISBN: | 9781526133540 |
Internformat
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Datensatz im Suchindex
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| adam_text | Contents List of illustrations page vii Introduction Simon Grennan, Roger Sabin, Julian Waite Part I: Work 1 9 1 Finding a voice at Judy Roger Sabin 11 2 Marie Duval and thewoman employee Simon Grennan 36 3 Marie Duval’s theatre career and its impact on her drawings Julian Waite 65 4 The children’s book author: Queens Kings and Other Things Roger Sabin 99 5 Marie Duval and the technologies of periodical publishing Simon Grennan 118 Partii: Depicting and performing 135 6 The significance of Marie Duval’s drawing style Simon Grennan 137 7 The relationship between performance and drawing: suggestive synaesthesia in Marie Duval’s work Julian Waite 160 8 The role of spectacle in Marie Duval’s work Julian Waite 187 9 A women’s cartoonist? Roger Sabin 216 v
Contents Appendix 1 Questions of attribution 238 Simon Grennan, Roger Sabin, Julian Waite Appendix 2Questions of terminology and historicisation 244 Simon Grennan, Roger Sabin, Julian Waite Bibliography Index 249 269 vi
Marie Duval: Maverick Victorian Cartoonist offers the first critical appraisal of the work of Marie Duval (Isabella Tessier, 1847-90), one of the most unusual, pioneering and visionary cartoonists of the nineteenth century. Duval s cartoons, strips and illustrations revolutionised print comedy. Her London characters became a mainstay of Judy magazine, a rival to Punch, and introduced its middle-class readers to a lower-class milieu - domestic servants who get the better of their masters, street urchins who terrorise the elderly, clowns who are miserably unfunny. The most famous character was Ally Sloper, a boozy ne er-do-well, always in trouble with the police, the landlord, and his wife - developed by Duval into nothing less than a national hero. The book discusses key themes of Duval s vision and production, relative to wider historic, social, cultural and economic environments. It identifies her as an exemplary radical practitioner, especially significant for importing ideas from the stage to the page, and for confounding gender expectations. She emerges as a key figure in the new congruence between performance, illustration, narrative drawing and novels. The book is a journey of rediscovery, sourced from an unprecedented range of primary sources and bringing together the fields of Comics Studies, Theatre Studies, Comedy Studies, Periodical Studies and Women s Studies. It aims to restore the maverick Duval to her rightful place in history. Simon Grennan is Leading Research Fellow at the University of Chester Roger Sabin is Professor of Popular Culture at the University
of the Arts London Julian Waite is an independent Scholar and former Senior Lecturer in Performing Arts and Programme Leader MA Drama at the University of Chester
|
| adam_txt |
Contents List of illustrations page vii Introduction Simon Grennan, Roger Sabin, Julian Waite Part I: Work 1 9 1 Finding a voice at Judy Roger Sabin 11 2 Marie Duval and thewoman employee Simon Grennan 36 3 Marie Duval’s theatre career and its impact on her drawings Julian Waite 65 4 The children’s book author: Queens Kings and Other Things Roger Sabin 99 5 Marie Duval and the technologies of periodical publishing Simon Grennan 118 Partii: Depicting and performing 135 6 The significance of Marie Duval’s drawing style Simon Grennan 137 7 The relationship between performance and drawing: suggestive synaesthesia in Marie Duval’s work Julian Waite 160 8 The role of spectacle in Marie Duval’s work Julian Waite 187 9 A women’s cartoonist? Roger Sabin 216 v
Contents Appendix 1 Questions of attribution 238 Simon Grennan, Roger Sabin, Julian Waite Appendix 2Questions of terminology and historicisation 244 Simon Grennan, Roger Sabin, Julian Waite Bibliography Index 249 269 vi
Marie Duval: Maverick Victorian Cartoonist offers the first critical appraisal of the work of Marie Duval (Isabella Tessier, 1847-90), one of the most unusual, pioneering and visionary cartoonists of the nineteenth century. Duval's cartoons, strips and illustrations revolutionised print comedy. Her London characters became a mainstay of Judy magazine, a rival to Punch, and introduced its middle-class readers to a lower-class milieu - domestic servants who get the better of their masters, street urchins who terrorise the elderly, clowns who are miserably unfunny. The most famous character was Ally Sloper, a boozy ne'er-do-well, always in trouble with the police, the landlord, and his wife - developed by Duval into nothing less than a national hero. The book discusses key themes of Duval's vision and production, relative to wider historic, social, cultural and economic environments. It identifies her as an exemplary radical practitioner, especially significant for importing ideas from the stage to the page, and for confounding gender expectations. She emerges as a key figure in the new congruence between performance, illustration, narrative drawing and novels. The book is a journey of rediscovery, sourced from an unprecedented range of primary sources and bringing together the fields of Comics Studies, Theatre Studies, Comedy Studies, Periodical Studies and Women's Studies. It aims to restore the maverick Duval to her rightful place in history. Simon Grennan is Leading Research Fellow at the University of Chester Roger Sabin is Professor of Popular Culture at the University
of the Arts London Julian Waite is an independent Scholar and former Senior Lecturer in Performing Arts and Programme Leader MA Drama at the University of Chester |
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| spelling | Grennan, Simon 1965- Verfasser (DE-588)135844509 aut Marie Duval Maverick Victorian cartoonist Simon Grennan, Roger Sabin and Julian Waite Manchester Manchester University Press 2020 x, 272 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier Interventions: Rethinking the nineteenth century Duval, Marie 1847-1890 (DE-588)1169361064 gnd rswk-swf (DE-588)4006804-3 Biografie gnd-content Duval, Marie 1847-1890 (DE-588)1169361064 p DE-604 Sabin, Roger 1961- Verfasser (DE-588)188448543 aut Waite, Julian Verfasser (DE-588)1232752568 aut Digitalisierung UB Regensburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032385604&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Regensburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032385604&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
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| title | Marie Duval Maverick Victorian cartoonist |
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| title_full | Marie Duval Maverick Victorian cartoonist Simon Grennan, Roger Sabin and Julian Waite |
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| title_short | Marie Duval |
| title_sort | marie duval maverick victorian cartoonist |
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| topic_facet | Duval, Marie 1847-1890 Biografie |
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