The global connections of Gandhāran art: proceedings of the Third International Workshop of the Gandhāra Connections Project, University of Oxford, 18th-19th March, 2019
Gandharan art is often regarded as the epitome of cultural exchange in antiquity. The ancient region of Gandhara, centred on what is now the northern tip of Pakistan, has been called the 'crossroads of Asia'. The Buddhist art produced in and around this area in the first few centuries AD e...
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Zusammenfassung: | Gandharan art is often regarded as the epitome of cultural exchange in antiquity. The ancient region of Gandhara, centred on what is now the northern tip of Pakistan, has been called the 'crossroads of Asia'. The Buddhist art produced in and around this area in the first few centuries AD exhibits extraordinary connections with other traditions across Asia and as far as the Mediterranean. Since the nineteenth century, the Graeco-Roman associations of Gandharan art have attracted particular attention. Classically educated soldiers and administrators of that era were astonished by the uncanny resemblance of many works of Gandharan sculpture to Greek and Roman art made thousands of miles to the west. More than a century later we can recognize that the Gandharan artists' appropriation of classical iconography and styles was diverse and extensive, but the explanation of this 'influence' remains puzzling and elusive. The Gandhara Connections project at the University of Oxford's Classical Art Research Centre was initiated principally to cast new light on this old problem.0This volume is the third set of proceedings of the project's annual workshop, and the first to address directly the question of cross-cultural influence on and by Gandharan art. The contributors wrestle with old controversies, particularly the notion that Gandharan art is a legacy of Hellenistic Greek rule in Central Asia and the growing consensus around the important role of the Roman Empire in shaping it. But they also seek to present a more complex and expansive view of the networks in which Gandhara was embedded. Adopting a global perspective on the subject, they examine aspects of Gandhara's connections both within and beyond South Asia and Central Asia, including the profound influence which Gandharan art itself had on the development of Buddhist art in China and India |
Beschreibung: | 1 Online-Ressource (vii, 264 Seiten) Illustrationen, Karten |
ISBN: | 9781789696967 1789696968 |
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520 | 3 | |a Gandharan art is often regarded as the epitome of cultural exchange in antiquity. The ancient region of Gandhara, centred on what is now the northern tip of Pakistan, has been called the 'crossroads of Asia'. The Buddhist art produced in and around this area in the first few centuries AD exhibits extraordinary connections with other traditions across Asia and as far as the Mediterranean. Since the nineteenth century, the Graeco-Roman associations of Gandharan art have attracted particular attention. Classically educated soldiers and administrators of that era were astonished by the uncanny resemblance of many works of Gandharan sculpture to Greek and Roman art made thousands of miles to the west. More than a century later we can recognize that the Gandharan artists' appropriation of classical iconography and styles was diverse and extensive, but the explanation of this 'influence' remains puzzling and elusive. The Gandhara Connections project at the University of Oxford's Classical Art Research Centre was initiated principally to cast new light on this old problem.0This volume is the third set of proceedings of the project's annual workshop, and the first to address directly the question of cross-cultural influence on and by Gandharan art. The contributors wrestle with old controversies, particularly the notion that Gandharan art is a legacy of Hellenistic Greek rule in Central Asia and the growing consensus around the important role of the Roman Empire in shaping it. But they also seek to present a more complex and expansive view of the networks in which Gandhara was embedded. Adopting a global perspective on the subject, they examine aspects of Gandhara's connections both within and beyond South Asia and Central Asia, including the profound influence which Gandharan art itself had on the development of Buddhist art in China and India | |
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spelling | Gandhara Connections (Projekt) 3. 2019 Oxford International Workshop Verfasser (DE-588)1219760358 aut The global connections of Gandhāran art proceedings of the Third International Workshop of the Gandhāra Connections Project, University of Oxford, 18th-19th March, 2019 edited by Wannaporn Rienjang and Peter Stewart Oxford Archaeopress Publishing Ltd [2020] 1 Online-Ressource (vii, 264 Seiten) Illustrationen, Karten txt rdacontent c rdamedia cr rdacarrier Archaeopress access archaeology Gandharan art is often regarded as the epitome of cultural exchange in antiquity. The ancient region of Gandhara, centred on what is now the northern tip of Pakistan, has been called the 'crossroads of Asia'. The Buddhist art produced in and around this area in the first few centuries AD exhibits extraordinary connections with other traditions across Asia and as far as the Mediterranean. Since the nineteenth century, the Graeco-Roman associations of Gandharan art have attracted particular attention. Classically educated soldiers and administrators of that era were astonished by the uncanny resemblance of many works of Gandharan sculpture to Greek and Roman art made thousands of miles to the west. More than a century later we can recognize that the Gandharan artists' appropriation of classical iconography and styles was diverse and extensive, but the explanation of this 'influence' remains puzzling and elusive. The Gandhara Connections project at the University of Oxford's Classical Art Research Centre was initiated principally to cast new light on this old problem.0This volume is the third set of proceedings of the project's annual workshop, and the first to address directly the question of cross-cultural influence on and by Gandharan art. The contributors wrestle with old controversies, particularly the notion that Gandharan art is a legacy of Hellenistic Greek rule in Central Asia and the growing consensus around the important role of the Roman Empire in shaping it. But they also seek to present a more complex and expansive view of the networks in which Gandhara was embedded. Adopting a global perspective on the subject, they examine aspects of Gandhara's connections both within and beyond South Asia and Central Asia, including the profound influence which Gandharan art itself had on the development of Buddhist art in China and India Geschichte 1-900 gnd rswk-swf Kunst (DE-588)4114333-4 gnd rswk-swf Kulturkontakt (DE-588)4033569-0 gnd rswk-swf Gandhāra (DE-588)4019220-9 gnd rswk-swf (DE-588)1071861417 Konferenzschrift gnd-content Gandhāra (DE-588)4019220-9 g Kunst (DE-588)4114333-4 s Kulturkontakt (DE-588)4033569-0 s Geschichte 1-900 z DE-604 Rienjang, Wannaporn (DE-588)1159601305 edt Stewart, Peter 1971- (DE-588)135640954 edt Erscheint auch als Druck-Ausgabe 978-1-78969-695-0 https://www.archaeopress.com/Archaeopress/Products/9781789696967 Verlag kostenfrei Volltext |
spellingShingle | The global connections of Gandhāran art proceedings of the Third International Workshop of the Gandhāra Connections Project, University of Oxford, 18th-19th March, 2019 Kunst (DE-588)4114333-4 gnd Kulturkontakt (DE-588)4033569-0 gnd |
subject_GND | (DE-588)4114333-4 (DE-588)4033569-0 (DE-588)4019220-9 (DE-588)1071861417 |
title | The global connections of Gandhāran art proceedings of the Third International Workshop of the Gandhāra Connections Project, University of Oxford, 18th-19th March, 2019 |
title_auth | The global connections of Gandhāran art proceedings of the Third International Workshop of the Gandhāra Connections Project, University of Oxford, 18th-19th March, 2019 |
title_exact_search | The global connections of Gandhāran art proceedings of the Third International Workshop of the Gandhāra Connections Project, University of Oxford, 18th-19th March, 2019 |
title_exact_search_txtP | The global connections of Gandhāran art proceedings of the Third International Workshop of the Gandhāra Connections Project, University of Oxford, 18th-19th March, 2019 |
title_full | The global connections of Gandhāran art proceedings of the Third International Workshop of the Gandhāra Connections Project, University of Oxford, 18th-19th March, 2019 edited by Wannaporn Rienjang and Peter Stewart |
title_fullStr | The global connections of Gandhāran art proceedings of the Third International Workshop of the Gandhāra Connections Project, University of Oxford, 18th-19th March, 2019 edited by Wannaporn Rienjang and Peter Stewart |
title_full_unstemmed | The global connections of Gandhāran art proceedings of the Third International Workshop of the Gandhāra Connections Project, University of Oxford, 18th-19th March, 2019 edited by Wannaporn Rienjang and Peter Stewart |
title_short | The global connections of Gandhāran art |
title_sort | the global connections of gandharan art proceedings of the third international workshop of the gandhara connections project university of oxford 18th 19th march 2019 |
title_sub | proceedings of the Third International Workshop of the Gandhāra Connections Project, University of Oxford, 18th-19th March, 2019 |
topic | Kunst (DE-588)4114333-4 gnd Kulturkontakt (DE-588)4033569-0 gnd |
topic_facet | Kunst Kulturkontakt Gandhāra Konferenzschrift |
url | https://www.archaeopress.com/Archaeopress/Products/9781789696967 |
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