Memory and Intermediality in Artists' Moving Image:
This book addresses the preoccupation with memory in contemporary artists' moving image installations. It situates artists' moving image in relation to the transformations of digitalization as hybrid intermedial combinations of analogue film, video and digital video emerge from mid 1990s o...
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Cham
Springer International Publishing
2021
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| Ausgabe: | 1st edition |
| Schriftenreihe: | Experimental Film and Artists' Moving Image
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| Schlagworte: | |
| Online-Zugang: | UBT01 UBW01 UPA01 URL des Erstveröffentlichers |
| Zusammenfassung: | This book addresses the preoccupation with memory in contemporary artists' moving image installations. It situates artists' moving image in relation to the transformations of digitalization as hybrid intermedial combinations of analogue film, video and digital video emerge from mid 1990s onwards. While film has always been closely associated with the process of memory, this book investigates new models of memory in artists' remediation of film with video and other intermedial aesthetics. Beginning with a chapter on the theorization of memory and the moving image and the diverse genealogies of artists' film and video, the following chapters identify five different mnemonic modes in artists' moving image: critical nostalgia, database narrative, the 'echo-chamber', documentary fiction and mediatized memories. Stan Douglas, Steve McQueen, Runa Islam, Mark Leckey and Elizabeth Price are of a generation that has lived through the transition from analogue to digital. Their emphasis on the nuances of intermediality indicates the extent to which we remember through media |
| Beschreibung: | Chapter One: Introduction: Memory and the Moving Image -- Chapter Two: Critical Nostalgia and the Centenary of Cinema -- Chapter Three: Database Narrative -- Chapter Four: The Echo-Chamber: Remembering Cinema -- Chapter Five: Mediatized Memories -- Afterword |
| Beschreibung: | 1 Online-Ressource (x, 250 Seiten) Illustrationen |
| ISBN: | 9783030473969 |
| DOI: | 10.1007/978-3-030-47396-9 |
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Datensatz im Suchindex
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| adam_txt | |
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| author | Durcan, Sarah |
| author_facet | Durcan, Sarah |
| author_role | aut |
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| bvnumber | BV046970296 |
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| dewey-full | 791.4361 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 791 - Public performances |
| dewey-raw | 791.4361 |
| dewey-search | 791.4361 |
| dewey-sort | 3791.4361 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Kunstgeschichte Allgemeines |
| discipline_str_mv | Kunstgeschichte Allgemeines |
| doi_str_mv | 10.1007/978-3-030-47396-9 |
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| id | DE-604.BV046970296 |
| illustrated | Not Illustrated |
| index_date | 2024-07-03T15:47:10Z |
| indexdate | 2024-07-10T08:58:56Z |
| institution | BVB |
| isbn | 9783030473969 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032378488 |
| oclc_num | 1220905666 |
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| physical | 1 Online-Ressource (x, 250 Seiten) Illustrationen |
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| publishDate | 2021 |
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| series2 | Experimental Film and Artists' Moving Image |
| spelling | Durcan, Sarah Verfasser aut Memory and Intermediality in Artists' Moving Image Sarah Durcan 1st edition Cham Springer International Publishing 2021 1 Online-Ressource (x, 250 Seiten) Illustrationen txt rdacontent c rdamedia cr rdacarrier Experimental Film and Artists' Moving Image Chapter One: Introduction: Memory and the Moving Image -- Chapter Two: Critical Nostalgia and the Centenary of Cinema -- Chapter Three: Database Narrative -- Chapter Four: The Echo-Chamber: Remembering Cinema -- Chapter Five: Mediatized Memories -- Afterword This book addresses the preoccupation with memory in contemporary artists' moving image installations. It situates artists' moving image in relation to the transformations of digitalization as hybrid intermedial combinations of analogue film, video and digital video emerge from mid 1990s onwards. While film has always been closely associated with the process of memory, this book investigates new models of memory in artists' remediation of film with video and other intermedial aesthetics. Beginning with a chapter on the theorization of memory and the moving image and the diverse genealogies of artists' film and video, the following chapters identify five different mnemonic modes in artists' moving image: critical nostalgia, database narrative, the 'echo-chamber', documentary fiction and mediatized memories. Stan Douglas, Steve McQueen, Runa Islam, Mark Leckey and Elizabeth Price are of a generation that has lived through the transition from analogue to digital. Their emphasis on the nuances of intermediality indicates the extent to which we remember through media Geschichte 1990-2021 gnd rswk-swf Experimental films Historiography Digitalisierung (DE-588)4123065-6 gnd rswk-swf Intermedialität (DE-588)4605581-2 gnd rswk-swf Installation Kunst (DE-588)4131808-0 gnd rswk-swf Gedächtnis (DE-588)4019614-8 gnd rswk-swf Installation Kunst (DE-588)4131808-0 s Digitalisierung (DE-588)4123065-6 s Intermedialität (DE-588)4605581-2 s Gedächtnis (DE-588)4019614-8 s Geschichte 1990-2021 z DE-604 Erscheint auch als Druck-Ausgabe 9783030473952 Erscheint auch als Druck-Ausgabe 9783030473976 Erscheint auch als Druck-Ausgabe 9783030473983 https://doi.org/10.1007/978-3-030-47396-9 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Durcan, Sarah Memory and Intermediality in Artists' Moving Image Experimental films Historiography Digitalisierung (DE-588)4123065-6 gnd Intermedialität (DE-588)4605581-2 gnd Installation Kunst (DE-588)4131808-0 gnd Gedächtnis (DE-588)4019614-8 gnd |
| subject_GND | (DE-588)4123065-6 (DE-588)4605581-2 (DE-588)4131808-0 (DE-588)4019614-8 |
| title | Memory and Intermediality in Artists' Moving Image |
| title_auth | Memory and Intermediality in Artists' Moving Image |
| title_exact_search | Memory and Intermediality in Artists' Moving Image |
| title_exact_search_txtP | Memory and Intermediality in Artists' Moving Image |
| title_full | Memory and Intermediality in Artists' Moving Image Sarah Durcan |
| title_fullStr | Memory and Intermediality in Artists' Moving Image Sarah Durcan |
| title_full_unstemmed | Memory and Intermediality in Artists' Moving Image Sarah Durcan |
| title_short | Memory and Intermediality in Artists' Moving Image |
| title_sort | memory and intermediality in artists moving image |
| topic | Experimental films Historiography Digitalisierung (DE-588)4123065-6 gnd Intermedialität (DE-588)4605581-2 gnd Installation Kunst (DE-588)4131808-0 gnd Gedächtnis (DE-588)4019614-8 gnd |
| topic_facet | Experimental films Historiography Digitalisierung Intermedialität Installation Kunst Gedächtnis |
| url | https://doi.org/10.1007/978-3-030-47396-9 |
| work_keys_str_mv | AT durcansarah memoryandintermedialityinartistsmovingimage |