Musicology and dance: historical and critical perspectives
Long treated as peripheral to music history, dance has become prominent within musicological research, as a prime and popular subject for an increasing number of books, articles, conference papers and special symposiums. Despite this growing interest, there remains no thorough-going critical examina...
Gespeichert in:
| Weitere Verfasser: | , |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Cambridge
Cambridge University Press
2020
|
| Schlagworte: | |
| Online-Zugang: | BSB01 UBG01 UBR01 URL des Erstveröffentlichers |
| Zusammenfassung: | Long treated as peripheral to music history, dance has become prominent within musicological research, as a prime and popular subject for an increasing number of books, articles, conference papers and special symposiums. Despite this growing interest, there remains no thorough-going critical examination of the ways in which musicologists might engage with dance, thinking not only about specific repertoires or genres, but about fundamental commonalities between the two, including embodiment, agency, subjectivity and consciousness. This volume begins to fill this gap. Ten chapters illustrate a range of conceptual, historical and interpretive approaches that advance the interdisciplinary study of music and dance. This methodological eclecticism is a defining feature of the volume, integrating insights from critical theory, film and cultural studies, the visual arts, phenomenology, cultural anthropology and literary criticism into the study of music and dance |
| Beschreibung: | Conceptual studies. J. S. Bach and the dance of humankind / John Butt ; Dance as 'Other' : Contrasting modes of musical representation / Suzanne Aspden ; Thinking on our feet : A somatic enquiry into a Haydn minuet ; Joseph Fort ; Making moves in reception studies : Music, listening and Loie Fuller / Davinia Caddy -- Case histories. The 'splendid and shameful art' : Dancing in and around the Wagnerian Gesamtkunstwerk / Thomas Grey ; Hymnody, dance and the sacred in the illustrated song / Marian Wilson Kimber ; Pavanes and passepieds in the age of the cancan / Carlo Caballero -- Critical readings. Nijinsky, modernism, repression : The Faune ballet - once again - under analysis / David J. Code ; Choreographing Mahler songs at the centenary / Wayne Heisler Jr ; Embodied heritage : English country dance in Austen screen adaptations / Maribeth Clark |
| Beschreibung: | 1 Online-Ressource (xvi, 309 Seiten) |
| ISBN: | 9781108567947 |
| DOI: | 10.1017/9781108567947 |
Internformat
MARC
| LEADER | 00000nmm a2200000zc 4500 | ||
|---|---|---|---|
| 001 | BV046968700 | ||
| 003 | DE-604 | ||
| 005 | 20210916 | ||
| 007 | cr|uuu---uuuuu | ||
| 008 | 201030s2020 |||| o||u| ||||||eng d | ||
| 020 | |a 9781108567947 |c Online |9 978-1-108-56794-7 | ||
| 024 | 7 | |a 10.1017/9781108567947 |2 doi | |
| 035 | |a (ZDB-20-CBO)CR9781108567947 | ||
| 035 | |a (OCoLC)1220896987 | ||
| 035 | |a (DE-599)BVBBV046968700 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-12 |a DE-473 |a DE-355 | ||
| 082 | 0 | |a 781.5/5409 | |
| 084 | |a MUS |q DE-12 |2 fid | ||
| 084 | |a AP 87500 |0 (DE-625)8090: |2 rvk | ||
| 084 | |a LR 54550 |0 (DE-625)109699:13528 |2 rvk | ||
| 245 | 1 | 0 | |a Musicology and dance |b historical and critical perspectives |c edited by Davinia Caddy, Maribeth Clark |
| 246 | 1 | 3 | |a Musicology & Dance |
| 264 | 1 | |a Cambridge |b Cambridge University Press |c 2020 | |
| 300 | |a 1 Online-Ressource (xvi, 309 Seiten) | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b c |2 rdamedia | ||
| 338 | |b cr |2 rdacarrier | ||
| 500 | |a Conceptual studies. J. S. Bach and the dance of humankind / John Butt ; Dance as 'Other' : Contrasting modes of musical representation / Suzanne Aspden ; Thinking on our feet : A somatic enquiry into a Haydn minuet ; Joseph Fort ; Making moves in reception studies : Music, listening and Loie Fuller / Davinia Caddy -- Case histories. The 'splendid and shameful art' : Dancing in and around the Wagnerian Gesamtkunstwerk / Thomas Grey ; Hymnody, dance and the sacred in the illustrated song / Marian Wilson Kimber ; Pavanes and passepieds in the age of the cancan / Carlo Caballero -- Critical readings. Nijinsky, modernism, repression : The Faune ballet - once again - under analysis / David J. Code ; Choreographing Mahler songs at the centenary / Wayne Heisler Jr ; Embodied heritage : English country dance in Austen screen adaptations / Maribeth Clark | ||
| 520 | |a Long treated as peripheral to music history, dance has become prominent within musicological research, as a prime and popular subject for an increasing number of books, articles, conference papers and special symposiums. Despite this growing interest, there remains no thorough-going critical examination of the ways in which musicologists might engage with dance, thinking not only about specific repertoires or genres, but about fundamental commonalities between the two, including embodiment, agency, subjectivity and consciousness. This volume begins to fill this gap. Ten chapters illustrate a range of conceptual, historical and interpretive approaches that advance the interdisciplinary study of music and dance. This methodological eclecticism is a defining feature of the volume, integrating insights from critical theory, film and cultural studies, the visual arts, phenomenology, cultural anthropology and literary criticism into the study of music and dance | ||
| 648 | 7 | |a Geschichte |2 gnd |9 rswk-swf | |
| 650 | 4 | |a Dance music / History and criticism | |
| 650 | 4 | |a Music and dance / History | |
| 650 | 4 | |a Ballet / History | |
| 650 | 0 | 7 | |a Musik |0 (DE-588)4040802-4 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Ballett |0 (DE-588)4004351-4 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Tanz |0 (DE-588)4059028-8 |2 gnd |9 rswk-swf |
| 655 | 7 | |0 (DE-588)4143413-4 |a Aufsatzsammlung |2 gnd-content | |
| 689 | 0 | 0 | |a Musik |0 (DE-588)4040802-4 |D s |
| 689 | 0 | 1 | |a Tanz |0 (DE-588)4059028-8 |D s |
| 689 | 0 | 2 | |a Ballett |0 (DE-588)4004351-4 |D s |
| 689 | 0 | 3 | |a Geschichte |A z |
| 689 | 0 | |5 DE-604 | |
| 700 | 1 | |a Caddy, Davinia |d 1980- |0 (DE-588)1022981579 |4 edt | |
| 700 | 1 | |a Clark, Maribeth |d ca. 20./21. Jh. |0 (DE-588)1220512796 |4 edt | |
| 776 | 0 | 8 | |i Erscheint auch als |n Druck-Ausgabe |z 978-1-108-47618-8 |
| 856 | 4 | 0 | |u https://doi.org/10.1017/9781108567947 |x Verlag |z URL des Erstveröffentlichers |3 Volltext |
| 912 | |a ZDB-20-CBO | ||
| 999 | |a oai:aleph.bib-bvb.de:BVB01-032376916 | ||
| 966 | e | |u https://doi.org/10.1017/9781108567947 |l BSB01 |p ZDB-20-CBO |q BSB_PDA_CBO |x Verlag |3 Volltext | |
| 966 | e | |u https://doi.org/10.1017/9781108567947 |l UBG01 |p ZDB-20-CBO |q UBG_PDA_CBO |x Verlag |3 Volltext | |
| 966 | e | |u https://doi.org/10.1017/9781108567947 |l UBR01 |p ZDB-20-CBO |q UBR Sammelbestellung 2021 |x Verlag |3 Volltext | |
Datensatz im Suchindex
| _version_ | 1804181892927324160 |
|---|---|
| adam_txt | |
| any_adam_object | |
| any_adam_object_boolean | |
| author2 | Caddy, Davinia 1980- Clark, Maribeth ca. 20./21. Jh |
| author2_role | edt edt |
| author2_variant | d c dc m c mc |
| author_GND | (DE-588)1022981579 (DE-588)1220512796 |
| author_facet | Caddy, Davinia 1980- Clark, Maribeth ca. 20./21. Jh |
| building | Verbundindex |
| bvnumber | BV046968700 |
| classification_rvk | AP 87500 LR 54550 |
| collection | ZDB-20-CBO |
| ctrlnum | (ZDB-20-CBO)CR9781108567947 (OCoLC)1220896987 (DE-599)BVBBV046968700 |
| dewey-full | 781.5/5409 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 781 - General principles and musical forms |
| dewey-raw | 781.5/5409 |
| dewey-search | 781.5/5409 |
| dewey-sort | 3781.5 45409 |
| dewey-tens | 780 - Music |
| discipline | Allgemeines Musikwissenschaft |
| discipline_str_mv | Allgemeines Musikwissenschaft |
| doi_str_mv | 10.1017/9781108567947 |
| era | Geschichte gnd |
| era_facet | Geschichte |
| format | Electronic eBook |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>04159nmm a2200601zc 4500</leader><controlfield tag="001">BV046968700</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20210916 </controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">201030s2020 |||| o||u| ||||||eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781108567947</subfield><subfield code="c">Online</subfield><subfield code="9">978-1-108-56794-7</subfield></datafield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.1017/9781108567947</subfield><subfield code="2">doi</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(ZDB-20-CBO)CR9781108567947</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1220896987</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV046968700</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-12</subfield><subfield code="a">DE-473</subfield><subfield code="a">DE-355</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">781.5/5409</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">MUS</subfield><subfield code="q">DE-12</subfield><subfield code="2">fid</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">AP 87500</subfield><subfield code="0">(DE-625)8090:</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">LR 54550</subfield><subfield code="0">(DE-625)109699:13528</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Musicology and dance</subfield><subfield code="b">historical and critical perspectives</subfield><subfield code="c">edited by Davinia Caddy, Maribeth Clark</subfield></datafield><datafield tag="246" ind1="1" ind2="3"><subfield code="a">Musicology & Dance</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Cambridge</subfield><subfield code="b">Cambridge University Press</subfield><subfield code="c">2020</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 Online-Ressource (xvi, 309 Seiten)</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Conceptual studies. J. S. Bach and the dance of humankind / John Butt ; Dance as 'Other' : Contrasting modes of musical representation / Suzanne Aspden ; Thinking on our feet : A somatic enquiry into a Haydn minuet ; Joseph Fort ; Making moves in reception studies : Music, listening and Loie Fuller / Davinia Caddy -- Case histories. The 'splendid and shameful art' : Dancing in and around the Wagnerian Gesamtkunstwerk / Thomas Grey ; Hymnody, dance and the sacred in the illustrated song / Marian Wilson Kimber ; Pavanes and passepieds in the age of the cancan / Carlo Caballero -- Critical readings. Nijinsky, modernism, repression : The Faune ballet - once again - under analysis / David J. Code ; Choreographing Mahler songs at the centenary / Wayne Heisler Jr ; Embodied heritage : English country dance in Austen screen adaptations / Maribeth Clark</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">Long treated as peripheral to music history, dance has become prominent within musicological research, as a prime and popular subject for an increasing number of books, articles, conference papers and special symposiums. Despite this growing interest, there remains no thorough-going critical examination of the ways in which musicologists might engage with dance, thinking not only about specific repertoires or genres, but about fundamental commonalities between the two, including embodiment, agency, subjectivity and consciousness. This volume begins to fill this gap. Ten chapters illustrate a range of conceptual, historical and interpretive approaches that advance the interdisciplinary study of music and dance. This methodological eclecticism is a defining feature of the volume, integrating insights from critical theory, film and cultural studies, the visual arts, phenomenology, cultural anthropology and literary criticism into the study of music and dance</subfield></datafield><datafield tag="648" ind1=" " ind2="7"><subfield code="a">Geschichte</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Dance music / History and criticism</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Music and dance / History</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Ballet / History</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Musik</subfield><subfield code="0">(DE-588)4040802-4</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Ballett</subfield><subfield code="0">(DE-588)4004351-4</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Tanz</subfield><subfield code="0">(DE-588)4059028-8</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="655" ind1=" " ind2="7"><subfield code="0">(DE-588)4143413-4</subfield><subfield code="a">Aufsatzsammlung</subfield><subfield code="2">gnd-content</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Musik</subfield><subfield code="0">(DE-588)4040802-4</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Tanz</subfield><subfield code="0">(DE-588)4059028-8</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Ballett</subfield><subfield code="0">(DE-588)4004351-4</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="3"><subfield code="a">Geschichte</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Caddy, Davinia</subfield><subfield code="d">1980-</subfield><subfield code="0">(DE-588)1022981579</subfield><subfield code="4">edt</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Clark, Maribeth</subfield><subfield code="d">ca. 20./21. Jh.</subfield><subfield code="0">(DE-588)1220512796</subfield><subfield code="4">edt</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Druck-Ausgabe</subfield><subfield code="z">978-1-108-47618-8</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://doi.org/10.1017/9781108567947</subfield><subfield code="x">Verlag</subfield><subfield code="z">URL des Erstveröffentlichers</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-20-CBO</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-032376916</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1017/9781108567947</subfield><subfield code="l">BSB01</subfield><subfield code="p">ZDB-20-CBO</subfield><subfield code="q">BSB_PDA_CBO</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1017/9781108567947</subfield><subfield code="l">UBG01</subfield><subfield code="p">ZDB-20-CBO</subfield><subfield code="q">UBG_PDA_CBO</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1017/9781108567947</subfield><subfield code="l">UBR01</subfield><subfield code="p">ZDB-20-CBO</subfield><subfield code="q">UBR Sammelbestellung 2021</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield></record></collection> |
| genre | (DE-588)4143413-4 Aufsatzsammlung gnd-content |
| genre_facet | Aufsatzsammlung |
| id | DE-604.BV046968700 |
| illustrated | Not Illustrated |
| index_date | 2024-07-03T15:46:40Z |
| indexdate | 2024-07-10T08:58:53Z |
| institution | BVB |
| isbn | 9781108567947 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032376916 |
| oclc_num | 1220896987 |
| open_access_boolean | |
| owner | DE-12 DE-473 DE-BY-UBG DE-355 DE-BY-UBR |
| owner_facet | DE-12 DE-473 DE-BY-UBG DE-355 DE-BY-UBR |
| physical | 1 Online-Ressource (xvi, 309 Seiten) |
| psigel | ZDB-20-CBO ZDB-20-CBO BSB_PDA_CBO ZDB-20-CBO UBG_PDA_CBO ZDB-20-CBO UBR Sammelbestellung 2021 |
| publishDate | 2020 |
| publishDateSearch | 2020 |
| publishDateSort | 2020 |
| publisher | Cambridge University Press |
| record_format | marc |
| spelling | Musicology and dance historical and critical perspectives edited by Davinia Caddy, Maribeth Clark Musicology & Dance Cambridge Cambridge University Press 2020 1 Online-Ressource (xvi, 309 Seiten) txt rdacontent c rdamedia cr rdacarrier Conceptual studies. J. S. Bach and the dance of humankind / John Butt ; Dance as 'Other' : Contrasting modes of musical representation / Suzanne Aspden ; Thinking on our feet : A somatic enquiry into a Haydn minuet ; Joseph Fort ; Making moves in reception studies : Music, listening and Loie Fuller / Davinia Caddy -- Case histories. The 'splendid and shameful art' : Dancing in and around the Wagnerian Gesamtkunstwerk / Thomas Grey ; Hymnody, dance and the sacred in the illustrated song / Marian Wilson Kimber ; Pavanes and passepieds in the age of the cancan / Carlo Caballero -- Critical readings. Nijinsky, modernism, repression : The Faune ballet - once again - under analysis / David J. Code ; Choreographing Mahler songs at the centenary / Wayne Heisler Jr ; Embodied heritage : English country dance in Austen screen adaptations / Maribeth Clark Long treated as peripheral to music history, dance has become prominent within musicological research, as a prime and popular subject for an increasing number of books, articles, conference papers and special symposiums. Despite this growing interest, there remains no thorough-going critical examination of the ways in which musicologists might engage with dance, thinking not only about specific repertoires or genres, but about fundamental commonalities between the two, including embodiment, agency, subjectivity and consciousness. This volume begins to fill this gap. Ten chapters illustrate a range of conceptual, historical and interpretive approaches that advance the interdisciplinary study of music and dance. This methodological eclecticism is a defining feature of the volume, integrating insights from critical theory, film and cultural studies, the visual arts, phenomenology, cultural anthropology and literary criticism into the study of music and dance Geschichte gnd rswk-swf Dance music / History and criticism Music and dance / History Ballet / History Musik (DE-588)4040802-4 gnd rswk-swf Ballett (DE-588)4004351-4 gnd rswk-swf Tanz (DE-588)4059028-8 gnd rswk-swf (DE-588)4143413-4 Aufsatzsammlung gnd-content Musik (DE-588)4040802-4 s Tanz (DE-588)4059028-8 s Ballett (DE-588)4004351-4 s Geschichte z DE-604 Caddy, Davinia 1980- (DE-588)1022981579 edt Clark, Maribeth ca. 20./21. Jh. (DE-588)1220512796 edt Erscheint auch als Druck-Ausgabe 978-1-108-47618-8 https://doi.org/10.1017/9781108567947 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Musicology and dance historical and critical perspectives Dance music / History and criticism Music and dance / History Ballet / History Musik (DE-588)4040802-4 gnd Ballett (DE-588)4004351-4 gnd Tanz (DE-588)4059028-8 gnd |
| subject_GND | (DE-588)4040802-4 (DE-588)4004351-4 (DE-588)4059028-8 (DE-588)4143413-4 |
| title | Musicology and dance historical and critical perspectives |
| title_alt | Musicology & Dance |
| title_auth | Musicology and dance historical and critical perspectives |
| title_exact_search | Musicology and dance historical and critical perspectives |
| title_exact_search_txtP | Musicology and dance historical and critical perspectives |
| title_full | Musicology and dance historical and critical perspectives edited by Davinia Caddy, Maribeth Clark |
| title_fullStr | Musicology and dance historical and critical perspectives edited by Davinia Caddy, Maribeth Clark |
| title_full_unstemmed | Musicology and dance historical and critical perspectives edited by Davinia Caddy, Maribeth Clark |
| title_short | Musicology and dance |
| title_sort | musicology and dance historical and critical perspectives |
| title_sub | historical and critical perspectives |
| topic | Dance music / History and criticism Music and dance / History Ballet / History Musik (DE-588)4040802-4 gnd Ballett (DE-588)4004351-4 gnd Tanz (DE-588)4059028-8 gnd |
| topic_facet | Dance music / History and criticism Music and dance / History Ballet / History Musik Ballett Tanz Aufsatzsammlung |
| url | https://doi.org/10.1017/9781108567947 |
| work_keys_str_mv | AT caddydavinia musicologyanddancehistoricalandcriticalperspectives AT clarkmaribeth musicologyanddancehistoricalandcriticalperspectives AT caddydavinia musicologydance AT clarkmaribeth musicologydance |