Against the avant-garde: Pier Paolo Pasolini, contemporary art, and neocapitalism
Gespeichert in:
1. Verfasser: | |
---|---|
Format: | Buch |
Sprache: | English |
Veröffentlicht: |
Chicago
The University of Chicago Press
[2020]
|
Schlagworte: | |
Online-Zugang: | Inhaltsverzeichnis |
Beschreibung: | Heretical aesthetics -- Technical sacrality / heretical aesthetics -- Against the avant-garde -- Communism, humanism, modernism -- Aesthetic deceleration -- A tradition of antitradition -- Abstraction: the degree zero of history -- Abstraction and neocapital -- History, rage, painting -- Abstraction and/as failed revolution -- A cinema of poetry and painting -- The zero moment of history -- Pop: a mimesis of the future -- Mass culture and the crisis of communism -- Pop polemics on the left -- "All the world at home" -- Objective indifference/pop vernacular -- Pop, politics, and the ends of irony -- The division of history -- A mimesis of the future -- Arte Povera: prehistory and the aesthetics of contamination -- An irrational Marxism and the "intimacy of 'Things'" -- Contamination, craft, and the "slang" of matter -- The "third world" between history and prehistory -- Double representation -- Phenomenology/frame -- 1968 and after: cold war, hot autumn -- Performance: a semiology of action -- Body/struggle -- Intellectual flesh -- Intimacy and exposure -- From What is fascism to Salò -- Performing the pseudorevolution -- Hopes and alibis: Pasolini and contemporary art |
Beschreibung: | 274 Seiten Illustrationen 26 cm |
ISBN: | 9780226655277 022665527X |
Internformat
MARC
LEADER | 00000nam a2200000 c 4500 | ||
---|---|---|---|
001 | BV046968390 | ||
003 | DE-604 | ||
005 | 20241022 | ||
007 | t | ||
008 | 201030s2020 a||| b||| 00||| eng d | ||
020 | |a 9780226655277 |c (hbk.) |9 978-0-226-65527-7 | ||
020 | |a 022665527X |9 0-226-65527-X | ||
035 | |a (OCoLC)1224488210 | ||
035 | |a (DE-599)BVBBV046968390 | ||
040 | |a DE-604 |b ger |e rda | ||
041 | 0 | |a eng | |
049 | |a DE-12 |a DE-M472 |a DE-188 |a DE-Y3 |a DE-Y2 | ||
100 | 1 | |a Merjian, Ara H. |d 1974- |e Verfasser |0 (DE-588)1034988425 |4 aut | |
245 | 1 | 0 | |a Against the avant-garde |b Pier Paolo Pasolini, contemporary art, and neocapitalism |c Ara H. Merjian |
264 | 1 | |a Chicago |b The University of Chicago Press |c [2020] | |
300 | |a 274 Seiten |b Illustrationen |c 26 cm | ||
336 | |b txt |2 rdacontent | ||
336 | |b sti |2 rdacontent | ||
337 | |b n |2 rdamedia | ||
338 | |b nc |2 rdacarrier | ||
500 | |a Heretical aesthetics -- Technical sacrality / heretical aesthetics -- Against the avant-garde -- Communism, humanism, modernism -- Aesthetic deceleration -- A tradition of antitradition -- Abstraction: the degree zero of history -- Abstraction and neocapital -- History, rage, painting -- Abstraction and/as failed revolution -- A cinema of poetry and painting -- The zero moment of history -- Pop: a mimesis of the future -- Mass culture and the crisis of communism -- Pop polemics on the left -- "All the world at home" -- Objective indifference/pop vernacular -- Pop, politics, and the ends of irony -- The division of history -- A mimesis of the future -- Arte Povera: prehistory and the aesthetics of contamination -- An irrational Marxism and the "intimacy of 'Things'" -- Contamination, craft, and the "slang" of matter -- The "third world" between history and prehistory -- Double representation -- Phenomenology/frame -- 1968 and after: cold war, hot autumn -- Performance: a semiology of action -- Body/struggle -- Intellectual flesh -- Intimacy and exposure -- From What is fascism to Salò -- Performing the pseudorevolution -- Hopes and alibis: Pasolini and contemporary art | ||
600 | 1 | 7 | |a Pasolini, Pier Paolo |d 1922-1975 |0 (DE-588)118591908 |2 gnd |9 rswk-swf |
650 | 0 | 7 | |a Avantgarde |0 (DE-588)4133965-4 |2 gnd |9 rswk-swf |
650 | 0 | 7 | |a Ästhetik |0 (DE-588)4000626-8 |2 gnd |9 rswk-swf |
653 | 1 | |a Pasolini, Pier Paolo / 1922-1975 | |
653 | 1 | |a Pasolini, Pier Paolo / 1922-1975 / Criticism and interpretation | |
653 | 0 | |a Avant-garde (Aesthetics) | |
653 | 0 | |a Motion pictures / Italy | |
653 | 1 | |a Pasolini, Pier Paolo / 1922-1975 | |
653 | 0 | |a Avant-garde (Aesthetics) | |
653 | 0 | |a Motion pictures | |
653 | 2 | |a Italy | |
689 | 0 | 0 | |a Pasolini, Pier Paolo |d 1922-1975 |0 (DE-588)118591908 |D p |
689 | 0 | 1 | |a Avantgarde |0 (DE-588)4133965-4 |D s |
689 | 0 | 2 | |a Ästhetik |0 (DE-588)4000626-8 |D s |
689 | 0 | |5 DE-604 | |
856 | 4 | 2 | |m V:DE-604 |q application/pdf |u http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032376616&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |3 Inhaltsverzeichnis |
943 | 1 | |a oai:aleph.bib-bvb.de:BVB01-032376616 |
Datensatz im Suchindex
_version_ | 1813630509033455616 |
---|---|
adam_text |
IGIIISTTBE
IVID-GIBDE
PIER
PAOLO
PASOLINI,
CONTEMPORARY ART,
AND
NEOCAPITALISM
ARA
H.
MERJIAN
THE UNIVERSITY
OF
CHICAGO PRESS
CHICAGO AND
LONDON
CONTENTS
INTRODUCTION
HERETICAL AESTHETICS
1
TECHNICAL SACRALITY /HERETICAL AESTHETICS
4
AGAINST THE AVANT-GARDE
8
COMMUNISM, HUMANISM, MODERNISM
11
AESTHETIC DECELERATION
17
A TRADITION
OF
ANTITRADITION
2.6
ONE
ABSTRACTION:
THE
DEGREE
ZERO
OF
HISTORY
31
ABSTRACTION
AND
NEOCAPITAL
34
HISTORY, RAGE, PAINTING
39
ABSTRACTION
AND/
AS
FAILED REVOLUTION
47
A CINEMA
OF
POETRY
AND
PAINTING
57
THE ZERO MOMENT
OF
HISTORY
63
TWO
POP: A MIMESIS OF
THE
FUTURE
73
MASS CULTURE
AND
THE
CRISIS
OF
COMMUNISM
79
POP POLEMICS
ON
THE LEFT
82.
"ALL
THE WORLD AT
HOME
"
86
OBJECTIVE INDIFFERENCE/POP VERNACULAR
91
POP, POLITICS, AND THE ENDS
OF
IRONY
101
THE DIVISION
OF
HISTORY
110
A MIMESIS
OF
THE
FUTURE
116
THREE
ARTE
POVERA: PREHISTORY AND
THE
AESTHETICS OF CONTAMINATION
12.1
AN
IRRATIONAL MARXISM AND THE "INTIMACY
OF
'THINGS"'
12.6
CONTAMINATION, CRAFT, AND THE "SLANG"
OF
MATTER
132
THE "THIRD WORLD" BETWEEN HISTORY AND PREHISTORY
145
DOUBLE REPRESENTATION
152
PHENOMENOLOGY
/FRAME
157
1968
AND AFTER: COLD WAR,
HOT
AUTUMN
163
FOUR
PERFORMANCE: A SEMIOLOGY
OF
ACTION
169
BODY/
STRUGGLE
176
INTELLECTUAL FLESH
181
INTIMACY AND EXPOSURE
190
FROM
WHAT
IS
FASCISM
TO
SALO
195
PERFORMING THE PSEUDOREVOLUTION
202
CONCLUSION
HOPES AND ALIBIS: PASOLINI AND CONTEMPORARY
ART
207
ACKNOWLEDGMENTS
221
NOTES
225
INDEX
265 |
adam_txt |
IGIIISTTBE
IVID-GIBDE
PIER
PAOLO
PASOLINI,
CONTEMPORARY ART,
AND
NEOCAPITALISM
ARA
H.
MERJIAN
THE UNIVERSITY
OF
CHICAGO PRESS
CHICAGO AND
LONDON
CONTENTS
INTRODUCTION
HERETICAL AESTHETICS
1
TECHNICAL SACRALITY /HERETICAL AESTHETICS
4
AGAINST THE AVANT-GARDE
8
COMMUNISM, HUMANISM, MODERNISM
11
AESTHETIC DECELERATION
17
A TRADITION
OF
ANTITRADITION
2.6
ONE
ABSTRACTION:
THE
DEGREE
ZERO
OF
HISTORY
31
ABSTRACTION
AND
NEOCAPITAL
34
HISTORY, RAGE, PAINTING
39
ABSTRACTION
AND/
AS
FAILED REVOLUTION
47
A CINEMA
OF
POETRY
AND
PAINTING
57
THE ZERO MOMENT
OF
HISTORY
63
TWO
POP: A MIMESIS OF
THE
FUTURE
73
MASS CULTURE
AND
THE
CRISIS
OF
COMMUNISM
79
POP POLEMICS
ON
THE LEFT
82.
"ALL
THE WORLD AT
HOME
"
86
OBJECTIVE INDIFFERENCE/POP VERNACULAR
91
POP, POLITICS, AND THE ENDS
OF
IRONY
101
THE DIVISION
OF
HISTORY
110
A MIMESIS
OF
THE
FUTURE
116
THREE
ARTE
POVERA: PREHISTORY AND
THE
AESTHETICS OF CONTAMINATION
12.1
AN
IRRATIONAL MARXISM AND THE "INTIMACY
OF
'THINGS"'
12.6
CONTAMINATION, CRAFT, AND THE "SLANG"
OF
MATTER
132
THE "THIRD WORLD" BETWEEN HISTORY AND PREHISTORY
145
DOUBLE REPRESENTATION
152
PHENOMENOLOGY
/FRAME
157
1968
AND AFTER: COLD WAR,
HOT
AUTUMN
163
FOUR
PERFORMANCE: A SEMIOLOGY
OF
ACTION
169
BODY/
STRUGGLE
176
INTELLECTUAL FLESH
181
INTIMACY AND EXPOSURE
190
FROM
WHAT
IS
FASCISM
TO
SALO
195
PERFORMING THE PSEUDOREVOLUTION
202
CONCLUSION
HOPES AND ALIBIS: PASOLINI AND CONTEMPORARY
ART
207
ACKNOWLEDGMENTS
221
NOTES
225
INDEX
265 |
any_adam_object | 1 |
any_adam_object_boolean | 1 |
author | Merjian, Ara H. 1974- |
author_GND | (DE-588)1034988425 |
author_facet | Merjian, Ara H. 1974- |
author_role | aut |
author_sort | Merjian, Ara H. 1974- |
author_variant | a h m ah ahm |
building | Verbundindex |
bvnumber | BV046968390 |
ctrlnum | (OCoLC)1224488210 (DE-599)BVBBV046968390 |
format | Book |
fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>00000nam a2200000 c 4500</leader><controlfield tag="001">BV046968390</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20241022</controlfield><controlfield tag="007">t</controlfield><controlfield tag="008">201030s2020 a||| b||| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780226655277</subfield><subfield code="c">(hbk.)</subfield><subfield code="9">978-0-226-65527-7</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">022665527X</subfield><subfield code="9">0-226-65527-X</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1224488210</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV046968390</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-12</subfield><subfield code="a">DE-M472</subfield><subfield code="a">DE-188</subfield><subfield code="a">DE-Y3</subfield><subfield code="a">DE-Y2</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Merjian, Ara H.</subfield><subfield code="d">1974-</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)1034988425</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Against the avant-garde</subfield><subfield code="b">Pier Paolo Pasolini, contemporary art, and neocapitalism</subfield><subfield code="c">Ara H. Merjian</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Chicago</subfield><subfield code="b">The University of Chicago Press</subfield><subfield code="c">[2020]</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">274 Seiten</subfield><subfield code="b">Illustrationen</subfield><subfield code="c">26 cm</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">sti</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Heretical aesthetics -- Technical sacrality / heretical aesthetics -- Against the avant-garde -- Communism, humanism, modernism -- Aesthetic deceleration -- A tradition of antitradition -- Abstraction: the degree zero of history -- Abstraction and neocapital -- History, rage, painting -- Abstraction and/as failed revolution -- A cinema of poetry and painting -- The zero moment of history -- Pop: a mimesis of the future -- Mass culture and the crisis of communism -- Pop polemics on the left -- "All the world at home" -- Objective indifference/pop vernacular -- Pop, politics, and the ends of irony -- The division of history -- A mimesis of the future -- Arte Povera: prehistory and the aesthetics of contamination -- An irrational Marxism and the "intimacy of 'Things'" -- Contamination, craft, and the "slang" of matter -- The "third world" between history and prehistory -- Double representation -- Phenomenology/frame -- 1968 and after: cold war, hot autumn -- Performance: a semiology of action -- Body/struggle -- Intellectual flesh -- Intimacy and exposure -- From What is fascism to Salò -- Performing the pseudorevolution -- Hopes and alibis: Pasolini and contemporary art</subfield></datafield><datafield tag="600" ind1="1" ind2="7"><subfield code="a">Pasolini, Pier Paolo</subfield><subfield code="d">1922-1975</subfield><subfield code="0">(DE-588)118591908</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Avantgarde</subfield><subfield code="0">(DE-588)4133965-4</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Ästhetik</subfield><subfield code="0">(DE-588)4000626-8</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="653" ind1=" " ind2="1"><subfield code="a">Pasolini, Pier Paolo / 1922-1975</subfield></datafield><datafield tag="653" ind1=" " ind2="1"><subfield code="a">Pasolini, Pier Paolo / 1922-1975 / Criticism and interpretation</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Avant-garde (Aesthetics)</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Motion pictures / Italy</subfield></datafield><datafield tag="653" ind1=" " ind2="1"><subfield code="a">Pasolini, Pier Paolo / 1922-1975</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Avant-garde (Aesthetics)</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Motion pictures</subfield></datafield><datafield tag="653" ind1=" " ind2="2"><subfield code="a">Italy</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Pasolini, Pier Paolo</subfield><subfield code="d">1922-1975</subfield><subfield code="0">(DE-588)118591908</subfield><subfield code="D">p</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Avantgarde</subfield><subfield code="0">(DE-588)4133965-4</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Ästhetik</subfield><subfield code="0">(DE-588)4000626-8</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="856" ind1="4" ind2="2"><subfield code="m">V:DE-604</subfield><subfield code="q">application/pdf</subfield><subfield code="u">http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032376616&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA</subfield><subfield code="3">Inhaltsverzeichnis</subfield></datafield><datafield tag="943" ind1="1" ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-032376616</subfield></datafield></record></collection> |
id | DE-604.BV046968390 |
illustrated | Illustrated |
index_date | 2024-07-03T15:46:31Z |
indexdate | 2024-10-22T16:00:35Z |
institution | BVB |
isbn | 9780226655277 022665527X |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032376616 |
oclc_num | 1224488210 |
open_access_boolean | |
owner | DE-12 DE-M472 DE-188 DE-Y3 DE-Y2 |
owner_facet | DE-12 DE-M472 DE-188 DE-Y3 DE-Y2 |
physical | 274 Seiten Illustrationen 26 cm |
publishDate | 2020 |
publishDateSearch | 2020 |
publishDateSort | 2020 |
publisher | The University of Chicago Press |
record_format | marc |
spelling | Merjian, Ara H. 1974- Verfasser (DE-588)1034988425 aut Against the avant-garde Pier Paolo Pasolini, contemporary art, and neocapitalism Ara H. Merjian Chicago The University of Chicago Press [2020] 274 Seiten Illustrationen 26 cm txt rdacontent sti rdacontent n rdamedia nc rdacarrier Heretical aesthetics -- Technical sacrality / heretical aesthetics -- Against the avant-garde -- Communism, humanism, modernism -- Aesthetic deceleration -- A tradition of antitradition -- Abstraction: the degree zero of history -- Abstraction and neocapital -- History, rage, painting -- Abstraction and/as failed revolution -- A cinema of poetry and painting -- The zero moment of history -- Pop: a mimesis of the future -- Mass culture and the crisis of communism -- Pop polemics on the left -- "All the world at home" -- Objective indifference/pop vernacular -- Pop, politics, and the ends of irony -- The division of history -- A mimesis of the future -- Arte Povera: prehistory and the aesthetics of contamination -- An irrational Marxism and the "intimacy of 'Things'" -- Contamination, craft, and the "slang" of matter -- The "third world" between history and prehistory -- Double representation -- Phenomenology/frame -- 1968 and after: cold war, hot autumn -- Performance: a semiology of action -- Body/struggle -- Intellectual flesh -- Intimacy and exposure -- From What is fascism to Salò -- Performing the pseudorevolution -- Hopes and alibis: Pasolini and contemporary art Pasolini, Pier Paolo 1922-1975 (DE-588)118591908 gnd rswk-swf Avantgarde (DE-588)4133965-4 gnd rswk-swf Ästhetik (DE-588)4000626-8 gnd rswk-swf Pasolini, Pier Paolo / 1922-1975 Pasolini, Pier Paolo / 1922-1975 / Criticism and interpretation Avant-garde (Aesthetics) Motion pictures / Italy Motion pictures Italy Pasolini, Pier Paolo 1922-1975 (DE-588)118591908 p Avantgarde (DE-588)4133965-4 s Ästhetik (DE-588)4000626-8 s DE-604 V:DE-604 application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032376616&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
spellingShingle | Merjian, Ara H. 1974- Against the avant-garde Pier Paolo Pasolini, contemporary art, and neocapitalism Pasolini, Pier Paolo 1922-1975 (DE-588)118591908 gnd Avantgarde (DE-588)4133965-4 gnd Ästhetik (DE-588)4000626-8 gnd |
subject_GND | (DE-588)118591908 (DE-588)4133965-4 (DE-588)4000626-8 |
title | Against the avant-garde Pier Paolo Pasolini, contemporary art, and neocapitalism |
title_auth | Against the avant-garde Pier Paolo Pasolini, contemporary art, and neocapitalism |
title_exact_search | Against the avant-garde Pier Paolo Pasolini, contemporary art, and neocapitalism |
title_exact_search_txtP | Against the avant-garde Pier Paolo Pasolini, contemporary art, and neocapitalism |
title_full | Against the avant-garde Pier Paolo Pasolini, contemporary art, and neocapitalism Ara H. Merjian |
title_fullStr | Against the avant-garde Pier Paolo Pasolini, contemporary art, and neocapitalism Ara H. Merjian |
title_full_unstemmed | Against the avant-garde Pier Paolo Pasolini, contemporary art, and neocapitalism Ara H. Merjian |
title_short | Against the avant-garde |
title_sort | against the avant garde pier paolo pasolini contemporary art and neocapitalism |
title_sub | Pier Paolo Pasolini, contemporary art, and neocapitalism |
topic | Pasolini, Pier Paolo 1922-1975 (DE-588)118591908 gnd Avantgarde (DE-588)4133965-4 gnd Ästhetik (DE-588)4000626-8 gnd |
topic_facet | Pasolini, Pier Paolo 1922-1975 Avantgarde Ästhetik |
url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032376616&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
work_keys_str_mv | AT merjianarah againsttheavantgardepierpaolopasolinicontemporaryartandneocapitalism |