Parisiana poetria:
"John of Garland makes a number of very important contributions to our understanding of medieval literature. His Parisiana poetria offers few individual precepts that are new. Its originality lies rather in its totality: it is the only thorough attempt we have to gather three distinct areas of...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Weitere Verfasser: | |
| Format: | Abschlussarbeit Buch |
| Sprache: | English |
| Veröffentlicht: |
Cambridge, Massachusetts ; London, England
Harvard University Press
2020
|
| Schriftenreihe: | Dumbarton Oaks medieval library
65 |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Inhaltsverzeichnis Inhaltsverzeichnis |
| Zusammenfassung: | "John of Garland makes a number of very important contributions to our understanding of medieval literature. His Parisiana poetria offers few individual precepts that are new. Its originality lies rather in its totality: it is the only thorough attempt we have to gather three distinct areas of the medieval arts of discourse (ars poetica, ars rhythmica, and ars dictaminis) under a single series of rules. The work is surely derivative, and yet John's experience both as a teacher and as a writer of poetry is everywhere evident and lends the book an original flavor. It is a summary for students of contemporary thinking, as filtered through John's experience of teaching, on how to learn to write: not a new departure, though something of a new synthesis, in literary criticism"-- |
| Beschreibung: | Revision of Traugott Lawler's Parisiana poetria of John of Garland (New Haven, 1974) Originally presented as Traugott Lawler's Harvard PhD thesis |
| Beschreibung: | xxii, 503 Seiten |
| ISBN: | 9780674238152 |
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| 520 | 3 | |a "John of Garland makes a number of very important contributions to our understanding of medieval literature. His Parisiana poetria offers few individual precepts that are new. Its originality lies rather in its totality: it is the only thorough attempt we have to gather three distinct areas of the medieval arts of discourse (ars poetica, ars rhythmica, and ars dictaminis) under a single series of rules. The work is surely derivative, and yet John's experience both as a teacher and as a writer of poetry is everywhere evident and lends the book an original flavor. It is a summary for students of contemporary thinking, as filtered through John's experience of teaching, on how to learn to write: not a new departure, though something of a new synthesis, in literary criticism"-- | |
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Datensatz im Suchindex
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| adam_text |
Contents Introduction vH Parisiana poetria i 387 Figures Abbreviations 393 Note on the Text 397 Notes to the Text 407 Notes to the Translation Bibliography Index 497 499 433
Contents Introduction vH Parisiana poetria i 387 Figures Abbreviations 393 Note on the Text 397 Notes to the Text 407 Notes to the Translation Bibliography Index 497 499 433
Contents Introduction vH Parisiana poetria i 387 Figures Abbreviations 393 Note on the Text 397 Notes to the Text 407 Notes to the Translation Bibliography Index 497 499 433 |
| adam_txt |
Contents Introduction vH Parisiana poetria i 387 Figures Abbreviations 393 Note on the Text 397 Notes to the Text 407 Notes to the Translation Bibliography Index 497 499 433
Contents Introduction vH Parisiana poetria i 387 Figures Abbreviations 393 Note on the Text 397 Notes to the Text 407 Notes to the Translation Bibliography Index 497 499 433
Contents Introduction vH Parisiana poetria i 387 Figures Abbreviations 393 Note on the Text 397 Notes to the Text 407 Notes to the Translation Bibliography Index 497 499 433 |
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| author | Johannes de Garlandia 1195-1272 |
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