Painting in stone: architecture and the poetics of marble from Antiquity to the Enlightenment
Spanning almost five millennia, "Painting in Stone" tells a new history of premodern architecture through the material of precious stone. Lavishly illustrated examples include the synthetic gems used to simulate Sumerian and Egyptian heavens; the marble temples and mansions of Greece and R...
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New Haven ; London
Yale University Press
[2020]
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| Schlagworte: | |
| Online-Zugang: | Rezension Inhaltsverzeichnis |
| Zusammenfassung: | Spanning almost five millennia, "Painting in Stone" tells a new history of premodern architecture through the material of precious stone. Lavishly illustrated examples include the synthetic gems used to simulate Sumerian and Egyptian heavens; the marble temples and mansions of Greece and Rome; the painted palaces and polychrome marble chapels of early modern Italy; and the multimedia revival in 19th-century England. Poetry, the lens for understanding costly marbles as an artistic medium, summoned a spectrum of imaginative associations and responses, from princes and patriarchs to the populace. Three salient themes sustained this "lithic imagination": marbles as images of their own elemental substance according to premodern concepts of matter and geology; the perceived indwelling of astral light in earthly stones; and the enduring belief that colored marbles exhibited a form of natural-or divine-painting, thanks to their vivacious veining, rainbow palette, and chance images |
| Beschreibung: | IX, 438 Seiten Illustrationen, Pläne |
| ISBN: | 9780300248166 9780300248173 |
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| 520 | 3 | |a Spanning almost five millennia, "Painting in Stone" tells a new history of premodern architecture through the material of precious stone. Lavishly illustrated examples include the synthetic gems used to simulate Sumerian and Egyptian heavens; the marble temples and mansions of Greece and Rome; the painted palaces and polychrome marble chapels of early modern Italy; and the multimedia revival in 19th-century England. Poetry, the lens for understanding costly marbles as an artistic medium, summoned a spectrum of imaginative associations and responses, from princes and patriarchs to the populace. Three salient themes sustained this "lithic imagination": marbles as images of their own elemental substance according to premodern concepts of matter and geology; the perceived indwelling of astral light in earthly stones; and the enduring belief that colored marbles exhibited a form of natural-or divine-painting, thanks to their vivacious veining, rainbow palette, and chance images | |
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Datensatz im Suchindex
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|---|---|
| adam_text | CONTENTS
VL
ACKNOWLEDGMENTS
1 INTRODUCTION
5 CHAPTER 1. A MEDIUM FORETOLD: MATERIAL SYNTHESIS
AND HEAVENLY STONES IN THE ANCIENT NEAR EAST
/
19 CHAPTER 2. A MEDIUM FULFILLED: THE EMERGENCE OF
THE MARBLE TEMPLE
49 CHAPTER 3. ANCIENT GEOLOGY, LIVING ROCK, AND
EX UNO LAPIDE
80 CHAPTER 4. PAINTING IN STONE: FROM KNOSSOS TO ROME,
FROM FRESCO TO MARBLE
104 CHAPTER 5. HOMES FIT FOR HEROES: LUXURY AND LIGHT
FROM THE PER A A TO THE DOMUS
129 CHAPTER 6. MEDIEVAL SUBSTITUTIONS IN THE
WESTERN CHURCH
163 CHAPTER 7. HAGIA SOPHIA AND BYZANTIUM
191 CHAPTER 8. WALKING ON WATER: COSMIC FLOORS IN
ANTIQUITY AND THE MIDDLE AGES
208 CHAPTER 9. RELICS, TABERNACLES, THRONE ROOMS: PAINTING
AND MARBLED ARCHITECTURE IN THE RENAISSANCE
239 CHAPTER 10. RENAISSANCE CHAPELS AND CHURCH FACADES:
ANTIQUARIANISM, GEMS, AND SYMPATHETIC MAGIC
261 CHAPTER 11. MARBLE MANSIONS AND PAINTED PALACES IN
RENAISSANCE ITALY
289 CHAPTER 12. FROM GEMS TO CLOUD ARCHITECTURE:
REINVENTING MARBLING IN EARLY MODERN ROME
331 EPILOGUE
339 LIST OF ABBREVIATIONS
341 NOTES
372 BIBLIOGRAPHY
419 INDEX
437 ILLUSTRATION CREDITS
|
| adam_txt |
CONTENTS
VL
" ACKNOWLEDGMENTS
1 INTRODUCTION
5 CHAPTER 1. A MEDIUM FORETOLD: MATERIAL SYNTHESIS
AND HEAVENLY STONES IN THE ANCIENT NEAR EAST
/
19 CHAPTER 2. A MEDIUM FULFILLED: THE EMERGENCE OF
THE MARBLE TEMPLE
49 CHAPTER 3. ANCIENT GEOLOGY, LIVING ROCK, AND
EX UNO LAPIDE
80 CHAPTER 4. PAINTING IN STONE: FROM KNOSSOS TO ROME,
FROM FRESCO TO MARBLE
104 CHAPTER 5. HOMES FIT FOR HEROES: LUXURY AND LIGHT
FROM THE PER A'A TO THE DOMUS
129 CHAPTER 6. MEDIEVAL SUBSTITUTIONS IN THE
WESTERN CHURCH
163 CHAPTER 7. HAGIA SOPHIA AND BYZANTIUM
191 CHAPTER 8. WALKING ON WATER: COSMIC FLOORS IN
ANTIQUITY AND THE MIDDLE AGES
208 CHAPTER 9. RELICS, TABERNACLES, THRONE ROOMS: PAINTING
AND MARBLED ARCHITECTURE IN THE RENAISSANCE
239 CHAPTER 10. RENAISSANCE CHAPELS AND CHURCH FACADES:
ANTIQUARIANISM, GEMS, AND SYMPATHETIC MAGIC
261 CHAPTER 11. MARBLE MANSIONS AND PAINTED PALACES IN
RENAISSANCE ITALY
289 CHAPTER 12. FROM GEMS TO CLOUD ARCHITECTURE:
REINVENTING MARBLING IN EARLY MODERN ROME
331 EPILOGUE
339 LIST OF ABBREVIATIONS
341 NOTES
372 BIBLIOGRAPHY
419 INDEX
437 ILLUSTRATION CREDITS |
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| index_date | 2024-07-03T15:44:28Z |
| indexdate | 2024-07-10T08:58:43Z |
| institution | BVB |
| isbn | 9780300248166 9780300248173 |
| language | English |
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| spelling | Barry, Fabio Verfasser (DE-588)133850048 aut Painting in stone architecture and the poetics of marble from Antiquity to the Enlightenment Fabio Barry New Haven ; London Yale University Press [2020] © 2020 IX, 438 Seiten Illustrationen, Pläne txt rdacontent sti rdacontent n rdamedia nc rdacarrier Spanning almost five millennia, "Painting in Stone" tells a new history of premodern architecture through the material of precious stone. Lavishly illustrated examples include the synthetic gems used to simulate Sumerian and Egyptian heavens; the marble temples and mansions of Greece and Rome; the painted palaces and polychrome marble chapels of early modern Italy; and the multimedia revival in 19th-century England. Poetry, the lens for understanding costly marbles as an artistic medium, summoned a spectrum of imaginative associations and responses, from princes and patriarchs to the populace. Three salient themes sustained this "lithic imagination": marbles as images of their own elemental substance according to premodern concepts of matter and geology; the perceived indwelling of astral light in earthly stones; and the enduring belief that colored marbles exhibited a form of natural-or divine-painting, thanks to their vivacious veining, rainbow palette, and chance images Geschichte gnd rswk-swf Steinschneidekunst (DE-588)4057223-7 gnd rswk-swf Materialität (DE-588)4512697-5 gnd rswk-swf Marmor (DE-588)4168954-9 gnd rswk-swf Architektur (DE-588)4002851-3 gnd rswk-swf Inkrustation (DE-588)4161764-2 gnd rswk-swf Marmorplastik (DE-588)4125822-8 gnd rswk-swf Marmor (DE-588)4168954-9 s Inkrustation (DE-588)4161764-2 s Steinschneidekunst (DE-588)4057223-7 s Marmorplastik (DE-588)4125822-8 s Materialität (DE-588)4512697-5 s Architektur (DE-588)4002851-3 s Geschichte z DE-604 http://www.sehepunkte.de/2022/04/35737.html rezensiert in: sehepunkte 22 (2022), Nr. 4 Rezension SWB Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032371388&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Barry, Fabio Painting in stone architecture and the poetics of marble from Antiquity to the Enlightenment Steinschneidekunst (DE-588)4057223-7 gnd Materialität (DE-588)4512697-5 gnd Marmor (DE-588)4168954-9 gnd Architektur (DE-588)4002851-3 gnd Inkrustation (DE-588)4161764-2 gnd Marmorplastik (DE-588)4125822-8 gnd |
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| title | Painting in stone architecture and the poetics of marble from Antiquity to the Enlightenment |
| title_auth | Painting in stone architecture and the poetics of marble from Antiquity to the Enlightenment |
| title_exact_search | Painting in stone architecture and the poetics of marble from Antiquity to the Enlightenment |
| title_exact_search_txtP | Painting in stone architecture and the poetics of marble from Antiquity to the Enlightenment |
| title_full | Painting in stone architecture and the poetics of marble from Antiquity to the Enlightenment Fabio Barry |
| title_fullStr | Painting in stone architecture and the poetics of marble from Antiquity to the Enlightenment Fabio Barry |
| title_full_unstemmed | Painting in stone architecture and the poetics of marble from Antiquity to the Enlightenment Fabio Barry |
| title_short | Painting in stone |
| title_sort | painting in stone architecture and the poetics of marble from antiquity to the enlightenment |
| title_sub | architecture and the poetics of marble from Antiquity to the Enlightenment |
| topic | Steinschneidekunst (DE-588)4057223-7 gnd Materialität (DE-588)4512697-5 gnd Marmor (DE-588)4168954-9 gnd Architektur (DE-588)4002851-3 gnd Inkrustation (DE-588)4161764-2 gnd Marmorplastik (DE-588)4125822-8 gnd |
| topic_facet | Steinschneidekunst Materialität Marmor Architektur Inkrustation Marmorplastik |
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