The Fauré song cycles: poetry and music, 1861-1921
"Gabriel Fauré's mélodies offer an inexhaustible variety of style and expression that has made them the foundation of the French art song repertoire. During the second half of his long career, Fauré composed all but a handful of his songs within six carefully integrated cycles. Far more th...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Oakland, California
University of California Press
[2020]
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| Schlagworte: | |
| Zusammenfassung: | "Gabriel Fauré's mélodies offer an inexhaustible variety of style and expression that has made them the foundation of the French art song repertoire. During the second half of his long career, Fauré composed all but a handful of his songs within six carefully integrated cycles. Far more than Debussy, Ravel, or Poulenc, he crafted his song cycles as integrated works, reordering poems freely and using narratives, key schemes, and even leitmotifs to unify the individual songs. This book explores the peculiar vision behind each synthesis of music and verse, revealing the astonishing imagination and insight of Fauré's musical readings"-- |
| Beschreibung: | xvi, 259 Seiten Notenbeispiele |
| ISBN: | 9780520297623 |
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| 505 | 8 | |a Romancing the mélodie (A Hugo cycle?) -- Ascending Parnassus (Poème d'un jour, op. 21) -- The discovery of music (Cinq mélodies "de Venise," op. 58) -- Wagnerian correspondances (La bonne chanson, op. 61) -- Theatrical song (La chanson d'Ève, op. 95) -- Writing in the sand (Le jardin clos, op. 106) -- Neoclassical voyages (Mirages, op. 113 and L'horizon chimérique, op. 118) | |
| 520 | 3 | |a "Gabriel Fauré's mélodies offer an inexhaustible variety of style and expression that has made them the foundation of the French art song repertoire. During the second half of his long career, Fauré composed all but a handful of his songs within six carefully integrated cycles. Far more than Debussy, Ravel, or Poulenc, he crafted his song cycles as integrated works, reordering poems freely and using narratives, key schemes, and even leitmotifs to unify the individual songs. This book explores the peculiar vision behind each synthesis of music and verse, revealing the astonishing imagination and insight of Fauré's musical readings"-- | |
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| 653 | 0 | |a Song cycles / 20th century / History and criticism | |
| 653 | 0 | |a Songs / 19th century / Analysis, appreciation | |
| 653 | 0 | |a Songs / 20th century / Analysis, appreciation | |
| 653 | 0 | |a Music and literature / France / History / 19th century | |
| 653 | 0 | |a Music and literature / France / History / 20th century | |
| 653 | |a Songs (Fauré, Gabriel) | ||
| 653 | 0 | |a Music and literature | |
| 653 | 0 | |a Song cycles | |
| 653 | 0 | |a Songs / Analysis, appreciation | |
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| 653 | 6 | |a Criticism, interpretation, etc | |
| 653 | 6 | |a History | |
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Datensatz im Suchindex
| _version_ | 1808861073986551808 |
|---|---|
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| author | Rumph, Stephen C. 1965- |
| author_GND | (DE-588)130595454 |
| author_facet | Rumph, Stephen C. 1965- |
| author_role | aut |
| author_sort | Rumph, Stephen C. 1965- |
| author_variant | s c r sc scr |
| building | Verbundindex |
| bvnumber | BV046960608 |
| classification_rvk | LP 91950 |
| contents | Romancing the mélodie (A Hugo cycle?) -- Ascending Parnassus (Poème d'un jour, op. 21) -- The discovery of music (Cinq mélodies "de Venise," op. 58) -- Wagnerian correspondances (La bonne chanson, op. 61) -- Theatrical song (La chanson d'Ève, op. 95) -- Writing in the sand (Le jardin clos, op. 106) -- Neoclassical voyages (Mirages, op. 113 and L'horizon chimérique, op. 118) |
| ctrlnum | (OCoLC)1224009052 (DE-599)BVBBV046960608 |
| discipline | Musikwissenschaft |
| discipline_str_mv | Musikwissenschaft |
| format | Book |
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| id | DE-604.BV046960608 |
| illustrated | Illustrated |
| index_date | 2024-07-03T15:44:10Z |
| indexdate | 2024-08-31T00:32:27Z |
| institution | BVB |
| isbn | 9780520297623 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032368949 |
| oclc_num | 1224009052 |
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| physical | xvi, 259 Seiten Notenbeispiele |
| psigel | BSB_NED_20201123 |
| publishDate | 2020 |
| publishDateSearch | 2020 |
| publishDateSort | 2020 |
| publisher | University of California Press |
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| spelling | Rumph, Stephen C. 1965- Verfasser (DE-588)130595454 aut The Fauré song cycles poetry and music, 1861-1921 Stephen Rumph Oakland, California University of California Press [2020] © 2020 xvi, 259 Seiten Notenbeispiele txt rdacontent n rdamedia nc rdacarrier Romancing the mélodie (A Hugo cycle?) -- Ascending Parnassus (Poème d'un jour, op. 21) -- The discovery of music (Cinq mélodies "de Venise," op. 58) -- Wagnerian correspondances (La bonne chanson, op. 61) -- Theatrical song (La chanson d'Ève, op. 95) -- Writing in the sand (Le jardin clos, op. 106) -- Neoclassical voyages (Mirages, op. 113 and L'horizon chimérique, op. 118) "Gabriel Fauré's mélodies offer an inexhaustible variety of style and expression that has made them the foundation of the French art song repertoire. During the second half of his long career, Fauré composed all but a handful of his songs within six carefully integrated cycles. Far more than Debussy, Ravel, or Poulenc, he crafted his song cycles as integrated works, reordering poems freely and using narratives, key schemes, and even leitmotifs to unify the individual songs. This book explores the peculiar vision behind each synthesis of music and verse, revealing the astonishing imagination and insight of Fauré's musical readings"-- Fauré, Gabriel 1845-1924 (DE-588)118920626 gnd rswk-swf Wort-Ton-Verhältnis (DE-588)7504909-0 gnd rswk-swf Liederzyklus (DE-588)4297924-9 gnd rswk-swf Fauré, Gabriel / 1845-1924 / Songs Song cycles / 19th century / History and criticism Song cycles / 20th century / History and criticism Songs / 19th century / Analysis, appreciation Songs / 20th century / Analysis, appreciation Music and literature / France / History / 19th century Music and literature / France / History / 20th century Songs (Fauré, Gabriel) Music and literature Song cycles Songs / Analysis, appreciation France 1800-1999 Criticism, interpretation, etc History Fauré, Gabriel 1845-1924 (DE-588)118920626 p Liederzyklus (DE-588)4297924-9 s Wort-Ton-Verhältnis (DE-588)7504909-0 s DE-604 Online version Rumph, Stephen C. Fauré song cycles Oakland : University of California Press, [2020] 9780520969902 |
| spellingShingle | Rumph, Stephen C. 1965- The Fauré song cycles poetry and music, 1861-1921 Romancing the mélodie (A Hugo cycle?) -- Ascending Parnassus (Poème d'un jour, op. 21) -- The discovery of music (Cinq mélodies "de Venise," op. 58) -- Wagnerian correspondances (La bonne chanson, op. 61) -- Theatrical song (La chanson d'Ève, op. 95) -- Writing in the sand (Le jardin clos, op. 106) -- Neoclassical voyages (Mirages, op. 113 and L'horizon chimérique, op. 118) Fauré, Gabriel 1845-1924 (DE-588)118920626 gnd Wort-Ton-Verhältnis (DE-588)7504909-0 gnd Liederzyklus (DE-588)4297924-9 gnd |
| subject_GND | (DE-588)118920626 (DE-588)7504909-0 (DE-588)4297924-9 |
| title | The Fauré song cycles poetry and music, 1861-1921 |
| title_auth | The Fauré song cycles poetry and music, 1861-1921 |
| title_exact_search | The Fauré song cycles poetry and music, 1861-1921 |
| title_exact_search_txtP | The Fauré song cycles poetry and music, 1861-1921 |
| title_full | The Fauré song cycles poetry and music, 1861-1921 Stephen Rumph |
| title_fullStr | The Fauré song cycles poetry and music, 1861-1921 Stephen Rumph |
| title_full_unstemmed | The Fauré song cycles poetry and music, 1861-1921 Stephen Rumph |
| title_short | The Fauré song cycles |
| title_sort | the faure song cycles poetry and music 1861 1921 |
| title_sub | poetry and music, 1861-1921 |
| topic | Fauré, Gabriel 1845-1924 (DE-588)118920626 gnd Wort-Ton-Verhältnis (DE-588)7504909-0 gnd Liederzyklus (DE-588)4297924-9 gnd |
| topic_facet | Fauré, Gabriel 1845-1924 Wort-Ton-Verhältnis Liederzyklus |
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