Whose blues?: facing up to race and the future of the music
"Mamie Smith's pathbreaking 1920 recording of 'Crazy Blues' set the pop music world on fire, inaugurating a new African American market for 'race records.' Not long after, such records also brought black blues performance to an expanding international audience. A centur...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Chapel Hill
The University of North Carolina Press
[2020]
|
| Schlagworte: | |
| Zusammenfassung: | "Mamie Smith's pathbreaking 1920 recording of 'Crazy Blues' set the pop music world on fire, inaugurating a new African American market for 'race records.' Not long after, such records also brought black blues performance to an expanding international audience. A century later, the mainstream blues world has transformed into a multicultural and transnational melting pot, taking the music far beyond the black southern world of its origins. But not everybody is happy about that. If there's 'No black. No white. Just the blues,' as one familiar meme suggests, why do some blues people hear such pronouncements as an aggressive attempt at cultural appropriation and an erasure of traumatic histories that lie deep in the heart of the music? Then again, if 'blues is black music,' as some performers and critics insist, what should we make of the vibrant global blues scene, with its all-comers mix of nationalities and ethnicities?"-- |
| Beschreibung: | 320 Seiten Illustrationen |
| ISBN: | 9781469660363 9781469660356 |
Internformat
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| 505 | 8 | |a Starting the conversation -- Blues conditions -- Blues feelings and "real bluesmen" -- Blues expressiveness and the blues ethos -- W.C. Handy and the "birth" of the blues -- Langston Hughes and the scandal of early blues poetry -- Zora Neale Hurston in the Florida jooks -- Ralph Ellison, Richard Wright, and the Southern blues violences -- The blues revival and the black arts movement -- Giving it all away: blues harmonica education in the digital age -- Turnaround | |
| 520 | 3 | |a "Mamie Smith's pathbreaking 1920 recording of 'Crazy Blues' set the pop music world on fire, inaugurating a new African American market for 'race records.' Not long after, such records also brought black blues performance to an expanding international audience. A century later, the mainstream blues world has transformed into a multicultural and transnational melting pot, taking the music far beyond the black southern world of its origins. But not everybody is happy about that. If there's 'No black. No white. Just the blues,' as one familiar meme suggests, why do some blues people hear such pronouncements as an aggressive attempt at cultural appropriation and an erasure of traumatic histories that lie deep in the heart of the music? Then again, if 'blues is black music,' as some performers and critics insist, what should we make of the vibrant global blues scene, with its all-comers mix of nationalities and ethnicities?"-- | |
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Datensatz im Suchindex
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| contents | Starting the conversation -- Blues conditions -- Blues feelings and "real bluesmen" -- Blues expressiveness and the blues ethos -- W.C. Handy and the "birth" of the blues -- Langston Hughes and the scandal of early blues poetry -- Zora Neale Hurston in the Florida jooks -- Ralph Ellison, Richard Wright, and the Southern blues violences -- The blues revival and the black arts movement -- Giving it all away: blues harmonica education in the digital age -- Turnaround |
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| geographic_facet | USA |
| id | DE-604.BV046959835 |
| illustrated | Illustrated |
| index_date | 2024-07-03T15:43:49Z |
| indexdate | 2024-07-10T08:58:39Z |
| institution | BVB |
| isbn | 9781469660363 9781469660356 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032368199 |
| oclc_num | 1224488529 |
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| physical | 320 Seiten Illustrationen |
| psigel | BSB_NED_20201130 |
| publishDate | 2020 |
| publishDateSearch | 2020 |
| publishDateSort | 2020 |
| publisher | The University of North Carolina Press |
| record_format | marc |
| spelling | Gussow, Adam 1958- Verfasser (DE-588)121236439 aut Whose blues? facing up to race and the future of the music Adam Gussow Chapel Hill The University of North Carolina Press [2020] 320 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier Starting the conversation -- Blues conditions -- Blues feelings and "real bluesmen" -- Blues expressiveness and the blues ethos -- W.C. Handy and the "birth" of the blues -- Langston Hughes and the scandal of early blues poetry -- Zora Neale Hurston in the Florida jooks -- Ralph Ellison, Richard Wright, and the Southern blues violences -- The blues revival and the black arts movement -- Giving it all away: blues harmonica education in the digital age -- Turnaround "Mamie Smith's pathbreaking 1920 recording of 'Crazy Blues' set the pop music world on fire, inaugurating a new African American market for 'race records.' Not long after, such records also brought black blues performance to an expanding international audience. A century later, the mainstream blues world has transformed into a multicultural and transnational melting pot, taking the music far beyond the black southern world of its origins. But not everybody is happy about that. If there's 'No black. No white. Just the blues,' as one familiar meme suggests, why do some blues people hear such pronouncements as an aggressive attempt at cultural appropriation and an erasure of traumatic histories that lie deep in the heart of the music? Then again, if 'blues is black music,' as some performers and critics insist, what should we make of the vibrant global blues scene, with its all-comers mix of nationalities and ethnicities?"-- Bluesmusiker (DE-588)4346529-8 gnd rswk-swf Blues (DE-588)4132568-0 gnd rswk-swf Ethnische Identität (DE-588)4153096-2 gnd rswk-swf USA (DE-588)4078704-7 gnd rswk-swf Blues (Music) / History and criticism Music and race / United States African Americans / United States / Music / History and criticism African Americans / Music Blues (Music) Music and race United States Criticism, interpretation, etc USA (DE-588)4078704-7 g Bluesmusiker (DE-588)4346529-8 s Blues (DE-588)4132568-0 s Ethnische Identität (DE-588)4153096-2 s DE-604 Erscheint auch als Online-Ausgabe, ebk 978-1-4696-6037-0 |
| spellingShingle | Gussow, Adam 1958- Whose blues? facing up to race and the future of the music Starting the conversation -- Blues conditions -- Blues feelings and "real bluesmen" -- Blues expressiveness and the blues ethos -- W.C. Handy and the "birth" of the blues -- Langston Hughes and the scandal of early blues poetry -- Zora Neale Hurston in the Florida jooks -- Ralph Ellison, Richard Wright, and the Southern blues violences -- The blues revival and the black arts movement -- Giving it all away: blues harmonica education in the digital age -- Turnaround Bluesmusiker (DE-588)4346529-8 gnd Blues (DE-588)4132568-0 gnd Ethnische Identität (DE-588)4153096-2 gnd |
| subject_GND | (DE-588)4346529-8 (DE-588)4132568-0 (DE-588)4153096-2 (DE-588)4078704-7 |
| title | Whose blues? facing up to race and the future of the music |
| title_auth | Whose blues? facing up to race and the future of the music |
| title_exact_search | Whose blues? facing up to race and the future of the music |
| title_exact_search_txtP | Whose blues? facing up to race and the future of the music |
| title_full | Whose blues? facing up to race and the future of the music Adam Gussow |
| title_fullStr | Whose blues? facing up to race and the future of the music Adam Gussow |
| title_full_unstemmed | Whose blues? facing up to race and the future of the music Adam Gussow |
| title_short | Whose blues? |
| title_sort | whose blues facing up to race and the future of the music |
| title_sub | facing up to race and the future of the music |
| topic | Bluesmusiker (DE-588)4346529-8 gnd Blues (DE-588)4132568-0 gnd Ethnische Identität (DE-588)4153096-2 gnd |
| topic_facet | Bluesmusiker Blues Ethnische Identität USA |
| work_keys_str_mv | AT gussowadam whosebluesfacinguptoraceandthefutureofthemusic |