Bach and Chopin: baroque traditions in the music of the romantics
Gespeichert in:
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| Weitere Verfasser: | |
| Format: | Tagungsbericht Buch |
| Sprache: | Polish |
| Veröffentlicht: |
Warsaw
The Fryderyk Chopin Institute
2019
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| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Inhaltsverzeichnis |
| Beschreibung: | 488 Seiten Illustrationen, Noten, Diagramme |
| ISBN: | 9788364823923 |
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| adam_text | Contents SZYMON PACZKOWSKI From the Editor............................................................................................................... 9 SZYMON PACZKOWSKI The Ideal of Great Music I Created for Myself Chopin, Bach and the Baroque Musical Tradition............................................................................................................13 RUTH TATLOW Symmetry and a Template: Bach’s Well-Tempered Clavier, and Chopin’s Preludes, Op. 28............................................................................................................. 51 CHRISTINE BLANKEN A Genuine Romantic Composer and his Pre-Classical Inspirations: Johann Sebastian Bach as Seen through the Eyes of Franz Schubert. New Light on Viennese Bach Sources............................................................................ 87 THOMAS SYNOFZIK Romantic Counterpoint? — Compositional Techniques in the Piano Fugues ofRobert and Clara Schumann....................................................................................131 YO TOMITA Aspects of the Reception of Bach’s Well-Tempered Clavier in Chopin’s Time: An Overview of Print and Manuscript Sources...........................................................171 LOUIS DELPECH Bach in Paris. Editions, Networks, Performances (1800—1840).................................. 201 BRADLEY BROOKSHIRE Chopin and the Legacy of Carl Philipp Emanuel Bach.............................................231
JOEL SPEERSTRA Bach, Chopin, and the Affordances ofKeyboard Instruments during the Long Eighteenth Century............................................................................................. 267 MASSIMILIANO GUIDO Improvisation Matrices: A Possible Readingfor Bach’s and Chopin’s Preludes?........285 VASILIKI PAPADOPOULOU Karol Lipiński as Editor and Interpreter ofJ. S. Bach’s Music...................................303 CHIARA BERTOGLIO Translating Bach: Understanding Bach Piano Performance through LipmsĶi’s Instructive Edition........................................................................................................ 343 RAYMOND ERICKSON Popularisation and Transformation: Bach’s Violin Ciaccona, BWV1004/5 in the Nineteenth Century............................................................................................ 371 MICHAEL MAUL Public Concerts at the ‘True Musical Conservatory’: Baroque Repertoire at St Thomas’s School at the Turn ofthe Nineteenth Century.................................... 397 MARKUS ZEPF Bach — Mozart — Chopin. Some Aspects ofPianos and Piano Making from Bach’s to Chopin’s Time...................................................................................... 413 IRENA PONIATOWSKA Some Remarks on Tempo Rubato from the Baroque to Chopin................................. 459 NOTES ON THE CONTRIBUTORS.................................................................... 475 REVIEWERS................................................................................................................ 491
Spis treści SZYMON PACZKOWSKI Od redakcji................................................................................................................ 9 SZYMON PACZKOWSKI Ideał, jaki sobie o wielkiej muzyce utworzyłem. Chopin, Bach i tradycja muzycznego baroku................................................................................................... 13 RUTH TATLOW Symetria i matryca: Das Wohltemperierte Klavier Bacha oraz Preludia op. 28 Chopina......................................................................................................................51 CHRISTINE BLANKEN Kompozytor prawdziwie romantyczny ijego preplasyczne inspiracje: Jan Sebastian Bach w oczach Franciszka Schuberta. Nowe światło na źródła Bachowskje w Wiedniu.............................................................................................. 87 THOMAS SYNOFZIK Kontrapunkt romantyczny? — Technika kompozytorska w fugach na fortepian Roberta i Klary Schumannów.................................................................................. 131 YO TOMITA Zagadnienia recepcji Das Wohltemperierte Klavier Bacha w czasach Chopina. Przegląd źródeł drukowanych i rękopiśmiennych.......................................................171 LOUIS DELPECH Bach w Paryżu. Wydania, powiązania i wykonania 1800—1840...............................201 BRADLEY BROOKSHIRE Chopin a dziedzictwo Carla Philippa Emanuela Bacha........................................... 231
JOEL SPEERSTRA Bach, Chopin і afordancje instrumentów kjawuzowych w „długim” wieku XVIII..... 267 MASSIMILIANO GUIDO Improwizacyjne szablony: sposób interpretacji preludiów Bacha i Chopina?............. 285 VASILIKI PAPADOPOULOU Karol Lipiński jaĶo redaktor i interpretator muzyk} ]■ S. Bacha................................. 303 CHIARA BERTOGLIO Bach w przekładzie: Analiza fortepianowych wykonań Bacha w świetle edycji dydaktycznych Lipińskiego............................................................................................343 RAYMOND ERICKSON Popularyzacja i transformacja: Bachowska Ciaccona na skrzypce BWV1004/5 w XIX wieku................................................................................................................ 371 MICHAEL MAUL Publiczne koncerty w „prawdziwym muzycznym konserwatorium” — repertuar barokowy w szkole przy kościele s w. Tomasza na przełomie XVIII i XIX wieku...... 397 MARKUS ZEPF Bach — Mozart - Chopin. Wybrane aspekfy budownictwa fortepianowego w latach 1740—1840..................................................................................................... 413 IRENA PONIATOWSKA Rubato od czasów baroku do Chopina.........................................................................459 NOTY O AUTORACH................................................................................................475 RECENZENCI............................................................................................................ 491
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Contents SZYMON PACZKOWSKI From the Editor. 9 SZYMON PACZKOWSKI The Ideal of Great Music I Created for Myself Chopin, Bach and the Baroque Musical Tradition.13 RUTH TATLOW Symmetry and a Template: Bach’s Well-Tempered Clavier, and Chopin’s Preludes, Op. 28. 51 CHRISTINE BLANKEN A Genuine Romantic Composer and his Pre-Classical Inspirations: Johann Sebastian Bach as Seen through the Eyes of Franz Schubert. New Light on Viennese Bach Sources. 87 THOMAS SYNOFZIK Romantic Counterpoint? — Compositional Techniques in the Piano Fugues ofRobert and Clara Schumann.131 YO TOMITA Aspects of the Reception of Bach’s Well-Tempered Clavier in Chopin’s Time: An Overview of Print and Manuscript Sources.171 LOUIS DELPECH Bach in Paris. Editions, Networks, Performances (1800—1840). 201 BRADLEY BROOKSHIRE Chopin and the Legacy of Carl Philipp Emanuel Bach.231
JOEL SPEERSTRA Bach, Chopin, and the Affordances ofKeyboard Instruments during the Long Eighteenth Century. 267 MASSIMILIANO GUIDO Improvisation Matrices: A Possible Readingfor Bach’s and Chopin’s Preludes?.285 VASILIKI PAPADOPOULOU Karol Lipiński as Editor and Interpreter ofJ. S. Bach’s Music.303 CHIARA BERTOGLIO Translating Bach: Understanding Bach Piano Performance through LipmsĶi’s Instructive Edition. 343 RAYMOND ERICKSON Popularisation and Transformation: Bach’s Violin Ciaccona, BWV1004/5 in the Nineteenth Century. 371 MICHAEL MAUL Public Concerts at the ‘True Musical Conservatory’: Baroque Repertoire at St Thomas’s School at the Turn ofthe Nineteenth Century. 397 MARKUS ZEPF Bach — Mozart — Chopin. Some Aspects ofPianos and Piano Making from Bach’s to Chopin’s Time. 413 IRENA PONIATOWSKA Some Remarks on Tempo Rubato from the Baroque to Chopin. 459 NOTES ON THE CONTRIBUTORS. 475 REVIEWERS. 491
Spis treści SZYMON PACZKOWSKI Od redakcji. 9 SZYMON PACZKOWSKI Ideał, jaki sobie o wielkiej muzyce utworzyłem. Chopin, Bach i tradycja muzycznego baroku. 13 RUTH TATLOW Symetria i matryca: Das Wohltemperierte Klavier Bacha oraz Preludia op. 28 Chopina.51 CHRISTINE BLANKEN Kompozytor prawdziwie romantyczny ijego preplasyczne inspiracje: Jan Sebastian Bach w oczach Franciszka Schuberta. Nowe światło na źródła Bachowskje w Wiedniu. 87 THOMAS SYNOFZIK Kontrapunkt romantyczny? — Technika kompozytorska w fugach na fortepian Roberta i Klary Schumannów. 131 YO TOMITA Zagadnienia recepcji Das Wohltemperierte Klavier Bacha w czasach Chopina. Przegląd źródeł drukowanych i rękopiśmiennych.171 LOUIS DELPECH Bach w Paryżu. Wydania, powiązania i wykonania 1800—1840.201 BRADLEY BROOKSHIRE Chopin a dziedzictwo Carla Philippa Emanuela Bacha. 231
JOEL SPEERSTRA Bach, Chopin і afordancje instrumentów kjawuzowych w „długim” wieku XVIII. 267 MASSIMILIANO GUIDO Improwizacyjne szablony: sposób interpretacji preludiów Bacha i Chopina?. 285 VASILIKI PAPADOPOULOU Karol Lipiński jaĶo redaktor i interpretator muzyk} ]■ S. Bacha. 303 CHIARA BERTOGLIO Bach w przekładzie: Analiza fortepianowych wykonań Bacha w świetle edycji dydaktycznych Lipińskiego.343 RAYMOND ERICKSON Popularyzacja i transformacja: Bachowska Ciaccona na skrzypce BWV1004/5 w XIX wieku. 371 MICHAEL MAUL Publiczne koncerty w „prawdziwym muzycznym konserwatorium” — repertuar barokowy w szkole przy kościele s'w. Tomasza na przełomie XVIII i XIX wieku. 397 MARKUS ZEPF Bach — Mozart - Chopin. Wybrane aspekfy budownictwa fortepianowego w latach 1740—1840. 413 IRENA PONIATOWSKA Rubato od czasów baroku do Chopina.459 NOTY O AUTORACH.475 RECENZENCI. 491 |
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| title | Bach and Chopin baroque traditions in the music of the romantics |
| title_auth | Bach and Chopin baroque traditions in the music of the romantics |
| title_exact_search | Bach and Chopin baroque traditions in the music of the romantics |
| title_exact_search_txtP | Bach and Chopin baroque traditions in the music of the romantics |
| title_full | Bach and Chopin baroque traditions in the music of the romantics edited by Szymon Paczkowski |
| title_fullStr | Bach and Chopin baroque traditions in the music of the romantics edited by Szymon Paczkowski |
| title_full_unstemmed | Bach and Chopin baroque traditions in the music of the romantics edited by Szymon Paczkowski |
| title_short | Bach and Chopin |
| title_sort | bach and chopin baroque traditions in the music of the romantics |
| title_sub | baroque traditions in the music of the romantics |
| topic | Bach, Johann Sebastian 1748-1778 (DE-588)124534767 gnd Bach, Johann Sebastian 1685-1750 Das wohltemperierte Klavier (DE-588)300011881 gnd Chopin, Frédéric 1810-1849 (DE-588)118520539 gnd |
| topic_facet | Bach, Johann Sebastian 1748-1778 Bach, Johann Sebastian 1685-1750 Das wohltemperierte Klavier Chopin, Frédéric 1810-1849 Konferenzschrift 2017 Warschau |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032368078&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032368078&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA |
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