Making sense of recordings: how cognitive processing of recorded sound works
"The sonic qualities that emerge from aesthetic and technological decisions in the recording studio have a major impact on how music sounds, yet our ability to describe this impact on the listening experience is limited. Listeners often use very elaborate metaphors when describing sound quality...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York, NY
Oxford University Press
[2020]
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| Schlagworte: | |
| Zusammenfassung: | "The sonic qualities that emerge from aesthetic and technological decisions in the recording studio have a major impact on how music sounds, yet our ability to describe this impact on the listening experience is limited. Listeners often use very elaborate metaphors when describing sound quality, such as timbral and spatial characteristics. There is, however, a prevalent belief that metaphors are vague and highly subjective, and therefore unsuitable for academic and more exacting discussions of sound. Making Sense of Recordings challenges this assumption by showing how these metaphors are closely connected to our sonic experience and that they make sense within a larger historical context of technological developments and changing discourses of recorded sound. Part 1 of the book starts by tracing written discourses of recorded sound, discussing how everyday listeners and audio professionals describe their experiences of sound in recorded music. The concept of the listener, as it is theorized here, relates both to the production and reception side of recorded music and assumes some sort of conscious evaluative process where people give meaning to their experiences. Listening is approached from a quality-oriented mode of listening concerned with embodied cognition and is conditioned by the specific listening situation and the specific purpose of listening. Building on cognitive sciences, ideas of embodied cognition, and recent studies in discourse analysis, the book then provides new theoretical and methodological approaches to sound perception and conceptualization with particular relevance to recorded music. The aim is not only to expand on existing histories of studio music technologies, from production to reproduction to reception, but also to provide analytical and practical tools to aid in the understanding and communication of sound discourse in the studio and beyond"-- |
| Beschreibung: | viii, 144 Seiten Illustrationen |
| ISBN: | 9780197533918 9780197533901 |
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| 520 | 3 | |a "The sonic qualities that emerge from aesthetic and technological decisions in the recording studio have a major impact on how music sounds, yet our ability to describe this impact on the listening experience is limited. Listeners often use very elaborate metaphors when describing sound quality, such as timbral and spatial characteristics. There is, however, a prevalent belief that metaphors are vague and highly subjective, and therefore unsuitable for academic and more exacting discussions of sound. Making Sense of Recordings challenges this assumption by showing how these metaphors are closely connected to our sonic experience and that they make sense within a larger historical context of technological developments and changing discourses of recorded sound. Part 1 of the book starts by tracing written discourses of recorded sound, discussing how everyday listeners and audio professionals describe their experiences of sound in recorded music. The concept of the listener, as it is theorized here, relates both to the production and reception side of recorded music and assumes some sort of conscious evaluative process where people give meaning to their experiences. Listening is approached from a quality-oriented mode of listening concerned with embodied cognition and is conditioned by the specific listening situation and the specific purpose of listening. Building on cognitive sciences, ideas of embodied cognition, and recent studies in discourse analysis, the book then provides new theoretical and methodological approaches to sound perception and conceptualization with particular relevance to recorded music. The aim is not only to expand on existing histories of studio music technologies, from production to reproduction to reception, but also to provide analytical and practical tools to aid in the understanding and communication of sound discourse in the studio and beyond"-- | |
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Datensatz im Suchindex
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| author | Walther-Hansen, Mads ca. 20./21. Jh |
| author_GND | (DE-588)1079424741 |
| author_facet | Walther-Hansen, Mads ca. 20./21. Jh |
| author_role | aut |
| author_sort | Walther-Hansen, Mads ca. 20./21. Jh |
| author_variant | m w h mwh |
| building | Verbundindex |
| bvnumber | BV046959641 |
| contents | Foundations and Theory. Discourses of Recorded Sound : Technologies, Production, Listening, and Conceptualization ; The Ontology of Recorded Sound ; Sound Quality : Reasoning, Action, and Language -- Encyclopedia. Conceptualizing Sound Quality : An Encyclopedia of Selected Sound Terminology |
| ctrlnum | (OCoLC)1224009226 (DE-599)BVBBV046959641 |
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| era_facet | Geschichte 1960-2000 |
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| id | DE-604.BV046959641 |
| illustrated | Illustrated |
| index_date | 2024-07-03T15:43:42Z |
| indexdate | 2024-07-10T08:58:38Z |
| institution | BVB |
| isbn | 9780197533918 9780197533901 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032368012 |
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| physical | viii, 144 Seiten Illustrationen |
| psigel | BSB_NED_20201127 |
| publishDate | 2020 |
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| publisher | Oxford University Press |
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| spelling | Walther-Hansen, Mads ca. 20./21. Jh. Verfasser (DE-588)1079424741 aut Making sense of recordings how cognitive processing of recorded sound works Mads Walther-Hansen New York, NY Oxford University Press [2020] © viii, 144 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier Foundations and Theory. Discourses of Recorded Sound : Technologies, Production, Listening, and Conceptualization ; The Ontology of Recorded Sound ; Sound Quality : Reasoning, Action, and Language -- Encyclopedia. Conceptualizing Sound Quality : An Encyclopedia of Selected Sound Terminology "The sonic qualities that emerge from aesthetic and technological decisions in the recording studio have a major impact on how music sounds, yet our ability to describe this impact on the listening experience is limited. Listeners often use very elaborate metaphors when describing sound quality, such as timbral and spatial characteristics. There is, however, a prevalent belief that metaphors are vague and highly subjective, and therefore unsuitable for academic and more exacting discussions of sound. Making Sense of Recordings challenges this assumption by showing how these metaphors are closely connected to our sonic experience and that they make sense within a larger historical context of technological developments and changing discourses of recorded sound. Part 1 of the book starts by tracing written discourses of recorded sound, discussing how everyday listeners and audio professionals describe their experiences of sound in recorded music. The concept of the listener, as it is theorized here, relates both to the production and reception side of recorded music and assumes some sort of conscious evaluative process where people give meaning to their experiences. Listening is approached from a quality-oriented mode of listening concerned with embodied cognition and is conditioned by the specific listening situation and the specific purpose of listening. Building on cognitive sciences, ideas of embodied cognition, and recent studies in discourse analysis, the book then provides new theoretical and methodological approaches to sound perception and conceptualization with particular relevance to recorded music. The aim is not only to expand on existing histories of studio music technologies, from production to reproduction to reception, but also to provide analytical and practical tools to aid in the understanding and communication of sound discourse in the studio and beyond"-- Geschichte 1960-2000 gnd rswk-swf Ästhetik (DE-588)4000626-8 gnd rswk-swf Schallaufzeichnung (DE-588)4052020-1 gnd rswk-swf Tonträgerproduktion (DE-588)4333011-3 gnd rswk-swf Klang (DE-588)4030933-2 gnd rswk-swf Sound recordings / Aesthetics Sound recordings / Production and direction Tonträgerproduktion (DE-588)4333011-3 s Schallaufzeichnung (DE-588)4052020-1 s Klang (DE-588)4030933-2 s Ästhetik (DE-588)4000626-8 s Geschichte 1960-2000 z DE-604 Erscheint auch als Online-Ausgabe, ebk 978-0-19-753393-2 |
| spellingShingle | Walther-Hansen, Mads ca. 20./21. Jh Making sense of recordings how cognitive processing of recorded sound works Foundations and Theory. Discourses of Recorded Sound : Technologies, Production, Listening, and Conceptualization ; The Ontology of Recorded Sound ; Sound Quality : Reasoning, Action, and Language -- Encyclopedia. Conceptualizing Sound Quality : An Encyclopedia of Selected Sound Terminology Ästhetik (DE-588)4000626-8 gnd Schallaufzeichnung (DE-588)4052020-1 gnd Tonträgerproduktion (DE-588)4333011-3 gnd Klang (DE-588)4030933-2 gnd |
| subject_GND | (DE-588)4000626-8 (DE-588)4052020-1 (DE-588)4333011-3 (DE-588)4030933-2 |
| title | Making sense of recordings how cognitive processing of recorded sound works |
| title_auth | Making sense of recordings how cognitive processing of recorded sound works |
| title_exact_search | Making sense of recordings how cognitive processing of recorded sound works |
| title_exact_search_txtP | Making sense of recordings how cognitive processing of recorded sound works |
| title_full | Making sense of recordings how cognitive processing of recorded sound works Mads Walther-Hansen |
| title_fullStr | Making sense of recordings how cognitive processing of recorded sound works Mads Walther-Hansen |
| title_full_unstemmed | Making sense of recordings how cognitive processing of recorded sound works Mads Walther-Hansen |
| title_short | Making sense of recordings |
| title_sort | making sense of recordings how cognitive processing of recorded sound works |
| title_sub | how cognitive processing of recorded sound works |
| topic | Ästhetik (DE-588)4000626-8 gnd Schallaufzeichnung (DE-588)4052020-1 gnd Tonträgerproduktion (DE-588)4333011-3 gnd Klang (DE-588)4030933-2 gnd |
| topic_facet | Ästhetik Schallaufzeichnung Tonträgerproduktion Klang |
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