Staging postcommunism: alternative theatre in Eastern and Central Europe after 1989
Preface : restoring theatre activism in Eastern and Central Europe / Diana Manole -- Introduction : the "other: theatre in the postcolonies of communism / Vessela S. Warner -- Contemporary Hungarian independent theatre / Andrea Tompa -- The center and the fringe : post-Soviet alternative theatr...
Gespeichert in:
| Weitere Verfasser: | , |
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| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Iowa City
University of Iowa Press
[2020]
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| Schriftenreihe: | Studies in theatre history and culture
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| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Literaturverzeichnis Register // Gemischte Register |
| Zusammenfassung: | Preface : restoring theatre activism in Eastern and Central Europe / Diana Manole -- Introduction : the "other: theatre in the postcolonies of communism / Vessela S. Warner -- Contemporary Hungarian independent theatre / Andrea Tompa -- The center and the fringe : post-Soviet alternative theatre in Estonia / Jaak Rahesoo -- Theatre NO99 : an alternative state theatre / Luule Epner -- The search for alternatives in Latvian theatre 1991/2004 : a creator's notebook / Baṇuta Rubess -- The assault of alternative theatre against the limited universe / Angelina Rocca -- Teatr.doc and the Russian alternative stage today / John Freedman -- Anti-nationalism and the culture of performance : the mission of Dah Theatre / Dennis Barnett -- Fusing performative boundaries: the relation text-actor-space in the experimental style of Theatre Laboratory Sfumato / Violeta Decheva and Vessela S. Warner -- Theatre Laboratory Alma Alter : Grotowski's legacy and the heterogeneous origin of Bulgarian alternative theatre / Vessela S. Warner -- Redefining kitsch and camp in Russian opera : Moscow's Helikon Opera in transition / Christopher Silsby -- Prague's Studio Ypsilon in the tradition of the Czech liberated theatre / Barry Freeman -- After the avalanche : Czech theatre's search for the meaning of alternative / Dennis C. Beck -- Playing with citizenship : NSK and Janez Jans̆a / S.E. Wilmer -- The perfect other : performing artistic freedom in solidarity with the Belarus Free Theater / Margarita Kompelmakher "After the fall of the Berlin Wall in 1989, East Central European theatre was never the same. In the transition to a post-communist world, 'alternative theatre' found ways to grapple with political chaos, corruption, and aggressive implementation of a market economy. Three decades later, this volume is the first comprehensive examination of alternative theatre in twenty former communist countries. The essays focus on companies and artists that radically changed the language and organization of theatre in the former Eastern European bloc. Essayists view alternative theatre as a cultural, social, and political practice that seized newfound freedom and power after the toppling of censorious totalitarian governments. Emerging from cultural isolation, alternative theatre used experimental, avant-garde performance styles to bring about social and political changes. Ultimately, this collection investigates the ways in which post-communist alternative theatre negotiated and embodied change not only locally but globally as well. The result is a long overdue examination that will be a valuable resource for theatre history, post-Cold War, and Eastern European scholars alike"-- |
| Beschreibung: | Includes bibliographical references and index |
| Beschreibung: | xxv, 263 Seiten |
| ISBN: | 9781609386771 |
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| 520 | 3 | |a Preface : restoring theatre activism in Eastern and Central Europe / Diana Manole -- Introduction : the "other: theatre in the postcolonies of communism / Vessela S. Warner -- Contemporary Hungarian independent theatre / Andrea Tompa -- The center and the fringe : post-Soviet alternative theatre in Estonia / Jaak Rahesoo -- Theatre NO99 : an alternative state theatre / Luule Epner -- The search for alternatives in Latvian theatre 1991/2004 : a creator's notebook / Baṇuta Rubess -- The assault of alternative theatre against the limited universe / Angelina Rocca -- Teatr.doc and the Russian alternative stage today / John Freedman -- Anti-nationalism and the culture of performance : the mission of Dah Theatre / Dennis Barnett -- Fusing performative boundaries: the relation text-actor-space in the experimental style of Theatre Laboratory Sfumato / Violeta Decheva and Vessela S. Warner -- Theatre Laboratory Alma Alter : Grotowski's legacy and the heterogeneous origin of Bulgarian alternative theatre / Vessela S. Warner -- Redefining kitsch and camp in Russian opera : Moscow's Helikon Opera in transition / Christopher Silsby -- Prague's Studio Ypsilon in the tradition of the Czech liberated theatre / Barry Freeman -- After the avalanche : Czech theatre's search for the meaning of alternative / Dennis C. Beck -- Playing with citizenship : NSK and Janez Jans̆a / S.E. Wilmer -- The perfect other : performing artistic freedom in solidarity with the Belarus Free Theater / Margarita Kompelmakher | |
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Datensatz im Suchindex
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Index acoustic, 174; and landscape, 116 acrobatics, 151,167,168 Adamaite, Undine, 55 amateur (theatre, actor), xxii, 3, 9,11,15,18. See also Gremina, Yelena; Morning Theatre; nonprofessional (company, actors); Rubess, Baņuta; Theatre Laboratory Alma Alter; university theatre amateurism, 81, 87,137-38,167, 176 Anđelić, Jadranka, 94,100 anthropological theatre, xiv, 150. See also Barba, Eugenio Artaud, Antonin: and “theatre of cruelty,” xix, 11, 20, 21, 33, 37, 62, 70,171 Aspazija (penname of Elza Rozenbergą), 49. See also Rubess, Baņuta “auditory semiotics,” 117,168 auteur, xiv, 114,124,152; auteur director, xxii, 108,156. See also Fusu, Mihai; Mati, Unt; Ypsilon authors theatre, 134 authorship: of the actors, 156. See also devised performance; Elavelka, Jiří Barba, Eugenio: and influence xiv, 26,100. See also anthropological theatre Bartlett, Neil, 49. See also Rubess, Baņuta; Theatrum Beckett, Samuel: Waitingfor Godot, 28; in Moldova, 64-65; in Soviet Union, 28 Belarus Free Theatre: history and methods, 197-98; readings of Being Harold Pinter, 199, 200,201. See also Free Belarus Project; Khalezin, Nikolai; Koliada, Natalia Bertman, Dmitry: theatre founder, 138; influence and style, 135-38. See also Helikon Opera Beuys, Joseph, 40,43,88 BFT. See Belarus Free Theatre biomechanics. See Meyerhold, Vsevolod Blue Theatre, 94 Bodó, Viktor, 10,12. See also Katona József Theater Bogdanov, Boyko, 124. See also Dada; Studio Elizaveta Bam Brecht, Bertolt: influence of epic theatre, xix, 11,122; Primerfor War at DAH Theatre, 95 Index 255
Brook, Peter, 20,33,52,94,108; and “holy theatre,” її, 112 cabaret, 14,41,124,130. See also Frejka, Jiří; Ypsilon Cantata for Belarus, 202-03. See also Free Belarus Project censorship (after 1989); in Belarus, 197; in Moldova, 63,65-66; political and economic, 205; in Russia, 78; and self-censorship, xii, xiii, 56 censorship (before 1989), xiii, xxiiiiv; in Czech Rep., 155,164; in Estonia, 20, 22, 50; in Latvia, 50, 57; in Moldova, 61, 64,65, 66; in Slovenia, 184-85; in Soviet Union, 77-78 Center for Cultural Decontamination, 91 Chekhov, Anton, 11, 23, 28; The Seagull, 11, 80,110,112,113 Cinkuss, Ivars, 94 Cirk la Putyka, 165,167-68; Risk, 168-69; Up End Down, 169. See also Novák, Rostislav clowning; Czech tradition of, 151; postmodern, 167. See also Cirkla Putyka; Frejka, Jiří; Ypsilon Club 513,73. See also Fusu, Mihai Cohseum Arts Center, 65,69,70, 71. See also Fusu, Mihai; Ţîcu, Luminiţa countertheatre. See independent theatre Crudu, Dumitru, 69. See also Fusu, Mihai 256 Index Dada, 144,151; cabaret, 124; dadaist, 25. See aho Studio Elizaveta Bam DAH Theatre: Crossing the Line, 100-03,150; In/Visible City, 96-100; This Babylonian Confusion, 94,96; and the Yugoslav wars, 94-95. See also Anđelić, Jadranka; Miloševič, Dijana; Paripovič, Neša DAMU (Academy of Performing Arts in Prague), 151,161. See aho Frejka, Jiří; Schmid, Jan; Ypsilon dance, 5,98,102,123,126,128, 130-31,154.161,167-69,170, 173-74; contemporary, 15,34, 40; folk, 10,14,43,169; modern, 125,131; Parisian, 136 devised; dramaturgy, xvi, 112; performance, xiv, xv, 8,9,11. See also Belarus Free Theatre; DAFi
Theatre; Fusu, Mihai; Theatre Laboratory Alma Alter; Theatre NO99 disabilities: acting with, 134,169 Dobchev, Ivan: A Sin Named Kuzar, 115; theatre cofounder, 107, 109-10; Train Station Astapovo, 112; Uncle Vanya, 113; The Valley of the Shadow ofDeath, 116,117-18. See also Theatre Laboratory Sfumato Dočolomanský, Viliam: theatre founder, 172. See also Farma v jeskyni docudrama, 12,14
documentary theatre, xiii, xix. See also Esinencu, Nicoleta; Fusu, Mihai; Janez Janša trio; Rubess, Baņuta; Theatre NO99; Teatr, doc; Ţîcu, Luminiţa Dorogan, Nora, 67. See also Esinencu, Nicoleta Dostoyevsky, Feodor, 110; Program Dostoyevsky, 108,116,119. See also Dobchev, Ivan; Mladenova, Margarita dramaturgy: fluid, 111,112; visual, 111,118 Egyetemi Színpad. See University Stage environmental theatre, 65. See also site-specific (performance) epic theatre, 33,122; neo-, 11. See also Brecht, Bertolt Esinencu, Nicoleta: Clear History, 74; FUCK YOU, Eu.ro.Pa! {Papa, I Absolutely Must Tell You Something), 73-74. See also Fusu, Mihai Etlik, Jaroslav, 156. See also Ypsilon Eugène Ionesco Theatre, 64, 65, 75 expressionism, xv, xix, 18, 70,132; neo-, 133 Farm in the Cave. See Farma v jeskyni Farma v jeskyni: Sclavi: Song of an Emigrant, 173-75, 176, 177; Waiting Room, 173,175-77. See also Dočolomanský, Viliam festivals (postcommunist theatre): Baltoscandal (Estonia), 25; Belgrade International Theatre Festival, 93-94; Edinburgh Fringe Festival, 173; Homo Novus (Latvia), 57; International Biennial Festival of the Eugene Ionesco Theatre (Rep of Moldova), 75; international festival of studio theatre and short shows, in Russian (Moldova), 75; Moldfest.Rampa. Ru, 75; Nancy Festival Mondial du Théâtre, 6; Romanian Playwriting Festival, 72; Satiricus International Festival, 75; Under the Radar Festival (New York City), 195 Fodor, Tamás, 3,6,9 Foosbook, 67. See also Ţîcu, Luminiţa Forte Theatre, 14. See also Horváth, Csaba Free Belarus Project, 195,196. See also Belarus Free Theatre
Frejka, Jiří: and cabaret, 151; and clown training at DAMU, 152 Fusu, Mihai: director of Dreams, 65; director ofMowgli, 65; founder of Club 513, 66; founder of Coliseum Arts Centre, 65; The Seventh Kafana, 69-70. See also Beckett, Samuel Genoux, Georg: and Joseph Beuys Theatre, 84, 88. See also Teatr.doc Index 257
Georgiev, Nikolai: dissidence, 123; theatre founder, 122, 123-25. See also studio theatre; Theatre Laboratory Alma Alter; university theatre Ģertrūde Street Theatre, 60 Gogol Center, 83, 89 Grassi, Davide. See Janez Janša trio Gremina, Yelena: and nonprofessional actors, 81; playwright of September.doc, 84-85. See also Teatr.doc Grotowski, Jerzy: 3,6,11,20,33,94, 100; and Grotowskian, 129; and the “holy actor,” 108,116; and Laboratory Theatre, 123,125, 130,210; and “poor theatre,” 15, 21, 24,30, 51,108,111,123; and Theatre of Thirteen Rows, 123; and via negativa, 128 Gundars, Lauris, 55, 59 Hague’s International Criminal Tribunal, 96 Halász, Péter: The Ballad of Two Brothers, 6,7; ’Cause Everyone Just Hangs around Doing Nothing, 6; King Kong, 8; Péter Halász’s Virtual Funeral, 8; Power, Money, Fame, Beauty, Love, 8; Skanzen Killers, 7. See also Kassák House Studio; Katona József Theater; Squat Theatre happening, 25. See also Theatre Laboratory Alma Alter; Theatre 258 Index NO99 Havel, Václav, xvii, xix, 23,25,95, 150,165-66,172,177; and “post democracy,” xix Havelka, Jiří, 157; and actors’ authorship, 161-62 Helikon Opera: Aida, 135,140,142, 143; Carmen, 140,146; Dialogues of the Carmelites, 133,145-47; Falstaff, 143; history, 135,138; Lady Macbeth of the Mtsensk District, 136,142,146; A Masked Ball, 147; Peter the Great, 144; Rasputin, 148; style, 136; The Servant Turned Mistress, 137; The Ugly Duckling 137,142. See also Bertman, Dmitri Hermaküla, Evald, 20-21,33 Hermanis, Alvis, 52-53, 55,60 Horváth, Csaba: The Clearing, 14. See also Forte Theatre Hrvatin, Emil: and
First World Camp, 189-90,193. See also Janez Janša trio hybridity, 129,133.174 hypernaturalism, 115 improvisation, xii, 38, 50, 85,128. See also Beckett, Samuel; DAH Theatre; Havelka, Jiří; Rubess, Baņuta; Theatre NO99; Ypsilon independent theatre: in Bulgaria, 109,124,134; in Hungary, 3, 5, 8, 9,10,13,15; in Latvia, 49, 56,60; in Moldova, 66
installation: Crossing the Line, 102֊ 03; and Guillermo Gómez-Peña, 187-88; and sound, 40. See also Hrvatin, Emil; Janez Janša trio intercultural, xxii, 167; as interculturalism, 174. See also Ypsilon Jalakas, Peeter, 25-27. See also Von Krahl Theatre Janez Janša trio, 189; and NAME Readymade, 191-93; and Slovene National Theatre, 191 Joseph Beuys Theatre. See Georg Genoux Kabata Theatre, 49. See also Rubess, Baņuta Kariž, Žiga. See Janez Janša trio Kassák House Studio, 6-7. See also Halász, Péter Katona József Theater, 8,9,12. See also Bodó, Viktor; Halász, Péter Laboratory Theatre. See Grotowski, Jerzy Lábus, Jiří, 154,158 Laundry Room Theatre. See also Esinencu, Nicoleta Lengyel, Anna, 14. See also Panorama Theatre LGBTQ, 66,197 Luceafărul Theatre, 65,66. See also Beckett, Samuel Magnet (theatre), 94 method acting, 170 Meyerhold, Vsevolod: and biomechanics, xix; influence, xv, 33.136,138 Millev, Geo, 132 Miloševič, Dijana: directing style, 95,100. See also DAH theatre Mladenova, Margarita: directing style, 111-12,120; A Sin Named Kuzar, 115; theatre cofounder, 109-10; The Valley ofShadow of Death, Alyosha, 116-17. See also Theatre Laboratory Sfumato Morning Theatre, 19 Moscow Art Theatre, 80, 82-83, 88, 109 Mundruczó, Kornél, 10,12; Khalezin, Nikolai, 197. See also Belarus Free Theatre Koliada, Natalia, 197,198. See also Belarus Free Theatre Krétakör Theater, 11,12. See also Mundruczó, Korné; Schilling, Árpád Krilovs, Pēteris, 56. See also New Theatre Institute of Latvia Kuple, Dina, 50, 51 nationalism, xviii, 42-43,92,108, Kurochkin, Maksym: as playwright, 80. See also
Teatr.doc Kväla, Anita, 56 naturalism, xii, 115,132,151 Naumanis, Normunds, 51-52, 55 Frankenstein Project, 13 muzicalization, 12,117,168,174 155.177 Index 259
Neiburga, Andra, 54, 55. See also Rubess, Baņuta Neue Slowenische Kunst: as fictional nation-state, 187-89; as subversive artistic collective, 181-82 New Circus, xv, 167-71. See also Cirk la Putyka New Riga Theatre, 52-53. See also Rubess, Baņuta New Theatre Institute of Latvia, 56. See also Rubess, Baņuta Noh theatre: influence, 37 nonprofessional (company, actors), xix, 5,13,67, 81 Novák, Rostislav, 167,178. See also Cirk La Putyka NSK. See Neue Slowenische Kunst Ojasoo, Tiit. See Theatre NO99 Old Town Studio, 34. See also studio theatre opera, xv, 26, 82,156,157; experimental, 135. See also Helikon Opera; Pountney, David Paál, István: Petőfi Rock, 5. See also university theatre Panodrama Theatre, 14. See also docudrama Panso,Voldemar, 20 paratheater, 125. See also Grotowski, Jerzy Paripović, Neša, 102. See also DAH Theatre Pavičević, Borka, 91. See also Center 260 Index for Cultural Decontamination performance art, 3,11,15 performance events, xiii, 38,126. See also happening; installation; Neue Slowenische Kunst performance art; Teatr.doc; Theatre NO99 physical theatre, 21,45» 62,69,70, 123,131,156,174 Pintér, Béla, 10,13; directing Peasants Opera, Kaisers TV Ungarn, Out Secrets, 14 Pliekšāns, Jānis. See Rainis “poor theatre.” See Grotowski, Jerzy Pountney, David, xv, 136,138,139. See also Helikon Opera; opera PTMTP. See Ypsilon puppets (puppetry), 26,167,168; Bread and Puppet Theatre, 94; North Bohemian Puppet Theatre, 153; Puppets (Russian television show) 78; Tallinn Puppet Theatre, 24; theatre, 167,168; and training at DAMU, 151,153 Rainis (perniarne of Jānis
Pliekšāns), 49. See also Rubess, Baņuta Royal Court Theatre, 65,75, 79 Rozenbergą, Elza. See Aspazija Rubess, Baņuta: The Avenging Woman (codirector), 50-52,60; Escapefrom Troy (director), 5660; Heroica (author-director), 49; Rondo (director), 53-56,60; Tango Lugãno (author-director), 49
Russification, 47,63 Ruto Killakund, 25 Ruszt, József, 3,6,9. See also Universitas studio Schilling, Árpád: director of Blackland, Leonce and Lena, The Seagull, W - Worker’s Circus, 11; Getting Married Today, Hoe, Spade, 11. See also Krétakör Theater Schmid, Jan: teaching at DAMU, 156-57. See also Ypsilon Semper, Ene-Liis, 35,36,43 site-specific (performance), 11, 53,94,96,97, xoo, 125. See also environmental theatre; Fusu, Mihai; Rubess, Baņuta; Theatre NO99; Schilling, Árpád Smiļģis, Eduards, 53 socialist realism, xi, xviii, 9, 20, 21, 64,110,122,140,141,148,182 Sputnik Shipping Company, 12 Squat Theatre, 8. See also Halász, Péter Stanislavsky, Konstantin, 3, 61, 81,109,136,138; and psychological realism, xiv, 11, 111,112; Stanislavskyan, 50; and Stanislavsky’s system, 35,46 state theatre system, 5, 20,61,64, 109,197 Stoņins, Ivars, 51. See also Rubess, Baņuta street theatre (also street-theatre), 96. See also Ģertrūde Street Theatre; Teatr.doc student theatre, xv, xix, 25,122,123, 125; movement, xxii. See also university theatre Studio Elizaveta Bam, 124. See also Bogdanov, Boyko Studio for Synthesized Stage Skills (4XS), 125. See also Georgiev, Nikolai studio theatre, 75,109,110,122, 123-25, i5° 154-56, i6o, 161,202 Studio Theatre 4+4,123. See also Georgiev, Nikolai subversive overidentification, 193-94 symbolism (modernist), 18,122, 132 synthetic theatre (also, synthesis [of arts]), 9,123,133,135,156, 158,167,168,169,175. See also Ypsilon Szeged University Theatre. See university theatre; University Theatre in Szeged Szputynik Hajózási Társaság. See Sputnik Shipping
Company Teatr.doc: and cofounding, 78-79; 1 so Reasons Not to Defend the Motherland, 76-77; Berlusputin, 87-88; Democracy.doc, 85; One Hour, Eighteen Minutes, 86-87; September.doc, 84; Two in Your House, 87 Teatrul-spălătorie. See Laundry Room Theatre Index 261
Theatre Laboratory Alma Alter: Orpheus, or Return to Your Own Hell, Human, 126-29; repertoire and style, 125,130-33. See also Georgiev, Nikolai; student theatre; Yossifova, Petya Theatre Laboratory Sfumato: history and mission, 109-19. See also Dobchev, Ivan; Mladenova, Margarita; Dostoyevsky, Feodor; Tolstoy, Leo; Yovkov, Yordan Theatre Mimart, 94 Theatre NO99: and founding, 29, 30; N053.5 The Last Days of the Minister, 45; NO64.5 The Board Meeting of the Reform Party, 45; NO/5 Unified Estonia, 41,43-45; NO/6 Tallinn: Our City, 44; NO/6.8 When 200 Will Become 6500,44; NO82.5 Beijing, 38; NO83 How to Explain Pictures to a Dead Hare, 38,39-41; NO93 Oil!, 41; NO85.5 “99X,” 38; NO99 Sometimes It Feels as ifLife, 36-37 “theatre of cruelty.” See Artaud, Antonin theatre of participation, 125,130 theatre of the absurd, xix, xxii, 4, 5,7,13-14.25.38, 64, 80,122, 149-50 Theatre of Thirteen Rows. See Grotowski, ferzy Theatre TT. See Gundars, Lauris Theatrum (theatre company), 29 Ţîcu, Luminiţa: The M House, 262 Index 70-73 Tolstoy, Leo: as a dramatic character, 113; in Program Exit, 107; See also Dobchev, Ivan; Theatre Laboratory Sfumato Tooming, Jaan, 20-21,33 total art, 9 Truth and Reconciliation Commission for Serbia and Montenegro, The, 97,103 Universitas studio, 5,6. See also Ruszt, József University Stage, 5. See also Universitas studio, University Theatre in Szeged university (theatres), 5,122. See also student theatres University Theatre in Szeged, 5 Unt, Mati, 22-23, 33 V+W (Jiří Voskovec and Jan Werich), 152,157 Vakhtangov, Yevgeny: and influence, xix, 33,64 Valchář, Petr,
169. See also Cire La Putyka; disabilities Vanemuine Theatre, 18,20,22,33 Vasiliev, Anatoly, 108,111 VAT Theatre, 24-25 Velvet Revolution, xxiv, 95,151, 160,164 verbatim: drama, 69,70,79; technique, 62, 69, 70; theatre, 55, 191 Viharova, Vazkresia, 124. See also
anthropological theatre VKT. See Von Krahl Theatre Von Krahl Theatre (VKT), 25-28, 29.30,35 Voskovec, Jiří. See V+W Vutcărău, Petru, 64. See ako Beckett, Samuel; Eugene Ionesco Theatre Werich, Jan. See V+W Women in Black, 100 cofounder, 125,129,134. See also Theatre Laboratory Alma Alter Yovkov, Yordan, 110,114; Program Yovkov, 107,108,114,115, 116. See also Dobchev, Ivan; Mladenova, Margarita; Theatre Laboratory Sfumato Ypsilon: after the Velvet Revolution, 259-63; method and style, 154֊ 59; Prague-Toronto-Manitoulin Theatre Project (PTMTP), 150, 15Յ Yossifova, Petya: actor, 126-28; choreographer, 130: theatre Index 263
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Index acoustic, 174; and landscape, 116 acrobatics, 151,167,168 Adamaite, Undine, 55 amateur (theatre, actor), xxii, 3, 9,11,15,18. See also Gremina, Yelena; Morning Theatre; nonprofessional (company, actors); Rubess, Baņuta; Theatre Laboratory Alma Alter; university theatre amateurism, 81, 87,137-38,167, 176 Anđelić, Jadranka, 94,100 anthropological theatre, xiv, 150. See also Barba, Eugenio Artaud, Antonin: and “theatre of cruelty,” xix, 11, 20, 21, 33, 37, 62, 70,171 Aspazija (penname of Elza Rozenbergą), 49. See also Rubess, Baņuta “auditory semiotics,” 117,168 auteur, xiv, 114,124,152; auteur director, xxii, 108,156. See also Fusu, Mihai; Mati, Unt; Ypsilon authors theatre, 134 authorship: of the actors, 156. See also devised performance; Elavelka, Jiří Barba, Eugenio: and influence xiv, 26,100. See also anthropological theatre Bartlett, Neil, 49. See also Rubess, Baņuta; Theatrum Beckett, Samuel: Waitingfor Godot, 28; in Moldova, 64-65; in Soviet Union, 28 Belarus Free Theatre: history and methods, 197-98; readings of Being Harold Pinter, 199, 200,201. See also Free Belarus Project; Khalezin, Nikolai; Koliada, Natalia Bertman, Dmitry: theatre founder, 138; influence and style, 135-38. See also Helikon Opera Beuys, Joseph, 40,43,88 BFT. See Belarus Free Theatre biomechanics. See Meyerhold, Vsevolod Blue Theatre, 94 Bodó, Viktor, 10,12. See also Katona József Theater Bogdanov, Boyko, 124. See also Dada; Studio Elizaveta Bam Brecht, Bertolt: influence of epic theatre, xix, 11,122; Primerfor War at DAH Theatre, 95 Index 255
Brook, Peter, 20,33,52,94,108; and “holy theatre,” її, 112 cabaret, 14,41,124,130. See also Frejka, Jiří; Ypsilon Cantata for Belarus, 202-03. See also Free Belarus Project censorship (after 1989); in Belarus, 197; in Moldova, 63,65-66; political and economic, 205; in Russia, 78; and self-censorship, xii, xiii, 56 censorship (before 1989), xiii, xxiiiiv; in Czech Rep., 155,164; in Estonia, 20, 22, 50; in Latvia, 50, 57; in Moldova, 61, 64,65, 66; in Slovenia, 184-85; in Soviet Union, 77-78 Center for Cultural Decontamination, 91 Chekhov, Anton, 11, 23, 28; The Seagull, 11, 80,110,112,113 Cinkuss, Ivars, 94 Cirk la Putyka, 165,167-68; Risk, 168-69; Up End Down, 169. See also Novák, Rostislav clowning; Czech tradition of, 151; postmodern, 167. See also Cirkla Putyka; Frejka, Jiří; Ypsilon Club 513,73. See also Fusu, Mihai Cohseum Arts Center, 65,69,70, 71. See also Fusu, Mihai; Ţîcu, Luminiţa countertheatre. See independent theatre Crudu, Dumitru, 69. See also Fusu, Mihai 256 Index Dada, 144,151; cabaret, 124; dadaist, 25. See aho Studio Elizaveta Bam DAH Theatre: Crossing the Line, 100-03,150; In/Visible City, 96-100; This Babylonian Confusion, 94,96; and the Yugoslav wars, 94-95. See also Anđelić, Jadranka; Miloševič, Dijana; Paripovič, Neša DAMU (Academy of Performing Arts in Prague), 151,161. See aho Frejka, Jiří; Schmid, Jan; Ypsilon dance, 5,98,102,123,126,128, 130-31,154.161,167-69,170, 173-74; contemporary, 15,34, 40; folk, 10,14,43,169; modern, 125,131; Parisian, 136 devised; dramaturgy, xvi, 112; performance, xiv, xv, 8,9,11. See also Belarus Free Theatre; DAFi
Theatre; Fusu, Mihai; Theatre Laboratory Alma Alter; Theatre NO99 disabilities: acting with, 134,169 Dobchev, Ivan: A Sin Named Kuzar, 115; theatre cofounder, 107, 109-10; Train Station Astapovo, 112; Uncle Vanya, 113; The Valley of the Shadow ofDeath, 116,117-18. See also Theatre Laboratory Sfumato Dočolomanský, Viliam: theatre founder, 172. See also Farma v jeskyni docudrama, 12,14
documentary theatre, xiii, xix. See also Esinencu, Nicoleta; Fusu, Mihai; Janez Janša trio; Rubess, Baņuta; Theatre NO99; Teatr, doc; Ţîcu, Luminiţa Dorogan, Nora, 67. See also Esinencu, Nicoleta Dostoyevsky, Feodor, 110; Program Dostoyevsky, 108,116,119. See also Dobchev, Ivan; Mladenova, Margarita dramaturgy: fluid, 111,112; visual, 111,118 Egyetemi Színpad. See University Stage environmental theatre, 65. See also site-specific (performance) epic theatre, 33,122; neo-, 11. See also Brecht, Bertolt Esinencu, Nicoleta: Clear History, 74; FUCK YOU, Eu.ro.Pa! {Papa, I Absolutely Must Tell You Something), 73-74. See also Fusu, Mihai Etlik, Jaroslav, 156. See also Ypsilon Eugène Ionesco Theatre, 64, 65, 75 expressionism, xv, xix, 18, 70,132; neo-, 133 Farm in the Cave. See Farma v jeskyni Farma v jeskyni: Sclavi: Song of an Emigrant, 173-75, 176, 177; Waiting Room, 173,175-77. See also Dočolomanský, Viliam festivals (postcommunist theatre): Baltoscandal (Estonia), 25; Belgrade International Theatre Festival, 93-94; Edinburgh Fringe Festival, 173; Homo Novus (Latvia), 57; International Biennial Festival of the Eugene Ionesco Theatre (Rep of Moldova), 75; international festival of studio theatre and short shows, in Russian (Moldova), 75; Moldfest.Rampa. Ru, 75; Nancy Festival Mondial du Théâtre, 6; Romanian Playwriting Festival, 72; Satiricus International Festival, 75; Under the Radar Festival (New York City), 195 Fodor, Tamás, 3,6,9 Foosbook, 67. See also Ţîcu, Luminiţa Forte Theatre, 14. See also Horváth, Csaba Free Belarus Project, 195,196. See also Belarus Free Theatre
Frejka, Jiří: and cabaret, 151; and clown training at DAMU, 152 Fusu, Mihai: director of Dreams, 65; director ofMowgli, 65; founder of Club 513, 66; founder of Coliseum Arts Centre, 65; The Seventh Kafana, 69-70. See also Beckett, Samuel Genoux, Georg: and Joseph Beuys Theatre, 84, 88. See also Teatr.doc Index 257
Georgiev, Nikolai: dissidence, 123; theatre founder, 122, 123-25. See also studio theatre; Theatre Laboratory Alma Alter; university theatre Ģertrūde Street Theatre, 60 Gogol Center, 83, 89 Grassi, Davide. See Janez Janša trio Gremina, Yelena: and nonprofessional actors, 81; playwright of September.doc, 84-85. See also Teatr.doc Grotowski, Jerzy: 3,6,11,20,33,94, 100; and Grotowskian, 129; and the “holy actor,” 108,116; and Laboratory Theatre, 123,125, 130,210; and “poor theatre,” 15, 21, 24,30, 51,108,111,123; and Theatre of Thirteen Rows, 123; and via negativa, 128 Gundars, Lauris, 55, 59 Hague’s International Criminal Tribunal, 96 Halász, Péter: The Ballad of Two Brothers, 6,7; ’Cause Everyone Just Hangs around Doing Nothing, 6; King Kong, 8; Péter Halász’s Virtual Funeral, 8; Power, Money, Fame, Beauty, Love, 8; Skanzen Killers, 7. See also Kassák House Studio; Katona József Theater; Squat Theatre happening, 25. See also Theatre Laboratory Alma Alter; Theatre 258 Index NO99 Havel, Václav, xvii, xix, 23,25,95, 150,165-66,172,177; and “post democracy,” xix Havelka, Jiří, 157; and actors’ authorship, 161-62 Helikon Opera: Aida, 135,140,142, 143; Carmen, 140,146; Dialogues of the Carmelites, 133,145-47; Falstaff, 143; history, 135,138; Lady Macbeth of the Mtsensk District, 136,142,146; A Masked Ball, 147; Peter the Great, 144; Rasputin, 148; style, 136; The Servant Turned Mistress, 137; The Ugly Duckling 137,142. See also Bertman, Dmitri Hermaküla, Evald, 20-21,33 Hermanis, Alvis, 52-53, 55,60 Horváth, Csaba: The Clearing, 14. See also Forte Theatre Hrvatin, Emil: and
First World Camp, 189-90,193. See also Janez Janša trio hybridity, 129,133.174 hypernaturalism, 115 improvisation, xii, 38, 50, 85,128. See also Beckett, Samuel; DAH Theatre; Havelka, Jiří; Rubess, Baņuta; Theatre NO99; Ypsilon independent theatre: in Bulgaria, 109,124,134; in Hungary, 3, 5, 8, 9,10,13,15; in Latvia, 49, 56,60; in Moldova, 66
installation: Crossing the Line, 102֊ 03; and Guillermo Gómez-Peña, 187-88; and sound, 40. See also Hrvatin, Emil; Janez Janša trio intercultural, xxii, 167; as interculturalism, 174. See also Ypsilon Jalakas, Peeter, 25-27. See also Von Krahl Theatre Janez Janša trio, 189; and NAME Readymade, 191-93; and Slovene National Theatre, 191 Joseph Beuys Theatre. See Georg Genoux Kabata Theatre, 49. See also Rubess, Baņuta Kariž, Žiga. See Janez Janša trio Kassák House Studio, 6-7. See also Halász, Péter Katona József Theater, 8,9,12. See also Bodó, Viktor; Halász, Péter Laboratory Theatre. See Grotowski, Jerzy Lábus, Jiří, 154,158 Laundry Room Theatre. See also Esinencu, Nicoleta Lengyel, Anna, 14. See also Panorama Theatre LGBTQ, 66,197 Luceafărul Theatre, 65,66. See also Beckett, Samuel Magnet (theatre), 94 method acting, 170 Meyerhold, Vsevolod: and biomechanics, xix; influence, xv, 33.136,138 Millev, Geo, 132 Miloševič, Dijana: directing style, 95,100. See also DAH theatre Mladenova, Margarita: directing style, 111-12,120; A Sin Named Kuzar, 115; theatre cofounder, 109-10; The Valley ofShadow of Death, Alyosha, 116-17. See also Theatre Laboratory Sfumato Morning Theatre, 19 Moscow Art Theatre, 80, 82-83, 88, 109 Mundruczó, Kornél, 10,12; Khalezin, Nikolai, 197. See also Belarus Free Theatre Koliada, Natalia, 197,198. See also Belarus Free Theatre Krétakör Theater, 11,12. See also Mundruczó, Korné; Schilling, Árpád Krilovs, Pēteris, 56. See also New Theatre Institute of Latvia Kuple, Dina, 50, 51 nationalism, xviii, 42-43,92,108, Kurochkin, Maksym: as playwright, 80. See also
Teatr.doc Kväla, Anita, 56 naturalism, xii, 115,132,151 Naumanis, Normunds, 51-52, 55 Frankenstein Project, 13 muzicalization, 12,117,168,174 155.177 Index 259
Neiburga, Andra, 54, 55. See also Rubess, Baņuta Neue Slowenische Kunst: as fictional nation-state, 187-89; as subversive artistic collective, 181-82 New Circus, xv, 167-71. See also Cirk la Putyka New Riga Theatre, 52-53. See also Rubess, Baņuta New Theatre Institute of Latvia, 56. See also Rubess, Baņuta Noh theatre: influence, 37 nonprofessional (company, actors), xix, 5,13,67, 81 Novák, Rostislav, 167,178. See also Cirk La Putyka NSK. See Neue Slowenische Kunst Ojasoo, Tiit. See Theatre NO99 Old Town Studio, 34. See also studio theatre opera, xv, 26, 82,156,157; experimental, 135. See also Helikon Opera; Pountney, David Paál, István: Petőfi Rock, 5. See also university theatre Panodrama Theatre, 14. See also docudrama Panso,Voldemar, 20 paratheater, 125. See also Grotowski, Jerzy Paripović, Neša, 102. See also DAH Theatre Pavičević, Borka, 91. See also Center 260 Index for Cultural Decontamination performance art, 3,11,15 performance events, xiii, 38,126. See also happening; installation; Neue Slowenische Kunst performance art; Teatr.doc; Theatre NO99 physical theatre, 21,45» 62,69,70, 123,131,156,174 Pintér, Béla, 10,13; directing Peasants Opera, Kaisers TV Ungarn, Out Secrets, 14 Pliekšāns, Jānis. See Rainis “poor theatre.” See Grotowski, Jerzy Pountney, David, xv, 136,138,139. See also Helikon Opera; opera PTMTP. See Ypsilon puppets (puppetry), 26,167,168; Bread and Puppet Theatre, 94; North Bohemian Puppet Theatre, 153; Puppets (Russian television show) 78; Tallinn Puppet Theatre, 24; theatre, 167,168; and training at DAMU, 151,153 Rainis (perniarne of Jānis
Pliekšāns), 49. See also Rubess, Baņuta Royal Court Theatre, 65,75, 79 Rozenbergą, Elza. See Aspazija Rubess, Baņuta: The Avenging Woman (codirector), 50-52,60; Escapefrom Troy (director), 5660; Heroica (author-director), 49; Rondo (director), 53-56,60; Tango Lugãno (author-director), 49
Russification, 47,63 Ruto Killakund, 25 Ruszt, József, 3,6,9. See also Universitas studio Schilling, Árpád: director of Blackland, Leonce and Lena, The Seagull, W - Worker’s Circus, 11; Getting Married Today, Hoe, Spade, 11. See also Krétakör Theater Schmid, Jan: teaching at DAMU, 156-57. See also Ypsilon Semper, Ene-Liis, 35,36,43 site-specific (performance), 11, 53,94,96,97, xoo, 125. See also environmental theatre; Fusu, Mihai; Rubess, Baņuta; Theatre NO99; Schilling, Árpád Smiļģis, Eduards, 53 socialist realism, xi, xviii, 9, 20, 21, 64,110,122,140,141,148,182 Sputnik Shipping Company, 12 Squat Theatre, 8. See also Halász, Péter Stanislavsky, Konstantin, 3, 61, 81,109,136,138; and psychological realism, xiv, 11, 111,112; Stanislavskyan, 50; and Stanislavsky’s system, 35,46 state theatre system, 5, 20,61,64, 109,197 Stoņins, Ivars, 51. See also Rubess, Baņuta street theatre (also street-theatre), 96. See also Ģertrūde Street Theatre; Teatr.doc student theatre, xv, xix, 25,122,123, 125; movement, xxii. See also university theatre Studio Elizaveta Bam, 124. See also Bogdanov, Boyko Studio for Synthesized Stage Skills (4XS), 125. See also Georgiev, Nikolai studio theatre, 75,109,110,122, 123-25, i5° 154-56, i6o, 161,202 Studio Theatre 4+4,123. See also Georgiev, Nikolai subversive overidentification, 193-94 symbolism (modernist), 18,122, 132 synthetic theatre (also, synthesis [of arts]), 9,123,133,135,156, 158,167,168,169,175. See also Ypsilon Szeged University Theatre. See university theatre; University Theatre in Szeged Szputynik Hajózási Társaság. See Sputnik Shipping
Company Teatr.doc: and cofounding, 78-79; 1 so Reasons Not to Defend the Motherland, 76-77; Berlusputin, 87-88; Democracy.doc, 85; One Hour, Eighteen Minutes, 86-87; September.doc, 84; Two in Your House, 87 Teatrul-spălătorie. See Laundry Room Theatre Index 261
Theatre Laboratory Alma Alter: Orpheus, or Return to Your Own Hell, Human, 126-29; repertoire and style, 125,130-33. See also Georgiev, Nikolai; student theatre; Yossifova, Petya Theatre Laboratory Sfumato: history and mission, 109-19. See also Dobchev, Ivan; Mladenova, Margarita; Dostoyevsky, Feodor; Tolstoy, Leo; Yovkov, Yordan Theatre Mimart, 94 Theatre NO99: and founding, 29, 30; N053.5 The Last Days of the Minister, 45; NO64.5 The Board Meeting of the Reform Party, 45; NO/5 Unified Estonia, 41,43-45; NO/6 Tallinn: Our City, 44; NO/6.8 When 200 Will Become 6500,44; NO82.5 Beijing, 38; NO83 How to Explain Pictures to a Dead Hare, 38,39-41; NO93 Oil!, 41; NO85.5 “99X,” 38; NO99 Sometimes It Feels as ifLife, 36-37 “theatre of cruelty.” See Artaud, Antonin theatre of participation, 125,130 theatre of the absurd, xix, xxii, 4, 5,7,13-14.25.38, 64, 80,122, 149-50 Theatre of Thirteen Rows. See Grotowski, ferzy Theatre TT. See Gundars, Lauris Theatrum (theatre company), 29 Ţîcu, Luminiţa: The M House, 262 Index 70-73 Tolstoy, Leo: as a dramatic character, 113; in Program Exit, 107; See also Dobchev, Ivan; Theatre Laboratory Sfumato Tooming, Jaan, 20-21,33 total art, 9 Truth and Reconciliation Commission for Serbia and Montenegro, The, 97,103 Universitas studio, 5,6. See also Ruszt, József University Stage, 5. See also Universitas studio, University Theatre in Szeged university (theatres), 5,122. See also student theatres University Theatre in Szeged, 5 Unt, Mati, 22-23, 33 V+W (Jiří Voskovec and Jan Werich), 152,157 Vakhtangov, Yevgeny: and influence, xix, 33,64 Valchář, Petr,
169. See also Cire La Putyka; disabilities Vanemuine Theatre, 18,20,22,33 Vasiliev, Anatoly, 108,111 VAT Theatre, 24-25 Velvet Revolution, xxiv, 95,151, 160,164 verbatim: drama, 69,70,79; technique, 62, 69, 70; theatre, 55, 191 Viharova, Vazkresia, 124. See also
anthropological theatre VKT. See Von Krahl Theatre Von Krahl Theatre (VKT), 25-28, 29.30,35 Voskovec, Jiří. See V+W Vutcărău, Petru, 64. See ako Beckett, Samuel; Eugene Ionesco Theatre Werich, Jan. See V+W Women in Black, 100 cofounder, 125,129,134. See also Theatre Laboratory Alma Alter Yovkov, Yordan, 110,114; Program Yovkov, 107,108,114,115, 116. See also Dobchev, Ivan; Mladenova, Margarita; Theatre Laboratory Sfumato Ypsilon: after the Velvet Revolution, 259-63; method and style, 154֊ 59; Prague-Toronto-Manitoulin Theatre Project (PTMTP), 150, 15Յ Yossifova, Petya: actor, 126-28; choreographer, 130: theatre Index 263 |
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| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>05753nam a22006971c 4500</leader><controlfield tag="001">BV046953692</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20230209 </controlfield><controlfield tag="007">t</controlfield><controlfield tag="008">201022s2020 xxu |||| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781609386771</subfield><subfield code="9">978-1-60938-677-1</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1230236951</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)KXP1664818847</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="044" ind1=" " ind2=" "><subfield code="a">xxu</subfield><subfield code="c">XD-US</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-B170</subfield><subfield code="a">DE-521</subfield><subfield code="a">DE-12</subfield><subfield code="a">DE-11</subfield></datafield><datafield tag="050" ind1=" " ind2="0"><subfield code="a">PN2193.E86</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">809.2/04</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">OST</subfield><subfield code="q">DE-12</subfield><subfield code="2">fid</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">AP 64941</subfield><subfield code="0">(DE-625)7835:700</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">KD 8020</subfield><subfield code="0">(DE-625)72382:</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">KD 6840</subfield><subfield code="0">(DE-625)72319:</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">AP 78841</subfield><subfield code="0">(DE-625)7978:700</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Staging postcommunism</subfield><subfield code="b">alternative theatre in Eastern and Central Europe after 1989</subfield><subfield code="c">edited by Vessela S. Warner and Diana Manole</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Iowa City</subfield><subfield code="b">University of Iowa Press</subfield><subfield code="c">[2020]</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">© 2020</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">xxv, 263 Seiten</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="0" ind2=" "><subfield code="a">Studies in theatre history and culture</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Includes bibliographical references and index</subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">Preface : restoring theatre activism in Eastern and Central Europe / Diana Manole -- Introduction : the "other: theatre in the postcolonies of communism / Vessela S. Warner -- Contemporary Hungarian independent theatre / Andrea Tompa -- The center and the fringe : post-Soviet alternative theatre in Estonia / Jaak Rahesoo -- Theatre NO99 : an alternative state theatre / Luule Epner -- The search for alternatives in Latvian theatre 1991/2004 : a creator's notebook / Baṇuta Rubess -- The assault of alternative theatre against the limited universe / Angelina Rocca -- Teatr.doc and the Russian alternative stage today / John Freedman -- Anti-nationalism and the culture of performance : the mission of Dah Theatre / Dennis Barnett -- Fusing performative boundaries: the relation text-actor-space in the experimental style of Theatre Laboratory Sfumato / Violeta Decheva and Vessela S. Warner -- Theatre Laboratory Alma Alter : Grotowski's legacy and the heterogeneous origin of Bulgarian alternative theatre / Vessela S. Warner -- Redefining kitsch and camp in Russian opera : Moscow's Helikon Opera in transition / Christopher Silsby -- Prague's Studio Ypsilon in the tradition of the Czech liberated theatre / Barry Freeman -- After the avalanche : Czech theatre's search for the meaning of alternative / Dennis C. Beck -- Playing with citizenship : NSK and Janez Jans̆a / S.E. Wilmer -- The perfect other : performing artistic freedom in solidarity with the Belarus Free Theater / Margarita Kompelmakher</subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">"After the fall of the Berlin Wall in 1989, East Central European theatre was never the same. In the transition to a post-communist world, 'alternative theatre' found ways to grapple with political chaos, corruption, and aggressive implementation of a market economy. Three decades later, this volume is the first comprehensive examination of alternative theatre in twenty former communist countries. The essays focus on companies and artists that radically changed the language and organization of theatre in the former Eastern European bloc. Essayists view alternative theatre as a cultural, social, and political practice that seized newfound freedom and power after the toppling of censorious totalitarian governments. Emerging from cultural isolation, alternative theatre used experimental, avant-garde performance styles to bring about social and political changes. Ultimately, this collection investigates the ways in which post-communist alternative theatre negotiated and embodied change not only locally but globally as well. 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| genre | (DE-588)4143413-4 Aufsatzsammlung gnd-content |
| genre_facet | Aufsatzsammlung |
| geographic | Osteuropa (DE-588)4075739-0 gnd |
| geographic_facet | Osteuropa |
| id | DE-604.BV046953692 |
| illustrated | Not Illustrated |
| index_date | 2024-07-03T15:42:05Z |
| indexdate | 2024-07-10T08:58:29Z |
| institution | BVB |
| isbn | 9781609386771 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032362154 |
| oclc_num | 1230236951 |
| open_access_boolean | |
| owner | DE-B170 DE-521 DE-12 DE-11 |
| owner_facet | DE-B170 DE-521 DE-12 DE-11 |
| physical | xxv, 263 Seiten |
| psigel | BSB_NED_20210413 |
| publishDate | 2020 |
| publishDateSearch | 2020 |
| publishDateSort | 2020 |
| publisher | University of Iowa Press |
| record_format | marc |
| series2 | Studies in theatre history and culture |
| spelling | Staging postcommunism alternative theatre in Eastern and Central Europe after 1989 edited by Vessela S. Warner and Diana Manole Iowa City University of Iowa Press [2020] © 2020 xxv, 263 Seiten txt rdacontent n rdamedia nc rdacarrier Studies in theatre history and culture Includes bibliographical references and index Preface : restoring theatre activism in Eastern and Central Europe / Diana Manole -- Introduction : the "other: theatre in the postcolonies of communism / Vessela S. Warner -- Contemporary Hungarian independent theatre / Andrea Tompa -- The center and the fringe : post-Soviet alternative theatre in Estonia / Jaak Rahesoo -- Theatre NO99 : an alternative state theatre / Luule Epner -- The search for alternatives in Latvian theatre 1991/2004 : a creator's notebook / Baṇuta Rubess -- The assault of alternative theatre against the limited universe / Angelina Rocca -- Teatr.doc and the Russian alternative stage today / John Freedman -- Anti-nationalism and the culture of performance : the mission of Dah Theatre / Dennis Barnett -- Fusing performative boundaries: the relation text-actor-space in the experimental style of Theatre Laboratory Sfumato / Violeta Decheva and Vessela S. Warner -- Theatre Laboratory Alma Alter : Grotowski's legacy and the heterogeneous origin of Bulgarian alternative theatre / Vessela S. Warner -- Redefining kitsch and camp in Russian opera : Moscow's Helikon Opera in transition / Christopher Silsby -- Prague's Studio Ypsilon in the tradition of the Czech liberated theatre / Barry Freeman -- After the avalanche : Czech theatre's search for the meaning of alternative / Dennis C. Beck -- Playing with citizenship : NSK and Janez Jans̆a / S.E. Wilmer -- The perfect other : performing artistic freedom in solidarity with the Belarus Free Theater / Margarita Kompelmakher "After the fall of the Berlin Wall in 1989, East Central European theatre was never the same. In the transition to a post-communist world, 'alternative theatre' found ways to grapple with political chaos, corruption, and aggressive implementation of a market economy. Three decades later, this volume is the first comprehensive examination of alternative theatre in twenty former communist countries. The essays focus on companies and artists that radically changed the language and organization of theatre in the former Eastern European bloc. Essayists view alternative theatre as a cultural, social, and political practice that seized newfound freedom and power after the toppling of censorious totalitarian governments. Emerging from cultural isolation, alternative theatre used experimental, avant-garde performance styles to bring about social and political changes. Ultimately, this collection investigates the ways in which post-communist alternative theatre negotiated and embodied change not only locally but globally as well. The result is a long overdue examination that will be a valuable resource for theatre history, post-Cold War, and Eastern European scholars alike"-- Geschichte 1989-2019 gnd rswk-swf Alternatives Theater (DE-588)4454844-8 gnd rswk-swf Postkommunismus (DE-588)4998161-4 gnd rswk-swf Osteuropa (DE-588)4075739-0 gnd rswk-swf Experimental theater / Europe, Eastern Experimental theater / Europe, Central Theater / Europe, Eastern / History Theater / Europe, Central / History (DE-588)4143413-4 Aufsatzsammlung gnd-content Osteuropa (DE-588)4075739-0 g Postkommunismus (DE-588)4998161-4 s Alternatives Theater (DE-588)4454844-8 s Geschichte 1989-2019 z DE-604 Warner, Vessela S. 1968- (DE-588)1224631153 edt Manole, Diana 1963- (DE-588)1224631293 edt Erscheint auch als Online-Ausgabe 978-1-60938-678-8 https://www.gbv.de/dms/bowker/toc/9781609386771.pdf 2020-10-18 Aggregator Inhaltsverzeichnis Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032362154&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Literaturverzeichnis Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032362154&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Register // Gemischte Register |
| spellingShingle | Staging postcommunism alternative theatre in Eastern and Central Europe after 1989 Alternatives Theater (DE-588)4454844-8 gnd Postkommunismus (DE-588)4998161-4 gnd |
| subject_GND | (DE-588)4454844-8 (DE-588)4998161-4 (DE-588)4075739-0 (DE-588)4143413-4 |
| title | Staging postcommunism alternative theatre in Eastern and Central Europe after 1989 |
| title_auth | Staging postcommunism alternative theatre in Eastern and Central Europe after 1989 |
| title_exact_search | Staging postcommunism alternative theatre in Eastern and Central Europe after 1989 |
| title_exact_search_txtP | Staging postcommunism alternative theatre in Eastern and Central Europe after 1989 |
| title_full | Staging postcommunism alternative theatre in Eastern and Central Europe after 1989 edited by Vessela S. Warner and Diana Manole |
| title_fullStr | Staging postcommunism alternative theatre in Eastern and Central Europe after 1989 edited by Vessela S. Warner and Diana Manole |
| title_full_unstemmed | Staging postcommunism alternative theatre in Eastern and Central Europe after 1989 edited by Vessela S. Warner and Diana Manole |
| title_short | Staging postcommunism |
| title_sort | staging postcommunism alternative theatre in eastern and central europe after 1989 |
| title_sub | alternative theatre in Eastern and Central Europe after 1989 |
| topic | Alternatives Theater (DE-588)4454844-8 gnd Postkommunismus (DE-588)4998161-4 gnd |
| topic_facet | Alternatives Theater Postkommunismus Osteuropa Aufsatzsammlung |
| url | https://www.gbv.de/dms/bowker/toc/9781609386771.pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032362154&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032362154&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA |
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