Towards a political aesthetics of cinema: the outside of film
Towards a Political Aesthetics of Cinema: The Outside of Film is a contribution to an aesthetics of cinema rooted in Marxist theory. Rather than focusing on the role that certain films, or the cinema as an institution, might play in political consciousness, the book asks a different question: how ca...
Gespeichert in:
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Amsterdam
Amsterdam University Press
[2020]
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| Schriftenreihe: | Film Culture in Transition
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| Schlagworte: | |
| Online-Zugang: | FAB01 FAW01 FCO01 FHA01 FKE01 FLA01 UBG01 UPA01 Volltext |
| Zusammenfassung: | Towards a Political Aesthetics of Cinema: The Outside of Film is a contribution to an aesthetics of cinema rooted in Marxist theory. Rather than focusing on the role that certain films, or the cinema as an institution, might play in political consciousness, the book asks a different question: how can the subject of politics in film be thought? This problem is presented in a systematic-theoretical rather than historical manner. The main aim of this book is a retrospective film theoretical rehabilitation of the psychoanalytical concept of "suture," whose political core is progressively revealed. In a second step, this rereading of ''suture''-theory is mediated with the Marxist aesthetics of Fredric Jameson. From the perspective of this reconfigured aesthetics of negativity, films by Hitchcock, Antonioni, Haneke and Kubrick are analyzed as articulations of a political unconscious |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 28. Sep 2020) |
| Beschreibung: | 1 Online-Ressource (350 Seiten) |
| ISBN: | 9789048533985 |
| DOI: | 10.1515/9789048533985 |
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| 520 | |a Towards a Political Aesthetics of Cinema: The Outside of Film is a contribution to an aesthetics of cinema rooted in Marxist theory. Rather than focusing on the role that certain films, or the cinema as an institution, might play in political consciousness, the book asks a different question: how can the subject of politics in film be thought? This problem is presented in a systematic-theoretical rather than historical manner. The main aim of this book is a retrospective film theoretical rehabilitation of the psychoanalytical concept of "suture," whose political core is progressively revealed. In a second step, this rereading of ''suture''-theory is mediated with the Marxist aesthetics of Fredric Jameson. From the perspective of this reconfigured aesthetics of negativity, films by Hitchcock, Antonioni, Haneke and Kubrick are analyzed as articulations of a political unconscious | ||
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| index_date | 2024-07-03T15:40:25Z |
| indexdate | 2024-07-10T08:58:21Z |
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| isbn | 9789048533985 |
| language | English |
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| series2 | Film Culture in Transition |
| spelling | Lie, Sulgi 1977- Verfasser (DE-588)1011183447 aut Towards a political aesthetics of cinema the outside of film Sulgi Lie Amsterdam Amsterdam University Press [2020] © 2020 1 Online-Ressource (350 Seiten) txt rdacontent c rdamedia cr rdacarrier Film Culture in Transition Description based on online resource; title from PDF title page (publisher's Web site, viewed 28. Sep 2020) Towards a Political Aesthetics of Cinema: The Outside of Film is a contribution to an aesthetics of cinema rooted in Marxist theory. Rather than focusing on the role that certain films, or the cinema as an institution, might play in political consciousness, the book asks a different question: how can the subject of politics in film be thought? This problem is presented in a systematic-theoretical rather than historical manner. The main aim of this book is a retrospective film theoretical rehabilitation of the psychoanalytical concept of "suture," whose political core is progressively revealed. In a second step, this rereading of ''suture''-theory is mediated with the Marxist aesthetics of Fredric Jameson. From the perspective of this reconfigured aesthetics of negativity, films by Hitchcock, Antonioni, Haneke and Kubrick are analyzed as articulations of a political unconscious In Englissh ART / Film & Video bisacsh Communist aesthetics Communists in motion pictures Motion pictures Aesthetics Motion pictures Political aspects Politics in motion pictures Fairfax, Daniel ca. 20./21. Jh. (DE-588)1155276418 trl https://doi.org/10.1515/9789048533985 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Lie, Sulgi 1977- Towards a political aesthetics of cinema the outside of film ART / Film & Video bisacsh Communist aesthetics Communists in motion pictures Motion pictures Aesthetics Motion pictures Political aspects Politics in motion pictures |
| title | Towards a political aesthetics of cinema the outside of film |
| title_auth | Towards a political aesthetics of cinema the outside of film |
| title_exact_search | Towards a political aesthetics of cinema the outside of film |
| title_exact_search_txtP | Towards a political aesthetics of cinema the outside of film |
| title_full | Towards a political aesthetics of cinema the outside of film Sulgi Lie |
| title_fullStr | Towards a political aesthetics of cinema the outside of film Sulgi Lie |
| title_full_unstemmed | Towards a political aesthetics of cinema the outside of film Sulgi Lie |
| title_short | Towards a political aesthetics of cinema |
| title_sort | towards a political aesthetics of cinema the outside of film |
| title_sub | the outside of film |
| topic | ART / Film & Video bisacsh Communist aesthetics Communists in motion pictures Motion pictures Aesthetics Motion pictures Political aspects Politics in motion pictures |
| topic_facet | ART / Film & Video Communist aesthetics Communists in motion pictures Motion pictures Aesthetics Motion pictures Political aspects Politics in motion pictures |
| url | https://doi.org/10.1515/9789048533985 |
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