Walter Ruttmann and the cinema of multiplicity: avant-garde - advertising - modernity
A key figure in early avant-garde cinema, Walter Ruttmann was a pioneer of experimental animation and the creative force behind one of the silent era's most celebrated montage films, Berlin: Symphony of a Great City. Yet even as he was making experimental films, Ruttmann had a day job. He worke...
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Amsterdam
Amsterdam University Press
[2014]
|
| Schriftenreihe: | Film culture in transition
|
| Schlagworte: | |
| Online-Zugang: | FAB01 FAW01 FCO01 FHA01 FKE01 FLA01 UBG01 UPA01 Volltext |
| Zusammenfassung: | A key figure in early avant-garde cinema, Walter Ruttmann was a pioneer of experimental animation and the creative force behind one of the silent era's most celebrated montage films, Berlin: Symphony of a Great City. Yet even as he was making experimental films, Ruttmann had a day job. He worked regularly in advertising -and he would go on to make industrial films, medical films, and even Nazi propaganda films. Michael Cowan offers here the first study of Ruttmann in English, not only shedding light on his commercial, industrial, and propaganda work, but also rethinking his significance in light of recent transformations in film studies. Cowan brilliantly teases out the linkages between the avant-garde and industrial society in the early twentieth century, showing how Ruttmann's films incorporated and enacted strategies for managing the multiplicities of mass society.This book has won the Willy Haas Award 2014 for its outstanding contribution to the study of German cinema |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 27.01.2023) |
| Beschreibung: | 1 Online-Ressource (259 Seiten |
| ISBN: | 9789048521890 9789048521906 |
| DOI: | 10.1515/9789048521890 |
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| spelling | Cowan, Michael 1971- Verfasser (DE-588)137592957 aut Walter Ruttmann and the cinema of multiplicity avant-garde - advertising - modernity Michael Cowan Amsterdam Amsterdam University Press [2014] © 2014 1 Online-Ressource (259 Seiten txt rdacontent c rdamedia cr rdacarrier Film culture in transition Description based on online resource; title from PDF title page (publisher's Web site, viewed 27.01.2023) A key figure in early avant-garde cinema, Walter Ruttmann was a pioneer of experimental animation and the creative force behind one of the silent era's most celebrated montage films, Berlin: Symphony of a Great City. Yet even as he was making experimental films, Ruttmann had a day job. He worked regularly in advertising -and he would go on to make industrial films, medical films, and even Nazi propaganda films. Michael Cowan offers here the first study of Ruttmann in English, not only shedding light on his commercial, industrial, and propaganda work, but also rethinking his significance in light of recent transformations in film studies. Cowan brilliantly teases out the linkages between the avant-garde and industrial society in the early twentieth century, showing how Ruttmann's films incorporated and enacted strategies for managing the multiplicities of mass society.This book has won the Willy Haas Award 2014 for its outstanding contribution to the study of German cinema In English ART / General bisacsh https://doi.org/10.1515/9789048521890 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Cowan, Michael 1971- Walter Ruttmann and the cinema of multiplicity avant-garde - advertising - modernity ART / General bisacsh |
| title | Walter Ruttmann and the cinema of multiplicity avant-garde - advertising - modernity |
| title_auth | Walter Ruttmann and the cinema of multiplicity avant-garde - advertising - modernity |
| title_exact_search | Walter Ruttmann and the cinema of multiplicity avant-garde - advertising - modernity |
| title_exact_search_txtP | Walter Ruttmann and the cinema of multiplicity avant-garde - advertising - modernity |
| title_full | Walter Ruttmann and the cinema of multiplicity avant-garde - advertising - modernity Michael Cowan |
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| title_full_unstemmed | Walter Ruttmann and the cinema of multiplicity avant-garde - advertising - modernity Michael Cowan |
| title_short | Walter Ruttmann and the cinema of multiplicity |
| title_sort | walter ruttmann and the cinema of multiplicity avant garde advertising modernity |
| title_sub | avant-garde - advertising - modernity |
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