World of Echo: Noise and Knowing in Late Medieval England
Between late antiquity and the fifteenth century, theologians, philosophers, and poets struggled to articulate the correct relationship between sound and sense, creating taxonomies of sounds based on their capacity to carry meaning. In World of Echo, Adin E. Lears traces how medieval thinkers adopte...
Gespeichert in:
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Ithaca, NY
Cornell University Press
[2020]
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| Schlagworte: | |
| Online-Zugang: | DE-706 Volltext |
| Zusammenfassung: | Between late antiquity and the fifteenth century, theologians, philosophers, and poets struggled to articulate the correct relationship between sound and sense, creating taxonomies of sounds based on their capacity to carry meaning. In World of Echo, Adin E. Lears traces how medieval thinkers adopted the concept of noise as a mode of lay understanding grounded in the body and the senses.With a broadly interdisciplinary approach, Lears examines a range of literary genres to highlight the poetic and social effects of this vibrant discourse, offering close readings of works by Chaucer and Langland, as well as the mystics Richard Rolle and Margery Kempe. Each of these writers embraced an embodied experience of language resistant to clear articulation, even as their work reflects inherited anxieties about the appeal of such sensations. A preoccupation with the sound of language emerged in the form of poetic soundplay at the same time that mysticism and other forms of lay piety began to flower in England. As Lears shows, the presence of such emphatic aural texture amplified the cognitive importance of feeling in conjunction with reason and was a means for the laity—including lay women—to cultivate embodied forms of knowledge on their own terms, in precarious relation to existing clerical models of instruction. World of Echo offers a deep history of the cultural and social hierarchies that coalesce around the aesthetic experiences that accentuate ways of knowing outside proscribed models |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 15. Sep 2020) |
| Beschreibung: | 1 online resource (248 pages) 6 b&w halftones |
| ISBN: | 9781501749629 |
| DOI: | 10.1515/9781501749629 |
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| spelling | Lears, Adin E. 1982- Verfasser (DE-588)1220782262 aut World of Echo Noise and Knowing in Late Medieval England Adin E. Lears Ithaca, NY Cornell University Press [2020] © 2020 1 online resource (248 pages) 6 b&w halftones txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 15. Sep 2020) Between late antiquity and the fifteenth century, theologians, philosophers, and poets struggled to articulate the correct relationship between sound and sense, creating taxonomies of sounds based on their capacity to carry meaning. In World of Echo, Adin E. Lears traces how medieval thinkers adopted the concept of noise as a mode of lay understanding grounded in the body and the senses.With a broadly interdisciplinary approach, Lears examines a range of literary genres to highlight the poetic and social effects of this vibrant discourse, offering close readings of works by Chaucer and Langland, as well as the mystics Richard Rolle and Margery Kempe. Each of these writers embraced an embodied experience of language resistant to clear articulation, even as their work reflects inherited anxieties about the appeal of such sensations. A preoccupation with the sound of language emerged in the form of poetic soundplay at the same time that mysticism and other forms of lay piety began to flower in England. As Lears shows, the presence of such emphatic aural texture amplified the cognitive importance of feeling in conjunction with reason and was a means for the laity—including lay women—to cultivate embodied forms of knowledge on their own terms, in precarious relation to existing clerical models of instruction. World of Echo offers a deep history of the cultural and social hierarchies that coalesce around the aesthetic experiences that accentuate ways of knowing outside proscribed models England Literary Studies HISTORY / Medieval bisacsh Noise Social aspects England History To 1500 Sound Social aspects England History To 1500 https://doi.org/10.1515/9781501749629 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Lears, Adin E. 1982- World of Echo Noise and Knowing in Late Medieval England England Literary Studies HISTORY / Medieval bisacsh Noise Social aspects England History To 1500 Sound Social aspects England History To 1500 |
| title | World of Echo Noise and Knowing in Late Medieval England |
| title_auth | World of Echo Noise and Knowing in Late Medieval England |
| title_exact_search | World of Echo Noise and Knowing in Late Medieval England |
| title_exact_search_txtP | World of Echo Noise and Knowing in Late Medieval England |
| title_full | World of Echo Noise and Knowing in Late Medieval England Adin E. Lears |
| title_fullStr | World of Echo Noise and Knowing in Late Medieval England Adin E. Lears |
| title_full_unstemmed | World of Echo Noise and Knowing in Late Medieval England Adin E. Lears |
| title_short | World of Echo |
| title_sort | world of echo noise and knowing in late medieval england |
| title_sub | Noise and Knowing in Late Medieval England |
| topic | England Literary Studies HISTORY / Medieval bisacsh Noise Social aspects England History To 1500 Sound Social aspects England History To 1500 |
| topic_facet | England Literary Studies HISTORY / Medieval Noise Social aspects England History To 1500 Sound Social aspects England History To 1500 |
| url | https://doi.org/10.1515/9781501749629 |
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