Private Matters and Public Culture in Post-Reformation England:
According to Holinshed's Chronicles, Thomas Arden was murdered by his wife, her lover, and a number of accomplices in 1551. Holinshed apologizes for including in his state history what seems to be "but a private matter," although at the same time he asserts that the "horribleness...
Gespeichert in:
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Ithaca, NY
Cornell University Press
[2019]
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| Schlagworte: | |
| Online-Zugang: | DE-1043 DE-1046 DE-859 DE-860 DE-739 DE-473 DE-858 URL des Erstveröffentlichers |
| Zusammenfassung: | According to Holinshed's Chronicles, Thomas Arden was murdered by his wife, her lover, and a number of accomplices in 1551. Holinshed apologizes for including in his state history what seems to be "but a private matter," although at the same time he asserts that the "horribleness" of the crime justifies public retelling. Alice Arden's crime was popularized in Arden of Feversham ( 1592), a play which initiated the genre of domestic tragedy and thatthrust private conflict onto the stage of public discourse.Weaving a complex tapestry out of intellectual history and literary analysis, Lena Cowen Orlin examines how the private issues of contentious marital relations and household governance became public—through conduct manuals, sermons, political tracts, and philosophical treatises, as well as domestic tragedies—in the culture of post-Reformation England. Orlin first draws on rich archival evidence in telling the story of the Ardens. Although Arden of Feversham fulfilled the conservative project of confirming patriarchal authority in the home at a time of social upheaval, Orlin finds that later domestic tragedies such as A Woman Killed with Kindness and Othello were less predictable in their aims. And while other forms of public literature provided blueprints for ordering the household, domestic tragedies continued to reveal the tensions lying under the surface there: inconsistencies in the prescribed role of women, contradictions within patriarchal ideology, conflicts between political and economic interests in the household, inadequacies in the old ideals of friendship and benefice, and anxieties about the control of material possessions |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 15. Sep 2020) |
| Beschreibung: | 1 online resource (336 pages) 13 b&w illustrations |
| ISBN: | 9781501737381 |
| DOI: | 10.7591/9781501737381 |
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| 520 | |a According to Holinshed's Chronicles, Thomas Arden was murdered by his wife, her lover, and a number of accomplices in 1551. Holinshed apologizes for including in his state history what seems to be "but a private matter," although at the same time he asserts that the "horribleness" of the crime justifies public retelling. Alice Arden's crime was popularized in Arden of Feversham ( 1592), a play which initiated the genre of domestic tragedy and thatthrust private conflict onto the stage of public discourse.Weaving a complex tapestry out of intellectual history and literary analysis, Lena Cowen Orlin examines how the private issues of contentious marital relations and household governance became public—through conduct manuals, sermons, political tracts, and philosophical treatises, as well as domestic tragedies—in the culture of post-Reformation England. Orlin first draws on rich archival evidence in telling the story of the Ardens. Although Arden of Feversham fulfilled the conservative project of confirming patriarchal authority in the home at a time of social upheaval, Orlin finds that later domestic tragedies such as A Woman Killed with Kindness and Othello were less predictable in their aims. And while other forms of public literature provided blueprints for ordering the household, domestic tragedies continued to reveal the tensions lying under the surface there: inconsistencies in the prescribed role of women, contradictions within patriarchal ideology, conflicts between political and economic interests in the household, inadequacies in the old ideals of friendship and benefice, and anxieties about the control of material possessions | ||
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| spelling | Orlin, Lena Cowen Verfasser aut Private Matters and Public Culture in Post-Reformation England Lena Cowen Orlin Ithaca, NY Cornell University Press [2019] © 1994 1 online resource (336 pages) 13 b&w illustrations txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 15. Sep 2020) According to Holinshed's Chronicles, Thomas Arden was murdered by his wife, her lover, and a number of accomplices in 1551. Holinshed apologizes for including in his state history what seems to be "but a private matter," although at the same time he asserts that the "horribleness" of the crime justifies public retelling. Alice Arden's crime was popularized in Arden of Feversham ( 1592), a play which initiated the genre of domestic tragedy and thatthrust private conflict onto the stage of public discourse.Weaving a complex tapestry out of intellectual history and literary analysis, Lena Cowen Orlin examines how the private issues of contentious marital relations and household governance became public—through conduct manuals, sermons, political tracts, and philosophical treatises, as well as domestic tragedies—in the culture of post-Reformation England. Orlin first draws on rich archival evidence in telling the story of the Ardens. Although Arden of Feversham fulfilled the conservative project of confirming patriarchal authority in the home at a time of social upheaval, Orlin finds that later domestic tragedies such as A Woman Killed with Kindness and Othello were less predictable in their aims. And while other forms of public literature provided blueprints for ordering the household, domestic tragedies continued to reveal the tensions lying under the surface there: inconsistencies in the prescribed role of women, contradictions within patriarchal ideology, conflicts between political and economic interests in the household, inadequacies in the old ideals of friendship and benefice, and anxieties about the control of material possessions In English Cultural Studies HISTORY / Europe / Great Britain / General bisacsh https://doi.org/10.7591/9781501737381 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Orlin, Lena Cowen Private Matters and Public Culture in Post-Reformation England Cultural Studies HISTORY / Europe / Great Britain / General bisacsh |
| title | Private Matters and Public Culture in Post-Reformation England |
| title_auth | Private Matters and Public Culture in Post-Reformation England |
| title_exact_search | Private Matters and Public Culture in Post-Reformation England |
| title_exact_search_txtP | Private Matters and Public Culture in Post-Reformation England |
| title_full | Private Matters and Public Culture in Post-Reformation England Lena Cowen Orlin |
| title_fullStr | Private Matters and Public Culture in Post-Reformation England Lena Cowen Orlin |
| title_full_unstemmed | Private Matters and Public Culture in Post-Reformation England Lena Cowen Orlin |
| title_short | Private Matters and Public Culture in Post-Reformation England |
| title_sort | private matters and public culture in post reformation england |
| topic | Cultural Studies HISTORY / Europe / Great Britain / General bisacsh |
| topic_facet | Cultural Studies HISTORY / Europe / Great Britain / General |
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