Racial Immanence: Chicanx Bodies beyond Representation
Explores the how, why, and what of contemporary Chicanx culture, including punk rock, literary fiction, photography, mass graves, and digital and experimental installation artRacial Immanence attempts to unravel a Gordian knot at the center of the study of race and discourse: it seeks to loosen the...
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
New York, NY
New York University Press
[2019]
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| Schlagworte: | |
| Online-Zugang: | FAB01 FAW01 FHA01 FKE01 FLA01 UPA01 UBG01 FCO01 Volltext |
| Zusammenfassung: | Explores the how, why, and what of contemporary Chicanx culture, including punk rock, literary fiction, photography, mass graves, and digital and experimental installation artRacial Immanence attempts to unravel a Gordian knot at the center of the study of race and discourse: it seeks to loosen the constraints that the politics of racial representation put on interpretive methods and on our understanding of race itself. Marissa K. López argues that reading Chicanx literary and cultural texts primarily for the ways they represent Chicanxness only reinscribes the very racial logic that such texts ostensibly set out to undo.Racial Immanence proposes to read differently; instead of focusing on representation, it asks what Chicanx texts do, what they produce in the world, and specifically how they produce access to the ineffable but material experience of race. Intrigued by the attention to disease, disability, abjection, and sense experience that she sees increasing in Chicanx visual, literary, and performing arts in the late-twentieth century, López explores how and why artists use the body in contemporary Chicanx cultural production. Racial Immanence takes up works by writers like Dagoberto Gilb, Cecile Pineda, and Gil Cuadros, the photographers Ken Gonzales Day and Stefan Ruiz, and the band Piñata Protest to argue that the body offers a unique site for pushing back against identity politics. In so doing, the book challenges theoretical conversations around affect and the post-human and asks what it means to truly consider people of color as writersand artists. Moving beyond abjection, López models Chicanx cultural production as a way of fostering networks of connection that deepen our attachments to the material world |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 01. Okt 2020) |
| Beschreibung: | 1 online resource 19 black and white illustrations |
| ISBN: | 9781479877676 |
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| 520 | |a Explores the how, why, and what of contemporary Chicanx culture, including punk rock, literary fiction, photography, mass graves, and digital and experimental installation artRacial Immanence attempts to unravel a Gordian knot at the center of the study of race and discourse: it seeks to loosen the constraints that the politics of racial representation put on interpretive methods and on our understanding of race itself. Marissa K. López argues that reading Chicanx literary and cultural texts primarily for the ways they represent Chicanxness only reinscribes the very racial logic that such texts ostensibly set out to undo.Racial Immanence proposes to read differently; instead of focusing on representation, it asks what Chicanx texts do, what they produce in the world, and specifically how they produce access to the ineffable but material experience of race. Intrigued by the attention to disease, disability, abjection, and sense experience that she sees increasing in Chicanx visual, literary, and performing arts in the late-twentieth century, López explores how and why artists use the body in contemporary Chicanx cultural production. Racial Immanence takes up works by writers like Dagoberto Gilb, Cecile Pineda, and Gil Cuadros, the photographers Ken Gonzales Day and Stefan Ruiz, and the band Piñata Protest to argue that the body offers a unique site for pushing back against identity politics. In so doing, the book challenges theoretical conversations around affect and the post-human and asks what it means to truly consider people of color as writersand artists. Moving beyond abjection, López models Chicanx cultural production as a way of fostering networks of connection that deepen our attachments to the material world | ||
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| spelling | López, Marissa K. Verfasser aut Racial Immanence Chicanx Bodies beyond Representation Marissa K. López New York, NY New York University Press [2019] © 2019 1 online resource 19 black and white illustrations txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 01. Okt 2020) Explores the how, why, and what of contemporary Chicanx culture, including punk rock, literary fiction, photography, mass graves, and digital and experimental installation artRacial Immanence attempts to unravel a Gordian knot at the center of the study of race and discourse: it seeks to loosen the constraints that the politics of racial representation put on interpretive methods and on our understanding of race itself. Marissa K. López argues that reading Chicanx literary and cultural texts primarily for the ways they represent Chicanxness only reinscribes the very racial logic that such texts ostensibly set out to undo.Racial Immanence proposes to read differently; instead of focusing on representation, it asks what Chicanx texts do, what they produce in the world, and specifically how they produce access to the ineffable but material experience of race. Intrigued by the attention to disease, disability, abjection, and sense experience that she sees increasing in Chicanx visual, literary, and performing arts in the late-twentieth century, López explores how and why artists use the body in contemporary Chicanx cultural production. Racial Immanence takes up works by writers like Dagoberto Gilb, Cecile Pineda, and Gil Cuadros, the photographers Ken Gonzales Day and Stefan Ruiz, and the band Piñata Protest to argue that the body offers a unique site for pushing back against identity politics. In so doing, the book challenges theoretical conversations around affect and the post-human and asks what it means to truly consider people of color as writersand artists. Moving beyond abjection, López models Chicanx cultural production as a way of fostering networks of connection that deepen our attachments to the material world In English AIDS. Alejandro Morales Beatrice Pita Brazil Cecile Pineda Chicano;Mexican American;Chicanx literature;Chicanx art;Chicanx performance;theory;posthumanism;affect;race;representation;materiality;immanence;Aztec Chicanx punk Dagoberto Gilb Gil Cuadros Ken Gonzales-Day Rafael Lozano-Hemmer Rosaura Sánchez Sheila Ortiz Taylor Stefan Ruiz Texas accordion barbasco biometrics digital installation art hormones indigeneity mass graves narrative photography punk queer science fiction soldiers theater visuality LITERARY CRITICISM / Caribbean & Latin American bisacsh American literature Mexican American authors History and criticism Ethnicity in literature Mexican Americans in literature Race in literature https://www.degruyter.com/isbn/9781479877676 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | López, Marissa K. Racial Immanence Chicanx Bodies beyond Representation AIDS. Alejandro Morales Beatrice Pita Brazil Cecile Pineda Chicano;Mexican American;Chicanx literature;Chicanx art;Chicanx performance;theory;posthumanism;affect;race;representation;materiality;immanence;Aztec Chicanx punk Dagoberto Gilb Gil Cuadros Ken Gonzales-Day Rafael Lozano-Hemmer Rosaura Sánchez Sheila Ortiz Taylor Stefan Ruiz Texas accordion barbasco biometrics digital installation art hormones indigeneity mass graves narrative photography punk queer science fiction soldiers theater visuality LITERARY CRITICISM / Caribbean & Latin American bisacsh American literature Mexican American authors History and criticism Ethnicity in literature Mexican Americans in literature Race in literature |
| title | Racial Immanence Chicanx Bodies beyond Representation |
| title_auth | Racial Immanence Chicanx Bodies beyond Representation |
| title_exact_search | Racial Immanence Chicanx Bodies beyond Representation |
| title_exact_search_txtP | Racial Immanence Chicanx Bodies beyond Representation |
| title_full | Racial Immanence Chicanx Bodies beyond Representation Marissa K. López |
| title_fullStr | Racial Immanence Chicanx Bodies beyond Representation Marissa K. López |
| title_full_unstemmed | Racial Immanence Chicanx Bodies beyond Representation Marissa K. López |
| title_short | Racial Immanence |
| title_sort | racial immanence chicanx bodies beyond representation |
| title_sub | Chicanx Bodies beyond Representation |
| topic | AIDS. Alejandro Morales Beatrice Pita Brazil Cecile Pineda Chicano;Mexican American;Chicanx literature;Chicanx art;Chicanx performance;theory;posthumanism;affect;race;representation;materiality;immanence;Aztec Chicanx punk Dagoberto Gilb Gil Cuadros Ken Gonzales-Day Rafael Lozano-Hemmer Rosaura Sánchez Sheila Ortiz Taylor Stefan Ruiz Texas accordion barbasco biometrics digital installation art hormones indigeneity mass graves narrative photography punk queer science fiction soldiers theater visuality LITERARY CRITICISM / Caribbean & Latin American bisacsh American literature Mexican American authors History and criticism Ethnicity in literature Mexican Americans in literature Race in literature |
| topic_facet | AIDS. Alejandro Morales Beatrice Pita Brazil Cecile Pineda Chicano;Mexican American;Chicanx literature;Chicanx art;Chicanx performance;theory;posthumanism;affect;race;representation;materiality;immanence;Aztec Chicanx punk Dagoberto Gilb Gil Cuadros Ken Gonzales-Day Rafael Lozano-Hemmer Rosaura Sánchez Sheila Ortiz Taylor Stefan Ruiz Texas accordion barbasco biometrics digital installation art hormones indigeneity mass graves narrative photography punk queer science fiction soldiers theater visuality LITERARY CRITICISM / Caribbean & Latin American American literature Mexican American authors History and criticism Ethnicity in literature Mexican Americans in literature Race in literature |
| url | https://www.degruyter.com/isbn/9781479877676 |
| work_keys_str_mv | AT lopezmarissak racialimmanencechicanxbodiesbeyondrepresentation |