Becoming Guanyin: artistic devotion of Buddhist women in Late Imperial China
The goddess Guanyin began in India as the bodhisattva Avalokiteśvara, originally a male deity. He gradually became indigenized as a female deity in China over the span of nearly a millennium. By the Ming (1358–1644) and Qing (1644–1911) periods, Guanyin had become the most popular female deity in Ch...
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| Format: | Elektronisch E-Book |
| Sprache: | English |
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New York, NY
Columbia University Press
[2020]
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| Schriftenreihe: | Premodern East Asia: New Horizons
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| Schlagworte: | |
| Online-Zugang: | BSB01 FAB01 FAW01 FCO01 FHA01 FKE01 FLA01 KUBA1 KUBA4 UBG01 UPA01 Volltext |
| Zusammenfassung: | The goddess Guanyin began in India as the bodhisattva Avalokiteśvara, originally a male deity. He gradually became indigenized as a female deity in China over the span of nearly a millennium. By the Ming (1358–1644) and Qing (1644–1911) periods, Guanyin had become the most popular female deity in China. In Becoming Guanyin, Yuhang Li examines how lay Buddhist women in late imperial China forged a connection with the subject of their devotion, arguing that women used their own bodies to echo that of Guanyin. Li focuses on the power of material things to enable women to access religious experience and transcendence. In particular, she examines how secular Buddhist women expressed mimetic devotion and pursued religious salvation through creative depictions of Guanyin in different media such as painting and embroidery and through bodily portrayals of the deity using jewelry and dance. These material displays expressed a worldview that differed from yet fit within the Confucian patriarchal system. Attending to the fabrication and use of "women’s things" by secular women, Li offers new insight into the relationships between worshipped and worshipper in Buddhist practice. Combining empirical research with theoretical insights from both art history and Buddhist studies, Becoming Guanyin is a field-changing analysis that reveals the interplay among material culture, religion, and their gendered transformations |
| Beschreibung: | 1 Online-Ressource (x, 299 Seiten) |
| ISBN: | 9780231548731 |
| DOI: | 10.7312/li--19012 |
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| indexdate | 2024-07-10T08:58:19Z |
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| physical | 1 Online-Ressource (x, 299 Seiten) |
| psigel | ZDB-23-DGG ZDB-39-JBK ZDB-23-DGF20 BSB_NED_20211119 KUBA-MPG-JBK ZDB-23-DGF BSB_DGF_ColumbiaUniversityPress ZDB-23-DGG FAB_PDA_DGG ZDB-23-DGG FAW_PDA_DGG ZDB-23-DGG FCO_PDA_DGG ZDB-23-DGG FHA_PDA_DGG ZDB-23-DGG FKE_PDA_DGG ZDB-23-DGG FLA_PDA_DGG ZDB-39-JBK KHI ZDB-39-JBK BHR ZDB-23-DGG UBG_PDA_DGG ZDB-23-DGG UPA_PDA_DGG |
| publishDate | 2020 |
| publishDateSearch | 2020 |
| publishDateSort | 2020 |
| publisher | Columbia University Press |
| record_format | marc |
| series2 | Premodern East Asia: New Horizons |
| spelling | Li, Yuhang Verfasser (DE-588)1124186115 aut Becoming Guanyin artistic devotion of Buddhist women in Late Imperial China Yuhang Li New York, NY Columbia University Press [2020] © 2019 1 Online-Ressource (x, 299 Seiten) txt rdacontent c rdamedia cr rdacarrier Premodern East Asia: New Horizons The goddess Guanyin began in India as the bodhisattva Avalokiteśvara, originally a male deity. He gradually became indigenized as a female deity in China over the span of nearly a millennium. By the Ming (1358–1644) and Qing (1644–1911) periods, Guanyin had become the most popular female deity in China. In Becoming Guanyin, Yuhang Li examines how lay Buddhist women in late imperial China forged a connection with the subject of their devotion, arguing that women used their own bodies to echo that of Guanyin. Li focuses on the power of material things to enable women to access religious experience and transcendence. In particular, she examines how secular Buddhist women expressed mimetic devotion and pursued religious salvation through creative depictions of Guanyin in different media such as painting and embroidery and through bodily portrayals of the deity using jewelry and dance. These material displays expressed a worldview that differed from yet fit within the Confucian patriarchal system. Attending to the fabrication and use of "women’s things" by secular women, Li offers new insight into the relationships between worshipped and worshipper in Buddhist practice. Combining empirical research with theoretical insights from both art history and Buddhist studies, Becoming Guanyin is a field-changing analysis that reveals the interplay among material culture, religion, and their gendered transformations Guanyin (DE-588)118987739 gnd rswk-swf ART / Asian / Chinese bisacsh Buddhist women Women in Buddhism Mingdynastie (DE-588)4101004-8 gnd rswk-swf Anbetung (DE-588)4142376-8 gnd rswk-swf Buddhistin (DE-588)4631816-1 gnd rswk-swf Qingdynastie (DE-588)4088875-7 gnd rswk-swf China (DE-588)4009937-4 gnd rswk-swf China (DE-588)4009937-4 g Guanyin (DE-588)118987739 p Mingdynastie (DE-588)4101004-8 s Qingdynastie (DE-588)4088875-7 s Buddhistin (DE-588)4631816-1 s Anbetung (DE-588)4142376-8 s DE-604 Erscheint auch als Druck-Ausgabe, Hardcover 978-0-231-19012-1 (DE-604)BV048622406 Erscheint auch als Druck-Ausgabe, Paperback 978-0-231-19013-8 (DE-604)BV048622406 https://doi.org/10.7312/li--19012 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Li, Yuhang Becoming Guanyin artistic devotion of Buddhist women in Late Imperial China Guanyin (DE-588)118987739 gnd ART / Asian / Chinese bisacsh Buddhist women Women in Buddhism Mingdynastie (DE-588)4101004-8 gnd Anbetung (DE-588)4142376-8 gnd Buddhistin (DE-588)4631816-1 gnd Qingdynastie (DE-588)4088875-7 gnd |
| subject_GND | (DE-588)118987739 (DE-588)4101004-8 (DE-588)4142376-8 (DE-588)4631816-1 (DE-588)4088875-7 (DE-588)4009937-4 |
| title | Becoming Guanyin artistic devotion of Buddhist women in Late Imperial China |
| title_auth | Becoming Guanyin artistic devotion of Buddhist women in Late Imperial China |
| title_exact_search | Becoming Guanyin artistic devotion of Buddhist women in Late Imperial China |
| title_exact_search_txtP | Becoming Guanyin artistic devotion of Buddhist women in Late Imperial China |
| title_full | Becoming Guanyin artistic devotion of Buddhist women in Late Imperial China Yuhang Li |
| title_fullStr | Becoming Guanyin artistic devotion of Buddhist women in Late Imperial China Yuhang Li |
| title_full_unstemmed | Becoming Guanyin artistic devotion of Buddhist women in Late Imperial China Yuhang Li |
| title_short | Becoming Guanyin |
| title_sort | becoming guanyin artistic devotion of buddhist women in late imperial china |
| title_sub | artistic devotion of Buddhist women in Late Imperial China |
| topic | Guanyin (DE-588)118987739 gnd ART / Asian / Chinese bisacsh Buddhist women Women in Buddhism Mingdynastie (DE-588)4101004-8 gnd Anbetung (DE-588)4142376-8 gnd Buddhistin (DE-588)4631816-1 gnd Qingdynastie (DE-588)4088875-7 gnd |
| topic_facet | Guanyin ART / Asian / Chinese Buddhist women Women in Buddhism Mingdynastie Anbetung Buddhistin Qingdynastie China |
| url | https://doi.org/10.7312/li--19012 |
| work_keys_str_mv | AT liyuhang becomingguanyinartisticdevotionofbuddhistwomeninlateimperialchina |