The Routledge companion to screen music and sound:
Gespeichert in:
| Weitere Verfasser: | , , |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York ; London
Routledge
2019
|
| Ausgabe: | First issued in paperback |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | xxiii, 633 Seiten Illustrationen, Diagramme, Notenbeispiele |
| ISBN: | 9780367871192 |
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Datensatz im Suchindex
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| adam_text | CONTENTS List of Figures and Tables Notes on Contributors Acknowledgments xi xi xxiii Introduction: Framing Screen Music and Sound 1 Miguel Mera, Ronald Sadojj, and Ben lì’inters PART 1 Issues in the Study of Screen Music and Sound 1 The Ghostly Effect Revisited 15 17 K. J. Donnelly 2 Mystical Intimations, the Scenic Sublime, and the Opening of the Vault: De-classicizing the Late-romantic Revival in the Scoring of New Hollywood Blockbusters c.1977-1993 26 Peter Franklin 3 Screen Music and the Question of Originality 38 Miguel Mera 4 Affect. Intensities, and Empathv: Sound and Contemporary Screen Violence SO Lisa Coulthard 5 Balinese Music, an Italian Film, and an Ethnomusicological Approach to Screen Music and Sound Michael B. Bakan V 61
Contents 6 Emphatic and Ecological Sounds in Gameworld Interfaces Kristine Jørgensen 1 “You Have to Feel a Sound for It to Be Effective”: Sonic Surfaces in Film and Television Lucy Fife Donaldson 8 Screen Music, Narrative, and/or Affect: Kieslowski’s Musical Bodies Nicholas Reyland 9 Roundtable: Current Perspectives on Music,Sound, and Narrative in Screen Media Anahid Kassabian (convenor) with Elena Boschi, James Buhler, Claudia Gorbman, Miguel Mem, Roger Moseley, Ronald Sadojf, and Ben Winters (contributors) PART 2 Historical Approaches 10 Sound Design and Its Interactions with Music: Changing Historical Perspectives Danijela Kulezic-Wilson 11 Dimensions of Game Music History Tim Summers 12 The Changing Audio, Visual, and Narrative Parameters of Hindi Film Songs Anna Morcom 13 From Radio to Television: Sound Style and Audio Technique in Early TV Anthology Dramas Shawn VanCour 14 Manifest Destiny, the Space Race, and 1960s Television Rohými J. Stilwell 15 The Early Cinema Soundscape Rick Altman 1 ft The Shock of the Old: The Restoration, Reconstruction, or Creation of Mute’-Film Accompaniments Gillian B. Anderson
Contents 17 Music That Works: Listening to Prestige British Industrial Films 213 Annette Davison 18 The Fine Art of Repurposing: A Look at Scores for Hollywood В Films in the 1930s 228 Jeff Smith 19 Trailer or Leader? The Role of Music and Sound in Cinematic Previews 240 James Deanille PART 3 Production and Process 255 20 A Star is Born: Max Steiner in the Studios, 1929-1939 257 Satlian Platte 21 Sound Standings: A Briet History of the Impact of Labor and Professional Representation on the Place of Early Sound Workers in the Industry (1927-1937) 270 Gianluca Sergi 22 In Sync? Music Supervisors, Music Placement Practices, and Industrial Change 281 Bethany Klein and Leslie M. Meier 23 Shaping the Soundtrack? Hollywood Preview Audiences 291 Ronald Sadoft and Miguel Mera 24 Craft. Art, or Process: The Question of Creativity in Orchestration for Screen 305 Ian Sapiro 25 Post-Apartheid Cinema 318 Christopher Letcher 26 Simulation: Squaring the Immersion, Realism, and Gameplay Circle 328 Stephen Baysted 27 The Voice Delivers the Threats. Foley Delivers the Punch: Embodied Knowledge m Foley Artistrv 338 Sandra Pauletto 28 Direct Sounds, Language Swaps, and Directors Cuts: The Quest for Fidelitv in the Film Soundtrack Panile Uamckes vii 349
Contents PART 4 361 Cultural and Aesthetic Perspectives 29 From Disney to Dystopia: Transforming “Brazil” for a US Audience Kariami 363 Goldschnitt ՅԱ Birth and Death of the Cool: The Glorious Afflictions of Jazz on Screen 375 Jeremy Barham 31 Home Theater(s) : Technology, Culture, and Style Mark Kerins 388 32 1 )rive, Speed, and Narrative in the Soundscapes of Racing Games Karen Collins and Ruth Dockwray 400 33 Music, Genre, and Nationality in the Postmillennial Fantasy Role-Playing Game William Gibbons 34 Sounding’ Japanese: Traditions of Music in Japanese Cinema Alexander Binns 412 428 35 Sounding Transculturation: Western Opera in Korea during the Japanese Occupation (1910-1945) Jeongwon Joe 440 36 ( Christopher Plummer Learns to Sing: The Torn Masculinities of Mid-Century US Musicals Caryl Flinn 451 37 Music, Whiteness, and Masculinity in Michael Manns The Last of the Mohicans Rebecca Fu löp 463 ЗК Some Assembly Required: Hybrid Scores in Moomise Kingdom and The Grand Budapest Hotel Kate McQuiston Ml PART 5 Analyses and Methodologies 495 39 Methods and Challenges of Analyzing Screen Media Frank Lehman vm 497
Contents 40 From Intuition to Evidence: The Experimental Psychology of Film Music Siu-Lan Tan 517 41 Idolizing the Synchronized Score: Studying Indiana Jones Hypertexts Ben Winters 531 42 Fearful Symmetries: Music as Metaphor in Doppelgänger Films Tom Schneller 543 43 Musical Dreams and Nightmares: An Analysis of Flower Elizabeth Medina-Gray 562 44 Reverb, Acousmata. and the Backstage Musical Peter Doyle 577 45 Unsettling the Soundtrack: Acoustic Profiling and the Documentation of Community and Place Randolph Jordan 590 46 The Sound ot Slime-ness: Telling Children s Stories on the Nickelodeon Network Jennifer Tleeįer 603 Index 615 ix
|
| adam_txt |
CONTENTS List of Figures and Tables Notes on Contributors Acknowledgments xi xi' xxiii Introduction: Framing Screen Music and Sound 1 Miguel Mera, Ronald Sadojj, and Ben lì’inters PART 1 Issues in the Study of Screen Music and Sound 1 The Ghostly Effect Revisited 15 17 K. J. Donnelly 2 Mystical Intimations, the Scenic Sublime, and the Opening of the Vault: De-classicizing the Late-romantic Revival in the Scoring of 'New Hollywood' Blockbusters c.1977-1993 26 Peter Franklin 3 Screen Music and the Question of Originality 38 Miguel Mera 4 Affect. Intensities, and Empathv: Sound and Contemporary Screen Violence SO Lisa Coulthard 5 Balinese Music, an Italian Film, and an Ethnomusicological Approach to Screen Music and Sound Michael B. Bakan V 61
Contents 6 Emphatic and Ecological Sounds in Gameworld Interfaces Kristine Jørgensen 1 “You Have to Feel a Sound for It to Be Effective”: Sonic Surfaces in Film and Television Lucy Fife Donaldson 8 Screen Music, Narrative, and/or Affect: Kieslowski’s Musical Bodies Nicholas Reyland 9 Roundtable: Current Perspectives on Music,Sound, and Narrative in Screen Media Anahid Kassabian (convenor) with Elena Boschi, James Buhler, Claudia Gorbman, Miguel Mem, Roger Moseley, Ronald Sadojf, and Ben Winters (contributors) PART 2 Historical Approaches 10 Sound Design and Its Interactions with Music: Changing Historical Perspectives Danijela Kulezic-Wilson 11 Dimensions of Game Music History Tim Summers 12 The Changing Audio, Visual, and Narrative Parameters of Hindi Film Songs Anna Morcom 13 From Radio to Television: Sound Style and Audio Technique in Early TV Anthology Dramas Shawn VanCour 14 Manifest Destiny, the Space Race, and 1960s Television Rohými J. Stilwell 15 The Early Cinema Soundscape Rick Altman 1 ft The Shock of the Old: The Restoration, Reconstruction, or Creation of'Mute’-Film Accompaniments Gillian B. Anderson
Contents 17 Music That Works: Listening to Prestige British Industrial Films 213 Annette Davison 18 The Fine Art of Repurposing: A Look at Scores for Hollywood В Films in the 1930s 228 Jeff Smith 19 Trailer or Leader? The Role of Music and Sound in Cinematic Previews 240 James Deanille PART 3 Production and Process 255 20 A Star is Born: Max Steiner in the Studios, 1929-1939 257 Satlian Platte 21 Sound Standings: A Briet History of the Impact of Labor and Professional Representation on the Place of Early Sound Workers in the Industry (1927-1937) 270 Gianluca Sergi 22 In Sync? Music Supervisors, Music Placement Practices, and Industrial Change 281 Bethany Klein and Leslie M. Meier 23 Shaping the Soundtrack? Hollywood Preview Audiences 291 Ronald Sadoft and Miguel Mera 24 Craft. Art, or Process: The Question of Creativity in Orchestration for Screen 305 Ian Sapiro 25 Post-Apartheid Cinema 318 Christopher Letcher 26 Simulation: Squaring the Immersion, Realism, and Gameplay Circle 328 Stephen Baysted 27 The Voice Delivers the Threats. Foley Delivers the Punch: Embodied Knowledge m Foley Artistrv 338 Sandra Pauletto 28 Direct Sounds, Language Swaps, and Directors' Cuts: The Quest for Fidelitv in the Film Soundtrack Panile Uamckes vii 349
Contents PART 4 361 Cultural and Aesthetic Perspectives 29 From Disney to Dystopia: Transforming “Brazil” for a US Audience Kariami 363 Goldschnitt ՅԱ Birth and Death of the Cool: The Glorious Afflictions of Jazz on Screen 375 Jeremy Barham 31 Home Theater(s) : Technology, Culture, and Style Mark Kerins 388 32 1 )rive, Speed, and Narrative in the Soundscapes of Racing Games Karen Collins and Ruth Dockwray 400 33 Music, Genre, and Nationality in the Postmillennial Fantasy Role-Playing Game William Gibbons 34 'Sounding’ Japanese: Traditions of Music in Japanese Cinema Alexander Binns 412 428 35 Sounding Transculturation: Western Opera in Korea during the Japanese Occupation (1910-1945) Jeongwon Joe 440 36 ( Christopher Plummer Learns to Sing: The Torn Masculinities of Mid-Century US Musicals Caryl Flinn 451 37 Music, Whiteness, and Masculinity in Michael Manns The Last of the Mohicans Rebecca Fu löp 463 ЗК Some Assembly Required: Hybrid Scores in Moomise Kingdom and The Grand Budapest Hotel Kate McQuiston Ml PART 5 Analyses and Methodologies 495 39 Methods and Challenges of Analyzing Screen Media Frank Lehman vm 497
Contents 40 From Intuition to Evidence: The Experimental Psychology of Film Music Siu-Lan Tan 517 41 Idolizing the Synchronized Score: Studying Indiana Jones Hypertexts Ben Winters 531 42 Fearful Symmetries: Music as Metaphor in Doppelgänger Films Tom Schneller 543 43 Musical Dreams and Nightmares: An Analysis of Flower Elizabeth Medina-Gray 562 44 Reverb, Acousmata. and the Backstage Musical Peter Doyle 577 45 Unsettling the Soundtrack: Acoustic Profiling and the Documentation of Community and Place Randolph Jordan 590 46 The Sound ot Slime-ness: Telling Children's Stories on the Nickelodeon Network Jennifer Tleeįer 603 Index 615 ix |
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| publisher | Routledge |
| record_format | marc |
| spelling | The Routledge companion to screen music and sound edited by Miguel Mera, Ronald Sadoff, and Ben Winters First issued in paperback New York ; London Routledge 2019 xxiii, 633 Seiten Illustrationen, Diagramme, Notenbeispiele txt rdacontent n rdamedia nc rdacarrier Geschichte gnd rswk-swf Motion picture music History and criticism Television music History and criticism Filmmusik (DE-588)4017129-2 gnd rswk-swf Musik (DE-588)4040802-4 gnd rswk-swf Fernsehen (DE-588)4016825-6 gnd rswk-swf Musikproduktion (DE-588)4235850-4 gnd rswk-swf Film (DE-588)4017102-4 gnd rswk-swf (DE-588)4143413-4 Aufsatzsammlung gnd-content Film (DE-588)4017102-4 s Fernsehen (DE-588)4016825-6 s Musik (DE-588)4040802-4 s Musikproduktion (DE-588)4235850-4 s DE-604 Filmmusik (DE-588)4017129-2 s Geschichte z Mera, Miguel 1974- (DE-588)173865879 edt Sadoff, Ronald (DE-588)1051534682 edt Winters, Ben 1976- (DE-588)133321479 edt Äquivalent Druck-Ausgabe, Hardcover 978-1-138-85534-2 Digitalisierung UB Regensburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032356272&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | The Routledge companion to screen music and sound Motion picture music History and criticism Television music History and criticism Filmmusik (DE-588)4017129-2 gnd Musik (DE-588)4040802-4 gnd Fernsehen (DE-588)4016825-6 gnd Musikproduktion (DE-588)4235850-4 gnd Film (DE-588)4017102-4 gnd |
| subject_GND | (DE-588)4017129-2 (DE-588)4040802-4 (DE-588)4016825-6 (DE-588)4235850-4 (DE-588)4017102-4 (DE-588)4143413-4 |
| title | The Routledge companion to screen music and sound |
| title_auth | The Routledge companion to screen music and sound |
| title_exact_search | The Routledge companion to screen music and sound |
| title_exact_search_txtP | The Routledge companion to screen music and sound |
| title_full | The Routledge companion to screen music and sound edited by Miguel Mera, Ronald Sadoff, and Ben Winters |
| title_fullStr | The Routledge companion to screen music and sound edited by Miguel Mera, Ronald Sadoff, and Ben Winters |
| title_full_unstemmed | The Routledge companion to screen music and sound edited by Miguel Mera, Ronald Sadoff, and Ben Winters |
| title_short | The Routledge companion to screen music and sound |
| title_sort | the routledge companion to screen music and sound |
| topic | Motion picture music History and criticism Television music History and criticism Filmmusik (DE-588)4017129-2 gnd Musik (DE-588)4040802-4 gnd Fernsehen (DE-588)4016825-6 gnd Musikproduktion (DE-588)4235850-4 gnd Film (DE-588)4017102-4 gnd |
| topic_facet | Motion picture music History and criticism Television music History and criticism Filmmusik Musik Fernsehen Musikproduktion Film Aufsatzsammlung |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032356272&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT meramiguel theroutledgecompaniontoscreenmusicandsound AT sadoffronald theroutledgecompaniontoscreenmusicandsound AT wintersben theroutledgecompaniontoscreenmusicandsound |