Historicising transmedia storytelling: early twentieth-century transmedia story worlds
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York and London
Routledge, Taylor & Francis Group
2019
|
| Ausgabe: | First issued in paperback |
| Schriftenreihe: | Routledge research in cultural and media studies
99 |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext Inhaltsverzeichnis Klappentext |
| Beschreibung: | x, 210 Seiten |
| ISBN: | 9780367884710 |
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Datensatz im Suchindex
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| adam_text | Contents Acknowledgements Introduction: Why Historicise? ix 1 PARTI Defining Transmedia History 1 2 Characterising Transmedia Storytelling: Character-building, World-building, Authorship 21 Contextualising Transmedia Storytelling: Industrialisation, Consumer Culture, Media Regulation 43 PART II Exploring Transmedia History 3 4 5 1900-1918: From Fin-de-Siècle to Fairy-Worlds: L. Frank Baum, the Land of Oz and Advertising 69 1918-1938: From Fairy-Worlds to Jungles: Edgar Rice Burroughs Inc., Tarzan and Corporate Authorship 108 1938-1958: From Jungles to Krypton: DC Comics, Superman and Industry Partnerships 145 Conclusion: Crossing the Shifting Sands 189 Index 207
Historicising Transmedia Storytelling This book is an important contribution to the study of transmedia story telling. With the aim to historicise transmedia storytelling, it offers an origi nal point of view on the topic. In these pages transmedia practices become key to re-reading in an innovative way the history of twentieth century popular culture. —Paolo Bertetti, University of Siena, Italy Tracing the industrial emergence of transmedia storytelling—typically branded a product of the contemporary digital media landscape—this book provides a historicised intervention into understandings of how fictional stories flow across multiple media forms. Through studies of the story worlds constructed for The Wizard of Oz, Tarzan and Superman, the book reveals how new developments in advertising, licensing and governmental policy across the twentieth century enabled historical systems of transmedia storytelling to emerge, thereby providing a valuable contribution to the growing field of transmedia studies as well as to understandings of media convergence, popular culture and historical media industries. Matthew Freeman is Senior Lecturer in Media and Communication at Bath Spa University, UK, and Director of its Media Convergence Research Centre. He is the author of Industrial Approaches to Media (2016), and the co-author of Transmedia Archaeology (2014).
Contents Acknowledgements Introduction: Why Historicise? ix 1 PARTI Defining Transmedia History 1 2 Characterising Transmedia Storytelling: Character-building, World-building, Authorship 21 Contextualising Transmedia Storytelling: Industrialisation, Consumer Culture, Media Regulation 43 PART II Exploring Transmedia History 3 4 5 1900-1918: From Fin-de-Siècle to Fairy-Worlds: L. Frank Baum, the Land of Oz and Advertising 69 1918-1938: From Fairy-Worlds to Jungles: Edgar Rice Burroughs Inc., Tarzan and Corporate Authorship 108 1938-1958: From Jungles to Krypton: DC Comics, Superman and Industry Partnerships 145 Conclusion: Crossing the Shifting Sands 189 Index 207
Historicising Transmedia Storytelling This book is an important contribution to the study of transmedia story telling. With the aim to historicise transmedia storytelling, it offers an origi nal point of view on the topic. In these pages transmedia practices become key to re-reading in an innovative way the history of twentieth century popular culture. —Paolo Bertetti, University of Siena, Italy Tracing the industrial emergence of transmedia storytelling—typically branded a product of the contemporary digital media landscape—this book provides a historicised intervention into understandings of how fictional stories flow across multiple media forms. Through studies of the story worlds constructed for The Wizard of Oz, Tarzan and Superman, the book reveals how new developments in advertising, licensing and governmental policy across the twentieth century enabled historical systems of transmedia storytelling to emerge, thereby providing a valuable contribution to the growing field of transmedia studies as well as to understandings of media convergence, popular culture and historical media industries. Matthew Freeman is Senior Lecturer in Media and Communication at Bath Spa University, UK, and Director of its Media Convergence Research Centre. He is the author of Industrial Approaches to Media (2016), and the co-author of Transmedia Archaeology (2014).
|
| adam_txt |
Contents Acknowledgements Introduction: Why Historicise? ix 1 PARTI Defining Transmedia History 1 2 Characterising Transmedia Storytelling: Character-building, World-building, Authorship 21 Contextualising Transmedia Storytelling: Industrialisation, Consumer Culture, Media Regulation 43 PART II Exploring Transmedia History 3 4 5 1900-1918: From Fin-de-Siècle to Fairy-Worlds: L. Frank Baum, the Land of Oz and Advertising 69 1918-1938: From Fairy-Worlds to Jungles: Edgar Rice Burroughs Inc., Tarzan and Corporate Authorship 108 1938-1958: From Jungles to Krypton: DC Comics, Superman and Industry Partnerships 145 Conclusion: Crossing the Shifting Sands 189 Index 207
Historicising Transmedia Storytelling This book is an important contribution to the study of transmedia story telling. With the aim to historicise transmedia storytelling, it offers an origi nal point of view on the topic. In these pages transmedia practices become key to re-reading in an innovative way the history of twentieth century popular culture. —Paolo Bertetti, University of Siena, Italy Tracing the industrial emergence of transmedia storytelling—typically branded a product of the contemporary digital media landscape—this book provides a historicised intervention into understandings of how fictional stories flow across multiple media forms. Through studies of the story worlds constructed for The Wizard of Oz, Tarzan and Superman, the book reveals how new developments in advertising, licensing and governmental policy across the twentieth century enabled historical systems of transmedia storytelling to emerge, thereby providing a valuable contribution to the growing field of transmedia studies as well as to understandings of media convergence, popular culture and historical media industries. Matthew Freeman is Senior Lecturer in Media and Communication at Bath Spa University, UK, and Director of its Media Convergence Research Centre. He is the author of Industrial Approaches to Media (2016), and the co-author of Transmedia Archaeology (2014).
Contents Acknowledgements Introduction: Why Historicise? ix 1 PARTI Defining Transmedia History 1 2 Characterising Transmedia Storytelling: Character-building, World-building, Authorship 21 Contextualising Transmedia Storytelling: Industrialisation, Consumer Culture, Media Regulation 43 PART II Exploring Transmedia History 3 4 5 1900-1918: From Fin-de-Siècle to Fairy-Worlds: L. Frank Baum, the Land of Oz and Advertising 69 1918-1938: From Fairy-Worlds to Jungles: Edgar Rice Burroughs Inc., Tarzan and Corporate Authorship 108 1938-1958: From Jungles to Krypton: DC Comics, Superman and Industry Partnerships 145 Conclusion: Crossing the Shifting Sands 189 Index 207
Historicising Transmedia Storytelling This book is an important contribution to the study of transmedia story telling. With the aim to historicise transmedia storytelling, it offers an origi nal point of view on the topic. In these pages transmedia practices become key to re-reading in an innovative way the history of twentieth century popular culture. —Paolo Bertetti, University of Siena, Italy Tracing the industrial emergence of transmedia storytelling—typically branded a product of the contemporary digital media landscape—this book provides a historicised intervention into understandings of how fictional stories flow across multiple media forms. Through studies of the story worlds constructed for The Wizard of Oz, Tarzan and Superman, the book reveals how new developments in advertising, licensing and governmental policy across the twentieth century enabled historical systems of transmedia storytelling to emerge, thereby providing a valuable contribution to the growing field of transmedia studies as well as to understandings of media convergence, popular culture and historical media industries. Matthew Freeman is Senior Lecturer in Media and Communication at Bath Spa University, UK, and Director of its Media Convergence Research Centre. He is the author of Industrial Approaches to Media (2016), and the co-author of Transmedia Archaeology (2014). |
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| indexdate | 2024-07-10T08:58:18Z |
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| spelling | Freeman, Matthew 1987- (DE-588)1132093880 aut Historicising transmedia storytelling early twentieth-century transmedia story worlds Matthew Freeman Historicizing transmedia storytelling First issued in paperback New York and London Routledge, Taylor & Francis Group 2019 x, 210 Seiten txt rdacontent n rdamedia nc rdacarrier Routledge research in cultural and media studies 99 Massenmedien Fiction Digital storytelling Digital media Electronic publishing Convergence (Telecommunication) Mass media Technological innovations Intermedialität (DE-588)4605581-2 gnd rswk-swf Literatur (DE-588)4035964-5 gnd rswk-swf Geschichtsschreibung (DE-588)4020531-9 gnd rswk-swf Erzählen (DE-588)4132307-5 gnd rswk-swf Medienkonvergenz (DE-588)1024346722 gnd rswk-swf Geschichtsschreibung (DE-588)4020531-9 s Literatur (DE-588)4035964-5 s Erzählen (DE-588)4132307-5 s Medienkonvergenz (DE-588)1024346722 s Intermedialität (DE-588)4605581-2 s DE-604 Äquivalent Druck-Ausgabe, Hardcover 978-1-138-21769-0 Routledge research in cultural and media studies 99 (DE-604)BV046864797 99 Digitalisierung UB Regensburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032356099&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Regensburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032356099&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext Digitalisierung UB Regensburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032356099&sequence=000005&line_number=0003&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Regensburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032356099&sequence=000007&line_number=0004&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
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| title | Historicising transmedia storytelling early twentieth-century transmedia story worlds |
| title_alt | Historicizing transmedia storytelling |
| title_auth | Historicising transmedia storytelling early twentieth-century transmedia story worlds |
| title_exact_search | Historicising transmedia storytelling early twentieth-century transmedia story worlds |
| title_exact_search_txtP | Historicising transmedia storytelling early twentieth-century transmedia story worlds |
| title_full | Historicising transmedia storytelling early twentieth-century transmedia story worlds Matthew Freeman |
| title_fullStr | Historicising transmedia storytelling early twentieth-century transmedia story worlds Matthew Freeman |
| title_full_unstemmed | Historicising transmedia storytelling early twentieth-century transmedia story worlds Matthew Freeman |
| title_short | Historicising transmedia storytelling |
| title_sort | historicising transmedia storytelling early twentieth century transmedia story worlds |
| title_sub | early twentieth-century transmedia story worlds |
| topic | Massenmedien Fiction Digital storytelling Digital media Electronic publishing Convergence (Telecommunication) Mass media Technological innovations Intermedialität (DE-588)4605581-2 gnd Literatur (DE-588)4035964-5 gnd Geschichtsschreibung (DE-588)4020531-9 gnd Erzählen (DE-588)4132307-5 gnd Medienkonvergenz (DE-588)1024346722 gnd |
| topic_facet | Massenmedien Fiction Digital storytelling Digital media Electronic publishing Convergence (Telecommunication) Mass media Technological innovations Intermedialität Literatur Geschichtsschreibung Erzählen Medienkonvergenz |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032356099&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032356099&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032356099&sequence=000005&line_number=0003&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032356099&sequence=000007&line_number=0004&func_code=DB_RECORDS&service_type=MEDIA |
| volume_link | (DE-604)BV046864797 |
| work_keys_str_mv | AT freemanmatthew historicisingtransmediastorytellingearlytwentiethcenturytransmediastoryworlds AT freemanmatthew historicizingtransmediastorytelling |
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