Canadian performance histories and historiographies:
"As Canada celebrates its 150th centenary in 2017, Canadian Performance Histories and Historiographies asks what currently defines the field of theatre and performance history in Canada? Challenging the idea of a singular narrative of Canadian theatre history and centering on questions of histo...
Gespeichert in:
| Weitere Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Toronto
Playwrights Canada Press
[2017]
|
| Ausgabe: | First edition |
| Schriftenreihe: | New essays on Canadian theatre
7 |
| Schlagworte: | |
| Zusammenfassung: | "As Canada celebrates its 150th centenary in 2017, Canadian Performance Histories and Historiographies asks what currently defines the field of theatre and performance history in Canada? Challenging the idea of a singular narrative of Canadian theatre history and centering on questions of historiography and methodology, the essays in this collection investigate performances that have been excluded from mainstream theatre histories and re-evaluate well-known theatre movements to explore cultural memory. That is to say, how do we remember performances of the past and why do some stories survive while others have been largely forgotten? Contributors draw on recent critical developments in performance studies, historiography, Indigenous studies, and hemispheric studies to explore topics ranging from the affective labour performed in life-writing by World War I veterans, to a reconsideration of the role of dramaturges in the alternative theatre movement, to a microhistory of petitions protesting minstrel performers appearing in Toronto, to a timely consideration of digital technologies in performance art documentation."-- |
| Beschreibung: | x, 381 Seiten Illustrationen |
| ISBN: | 9781770917750 |
Internformat
MARC
| LEADER | 00000nam a2200000 cb4500 | ||
|---|---|---|---|
| 001 | BV046945882 | ||
| 003 | DE-604 | ||
| 005 | 20201203 | ||
| 007 | t | ||
| 008 | 201019s2017 a||| b||| 00||| eng d | ||
| 020 | |a 9781770917750 |9 9781770917750 | ||
| 035 | |a (OCoLC)1225887194 | ||
| 035 | |a (DE-599)BVBBV046945882 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-12 | ||
| 245 | 1 | 0 | |a Canadian performance histories and historiographies |c edited by Heather Davis-Fisch |
| 250 | |a First edition | ||
| 264 | 1 | |a Toronto |b Playwrights Canada Press |c [2017] | |
| 300 | |a x, 381 Seiten |b Illustrationen | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 490 | 0 | |a New essays on Canadian theatre |v 7 | |
| 505 | 8 | 0 | |t Double lives and disappearing acts : Canadian performance histories |r by Heather Davis-Fisch |t Beyond shame and blame in Pauline Johnson's performance histories |r by Alexandra Kovacs |t Chiac and the linguistic detour of Acadian theatre history |r by Glen Nichols |t Untold histories of Canadian theatre in higher education |r by Glen Nichols |t BC Aboriginal theatre history in the making : talking with Margo Kane about the history of Full circle and The talking stick |r by Michelle La Flamme |t Affect and the unproduced : 420016 Sgt. Atkinson W.S. and Glory hole : a play of the Great War of 1914-18 |r by Alan Filewod |t Beyond primary sources : using dance documentation to examine attitudes toward diversity in the Massey Commission (1949-1951) |r by Allana C. Lindgren |t Un/disciplined re/collections : toward an archaeology of nonprofessionalizing theatre practices |r by Robin C. Whittaker |t Invisibility and early new play dramaturgy : Bill Glassco's development of David Freeman's Creeps |r by Jessica Riley |t Interventions into the maw of old world hunger : frog monsters, Kinstellatory maps, and radical relationalities in a project of reworlding |r by Jill Carter, Karyn Recollet, and Dylan Robinson |t Theatre in the new world : troubles in modernity |r by Yves Jubinville |t "Shield us from this base ridicule" : the petitions to censor blackface circus clowns, Toronto, 1840-43 |r by Stephen Johnson |t Three sentences : a child actress in Halifax, 1833 |r by Marlis Schweitzer |t "The death of performance art!" Performing performance art documentation |r by T. Nikki Cesare Schotzko |
| 520 | 3 | |a "As Canada celebrates its 150th centenary in 2017, Canadian Performance Histories and Historiographies asks what currently defines the field of theatre and performance history in Canada? Challenging the idea of a singular narrative of Canadian theatre history and centering on questions of historiography and methodology, the essays in this collection investigate performances that have been excluded from mainstream theatre histories and re-evaluate well-known theatre movements to explore cultural memory. That is to say, how do we remember performances of the past and why do some stories survive while others have been largely forgotten? Contributors draw on recent critical developments in performance studies, historiography, Indigenous studies, and hemispheric studies to explore topics ranging from the affective labour performed in life-writing by World War I veterans, to a reconsideration of the role of dramaturges in the alternative theatre movement, to a microhistory of petitions protesting minstrel performers appearing in Toronto, to a timely consideration of digital technologies in performance art documentation."-- | |
| 648 | 7 | |a Geschichte 1800-2017 |2 gnd |9 rswk-swf | |
| 650 | 0 | 7 | |a Performance |g Künste |0 (DE-588)4173750-7 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Theater |0 (DE-588)4059702-7 |2 gnd |9 rswk-swf |
| 651 | 7 | |a Kanada |0 (DE-588)4029456-0 |2 gnd |9 rswk-swf | |
| 653 | 0 | |a Theater / Canada / History | |
| 653 | 0 | |a Canadian drama / History and criticism | |
| 653 | 0 | |a Théâtre / Canada / Histoire | |
| 653 | 0 | |a Théâtre canadien / Histoire et critique | |
| 653 | 0 | |a Canadian drama | |
| 653 | 0 | |a Theater | |
| 653 | 2 | |a Canada | |
| 653 | 6 | |a Criticism, interpretation, etc | |
| 653 | 6 | |a History | |
| 655 | 7 | |0 (DE-588)4143413-4 |a Aufsatzsammlung |2 gnd-content | |
| 689 | 0 | 0 | |a Kanada |0 (DE-588)4029456-0 |D g |
| 689 | 0 | 1 | |a Theater |0 (DE-588)4059702-7 |D s |
| 689 | 0 | 2 | |a Performance |g Künste |0 (DE-588)4173750-7 |D s |
| 689 | 0 | 3 | |a Geschichte 1800-2017 |A z |
| 689 | 0 | |5 DE-604 | |
| 700 | 1 | |a Davis-Fisch, Heather |d 1979- |0 (DE-588)1026108446 |4 edt | |
| 940 | 1 | |q BSB_NED_20201203 | |
| 942 | 1 | 1 | |c 306.09 |e 22/bsb |f 0904 |g 71 |
| 942 | 1 | 1 | |c 306.09 |e 22/bsb |f 0905 |g 71 |
| 942 | 1 | 1 | |c 306.09 |e 22/bsb |f 09034 |g 71 |
| 943 | 1 | |a oai:aleph.bib-bvb.de:BVB01-032354520 | |
Datensatz im Suchindex
| _version_ | 1806051236620795904 |
|---|---|
| adam_text | |
| adam_txt | |
| any_adam_object | |
| any_adam_object_boolean | |
| author2 | Davis-Fisch, Heather 1979- |
| author2_role | edt |
| author2_variant | h d f hdf |
| author_GND | (DE-588)1026108446 |
| author_additional | by Heather Davis-Fisch by Alexandra Kovacs by Glen Nichols by Michelle La Flamme by Alan Filewod by Allana C. Lindgren by Robin C. Whittaker by Jessica Riley by Jill Carter, Karyn Recollet, and Dylan Robinson by Yves Jubinville by Stephen Johnson by Marlis Schweitzer by T. Nikki Cesare Schotzko |
| author_facet | Davis-Fisch, Heather 1979- |
| building | Verbundindex |
| bvnumber | BV046945882 |
| contents | Double lives and disappearing acts : Canadian performance histories Beyond shame and blame in Pauline Johnson's performance histories Chiac and the linguistic detour of Acadian theatre history Untold histories of Canadian theatre in higher education BC Aboriginal theatre history in the making : talking with Margo Kane about the history of Full circle and The talking stick Affect and the unproduced : 420016 Sgt. Atkinson W.S. and Glory hole : a play of the Great War of 1914-18 Beyond primary sources : using dance documentation to examine attitudes toward diversity in the Massey Commission (1949-1951) Un/disciplined re/collections : toward an archaeology of nonprofessionalizing theatre practices Invisibility and early new play dramaturgy : Bill Glassco's development of David Freeman's Creeps Interventions into the maw of old world hunger : frog monsters, Kinstellatory maps, and radical relationalities in a project of reworlding Theatre in the new world : troubles in modernity "Shield us from this base ridicule" : the petitions to censor blackface circus clowns, Toronto, 1840-43 Three sentences : a child actress in Halifax, 1833 "The death of performance art!" Performing performance art documentation |
| ctrlnum | (OCoLC)1225887194 (DE-599)BVBBV046945882 |
| edition | First edition |
| era | Geschichte 1800-2017 gnd |
| era_facet | Geschichte 1800-2017 |
| format | Book |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>00000nam a2200000 cb4500</leader><controlfield tag="001">BV046945882</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20201203</controlfield><controlfield tag="007">t</controlfield><controlfield tag="008">201019s2017 a||| b||| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781770917750</subfield><subfield code="9">9781770917750</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1225887194</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV046945882</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-12</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Canadian performance histories and historiographies</subfield><subfield code="c">edited by Heather Davis-Fisch</subfield></datafield><datafield tag="250" ind1=" " ind2=" "><subfield code="a">First edition</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Toronto</subfield><subfield code="b">Playwrights Canada Press</subfield><subfield code="c">[2017]</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">x, 381 Seiten</subfield><subfield code="b">Illustrationen</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="0" ind2=" "><subfield code="a">New essays on Canadian theatre</subfield><subfield code="v">7</subfield></datafield><datafield tag="505" ind1="8" ind2="0"><subfield code="t">Double lives and disappearing acts : Canadian performance histories</subfield><subfield code="r">by Heather Davis-Fisch</subfield><subfield code="t">Beyond shame and blame in Pauline Johnson's performance histories</subfield><subfield code="r">by Alexandra Kovacs</subfield><subfield code="t">Chiac and the linguistic detour of Acadian theatre history</subfield><subfield code="r">by Glen Nichols</subfield><subfield code="t">Untold histories of Canadian theatre in higher education</subfield><subfield code="r">by Glen Nichols</subfield><subfield code="t">BC Aboriginal theatre history in the making : talking with Margo Kane about the history of Full circle and The talking stick</subfield><subfield code="r">by Michelle La Flamme</subfield><subfield code="t">Affect and the unproduced : 420016 Sgt. Atkinson W.S. and Glory hole : a play of the Great War of 1914-18</subfield><subfield code="r">by Alan Filewod</subfield><subfield code="t">Beyond primary sources : using dance documentation to examine attitudes toward diversity in the Massey Commission (1949-1951)</subfield><subfield code="r">by Allana C. Lindgren</subfield><subfield code="t">Un/disciplined re/collections : toward an archaeology of nonprofessionalizing theatre practices</subfield><subfield code="r">by Robin C. Whittaker</subfield><subfield code="t">Invisibility and early new play dramaturgy : Bill Glassco's development of David Freeman's Creeps</subfield><subfield code="r">by Jessica Riley</subfield><subfield code="t">Interventions into the maw of old world hunger : frog monsters, Kinstellatory maps, and radical relationalities in a project of reworlding</subfield><subfield code="r">by Jill Carter, Karyn Recollet, and Dylan Robinson</subfield><subfield code="t">Theatre in the new world : troubles in modernity</subfield><subfield code="r">by Yves Jubinville</subfield><subfield code="t">"Shield us from this base ridicule" : the petitions to censor blackface circus clowns, Toronto, 1840-43</subfield><subfield code="r">by Stephen Johnson</subfield><subfield code="t">Three sentences : a child actress in Halifax, 1833</subfield><subfield code="r">by Marlis Schweitzer</subfield><subfield code="t">"The death of performance art!" Performing performance art documentation</subfield><subfield code="r">by T. Nikki Cesare Schotzko</subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">"As Canada celebrates its 150th centenary in 2017, Canadian Performance Histories and Historiographies asks what currently defines the field of theatre and performance history in Canada? Challenging the idea of a singular narrative of Canadian theatre history and centering on questions of historiography and methodology, the essays in this collection investigate performances that have been excluded from mainstream theatre histories and re-evaluate well-known theatre movements to explore cultural memory. That is to say, how do we remember performances of the past and why do some stories survive while others have been largely forgotten? Contributors draw on recent critical developments in performance studies, historiography, Indigenous studies, and hemispheric studies to explore topics ranging from the affective labour performed in life-writing by World War I veterans, to a reconsideration of the role of dramaturges in the alternative theatre movement, to a microhistory of petitions protesting minstrel performers appearing in Toronto, to a timely consideration of digital technologies in performance art documentation."--</subfield></datafield><datafield tag="648" ind1=" " ind2="7"><subfield code="a">Geschichte 1800-2017</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Performance</subfield><subfield code="g">Künste</subfield><subfield code="0">(DE-588)4173750-7</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Theater</subfield><subfield code="0">(DE-588)4059702-7</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="651" ind1=" " ind2="7"><subfield code="a">Kanada</subfield><subfield code="0">(DE-588)4029456-0</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Theater / Canada / History</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Canadian drama / History and criticism</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Théâtre / Canada / Histoire</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Théâtre canadien / Histoire et critique</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Canadian drama</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Theater</subfield></datafield><datafield tag="653" ind1=" " ind2="2"><subfield code="a">Canada</subfield></datafield><datafield tag="653" ind1=" " ind2="6"><subfield code="a">Criticism, interpretation, etc</subfield></datafield><datafield tag="653" ind1=" " ind2="6"><subfield code="a">History</subfield></datafield><datafield tag="655" ind1=" " ind2="7"><subfield code="0">(DE-588)4143413-4</subfield><subfield code="a">Aufsatzsammlung</subfield><subfield code="2">gnd-content</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Kanada</subfield><subfield code="0">(DE-588)4029456-0</subfield><subfield code="D">g</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Theater</subfield><subfield code="0">(DE-588)4059702-7</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Performance</subfield><subfield code="g">Künste</subfield><subfield code="0">(DE-588)4173750-7</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="3"><subfield code="a">Geschichte 1800-2017</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Davis-Fisch, Heather</subfield><subfield code="d">1979-</subfield><subfield code="0">(DE-588)1026108446</subfield><subfield code="4">edt</subfield></datafield><datafield tag="940" ind1="1" ind2=" "><subfield code="q">BSB_NED_20201203</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">306.09</subfield><subfield code="e">22/bsb</subfield><subfield code="f">0904</subfield><subfield code="g">71</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">306.09</subfield><subfield code="e">22/bsb</subfield><subfield code="f">0905</subfield><subfield code="g">71</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">306.09</subfield><subfield code="e">22/bsb</subfield><subfield code="f">09034</subfield><subfield code="g">71</subfield></datafield><datafield tag="943" ind1="1" ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-032354520</subfield></datafield></record></collection> |
| genre | (DE-588)4143413-4 Aufsatzsammlung gnd-content |
| genre_facet | Aufsatzsammlung |
| geographic | Kanada (DE-588)4029456-0 gnd |
| geographic_facet | Kanada |
| id | DE-604.BV046945882 |
| illustrated | Illustrated |
| index_date | 2024-07-03T15:39:33Z |
| indexdate | 2024-07-31T00:11:18Z |
| institution | BVB |
| isbn | 9781770917750 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032354520 |
| oclc_num | 1225887194 |
| open_access_boolean | |
| owner | DE-12 |
| owner_facet | DE-12 |
| physical | x, 381 Seiten Illustrationen |
| psigel | BSB_NED_20201203 |
| publishDate | 2017 |
| publishDateSearch | 2017 |
| publishDateSort | 2017 |
| publisher | Playwrights Canada Press |
| record_format | marc |
| series2 | New essays on Canadian theatre |
| spelling | Canadian performance histories and historiographies edited by Heather Davis-Fisch First edition Toronto Playwrights Canada Press [2017] x, 381 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier New essays on Canadian theatre 7 Double lives and disappearing acts : Canadian performance histories by Heather Davis-Fisch Beyond shame and blame in Pauline Johnson's performance histories by Alexandra Kovacs Chiac and the linguistic detour of Acadian theatre history by Glen Nichols Untold histories of Canadian theatre in higher education by Glen Nichols BC Aboriginal theatre history in the making : talking with Margo Kane about the history of Full circle and The talking stick by Michelle La Flamme Affect and the unproduced : 420016 Sgt. Atkinson W.S. and Glory hole : a play of the Great War of 1914-18 by Alan Filewod Beyond primary sources : using dance documentation to examine attitudes toward diversity in the Massey Commission (1949-1951) by Allana C. Lindgren Un/disciplined re/collections : toward an archaeology of nonprofessionalizing theatre practices by Robin C. Whittaker Invisibility and early new play dramaturgy : Bill Glassco's development of David Freeman's Creeps by Jessica Riley Interventions into the maw of old world hunger : frog monsters, Kinstellatory maps, and radical relationalities in a project of reworlding by Jill Carter, Karyn Recollet, and Dylan Robinson Theatre in the new world : troubles in modernity by Yves Jubinville "Shield us from this base ridicule" : the petitions to censor blackface circus clowns, Toronto, 1840-43 by Stephen Johnson Three sentences : a child actress in Halifax, 1833 by Marlis Schweitzer "The death of performance art!" Performing performance art documentation by T. Nikki Cesare Schotzko "As Canada celebrates its 150th centenary in 2017, Canadian Performance Histories and Historiographies asks what currently defines the field of theatre and performance history in Canada? Challenging the idea of a singular narrative of Canadian theatre history and centering on questions of historiography and methodology, the essays in this collection investigate performances that have been excluded from mainstream theatre histories and re-evaluate well-known theatre movements to explore cultural memory. That is to say, how do we remember performances of the past and why do some stories survive while others have been largely forgotten? Contributors draw on recent critical developments in performance studies, historiography, Indigenous studies, and hemispheric studies to explore topics ranging from the affective labour performed in life-writing by World War I veterans, to a reconsideration of the role of dramaturges in the alternative theatre movement, to a microhistory of petitions protesting minstrel performers appearing in Toronto, to a timely consideration of digital technologies in performance art documentation."-- Geschichte 1800-2017 gnd rswk-swf Performance Künste (DE-588)4173750-7 gnd rswk-swf Theater (DE-588)4059702-7 gnd rswk-swf Kanada (DE-588)4029456-0 gnd rswk-swf Theater / Canada / History Canadian drama / History and criticism Théâtre / Canada / Histoire Théâtre canadien / Histoire et critique Canadian drama Theater Canada Criticism, interpretation, etc History (DE-588)4143413-4 Aufsatzsammlung gnd-content Kanada (DE-588)4029456-0 g Theater (DE-588)4059702-7 s Performance Künste (DE-588)4173750-7 s Geschichte 1800-2017 z DE-604 Davis-Fisch, Heather 1979- (DE-588)1026108446 edt |
| spellingShingle | Canadian performance histories and historiographies Double lives and disappearing acts : Canadian performance histories Beyond shame and blame in Pauline Johnson's performance histories Chiac and the linguistic detour of Acadian theatre history Untold histories of Canadian theatre in higher education BC Aboriginal theatre history in the making : talking with Margo Kane about the history of Full circle and The talking stick Affect and the unproduced : 420016 Sgt. Atkinson W.S. and Glory hole : a play of the Great War of 1914-18 Beyond primary sources : using dance documentation to examine attitudes toward diversity in the Massey Commission (1949-1951) Un/disciplined re/collections : toward an archaeology of nonprofessionalizing theatre practices Invisibility and early new play dramaturgy : Bill Glassco's development of David Freeman's Creeps Interventions into the maw of old world hunger : frog monsters, Kinstellatory maps, and radical relationalities in a project of reworlding Theatre in the new world : troubles in modernity "Shield us from this base ridicule" : the petitions to censor blackface circus clowns, Toronto, 1840-43 Three sentences : a child actress in Halifax, 1833 "The death of performance art!" Performing performance art documentation Performance Künste (DE-588)4173750-7 gnd Theater (DE-588)4059702-7 gnd |
| subject_GND | (DE-588)4173750-7 (DE-588)4059702-7 (DE-588)4029456-0 (DE-588)4143413-4 |
| title | Canadian performance histories and historiographies |
| title_alt | Double lives and disappearing acts : Canadian performance histories Beyond shame and blame in Pauline Johnson's performance histories Chiac and the linguistic detour of Acadian theatre history Untold histories of Canadian theatre in higher education BC Aboriginal theatre history in the making : talking with Margo Kane about the history of Full circle and The talking stick Affect and the unproduced : 420016 Sgt. Atkinson W.S. and Glory hole : a play of the Great War of 1914-18 Beyond primary sources : using dance documentation to examine attitudes toward diversity in the Massey Commission (1949-1951) Un/disciplined re/collections : toward an archaeology of nonprofessionalizing theatre practices Invisibility and early new play dramaturgy : Bill Glassco's development of David Freeman's Creeps Interventions into the maw of old world hunger : frog monsters, Kinstellatory maps, and radical relationalities in a project of reworlding Theatre in the new world : troubles in modernity "Shield us from this base ridicule" : the petitions to censor blackface circus clowns, Toronto, 1840-43 Three sentences : a child actress in Halifax, 1833 "The death of performance art!" Performing performance art documentation |
| title_auth | Canadian performance histories and historiographies |
| title_exact_search | Canadian performance histories and historiographies |
| title_exact_search_txtP | Canadian performance histories and historiographies |
| title_full | Canadian performance histories and historiographies edited by Heather Davis-Fisch |
| title_fullStr | Canadian performance histories and historiographies edited by Heather Davis-Fisch |
| title_full_unstemmed | Canadian performance histories and historiographies edited by Heather Davis-Fisch |
| title_short | Canadian performance histories and historiographies |
| title_sort | canadian performance histories and historiographies |
| topic | Performance Künste (DE-588)4173750-7 gnd Theater (DE-588)4059702-7 gnd |
| topic_facet | Performance Künste Theater Kanada Aufsatzsammlung |
| work_keys_str_mv | AT davisfischheather canadianperformancehistoriesandhistoriographies |