The weeping rock: revisiting Niobe through "Paragone, Pathosformel" and petrification
Publius Ovid (43 BC-17/18 AD) describes in his Metamorphoses Niobe?s transformation into a weeping rock. Niobe's transformation incorporates the form and matter of the medium of sculpture. According to the humanist paragone debate, painting and sculpture struggle to be the medium with the highe...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Leuven ; Paris ; Bristol
Peeters
2020
|
| Schriftenreihe: | Studies in iconology
17 |
| Schlagworte: | |
| Zusammenfassung: | Publius Ovid (43 BC-17/18 AD) describes in his Metamorphoses Niobe?s transformation into a weeping rock. Niobe's transformation incorporates the form and matter of the medium of sculpture. According to the humanist paragone debate, painting and sculpture struggle to be the medium with the highest qualities of virtuosity. Aby Warburg (1866-1929) refers to the Niobe motif's Nachleben in his Tafel 5: Beraubte Mutter. (Niobe, Flucht und Schrecken). This displays the images of both the bereaved mother (Niobe) and the murderous mother (Medea). The montage also introduces the theme of the descent to the underworld. It becomes clear how the cluster of motifs around the figure of Niobe - hybris, lamentatio and the chthonic substrate - functions as a direct entry to a bipolar hermeneutics of the visual medium: the historical psychology of human expression that navigates between Apollo and Dionysus. The 'weeping rock' that according to legend still stands on Mount Sipylus in Turkey, draws upon deeper anthropological patterns. Petrification indicates inertia, frigidity and a Medusan psychosis of fear. In nature, stones and rocks have a 'slumbering insistence' that can be captivating. Stones are after all visible but impenetrable, they index an irrevocable absence in their presence, and have abode in an otherworldly region of utter blindness and silence. From a psychoanalytical perspective, Niobe's petrifaction symbolises the straitening of her life and the loss of anima within a culture divorced from authentic feeling, nature, and instinct. Here Niobe meets Echo |
| Beschreibung: | 115 Seiten Illustrationen 24 cm |
| ISBN: | 9789042942028 |
Internformat
MARC
| LEADER | 00000nam a2200000 cb4500 | ||
|---|---|---|---|
| 001 | BV046942627 | ||
| 003 | DE-604 | ||
| 005 | 20210318 | ||
| 007 | t | ||
| 008 | 201015s2020 a||| |||| 00||| eng d | ||
| 020 | |a 9789042942028 |9 978-90-429-4202-8 | ||
| 035 | |a (OCoLC)1220913223 | ||
| 035 | |a (DE-599)BVBBV046942627 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-Y3 |a DE-255 |a DE-Y2 |a DE-188 | ||
| 084 | |a 4 |2 KUBA2 | ||
| 100 | 1 | |a Baert, Barbara |d 1967- |e Verfasser |0 (DE-588)133359964 |4 aut | |
| 245 | 1 | 0 | |a The weeping rock |b revisiting Niobe through "Paragone, Pathosformel" and petrification |c Barbara Baert |
| 246 | 1 | 3 | |a revisiting Niobe through Paragone, Pathosformel and petrification |
| 264 | 1 | |a Leuven ; Paris ; Bristol |b Peeters |c 2020 | |
| 300 | |a 115 Seiten |b Illustrationen |c 24 cm | ||
| 336 | |b txt |2 rdacontent | ||
| 336 | |b sti |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 490 | 1 | |a Studies in iconology |v 17 | |
| 520 | 3 | |a Publius Ovid (43 BC-17/18 AD) describes in his Metamorphoses Niobe?s transformation into a weeping rock. Niobe's transformation incorporates the form and matter of the medium of sculpture. According to the humanist paragone debate, painting and sculpture struggle to be the medium with the highest qualities of virtuosity. Aby Warburg (1866-1929) refers to the Niobe motif's Nachleben in his Tafel 5: Beraubte Mutter. (Niobe, Flucht und Schrecken). This displays the images of both the bereaved mother (Niobe) and the murderous mother (Medea). The montage also introduces the theme of the descent to the underworld. It becomes clear how the cluster of motifs around the figure of Niobe - hybris, lamentatio and the chthonic substrate - functions as a direct entry to a bipolar hermeneutics of the visual medium: the historical psychology of human expression that navigates between Apollo and Dionysus. The 'weeping rock' that according to legend still stands on Mount Sipylus in Turkey, draws upon deeper anthropological patterns. Petrification indicates inertia, frigidity and a Medusan psychosis of fear. In nature, stones and rocks have a 'slumbering insistence' that can be captivating. Stones are after all visible but impenetrable, they index an irrevocable absence in their presence, and have abode in an otherworldly region of utter blindness and silence. From a psychoanalytical perspective, Niobe's petrifaction symbolises the straitening of her life and the loss of anima within a culture divorced from authentic feeling, nature, and instinct. Here Niobe meets Echo | |
| 600 | 0 | 7 | |a Niobe |0 (DE-588)11878630X |2 gnd |9 rswk-swf |
| 600 | 1 | 7 | |a Warburg, Aby |d 1866-1929 |0 (DE-588)11862914X |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Rezeption |0 (DE-588)4049716-1 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Ikonographie |0 (DE-588)4026535-3 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Mythologie |0 (DE-588)4041005-5 |2 gnd |9 rswk-swf |
| 688 | 7 | |a Niobe |0 (DE-2581)TH000006486 |2 gbd | |
| 688 | 7 | |a Humanismus, Rezeption |0 (DE-2581)TH000005252 |2 gbd | |
| 688 | 7 | |a Ovidius Naso, P. |0 (DE-2581)TH000002129 |2 gbd | |
| 689 | 0 | 0 | |a Niobe |0 (DE-588)11878630X |D p |
| 689 | 0 | 1 | |a Mythologie |0 (DE-588)4041005-5 |D s |
| 689 | 0 | 2 | |a Ikonographie |0 (DE-588)4026535-3 |D s |
| 689 | 0 | |5 DE-604 | |
| 689 | 1 | 0 | |a Warburg, Aby |d 1866-1929 |0 (DE-588)11862914X |D p |
| 689 | 1 | |5 DE-604 | |
| 689 | 2 | 0 | |a Niobe |0 (DE-588)11878630X |D p |
| 689 | 2 | 1 | |a Rezeption |0 (DE-588)4049716-1 |D s |
| 689 | 2 | |5 DE-604 | |
| 776 | 0 | 8 | |i Erscheint auch als |n Online-Ausgabe |z 978-90-429-4203-5 |
| 830 | 0 | |a Studies in iconology |v 17 |w (DE-604)BV041901775 |9 17 | |
| 940 | 1 | |n gbd | |
| 940 | 1 | |q gbd_4_2101 | |
| 999 | |a oai:aleph.bib-bvb.de:BVB01-032351308 | ||
Datensatz im Suchindex
| _version_ | 1804181846184951808 |
|---|---|
| adam_txt | |
| any_adam_object | |
| any_adam_object_boolean | |
| author | Baert, Barbara 1967- |
| author_GND | (DE-588)133359964 |
| author_facet | Baert, Barbara 1967- |
| author_role | aut |
| author_sort | Baert, Barbara 1967- |
| author_variant | b b bb |
| building | Verbundindex |
| bvnumber | BV046942627 |
| ctrlnum | (OCoLC)1220913223 (DE-599)BVBBV046942627 |
| format | Book |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>03640nam a2200565 cb4500</leader><controlfield tag="001">BV046942627</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20210318 </controlfield><controlfield tag="007">t</controlfield><controlfield tag="008">201015s2020 a||| |||| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9789042942028</subfield><subfield code="9">978-90-429-4202-8</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1220913223</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV046942627</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-Y3</subfield><subfield code="a">DE-255</subfield><subfield code="a">DE-Y2</subfield><subfield code="a">DE-188</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">4</subfield><subfield code="2">KUBA2</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Baert, Barbara</subfield><subfield code="d">1967-</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)133359964</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">The weeping rock</subfield><subfield code="b">revisiting Niobe through "Paragone, Pathosformel" and petrification</subfield><subfield code="c">Barbara Baert</subfield></datafield><datafield tag="246" ind1="1" ind2="3"><subfield code="a">revisiting Niobe through Paragone, Pathosformel and petrification</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Leuven ; Paris ; Bristol</subfield><subfield code="b">Peeters</subfield><subfield code="c">2020</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">115 Seiten</subfield><subfield code="b">Illustrationen</subfield><subfield code="c">24 cm</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">sti</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="1" ind2=" "><subfield code="a">Studies in iconology</subfield><subfield code="v">17</subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">Publius Ovid (43 BC-17/18 AD) describes in his Metamorphoses Niobe?s transformation into a weeping rock. Niobe's transformation incorporates the form and matter of the medium of sculpture. According to the humanist paragone debate, painting and sculpture struggle to be the medium with the highest qualities of virtuosity. Aby Warburg (1866-1929) refers to the Niobe motif's Nachleben in his Tafel 5: Beraubte Mutter. (Niobe, Flucht und Schrecken). This displays the images of both the bereaved mother (Niobe) and the murderous mother (Medea). The montage also introduces the theme of the descent to the underworld. It becomes clear how the cluster of motifs around the figure of Niobe - hybris, lamentatio and the chthonic substrate - functions as a direct entry to a bipolar hermeneutics of the visual medium: the historical psychology of human expression that navigates between Apollo and Dionysus. The 'weeping rock' that according to legend still stands on Mount Sipylus in Turkey, draws upon deeper anthropological patterns. Petrification indicates inertia, frigidity and a Medusan psychosis of fear. In nature, stones and rocks have a 'slumbering insistence' that can be captivating. Stones are after all visible but impenetrable, they index an irrevocable absence in their presence, and have abode in an otherworldly region of utter blindness and silence. From a psychoanalytical perspective, Niobe's petrifaction symbolises the straitening of her life and the loss of anima within a culture divorced from authentic feeling, nature, and instinct. Here Niobe meets Echo</subfield></datafield><datafield tag="600" ind1="0" ind2="7"><subfield code="a">Niobe</subfield><subfield code="0">(DE-588)11878630X</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="600" ind1="1" ind2="7"><subfield code="a">Warburg, Aby</subfield><subfield code="d">1866-1929</subfield><subfield code="0">(DE-588)11862914X</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Rezeption</subfield><subfield code="0">(DE-588)4049716-1</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Ikonographie</subfield><subfield code="0">(DE-588)4026535-3</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Mythologie</subfield><subfield code="0">(DE-588)4041005-5</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="688" ind1=" " ind2="7"><subfield code="a">Niobe</subfield><subfield code="0">(DE-2581)TH000006486</subfield><subfield code="2">gbd</subfield></datafield><datafield tag="688" ind1=" " ind2="7"><subfield code="a">Humanismus, Rezeption</subfield><subfield code="0">(DE-2581)TH000005252</subfield><subfield code="2">gbd</subfield></datafield><datafield tag="688" ind1=" " ind2="7"><subfield code="a">Ovidius Naso, P.</subfield><subfield code="0">(DE-2581)TH000002129</subfield><subfield code="2">gbd</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Niobe</subfield><subfield code="0">(DE-588)11878630X</subfield><subfield code="D">p</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Mythologie</subfield><subfield code="0">(DE-588)4041005-5</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Ikonographie</subfield><subfield code="0">(DE-588)4026535-3</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="689" ind1="1" ind2="0"><subfield code="a">Warburg, Aby</subfield><subfield code="d">1866-1929</subfield><subfield code="0">(DE-588)11862914X</subfield><subfield code="D">p</subfield></datafield><datafield tag="689" ind1="1" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="689" ind1="2" ind2="0"><subfield code="a">Niobe</subfield><subfield code="0">(DE-588)11878630X</subfield><subfield code="D">p</subfield></datafield><datafield tag="689" ind1="2" ind2="1"><subfield code="a">Rezeption</subfield><subfield code="0">(DE-588)4049716-1</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="2" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Online-Ausgabe</subfield><subfield code="z">978-90-429-4203-5</subfield></datafield><datafield tag="830" ind1=" " ind2="0"><subfield code="a">Studies in iconology</subfield><subfield code="v">17</subfield><subfield code="w">(DE-604)BV041901775</subfield><subfield code="9">17</subfield></datafield><datafield tag="940" ind1="1" ind2=" "><subfield code="n">gbd</subfield></datafield><datafield tag="940" ind1="1" ind2=" "><subfield code="q">gbd_4_2101</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-032351308</subfield></datafield></record></collection> |
| id | DE-604.BV046942627 |
| illustrated | Illustrated |
| index_date | 2024-07-03T15:38:37Z |
| indexdate | 2024-07-10T08:58:08Z |
| institution | BVB |
| isbn | 9789042942028 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032351308 |
| oclc_num | 1220913223 |
| open_access_boolean | |
| owner | DE-Y3 DE-255 DE-Y2 DE-188 |
| owner_facet | DE-Y3 DE-255 DE-Y2 DE-188 |
| physical | 115 Seiten Illustrationen 24 cm |
| psigel | gbd_4_2101 |
| publishDate | 2020 |
| publishDateSearch | 2020 |
| publishDateSort | 2020 |
| publisher | Peeters |
| record_format | marc |
| series | Studies in iconology |
| series2 | Studies in iconology |
| spelling | Baert, Barbara 1967- Verfasser (DE-588)133359964 aut The weeping rock revisiting Niobe through "Paragone, Pathosformel" and petrification Barbara Baert revisiting Niobe through Paragone, Pathosformel and petrification Leuven ; Paris ; Bristol Peeters 2020 115 Seiten Illustrationen 24 cm txt rdacontent sti rdacontent n rdamedia nc rdacarrier Studies in iconology 17 Publius Ovid (43 BC-17/18 AD) describes in his Metamorphoses Niobe?s transformation into a weeping rock. Niobe's transformation incorporates the form and matter of the medium of sculpture. According to the humanist paragone debate, painting and sculpture struggle to be the medium with the highest qualities of virtuosity. Aby Warburg (1866-1929) refers to the Niobe motif's Nachleben in his Tafel 5: Beraubte Mutter. (Niobe, Flucht und Schrecken). This displays the images of both the bereaved mother (Niobe) and the murderous mother (Medea). The montage also introduces the theme of the descent to the underworld. It becomes clear how the cluster of motifs around the figure of Niobe - hybris, lamentatio and the chthonic substrate - functions as a direct entry to a bipolar hermeneutics of the visual medium: the historical psychology of human expression that navigates between Apollo and Dionysus. The 'weeping rock' that according to legend still stands on Mount Sipylus in Turkey, draws upon deeper anthropological patterns. Petrification indicates inertia, frigidity and a Medusan psychosis of fear. In nature, stones and rocks have a 'slumbering insistence' that can be captivating. Stones are after all visible but impenetrable, they index an irrevocable absence in their presence, and have abode in an otherworldly region of utter blindness and silence. From a psychoanalytical perspective, Niobe's petrifaction symbolises the straitening of her life and the loss of anima within a culture divorced from authentic feeling, nature, and instinct. Here Niobe meets Echo Niobe (DE-588)11878630X gnd rswk-swf Warburg, Aby 1866-1929 (DE-588)11862914X gnd rswk-swf Rezeption (DE-588)4049716-1 gnd rswk-swf Ikonographie (DE-588)4026535-3 gnd rswk-swf Mythologie (DE-588)4041005-5 gnd rswk-swf Niobe (DE-2581)TH000006486 gbd Humanismus, Rezeption (DE-2581)TH000005252 gbd Ovidius Naso, P. (DE-2581)TH000002129 gbd Niobe (DE-588)11878630X p Mythologie (DE-588)4041005-5 s Ikonographie (DE-588)4026535-3 s DE-604 Warburg, Aby 1866-1929 (DE-588)11862914X p Rezeption (DE-588)4049716-1 s Erscheint auch als Online-Ausgabe 978-90-429-4203-5 Studies in iconology 17 (DE-604)BV041901775 17 |
| spellingShingle | Baert, Barbara 1967- The weeping rock revisiting Niobe through "Paragone, Pathosformel" and petrification Studies in iconology Niobe (DE-588)11878630X gnd Warburg, Aby 1866-1929 (DE-588)11862914X gnd Rezeption (DE-588)4049716-1 gnd Ikonographie (DE-588)4026535-3 gnd Mythologie (DE-588)4041005-5 gnd |
| subject_GND | (DE-588)11878630X (DE-588)11862914X (DE-588)4049716-1 (DE-588)4026535-3 (DE-588)4041005-5 |
| title | The weeping rock revisiting Niobe through "Paragone, Pathosformel" and petrification |
| title_alt | revisiting Niobe through Paragone, Pathosformel and petrification |
| title_auth | The weeping rock revisiting Niobe through "Paragone, Pathosformel" and petrification |
| title_exact_search | The weeping rock revisiting Niobe through "Paragone, Pathosformel" and petrification |
| title_exact_search_txtP | The weeping rock revisiting Niobe through "Paragone, Pathosformel" and petrification |
| title_full | The weeping rock revisiting Niobe through "Paragone, Pathosformel" and petrification Barbara Baert |
| title_fullStr | The weeping rock revisiting Niobe through "Paragone, Pathosformel" and petrification Barbara Baert |
| title_full_unstemmed | The weeping rock revisiting Niobe through "Paragone, Pathosformel" and petrification Barbara Baert |
| title_short | The weeping rock |
| title_sort | the weeping rock revisiting niobe through paragone pathosformel and petrification |
| title_sub | revisiting Niobe through "Paragone, Pathosformel" and petrification |
| topic | Niobe (DE-588)11878630X gnd Warburg, Aby 1866-1929 (DE-588)11862914X gnd Rezeption (DE-588)4049716-1 gnd Ikonographie (DE-588)4026535-3 gnd Mythologie (DE-588)4041005-5 gnd |
| topic_facet | Niobe Warburg, Aby 1866-1929 Rezeption Ikonographie Mythologie |
| volume_link | (DE-604)BV041901775 |
| work_keys_str_mv | AT baertbarbara theweepingrockrevisitingniobethroughparagonepathosformelandpetrification AT baertbarbara revisitingniobethroughparagonepathosformelandpetrification |