The synthetic proposition: conceptualism and the political referent in contemporary art
The synthetic proposition examines the impact of Civil Rights, Black Power, the student, feminist and sexual-liberty movements on conceptualism and its legacies in the United States between the late 1960s and the 1990s. It focuses on the turn to political reference in practices originally concerned...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Manchester
Manchester University Press
2017
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| Schriftenreihe: | Rethinking art's histories
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| Schlagworte: | |
| Online-Zugang: | DE-20 Volltext |
| Zusammenfassung: | The synthetic proposition examines the impact of Civil Rights, Black Power, the student, feminist and sexual-liberty movements on conceptualism and its legacies in the United States between the late 1960s and the 1990s. It focuses on the turn to political reference in practices originally concerned with abstract ideas, as articulated by Joseph Kosuth, and traces key strategies in contemporary art to the reciprocal influences of conceptualism and identity politics: movements that have so far been historicised as mutually exclusive. The book demonstrates that while identity-based strategies were particular, their impact spread far beyond the individuals or communities that originated them. It offers a study of Adrian Piper, David Hammons, Renee Green, Mary Kelly, Martha Rosler, Silvia Kolbowski, Daniel Joseph Martinez, Lorna Simpson, Hans Haacke, Andrea Fraser and Charles Gaines. By turning to social issues, these artists analysed the conventions of language, photography, moving image, installation and display |
| Beschreibung: | 1 Online-Ressource (xii, 266 Seiten) Illustrationen |
| ISBN: | 9781526128171 |
| DOI: | 10.7228/manchester/9781784992750.001.0001 |
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| spelling | Shaked, Nizan Verfasser (DE-588)1137839333 aut The synthetic proposition conceptualism and the political referent in contemporary art Nizan Shaked Manchester Manchester University Press 2017 1 Online-Ressource (xii, 266 Seiten) Illustrationen txt rdacontent c rdamedia cr rdacarrier Rethinking art's histories The synthetic proposition examines the impact of Civil Rights, Black Power, the student, feminist and sexual-liberty movements on conceptualism and its legacies in the United States between the late 1960s and the 1990s. It focuses on the turn to political reference in practices originally concerned with abstract ideas, as articulated by Joseph Kosuth, and traces key strategies in contemporary art to the reciprocal influences of conceptualism and identity politics: movements that have so far been historicised as mutually exclusive. The book demonstrates that while identity-based strategies were particular, their impact spread far beyond the individuals or communities that originated them. It offers a study of Adrian Piper, David Hammons, Renee Green, Mary Kelly, Martha Rosler, Silvia Kolbowski, Daniel Joseph Martinez, Lorna Simpson, Hans Haacke, Andrea Fraser and Charles Gaines. By turning to social issues, these artists analysed the conventions of language, photography, moving image, installation and display Kunst Politik Concept-art (DE-588)4032354-7 gnd rswk-swf USA USA (DE-588)4078704-7 gnd rswk-swf Conceptual art / United States Art / Political aspects / United States USA (DE-588)4078704-7 g Concept-art (DE-588)4032354-7 s DE-604 Erscheint auch als Druck-Ausgabe, Paperback 978-1-7849-9276-7 Erscheint auch als Druck-Ausgabe, Hardcover 978-1-7849-9275-0 https://doi.org/10.7228/manchester/9781784992750.001.0001 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Shaked, Nizan The synthetic proposition conceptualism and the political referent in contemporary art Kunst Politik Concept-art (DE-588)4032354-7 gnd |
| subject_GND | (DE-588)4032354-7 (DE-588)4078704-7 |
| title | The synthetic proposition conceptualism and the political referent in contemporary art |
| title_auth | The synthetic proposition conceptualism and the political referent in contemporary art |
| title_exact_search | The synthetic proposition conceptualism and the political referent in contemporary art |
| title_exact_search_txtP | The synthetic proposition conceptualism and the political referent in contemporary art |
| title_full | The synthetic proposition conceptualism and the political referent in contemporary art Nizan Shaked |
| title_fullStr | The synthetic proposition conceptualism and the political referent in contemporary art Nizan Shaked |
| title_full_unstemmed | The synthetic proposition conceptualism and the political referent in contemporary art Nizan Shaked |
| title_short | The synthetic proposition |
| title_sort | the synthetic proposition conceptualism and the political referent in contemporary art |
| title_sub | conceptualism and the political referent in contemporary art |
| topic | Kunst Politik Concept-art (DE-588)4032354-7 gnd |
| topic_facet | Kunst Politik Concept-art USA |
| url | https://doi.org/10.7228/manchester/9781784992750.001.0001 |
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