Somewhere over the rainbow: wonder and religion in American cinema
"Somewhere over the rainbow, through and exploration of some of the most intriguing films of the past two decades, illustrates how movies are partners with religion in inspiring, conveying, and helping us experience what Abraham Joshua Heschel refers to as "radical amazement": the sen...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Lanham, Maryland ; Bolulder ; New York ; Toronto ; London
Hamilton Books
[2020]
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| Schlagworte: | |
| Zusammenfassung: | "Somewhere over the rainbow, through and exploration of some of the most intriguing films of the past two decades, illustrates how movies are partners with religion in inspiring, conveying, and helping us experience what Abraham Joshua Heschel refers to as "radical amazement": the sense that our material universe and our ordinary lives are filled with more wonders than we can ever imagine, and that it takes spiritually, as well as cinematically, trained eyes to uncover these ever-present ocular gems. In addition to illustrating how films utilize religious themes and theological motifs to convey a sense of wonder, this book offers new interpretations of key films from canonical American directors such as Martin Scorsese, Terrence Malick, Richard Linklater, Wes Anderson, and the Coen brothers"--Back cover |
| Beschreibung: | "Lexington books"--Back cover |
| Beschreibung: | xv, 145 Seiten |
| ISBN: | 9780761872238 |
Internformat
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| 505 | 8 | |a To the wonder -- Renoir -- The end of the tour -- Driving to Nebraska: cinema, human dignity, and the elderly -- Boyhood: a profoundly human story -- Exodus: gods & kings: what does God's voice really sound like? -- Ex machina -- How to overcome the war within: lessons from Adaptation, Oscar Wilde, and the sages of the Talmud -- Moral gravity and spiritual audacity: the ethic of "choosing life" in Abraham's binding of Isaac and Alfonso Cuarón's Gravity -- Magic in the moonlight -- Inside Llewyn Davis -- All is lost -- Reading movie reviews as a religious experience: Roger Ebert as the Rashi of Cinema -- Hollywood, the Oscars, and the missing modern Jew -- The greatest beauty: the imaginary journey of Paolo Sorrentino's The great beauty (La grande bellezza) -- A movie in the mold of Murnau, Metropolis, and The rules of the game: Wes Anderson's Grand Budapest Hotel -- The big short -- La la land: movie of dreams -- Blue jasmine -- The wolf of Wall Street -- Museum hours -- Life itself -- Theotropic motifs in Gatsby: the cinematic illumination of a biblical theology -- In Tree of life, Jewish roots -- Leonardo DiCaprio, meet St. Augustine | |
| 520 | 3 | |a "Somewhere over the rainbow, through and exploration of some of the most intriguing films of the past two decades, illustrates how movies are partners with religion in inspiring, conveying, and helping us experience what Abraham Joshua Heschel refers to as "radical amazement": the sense that our material universe and our ordinary lives are filled with more wonders than we can ever imagine, and that it takes spiritually, as well as cinematically, trained eyes to uncover these ever-present ocular gems. In addition to illustrating how films utilize religious themes and theological motifs to convey a sense of wonder, this book offers new interpretations of key films from canonical American directors such as Martin Scorsese, Terrence Malick, Richard Linklater, Wes Anderson, and the Coen brothers"--Back cover | |
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Datensatz im Suchindex
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| author | Goodman, Daniel Ross |
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| contents | To the wonder -- Renoir -- The end of the tour -- Driving to Nebraska: cinema, human dignity, and the elderly -- Boyhood: a profoundly human story -- Exodus: gods & kings: what does God's voice really sound like? -- Ex machina -- How to overcome the war within: lessons from Adaptation, Oscar Wilde, and the sages of the Talmud -- Moral gravity and spiritual audacity: the ethic of "choosing life" in Abraham's binding of Isaac and Alfonso Cuarón's Gravity -- Magic in the moonlight -- Inside Llewyn Davis -- All is lost -- Reading movie reviews as a religious experience: Roger Ebert as the Rashi of Cinema -- Hollywood, the Oscars, and the missing modern Jew -- The greatest beauty: the imaginary journey of Paolo Sorrentino's The great beauty (La grande bellezza) -- A movie in the mold of Murnau, Metropolis, and The rules of the game: Wes Anderson's Grand Budapest Hotel -- The big short -- La la land: movie of dreams -- Blue jasmine -- The wolf of Wall Street -- Museum hours -- Life itself -- Theotropic motifs in Gatsby: the cinematic illumination of a biblical theology -- In Tree of life, Jewish roots -- Leonardo DiCaprio, meet St. Augustine |
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| spelling | Goodman, Daniel Ross Verfasser (DE-588)1080676112 aut Somewhere over the rainbow wonder and religion in American cinema Daniel Ross Goodman Lanham, Maryland ; Bolulder ; New York ; Toronto ; London Hamilton Books [2020] © 2020 xv, 145 Seiten txt rdacontent n rdamedia nc rdacarrier "Lexington books"--Back cover To the wonder -- Renoir -- The end of the tour -- Driving to Nebraska: cinema, human dignity, and the elderly -- Boyhood: a profoundly human story -- Exodus: gods & kings: what does God's voice really sound like? -- Ex machina -- How to overcome the war within: lessons from Adaptation, Oscar Wilde, and the sages of the Talmud -- Moral gravity and spiritual audacity: the ethic of "choosing life" in Abraham's binding of Isaac and Alfonso Cuarón's Gravity -- Magic in the moonlight -- Inside Llewyn Davis -- All is lost -- Reading movie reviews as a religious experience: Roger Ebert as the Rashi of Cinema -- Hollywood, the Oscars, and the missing modern Jew -- The greatest beauty: the imaginary journey of Paolo Sorrentino's The great beauty (La grande bellezza) -- A movie in the mold of Murnau, Metropolis, and The rules of the game: Wes Anderson's Grand Budapest Hotel -- The big short -- La la land: movie of dreams -- Blue jasmine -- The wolf of Wall Street -- Museum hours -- Life itself -- Theotropic motifs in Gatsby: the cinematic illumination of a biblical theology -- In Tree of life, Jewish roots -- Leonardo DiCaprio, meet St. Augustine "Somewhere over the rainbow, through and exploration of some of the most intriguing films of the past two decades, illustrates how movies are partners with religion in inspiring, conveying, and helping us experience what Abraham Joshua Heschel refers to as "radical amazement": the sense that our material universe and our ordinary lives are filled with more wonders than we can ever imagine, and that it takes spiritually, as well as cinematically, trained eyes to uncover these ever-present ocular gems. In addition to illustrating how films utilize religious themes and theological motifs to convey a sense of wonder, this book offers new interpretations of key films from canonical American directors such as Martin Scorsese, Terrence Malick, Richard Linklater, Wes Anderson, and the Coen brothers"--Back cover Film (DE-588)4017102-4 gnd rswk-swf Religion (DE-588)4049396-9 gnd rswk-swf USA (DE-588)4078704-7 gnd rswk-swf Motion pictures / Religious aspects Religion in motion pictures Motion pictures / Plots, themes, etc / Religion Curiosities and wonders in motion pictures United States (DE-588)4143413-4 Aufsatzsammlung gnd-content USA (DE-588)4078704-7 g Film (DE-588)4017102-4 s Religion (DE-588)4049396-9 s DE-604 |
| spellingShingle | Goodman, Daniel Ross Somewhere over the rainbow wonder and religion in American cinema To the wonder -- Renoir -- The end of the tour -- Driving to Nebraska: cinema, human dignity, and the elderly -- Boyhood: a profoundly human story -- Exodus: gods & kings: what does God's voice really sound like? -- Ex machina -- How to overcome the war within: lessons from Adaptation, Oscar Wilde, and the sages of the Talmud -- Moral gravity and spiritual audacity: the ethic of "choosing life" in Abraham's binding of Isaac and Alfonso Cuarón's Gravity -- Magic in the moonlight -- Inside Llewyn Davis -- All is lost -- Reading movie reviews as a religious experience: Roger Ebert as the Rashi of Cinema -- Hollywood, the Oscars, and the missing modern Jew -- The greatest beauty: the imaginary journey of Paolo Sorrentino's The great beauty (La grande bellezza) -- A movie in the mold of Murnau, Metropolis, and The rules of the game: Wes Anderson's Grand Budapest Hotel -- The big short -- La la land: movie of dreams -- Blue jasmine -- The wolf of Wall Street -- Museum hours -- Life itself -- Theotropic motifs in Gatsby: the cinematic illumination of a biblical theology -- In Tree of life, Jewish roots -- Leonardo DiCaprio, meet St. Augustine Film (DE-588)4017102-4 gnd Religion (DE-588)4049396-9 gnd |
| subject_GND | (DE-588)4017102-4 (DE-588)4049396-9 (DE-588)4078704-7 (DE-588)4143413-4 |
| title | Somewhere over the rainbow wonder and religion in American cinema |
| title_auth | Somewhere over the rainbow wonder and religion in American cinema |
| title_exact_search | Somewhere over the rainbow wonder and religion in American cinema |
| title_exact_search_txtP | Somewhere over the rainbow wonder and religion in American cinema |
| title_full | Somewhere over the rainbow wonder and religion in American cinema Daniel Ross Goodman |
| title_fullStr | Somewhere over the rainbow wonder and religion in American cinema Daniel Ross Goodman |
| title_full_unstemmed | Somewhere over the rainbow wonder and religion in American cinema Daniel Ross Goodman |
| title_short | Somewhere over the rainbow |
| title_sort | somewhere over the rainbow wonder and religion in american cinema |
| title_sub | wonder and religion in American cinema |
| topic | Film (DE-588)4017102-4 gnd Religion (DE-588)4049396-9 gnd |
| topic_facet | Film Religion USA Aufsatzsammlung |
| work_keys_str_mv | AT goodmandanielross somewhereovertherainbowwonderandreligioninamericancinema |