Native Americans on film: conversations, teaching, and theory
The film industry and mainstream popular culture are notorious for promoting stereotypical images of Native Americans: the noble and ignoble savage, the pronoun-challenged sidekick, the ruthless warrior, the female drudge, the princess, the sexualized maiden, the drunk, and others. Over the years, I...
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Weitere Verfasser: | , |
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Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Lexington, Kentucky
University Press of Kentucky
[2013]
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Schlagworte: | |
Online-Zugang: | Volltext Volltext Volltext Volltext Volltext |
Zusammenfassung: | The film industry and mainstream popular culture are notorious for promoting stereotypical images of Native Americans: the noble and ignoble savage, the pronoun-challenged sidekick, the ruthless warrior, the female drudge, the princess, the sexualized maiden, the drunk, and others. Over the years, Indigenous filmmakers have both challenged these representations and moved past them, offering their own distinct forms of cinematic expression.Native Americans on Film draws inspiration from the Indigenous film movement, bringing filmmakers into an intertextual conversation with academics |
Beschreibung: | Includes bibliographical references and index -- Includes filmography |
Beschreibung: | Online-Ressource (viii, 390 Seiten) Illustrationen, Proträts |
ISBN: | 9780813136813 9780813140346 |
Internformat
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500 | |a Includes bibliographical references and index -- Includes filmography | ||
505 | 8 | |a Front Cover; Title Page; Copyright Page; Contents; Illustrations; Introduction; Section One; Introduction to Section One; Dimensions of Difference in Indigenous Film; Reading Nanook's Smile; Dismantling the Master's House; Indigenous (Re)memory and Resistance; Section Two; Introduction to Section Two; Native Resistance to Hollywood's Persistence of Vision; Geographies of Identity and Belonging in Sherman Alexie's The Business of Fancydancing; Teaching Native American Filmmakers; "The Native's Point of View" as Seen through the Native's (and Non-Native's) Points of View | |
505 | 8 | |a The Dirt Roads of ConsciousnessSection Three; Introduction to Section Three; "Pockets Full of Stories"; Wrestling the Greased Pig; An Upstream Journey; Video as Community Ally and Dakota Sense of Place; The Journey's Discovery; Acknowledgments; Selected Filmography; Contributors; Index | |
520 | 3 | |a The film industry and mainstream popular culture are notorious for promoting stereotypical images of Native Americans: the noble and ignoble savage, the pronoun-challenged sidekick, the ruthless warrior, the female drudge, the princess, the sexualized maiden, the drunk, and others. Over the years, Indigenous filmmakers have both challenged these representations and moved past them, offering their own distinct forms of cinematic expression.Native Americans on Film draws inspiration from the Indigenous film movement, bringing filmmakers into an intertextual conversation with academics | |
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Datensatz im Suchindex
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---|---|
adam_txt | |
any_adam_object | |
any_adam_object_boolean | |
author2 | Marubbio, Miriam Elise 1963- Buffalohead, Eric L. 1965- |
author2_role | edt edt |
author2_variant | m e m me mem e l b el elb |
author_GND | (DE-588)133624439 (DE-588)1164166603 |
author_facet | Marubbio, Miriam Elise 1963- Buffalohead, Eric L. 1965- |
building | Verbundindex |
bvnumber | BV046935567 |
callnumber-first | P - Language and Literature |
callnumber-label | PN1995 |
callnumber-raw | PN1995.9.I48 |
callnumber-search | PN1995.9.I48 |
callnumber-sort | PN 41995.9 I48 |
callnumber-subject | PN - General Literature |
classification_rvk | HU 1726 |
collection | ZDB-38-EBR ZDB-4-EBA ZDB-30-PQE ZDB-39-JBK |
contents | Front Cover; Title Page; Copyright Page; Contents; Illustrations; Introduction; Section One; Introduction to Section One; Dimensions of Difference in Indigenous Film; Reading Nanook's Smile; Dismantling the Master's House; Indigenous (Re)memory and Resistance; Section Two; Introduction to Section Two; Native Resistance to Hollywood's Persistence of Vision; Geographies of Identity and Belonging in Sherman Alexie's The Business of Fancydancing; Teaching Native American Filmmakers; "The Native's Point of View" as Seen through the Native's (and Non-Native's) Points of View The Dirt Roads of ConsciousnessSection Three; Introduction to Section Three; "Pockets Full of Stories"; Wrestling the Greased Pig; An Upstream Journey; Video as Community Ally and Dakota Sense of Place; The Journey's Discovery; Acknowledgments; Selected Filmography; Contributors; Index |
ctrlnum | (OCoLC)1220902423 (DE-599)GBV741584778 |
dewey-full | 791.43/652997 |
dewey-hundreds | 700 - The arts |
dewey-ones | 791 - Public performances |
dewey-raw | 791.43/652997 |
dewey-search | 791.43/652997 |
dewey-sort | 3791.43 6652997 |
dewey-tens | 790 - Recreational and performing arts |
discipline | Allgemeines Anglistik / Amerikanistik |
discipline_str_mv | Allgemeines Anglistik / Amerikanistik |
era | Geschichte gnd |
era_facet | Geschichte |
format | Electronic eBook |
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spelling | Native Americans on film conversations, teaching, and theory edited by M. Elise Marubbio and Eric L. Buffalohead Lexington, Kentucky University Press of Kentucky [2013] © 2013 Online-Ressource (viii, 390 Seiten) Illustrationen, Proträts txt rdacontent c rdamedia cr rdacarrier Includes bibliographical references and index -- Includes filmography Front Cover; Title Page; Copyright Page; Contents; Illustrations; Introduction; Section One; Introduction to Section One; Dimensions of Difference in Indigenous Film; Reading Nanook's Smile; Dismantling the Master's House; Indigenous (Re)memory and Resistance; Section Two; Introduction to Section Two; Native Resistance to Hollywood's Persistence of Vision; Geographies of Identity and Belonging in Sherman Alexie's The Business of Fancydancing; Teaching Native American Filmmakers; "The Native's Point of View" as Seen through the Native's (and Non-Native's) Points of View The Dirt Roads of ConsciousnessSection Three; Introduction to Section Three; "Pockets Full of Stories"; Wrestling the Greased Pig; An Upstream Journey; Video as Community Ally and Dakota Sense of Place; The Journey's Discovery; Acknowledgments; Selected Filmography; Contributors; Index The film industry and mainstream popular culture are notorious for promoting stereotypical images of Native Americans: the noble and ignoble savage, the pronoun-challenged sidekick, the ruthless warrior, the female drudge, the princess, the sexualized maiden, the drunk, and others. Over the years, Indigenous filmmakers have both challenged these representations and moved past them, offering their own distinct forms of cinematic expression.Native Americans on Film draws inspiration from the Indigenous film movement, bringing filmmakers into an intertextual conversation with academics Geschichte gnd rswk-swf Film (DE-588)4017102-4 gnd rswk-swf Indianer (DE-588)4026718-0 gnd rswk-swf Filmregisseur (DE-588)4154375-0 gnd rswk-swf Indianer Motiv (DE-588)4122591-0 gnd rswk-swf USA (DE-588)4078704-7 gnd rswk-swf Indian motion picture producers and directors / United States / Interviews Indigenous films / United States Stereotypes (Social psychology) in motion pictures Indians in the motion picture industry / United States Indians in motion pictures (DE-588)4143413-4 Aufsatzsammlung gnd-content USA (DE-588)4078704-7 g Indianer (DE-588)4026718-0 s Filmregisseur (DE-588)4154375-0 s Geschichte z DE-604 Film (DE-588)4017102-4 s Indianer Motiv (DE-588)4122591-0 s Marubbio, Miriam Elise 1963- (DE-588)133624439 edt Buffalohead, Eric L. 1965- (DE-588)1164166603 edt Erscheint auch als Druck-Ausgabe, Hardcover 978-0-8131-3665-3 http://site.ebrary.com/lib/alltitles/docDetail.action?docID=10644131 Verlag Volltext http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=521222 Verlag Volltext http://gbv.eblib.com/patron/FullRecord.aspx?p=1108729 Verlag Volltext https://ebookcentral.proquest.com/lib/gbv/detail.action?docID=1108729 Aggregator Volltext http://www.jstor.org/stable/10.2307/j.ctt2jckh3 Verlag JSTOR Volltext |
spellingShingle | Native Americans on film conversations, teaching, and theory Front Cover; Title Page; Copyright Page; Contents; Illustrations; Introduction; Section One; Introduction to Section One; Dimensions of Difference in Indigenous Film; Reading Nanook's Smile; Dismantling the Master's House; Indigenous (Re)memory and Resistance; Section Two; Introduction to Section Two; Native Resistance to Hollywood's Persistence of Vision; Geographies of Identity and Belonging in Sherman Alexie's The Business of Fancydancing; Teaching Native American Filmmakers; "The Native's Point of View" as Seen through the Native's (and Non-Native's) Points of View The Dirt Roads of ConsciousnessSection Three; Introduction to Section Three; "Pockets Full of Stories"; Wrestling the Greased Pig; An Upstream Journey; Video as Community Ally and Dakota Sense of Place; The Journey's Discovery; Acknowledgments; Selected Filmography; Contributors; Index Film (DE-588)4017102-4 gnd Indianer (DE-588)4026718-0 gnd Filmregisseur (DE-588)4154375-0 gnd Indianer Motiv (DE-588)4122591-0 gnd |
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title | Native Americans on film conversations, teaching, and theory |
title_auth | Native Americans on film conversations, teaching, and theory |
title_exact_search | Native Americans on film conversations, teaching, and theory |
title_exact_search_txtP | Native Americans on film conversations, teaching, and theory |
title_full | Native Americans on film conversations, teaching, and theory edited by M. Elise Marubbio and Eric L. Buffalohead |
title_fullStr | Native Americans on film conversations, teaching, and theory edited by M. Elise Marubbio and Eric L. Buffalohead |
title_full_unstemmed | Native Americans on film conversations, teaching, and theory edited by M. Elise Marubbio and Eric L. Buffalohead |
title_short | Native Americans on film |
title_sort | native americans on film conversations teaching and theory |
title_sub | conversations, teaching, and theory |
topic | Film (DE-588)4017102-4 gnd Indianer (DE-588)4026718-0 gnd Filmregisseur (DE-588)4154375-0 gnd Indianer Motiv (DE-588)4122591-0 gnd |
topic_facet | Film Indianer Filmregisseur Indianer Motiv USA Aufsatzsammlung |
url | http://site.ebrary.com/lib/alltitles/docDetail.action?docID=10644131 http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=521222 http://gbv.eblib.com/patron/FullRecord.aspx?p=1108729 https://ebookcentral.proquest.com/lib/gbv/detail.action?docID=1108729 http://www.jstor.org/stable/10.2307/j.ctt2jckh3 |
work_keys_str_mv | AT marubbiomiriamelise nativeamericansonfilmconversationsteachingandtheory AT buffaloheadericl nativeamericansonfilmconversationsteachingandtheory |