Photography of protest and community: the radical collectives of the 1970s
During the 1970s, London-based photographers joined together to form collectives which engaged with local and international political protest in cities across the UK. This book is a survey of the radical community photography that these collectives produced.0The photographers derived inspiration fro...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Abschlussarbeit Buch |
| Sprache: | English |
| Veröffentlicht: |
London
Lund Humphries
2020
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | During the 1970s, London-based photographers joined together to form collectives which engaged with local and international political protest in cities across the UK. This book is a survey of the radical community photography that these collectives produced.0The photographers derived inspiration from counterculture while finding new ways to produce, publish and exhibit their work. They wanted to do things in their own way, to create their own magazines and exhibition networks, and to take their politicised photographic and textual commentary on the re-imagination of British cities in the post-war period into community centres, laundrettes, Working Men's Clubs, polytechnics, nurseries - anywhere that would have them. The laminated panel exhibitions were sufficiently robust, when packed into a laundry box, to withstand circulation round the country on British Rail's Red Star parcel network.0Through archival research, interviews and newly discovered photographic and ephemeral material, this tells the story of the Hackney Flashers Collective, Exit Photography Group, Half Moon Photography Workshop, producers of Camerawork magazine, and the community darkrooms, North Paddington Community Darkroom and Blackfriars Photography Project. It reveals how they created a 'history from below', positioning themselves outside of established mainstream media, and aiming to make the invisible visible by bringing the disenfranchised and marginalised into the political debate |
| Beschreibung: | 208 Seiten Illustrationen |
| ISBN: | 9781848224094 |
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| 245 | 1 | 0 | |a Photography of protest and community |b the radical collectives of the 1970s |c Noni Stacey |
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| 520 | 3 | |a During the 1970s, London-based photographers joined together to form collectives which engaged with local and international political protest in cities across the UK. This book is a survey of the radical community photography that these collectives produced.0The photographers derived inspiration from counterculture while finding new ways to produce, publish and exhibit their work. They wanted to do things in their own way, to create their own magazines and exhibition networks, and to take their politicised photographic and textual commentary on the re-imagination of British cities in the post-war period into community centres, laundrettes, Working Men's Clubs, polytechnics, nurseries - anywhere that would have them. The laminated panel exhibitions were sufficiently robust, when packed into a laundry box, to withstand circulation round the country on British Rail's Red Star parcel network.0Through archival research, interviews and newly discovered photographic and ephemeral material, this tells the story of the Hackney Flashers Collective, Exit Photography Group, Half Moon Photography Workshop, producers of Camerawork magazine, and the community darkrooms, North Paddington Community Darkroom and Blackfriars Photography Project. It reveals how they created a 'history from below', positioning themselves outside of established mainstream media, and aiming to make the invisible visible by bringing the disenfranchised and marginalised into the political debate | |
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Datensatz im Suchindex
| _version_ | 1804181832118304768 |
|---|---|
| adam_text | CONTENTS
CHAPTER
1
CHAPTER
2
CHAPTER
3
FO
R
EWO
R
D
PHOTOGRAPHY,
COLLECTIVES
AND
THE
1970S
LOCATING
THE
ARCHIVE
POLITICAL AND SOCIAL
CONTEXTS
COUNTERCULTURE
AND
THE
ALTERNATIVE
PRESS
PHOTOGRAPHY,
PROTEST
AND
WAR
A
QUESTION
OF
DOCUMENTARY
GOOD
NEWS,
BAD
NEWS
AND
THE
ACT
OF
RETROSPECTION
NEW
TECHNOLOGY
FROM
THE
HALF
MOON
GALLERY
TO
CAMERAWORK
8
10
12
13
15
17
20
22
23
25
CREATING
A SPACE
25
WHY
THE
EAST END?
27
MAKING
THE
HALF
MOON
GALLERY
29
EAST END,
WEST
END
33
COMMUNITY, PUBLISHING
AND
PHOTOGRAPHY
34
FROM
ART
PHOTOGRAPHY
TO
COMMUNITY
AND
DOCUMENTARY
37
FROM
CAMERA OBSCURED?
TO
HALF
MOON
PHOTOGRAPHY
WORKSHOP
41
ON
THE
MERGER
BETWEEN
PHOTOGRAPHY
WORKSHOP
AND
THE
HALF
MOON
GALLERY
45
PHOTOGRAPHY
AND
LABOUR:
LABOUR
PAEANS
47
CLASS,
COMMUNITY
AND
PHOTOGRAPHY
59
CHILE:
PICTURING
BRUTALITY
60
CAMERAWORK:
THE
LEWISHAM
ISSUE
65
PHOTOGRAPHY, PROTEST
AND URBAN
CRISIS: ON
PROBLEM
IN
THE
CITY
AND
EXIT PHOTOGRAPHY
GROUP
68
EXIT:
THE
COLLECTIVE
PROBLEMS
IN
THE
CITY
TOWER
BLOCKS
E1
AND
FESTIVAL
THE
CALOUSTE
GULBENKIAN
FOUNDATION
AS
A
FACILITATOR
EXIT,
CAMERAWORK
AND
THE
TROUBLES
COLLECTIVE
WORKING
70
72
74
75
79
81
90
CHAPTER
4
THE
HACKNEY
FLASHERS
COLLECTIVE:
113
THE
PERSONAL
IS
POLITICAL
THE
FORMATION
OF
THE
HACKNEY
FLASHERS
113
THE
ART
OF
PROTEST
115
MAKING
SPACE
FOR
WOMEN
116
CONSTRUCTING/DECONSTRUCTING
IMAGES
OF
WOMEN
117
COMMUNITY
ACTIVISM
117
MAKING
THE
WORK
118
WOMEN
AND
WORK
...
WORK
..
. IN HACKNEY
118
GIVE
ME MORE,
PLEASE
121
WHO
S HOLDING THE BABY?
(1978)
127
DOCUMENTARY
VS
CONSTRUCTED
IMAGES
129
CHAPTER
5
NORTH
PADDINGTON COMMUNITY
DARKROOM
141
AND BLACKFRIARS PHOTOGRAPHY
PROJECT:
BRINGING COMMUNITY
INTO
THE
DARKROOM
PHOTOGRAPHY
,
ART
AND
COMMUNITY
ACTIVISM
142
PHOTOGRAPHY
AND AESTHETICS
144
IS
IT
ART?
145
COMMUNITY
ARTS
146
WOLMUTH,
NPCD
AND
THE
510
CENTRE
147
CARTER
AND
THE
BPP
156
CHAPTER
6
CAMERAWORK,
SCHISM AND LEGACY
167
CONTINUITIES
AND
DISCONTINUITIES
167
HMPW
:
FUN
AND
PHILOSOPHY
169
PHOTOGRAPHY
FOR
THE
COMMUNITY
177
CONCLUSION
180
AFTERWORD
183
FURTHER
READING
185
NOTES
186
INDE
X
202
IMAGE
CREDITS
208
|
| adam_txt |
CONTENTS
CHAPTER
1
CHAPTER
2
CHAPTER
3
FO
R
EWO
R
D
PHOTOGRAPHY,
COLLECTIVES
AND
THE
1970S
LOCATING
THE
ARCHIVE
POLITICAL AND SOCIAL
CONTEXTS
COUNTERCULTURE
AND
THE
ALTERNATIVE
PRESS
PHOTOGRAPHY,
PROTEST
AND
WAR
A
QUESTION
OF
DOCUMENTARY
GOOD
NEWS,
BAD
NEWS
AND
THE
ACT
OF
RETROSPECTION
NEW
TECHNOLOGY
FROM
THE
HALF
MOON
GALLERY
TO
CAMERAWORK
8
10
12
13
15
17
20
22
23
25
CREATING
A SPACE
25
WHY
THE
EAST END?
27
MAKING
THE
HALF
MOON
GALLERY
29
EAST END,
WEST
END
33
COMMUNITY, PUBLISHING
AND
PHOTOGRAPHY
34
FROM
ART
PHOTOGRAPHY
TO
COMMUNITY
AND
DOCUMENTARY
37
FROM
CAMERA OBSCURED?
TO
HALF
MOON
PHOTOGRAPHY
WORKSHOP
41
ON
THE
MERGER
BETWEEN
PHOTOGRAPHY
WORKSHOP
AND
THE
HALF
MOON
GALLERY
45
PHOTOGRAPHY
AND
LABOUR:
'LABOUR
PAEANS'
47
CLASS,
COMMUNITY
AND
PHOTOGRAPHY
59
CHILE:
PICTURING
BRUTALITY
60
CAMERAWORK:
THE
LEWISHAM
ISSUE
65
PHOTOGRAPHY, PROTEST
AND URBAN
CRISIS: ON
PROBLEM
IN
THE
CITY
AND
EXIT PHOTOGRAPHY
GROUP
68
EXIT:
THE
COLLECTIVE
PROBLEMS
IN
THE
CITY
TOWER
BLOCKS
E1
AND
FESTIVAL
THE
CALOUSTE
GULBENKIAN
FOUNDATION
AS
A
FACILITATOR
EXIT,
CAMERAWORK
AND
THE
TROUBLES
COLLECTIVE
WORKING
70
72
74
75
79
81
90
CHAPTER
4
THE
HACKNEY
FLASHERS
COLLECTIVE:
113
'THE
PERSONAL
IS
POLITICAL'
THE
FORMATION
OF
THE
HACKNEY
FLASHERS
113
THE
ART
OF
PROTEST
115
MAKING
SPACE
FOR
WOMEN
116
CONSTRUCTING/DECONSTRUCTING
IMAGES
OF
WOMEN
117
COMMUNITY
ACTIVISM
117
MAKING
THE
WORK
118
WOMEN
AND
WORK
.
WORK
.
. IN HACKNEY
118
GIVE
ME MORE,
PLEASE
121
WHO
'
S HOLDING THE BABY?
(1978)
127
DOCUMENTARY
VS
CONSTRUCTED
IMAGES
129
CHAPTER
5
NORTH
PADDINGTON COMMUNITY
DARKROOM
141
AND BLACKFRIARS PHOTOGRAPHY
PROJECT:
BRINGING COMMUNITY
INTO
THE
DARKROOM
PHOTOGRAPHY
,
ART
AND
COMMUNITY
ACTIVISM
142
PHOTOGRAPHY
AND AESTHETICS
144
IS
IT
ART?
145
COMMUNITY
ARTS
146
WOLMUTH,
NPCD
AND
THE
510
CENTRE
147
CARTER
AND
THE
BPP
156
CHAPTER
6
CAMERAWORK,
SCHISM AND LEGACY
167
CONTINUITIES
AND
DISCONTINUITIES
167
HMPW
:
FUN
AND
PHILOSOPHY
169
PHOTOGRAPHY
FOR
THE
COMMUNITY
177
CONCLUSION
180
AFTERWORD
183
FURTHER
READING
185
NOTES
186
INDE
X
202
IMAGE
CREDITS
208 |
| any_adam_object | 1 |
| any_adam_object_boolean | 1 |
| author | Stacey, Noni |
| author_GND | (DE-588)1221684388 |
| author_facet | Stacey, Noni |
| author_role | aut |
| author_sort | Stacey, Noni |
| author_variant | n s ns |
| building | Verbundindex |
| bvnumber | BV046934646 |
| classification_rvk | AP 94230 |
| ctrlnum | (OCoLC)1224007668 (DE-599)BVBBV046934646 |
| discipline | Allgemeines |
| discipline_str_mv | Allgemeines |
| era | Geschichte 1970-1979 gnd |
| era_facet | Geschichte 1970-1979 |
| format | Thesis Book |
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| geographic | Großbritannien (DE-588)4022153-2 gnd |
| geographic_facet | Großbritannien |
| id | DE-604.BV046934646 |
| illustrated | Illustrated |
| index_date | 2024-07-03T15:35:49Z |
| indexdate | 2024-07-10T08:57:55Z |
| institution | BVB |
| isbn | 9781848224094 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032343504 |
| oclc_num | 1224007668 |
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| owner_facet | DE-11 DE-255 DE-Y3 |
| physical | 208 Seiten Illustrationen |
| publishDate | 2020 |
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| publisher | Lund Humphries |
| record_format | marc |
| spelling | Stacey, Noni Verfasser (DE-588)1221684388 aut Community photography : radicalism and a culture of protest in the London-based photography collectives of the 1970s Photography of protest and community the radical collectives of the 1970s Noni Stacey London Lund Humphries 2020 208 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier Dissertation Universityof the Arts London During the 1970s, London-based photographers joined together to form collectives which engaged with local and international political protest in cities across the UK. This book is a survey of the radical community photography that these collectives produced.0The photographers derived inspiration from counterculture while finding new ways to produce, publish and exhibit their work. They wanted to do things in their own way, to create their own magazines and exhibition networks, and to take their politicised photographic and textual commentary on the re-imagination of British cities in the post-war period into community centres, laundrettes, Working Men's Clubs, polytechnics, nurseries - anywhere that would have them. The laminated panel exhibitions were sufficiently robust, when packed into a laundry box, to withstand circulation round the country on British Rail's Red Star parcel network.0Through archival research, interviews and newly discovered photographic and ephemeral material, this tells the story of the Hackney Flashers Collective, Exit Photography Group, Half Moon Photography Workshop, producers of Camerawork magazine, and the community darkrooms, North Paddington Community Darkroom and Blackfriars Photography Project. It reveals how they created a 'history from below', positioning themselves outside of established mainstream media, and aiming to make the invisible visible by bringing the disenfranchised and marginalised into the political debate Geschichte 1970-1979 gnd rswk-swf Gesellschaftskritik (DE-588)4020643-9 gnd rswk-swf Ungerechtigkeit (DE-588)4061729-4 gnd rswk-swf Geschlechterpolitik (DE-588)4556952-6 gnd rswk-swf Fotografie (DE-588)4045895-7 gnd rswk-swf Großbritannien (DE-588)4022153-2 gnd rswk-swf (DE-588)4113937-9 Hochschulschrift gnd-content Großbritannien (DE-588)4022153-2 g Fotografie (DE-588)4045895-7 s Geschichte 1970-1979 z DE-604 Gesellschaftskritik (DE-588)4020643-9 s Ungerechtigkeit (DE-588)4061729-4 s Geschlechterpolitik (DE-588)4556952-6 s V:DE-604 application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032343504&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Stacey, Noni Photography of protest and community the radical collectives of the 1970s Gesellschaftskritik (DE-588)4020643-9 gnd Ungerechtigkeit (DE-588)4061729-4 gnd Geschlechterpolitik (DE-588)4556952-6 gnd Fotografie (DE-588)4045895-7 gnd |
| subject_GND | (DE-588)4020643-9 (DE-588)4061729-4 (DE-588)4556952-6 (DE-588)4045895-7 (DE-588)4022153-2 (DE-588)4113937-9 |
| title | Photography of protest and community the radical collectives of the 1970s |
| title_alt | Community photography : radicalism and a culture of protest in the London-based photography collectives of the 1970s |
| title_auth | Photography of protest and community the radical collectives of the 1970s |
| title_exact_search | Photography of protest and community the radical collectives of the 1970s |
| title_exact_search_txtP | Photography of protest and community the radical collectives of the 1970s |
| title_full | Photography of protest and community the radical collectives of the 1970s Noni Stacey |
| title_fullStr | Photography of protest and community the radical collectives of the 1970s Noni Stacey |
| title_full_unstemmed | Photography of protest and community the radical collectives of the 1970s Noni Stacey |
| title_short | Photography of protest and community |
| title_sort | photography of protest and community the radical collectives of the 1970s |
| title_sub | the radical collectives of the 1970s |
| topic | Gesellschaftskritik (DE-588)4020643-9 gnd Ungerechtigkeit (DE-588)4061729-4 gnd Geschlechterpolitik (DE-588)4556952-6 gnd Fotografie (DE-588)4045895-7 gnd |
| topic_facet | Gesellschaftskritik Ungerechtigkeit Geschlechterpolitik Fotografie Großbritannien Hochschulschrift |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032343504&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT staceynoni communityphotographyradicalismandacultureofprotestinthelondonbasedphotographycollectivesofthe1970s AT staceynoni photographyofprotestandcommunitytheradicalcollectivesofthe1970s |