Prose poetry: an introduction
Gespeichert in:
| Hauptverfasser: | , |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Princeton ; Oxford
Princeton University Press
2020
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| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | viii, 346 Seiten |
| ISBN: | 9780691180656 9780691180649 0691180644 0691180652 |
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Datensatz im Suchindex
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| adam_text | Contents PREFACE VÜ PART 1 : BEGINNINGS Chapter 1. Introducing the Prose Poem 3 Chapter 2. The Prose Poems Post-Romantic Inheritance Chapter 3. Prose Poetry, Rhythm, and the City 51 28 PART 2! AGAINST CONVENTION Chapter 4. Ideas of Open Form and Closure in Prose Poetry 79 Chapter 5. Neo-Surrealism within the Prose Poetry Tradition 102 Chapter 6. Prose Poetry and TimeSpace 128 PART 3: METHODS AND CONTEXTS Chapter 7. The Image and Memory in Reading Prose Poetry 153 Chapter 8. Metaphor, Metonymy, and the Prose Poem 177 Chapter 9. Women and Prose Poetry 199 Chapter 10. Prose Poetry and the Very Short Form 224 ACKNOWLEDGMENTS NOTES 261 BIBLIOGRAPHY INDEX 329 287 249
Prose Poetry is the first book of its kind arı engaging and authoritative introduc tion to the history, development, and features of English-language prose poetry, an increasingly important and popular literary form that is still too little understood and appreciated. Poets and scholars Paul Hetherington and Cassan dra Atherton introduce prose poetry s key characteristics, chart its evolution from the nineteenth century to the pres ent, and discuss many historical and contemporary prose poems that both demonstrate their great diversity around the Anglophone world and show why they represent some of today s most inventive writing. A prose poem looks like prose but reads like poetry: it lacks the line breaks of other poetic forms but employs poetic techniques, such as internal rhyme, rep etition, and compression. Prose Poetry explains how this form opens new spaces for writers to create riveting works that reshape the resources of prose while redefining the poetic. Discussing prose poetry’s precursors, including William Wordsworth and Walt Whitman, and prose poets such as Charles Simie, Russell Edson, Lydia Davis, and Claudia Rankine, the book pays equal attention to male and female prose poets, document ing women’s essential but frequently un acknowledged contributions to the genre. Revealing how prose poetry tests boundaries and challenges conventions to open up new imaginative vistas, this is an essential book for all readers, students, teachers, and writers of prose poetry.
|
| adam_txt |
Contents PREFACE VÜ PART 1 : BEGINNINGS Chapter 1. Introducing the Prose Poem 3 Chapter 2. The Prose Poems Post-Romantic Inheritance Chapter 3. Prose Poetry, Rhythm, and the City 51 28 PART 2! AGAINST CONVENTION Chapter 4. Ideas of Open Form and Closure in Prose Poetry 79 Chapter 5. Neo-Surrealism within the Prose Poetry Tradition 102 Chapter 6. Prose Poetry and TimeSpace 128 PART 3: METHODS AND CONTEXTS Chapter 7. The Image and Memory in Reading Prose Poetry 153 Chapter 8. Metaphor, Metonymy, and the Prose Poem 177 Chapter 9. Women and Prose Poetry 199 Chapter 10. Prose Poetry and the Very Short Form 224 ACKNOWLEDGMENTS NOTES 261 BIBLIOGRAPHY INDEX 329 287 249
Prose Poetry is the first book of its kind arı engaging and authoritative introduc tion to the history, development, and features of English-language prose poetry, an increasingly important and popular literary form that is still too little understood and appreciated. Poets and scholars Paul Hetherington and Cassan dra Atherton introduce prose poetry's key characteristics, chart its evolution from the nineteenth century to the pres ent, and discuss many historical and contemporary prose poems that both demonstrate their great diversity around the Anglophone world and show why they represent some of today's most inventive writing. A prose poem looks like prose but reads like poetry: it lacks the line breaks of other poetic forms but employs poetic techniques, such as internal rhyme, rep etition, and compression. Prose Poetry explains how this form opens new spaces for writers to create riveting works that reshape the resources of prose while redefining the poetic. Discussing prose poetry’s precursors, including William Wordsworth and Walt Whitman, and prose poets such as Charles Simie, Russell Edson, Lydia Davis, and Claudia Rankine, the book pays equal attention to male and female prose poets, document ing women’s essential but frequently un acknowledged contributions to the genre. Revealing how prose poetry tests boundaries and challenges conventions to open up new imaginative vistas, this is an essential book for all readers, students, teachers, and writers of prose poetry. |
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| author | Hetherington, Paul 1958- Atherton, Cassandra L. 1974- |
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| contents | Introducing the prose poem -- The prose poem's post-romantic inheritance -- Prose poetry, rhythm and the city -- Ideas of open form and closure in prose poetry -- Neo-surrealism within the prose poetry tradition -- Prose poetry and timespace -- The image and memory in reading prose poetry -- Metaphor, metonymy and the prose poem -- Women and prose poetry -- Prose poetry and the short form |
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| discipline_str_mv | Anglistik / Amerikanistik |
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| era_facet | Geschichte |
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