Aesthetics after Darwin: the multiple origins and functions of arts
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Weitere Verfasser: | |
| Format: | Buch |
| Sprache: | English German |
| Veröffentlicht: |
Boston
Academic Studies Press
2019
|
| Schriftenreihe: | Evolution, cognition, and the arts
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Inhaltsverzeichnis |
| Beschreibung: | xii, 163 Seiten 24 cm |
| ISBN: | 9781644690000 1644690004 |
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| 100 | 1 | |a Menninghaus, Winfried |d 1952- |e Verfasser |0 (DE-588)123892643 |4 aut | |
| 240 | 1 | 0 | |a Wozu Kunst? |
| 245 | 1 | 0 | |a Aesthetics after Darwin |b the multiple origins and functions of arts |c Winfried Menninghaus ; translated by Alexandra Berlina |
| 264 | 1 | |a Boston |b Academic Studies Press |c 2019 | |
| 300 | |a xii, 163 Seiten |c 24 cm | ||
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| 600 | 1 | 7 | |a Darwin, Charles |d 1809-1882 |0 (DE-588)118523813 |2 gnd |9 rswk-swf |
| 650 | 0 | |a Darwin, Charles, 1809-1882.--Descent of man. | |
| 650 | 7 | |a Descent of man (Darwin, Charles) |2 fast | |
| 650 | 0 | |a Arts--Philosophy. | |
| 650 | 0 | |a Aesthetics. | |
| 650 | 7 | |a Aesthetics. |2 fast | |
| 650 | 7 | |a Arts--Philosophy |2 fast | |
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| 689 | 1 | 1 | |a Ästhetik |0 (DE-588)4000626-8 |D s |
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Datensatz im Suchindex
| _version_ | 1804181822405345280 |
|---|---|
| adam_text | CONTENTS
INTRODUCTION
VII
1.
COMPETITIVE
COURTSHIP
AND
AESTHETIC
JUDGMENT/CHOICE:
DARWINS
MODEL
OF
THE
ARTS
1
1.
THE
*
SENSE
OF
BEAUTY
*
:
DARWINS
GENERAL
ASSUMPTIONS
REGARDING
AESTHETIC
VIRTUES
AND
AESTHETIC
JUDGMENT
2
2.
DARWINS
VISUAL
AESTHETICS:
FROM
THE
THEORY
OF
BODILY
*
ORNAMENTS
*
TO
THE
HUMAN
VISUAL
ARTS
16
2.1
NAKED
SKIN
AS
THE
PRIME
ORNAMENT
OF
HUMAN
APPEARANCE
16
2.2
THE
HUMAN
ARTS
OF
SELF-PAINTING,
SELF-DECORATION
,
AND
SELF-(DE)FORMATION
23
2.3
SEEING
THE
INVISIBLE:
FROM
NAKED
SKIN
TO
AESTHETIC
IMAGINATION
28
3.
DARWINS
THEORY
OF
MUSIC
AND
RHETORIC
30
3.1
BIRDS
,
MAMMALS
AND
HUMANS
AS
SEXUAL
*
SINGERS
*
30
3.2
DARWINS
THEORY
OF
MUSIC-ELICITED
EMOTIONS
42
3.3
THE
HERITAGE
OF
SEXUAL
PROTO-MUSIC
IN
LANGUAGE
,
RHETORIC
,
AND
LITERATURE
50
4.
PEACOCKS/SONGBIRDS
AND
HUMAN
ARTISTS:
MERITS
AND
LIMITS
OF
THE
PARALLEL
57
2.
THE
ARTS
AS
PROMOTERS
OF
SOCIAL
COOPERATION
AND
COHESION
65
1.
THE
ARTS
AS
COSTLY,
COMPETITIVE
SIGNALS,
AND
THE
*
MOTHERESE
*
HYPOTHESIS
66
2.
ARTFUL
MULTIMEDIA
PERFORMANCES
AS
COSTLY
PRACTICES
OF
*
COURTING
*
PREFERRED
ALLIES?
68
3.
JOINT MUSIC
MAKING
AND
MULTIMEDIA
PERFORMANCES
AS
PROMOTERS
OF
INTRAGROUP
COOPERATION/COHESION
71
4.
THE
MULTIPLE
BLENDS
OF
COMPETITIVE
AND
COOPERATIVE
EFFECTS
OF
THE
ARTS
77
3.
ENGAGEMENT
IN
THE
ARTS
AS
ONTOGENETIC
SELF-(TRANS
-)
FORMATION
80
4.
A
COOPTATION
MODEL
OF
THE
EVOLUTION
OF
THE
HUMAN
ARTS:
WHEN
*
SENSE
OF
BEAUTY
*
PLAY
BEHAVIOR,
TECHNOLOGY,
AND
SYMBOLIC
COGNITION
JOIN
FORCES
84
1.
THE
*
SENSE
OF
BEAUTY
*
85
2.
SEXUAL
COURTSHIP,
PLAY,
AND
THE
ARTS
86
3.
TECHNOLOGY
AND
THE
ARTS
92
4.
SYMBOLIC
COGNITION/LANGUAGE
AND
THE
ARTS
104
4.1
TRANSCENDING
THE
HERE
AND
NOW:
IMAGINATION
AND
NARRATIVITY
105
4.2
TOLERANCE
FOR
AND
COMPETENCE
IN
AMBIGUITIES
AND
INDETERMINACIES
112
4.3
THE
RISKS
AND
POTENTIALS
OF
DECEPTION
AND
SELF-DELUSION
115
5.
THE
FOUR
COOPTED
ADAPTATIONS
IN
INTERACTION
117
BIBLIOGRAPHY
121
INDEX
158
|
| adam_txt |
CONTENTS
INTRODUCTION
VII
1.
COMPETITIVE
COURTSHIP
AND
AESTHETIC
JUDGMENT/CHOICE:
DARWINS
MODEL
OF
THE
ARTS
1
1.
THE
*
SENSE
OF
BEAUTY
*
:
DARWINS
GENERAL
ASSUMPTIONS
REGARDING
AESTHETIC
VIRTUES
AND
AESTHETIC
JUDGMENT
2
2.
DARWINS
VISUAL
AESTHETICS:
FROM
THE
THEORY
OF
BODILY
*
ORNAMENTS
*
TO
THE
HUMAN
VISUAL
ARTS
16
2.1
NAKED
SKIN
AS
THE
PRIME
ORNAMENT
OF
HUMAN
APPEARANCE
16
2.2
THE
HUMAN
ARTS
OF
SELF-PAINTING,
SELF-DECORATION
,
AND
SELF-(DE)FORMATION
23
2.3
SEEING
THE
INVISIBLE:
FROM
NAKED
SKIN
TO
AESTHETIC
IMAGINATION
28
3.
DARWINS
THEORY
OF
MUSIC
AND
RHETORIC
30
3.1
BIRDS
,
MAMMALS
AND
HUMANS
AS
SEXUAL
*
SINGERS
*
30
3.2
DARWINS
THEORY
OF
MUSIC-ELICITED
EMOTIONS
42
3.3
THE
HERITAGE
OF
SEXUAL
PROTO-MUSIC
IN
LANGUAGE
,
RHETORIC
,
AND
LITERATURE
50
4.
PEACOCKS/SONGBIRDS
AND
HUMAN
ARTISTS:
MERITS
AND
LIMITS
OF
THE
PARALLEL
57
2.
THE
ARTS
AS
PROMOTERS
OF
SOCIAL
COOPERATION
AND
COHESION
65
1.
THE
ARTS
AS
COSTLY,
COMPETITIVE
SIGNALS,
AND
THE
*
MOTHERESE
*
HYPOTHESIS
66
2.
ARTFUL
MULTIMEDIA
PERFORMANCES
AS
COSTLY
PRACTICES
OF
*
COURTING
*
PREFERRED
ALLIES?
68
3.
JOINT MUSIC
MAKING
AND
MULTIMEDIA
PERFORMANCES
AS
PROMOTERS
OF
INTRAGROUP
COOPERATION/COHESION
71
4.
THE
MULTIPLE
BLENDS
OF
COMPETITIVE
AND
COOPERATIVE
EFFECTS
OF
THE
ARTS
77
3.
ENGAGEMENT
IN
THE
ARTS
AS
ONTOGENETIC
SELF-(TRANS
-)
FORMATION
80
4.
A
COOPTATION
MODEL
OF
THE
EVOLUTION
OF
THE
HUMAN
ARTS:
WHEN
*
SENSE
OF
BEAUTY
*
PLAY
BEHAVIOR,
TECHNOLOGY,
AND
SYMBOLIC
COGNITION
JOIN
FORCES
84
1.
THE
*
SENSE
OF
BEAUTY
*
85
2.
SEXUAL
COURTSHIP,
PLAY,
AND
THE
ARTS
86
3.
TECHNOLOGY
AND
THE
ARTS
92
4.
SYMBOLIC
COGNITION/LANGUAGE
AND
THE
ARTS
104
4.1
TRANSCENDING
THE
HERE
AND
NOW:
IMAGINATION
AND
NARRATIVITY
105
4.2
TOLERANCE
FOR
AND
COMPETENCE
IN
AMBIGUITIES
AND
INDETERMINACIES
112
4.3
THE
RISKS
AND
POTENTIALS
OF
DECEPTION
AND
SELF-DELUSION
115
5.
THE
FOUR
COOPTED
ADAPTATIONS
IN
INTERACTION
117
BIBLIOGRAPHY
121
INDEX
158 |
| any_adam_object | 1 |
| any_adam_object_boolean | 1 |
| author | Menninghaus, Winfried 1952- |
| author2 | Berlina, Alexandra 1984- |
| author2_role | trl |
| author2_variant | a b ab |
| author_GND | (DE-588)123892643 (DE-588)1122139721 |
| author_facet | Menninghaus, Winfried 1952- Berlina, Alexandra 1984- |
| author_role | aut |
| author_sort | Menninghaus, Winfried 1952- |
| author_variant | w m wm |
| building | Verbundindex |
| bvnumber | BV046929080 |
| classification_rvk | LH 61020 LH 61200 CC 6900 |
| ctrlnum | (OCoLC)1220884645 (DE-599)DNB1202367445 |
| dewey-full | 700.103 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 700 - The arts |
| dewey-raw | 700.103 |
| dewey-search | 700.103 |
| dewey-sort | 3700.103 |
| dewey-tens | 700 - The arts |
| discipline | Kunstgeschichte Biologie Philosophie |
| discipline_str_mv | Kunstgeschichte Biologie Philosophie |
| format | Book |
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| id | DE-604.BV046929080 |
| illustrated | Not Illustrated |
| index_date | 2024-07-03T15:34:02Z |
| indexdate | 2024-07-10T08:57:46Z |
| institution | BVB |
| isbn | 9781644690000 1644690004 |
| language | English German |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032338070 |
| oclc_num | 1220884645 |
| open_access_boolean | |
| owner | DE-11 |
| owner_facet | DE-11 |
| physical | xii, 163 Seiten 24 cm |
| publishDate | 2019 |
| publishDateSearch | 2019 |
| publishDateSort | 2019 |
| publisher | Academic Studies Press |
| record_format | marc |
| series2 | Evolution, cognition, and the arts |
| spelling | Menninghaus, Winfried 1952- Verfasser (DE-588)123892643 aut Wozu Kunst? Aesthetics after Darwin the multiple origins and functions of arts Winfried Menninghaus ; translated by Alexandra Berlina Boston Academic Studies Press 2019 xii, 163 Seiten 24 cm txt rdacontent n rdamedia nc rdacarrier Evolution, cognition, and the arts Darwin, Charles 1809-1882 (DE-588)118523813 gnd rswk-swf Darwin, Charles, 1809-1882.--Descent of man. Descent of man (Darwin, Charles) fast Arts--Philosophy. Aesthetics. Aesthetics. fast Arts--Philosophy fast Ästhetik (DE-588)4000626-8 gnd rswk-swf Künste (DE-588)4033422-3 gnd rswk-swf Darwinismus (DE-588)4011097-7 gnd rswk-swf Darwinismus (DE-588)4011097-7 s Künste (DE-588)4033422-3 s DE-604 Darwin, Charles 1809-1882 (DE-588)118523813 p Ästhetik (DE-588)4000626-8 s Berlina, Alexandra 1984- (DE-588)1122139721 trl B:DE-101 application/pdf https://d-nb.info/1202367445/04 Inhaltsverzeichnis DNB Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032338070&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Menninghaus, Winfried 1952- Aesthetics after Darwin the multiple origins and functions of arts Darwin, Charles 1809-1882 (DE-588)118523813 gnd Darwin, Charles, 1809-1882.--Descent of man. Descent of man (Darwin, Charles) fast Arts--Philosophy. Aesthetics. Aesthetics. fast Arts--Philosophy fast Ästhetik (DE-588)4000626-8 gnd Künste (DE-588)4033422-3 gnd Darwinismus (DE-588)4011097-7 gnd |
| subject_GND | (DE-588)118523813 (DE-588)4000626-8 (DE-588)4033422-3 (DE-588)4011097-7 |
| title | Aesthetics after Darwin the multiple origins and functions of arts |
| title_alt | Wozu Kunst? |
| title_auth | Aesthetics after Darwin the multiple origins and functions of arts |
| title_exact_search | Aesthetics after Darwin the multiple origins and functions of arts |
| title_exact_search_txtP | Aesthetics after Darwin the multiple origins and functions of arts |
| title_full | Aesthetics after Darwin the multiple origins and functions of arts Winfried Menninghaus ; translated by Alexandra Berlina |
| title_fullStr | Aesthetics after Darwin the multiple origins and functions of arts Winfried Menninghaus ; translated by Alexandra Berlina |
| title_full_unstemmed | Aesthetics after Darwin the multiple origins and functions of arts Winfried Menninghaus ; translated by Alexandra Berlina |
| title_short | Aesthetics after Darwin |
| title_sort | aesthetics after darwin the multiple origins and functions of arts |
| title_sub | the multiple origins and functions of arts |
| topic | Darwin, Charles 1809-1882 (DE-588)118523813 gnd Darwin, Charles, 1809-1882.--Descent of man. Descent of man (Darwin, Charles) fast Arts--Philosophy. Aesthetics. Aesthetics. fast Arts--Philosophy fast Ästhetik (DE-588)4000626-8 gnd Künste (DE-588)4033422-3 gnd Darwinismus (DE-588)4011097-7 gnd |
| topic_facet | Darwin, Charles 1809-1882 Darwin, Charles, 1809-1882.--Descent of man. Descent of man (Darwin, Charles) Arts--Philosophy. Aesthetics. Arts--Philosophy Ästhetik Künste Darwinismus |
| url | https://d-nb.info/1202367445/04 http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032338070&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT menninghauswinfried wozukunst AT berlinaalexandra wozukunst AT menninghauswinfried aestheticsafterdarwinthemultipleoriginsandfunctionsofarts AT berlinaalexandra aestheticsafterdarwinthemultipleoriginsandfunctionsofarts |
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