Piercing the structure of tradition: flute performance, continuity, and freedom in the music of Noh drama
"Mariko Anno investigates flute performance as a site for exploring the relationship between tradition and innovation. This first English-language monograph traces the characteristics of the Noh flute (nohkan), its music, and transmission methods and considers the instrument's potential fo...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Ithaca ; London
Cornell University Press
2020
|
| Schriftenreihe: | Cornell East Asia series
[197] |
| Schlagworte: | |
| Zusammenfassung: | "Mariko Anno investigates flute performance as a site for exploring the relationship between tradition and innovation. This first English-language monograph traces the characteristics of the Noh flute (nohkan), its music, and transmission methods and considers the instrument's potential for development in the modern world. Anno examines the musical structure and nohkan melodic patterns of five traditional Noh plays and assesses the degree to which Issō School nohkan players maintain, to this day, the continuity of their musical traditions in three contemporary Noh plays influenced by William Butler Yeats"-- |
| Beschreibung: | xxi, 339 Seiten Illustrationen, Notenbeispiele |
| ISBN: | 9781939161079 9781939161970 |
Internformat
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| 505 | 8 | |a History and construction of the nohkan -- The nohkan and oral transmission: transcription in western staff notation -- The role and melodic patterns of the nohkan in relation to structural principles -- The nohkan's part in Atsumori as planned, prepared, and performed -- The continuity of tradition today: the nohkan's part in adaptations of W. B. Yeats's 'At the Hawk's Well' -- Reflections and directions | |
| 520 | 3 | |a "Mariko Anno investigates flute performance as a site for exploring the relationship between tradition and innovation. This first English-language monograph traces the characteristics of the Noh flute (nohkan), its music, and transmission methods and considers the instrument's potential for development in the modern world. Anno examines the musical structure and nohkan melodic patterns of five traditional Noh plays and assesses the degree to which Issō School nohkan players maintain, to this day, the continuity of their musical traditions in three contemporary Noh plays influenced by William Butler Yeats"-- | |
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Datensatz im Suchindex
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|---|---|
| adam_txt | |
| any_adam_object | |
| any_adam_object_boolean | |
| author | Anno, Mariko |
| author_GND | (DE-588)122091911X |
| author_facet | Anno, Mariko |
| author_role | aut |
| author_sort | Anno, Mariko |
| author_variant | m a ma |
| building | Verbundindex |
| bvnumber | BV046926329 |
| contents | History and construction of the nohkan -- The nohkan and oral transmission: transcription in western staff notation -- The role and melodic patterns of the nohkan in relation to structural principles -- The nohkan's part in Atsumori as planned, prepared, and performed -- The continuity of tradition today: the nohkan's part in adaptations of W. B. Yeats's 'At the Hawk's Well' -- Reflections and directions |
| ctrlnum | (OCoLC)1220877763 (DE-599)BVBBV046926329 |
| era | Geschichte gnd |
| era_facet | Geschichte |
| format | Book |
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| geographic | Japan (DE-588)4028495-5 gnd |
| geographic_facet | Japan |
| id | DE-604.BV046926329 |
| illustrated | Illustrated |
| index_date | 2024-07-03T15:33:06Z |
| indexdate | 2024-07-10T08:57:41Z |
| institution | BVB |
| isbn | 9781939161079 9781939161970 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032335433 |
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| physical | xxi, 339 Seiten Illustrationen, Notenbeispiele |
| psigel | BSB_NED_20201113 |
| publishDate | 2020 |
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| publishDateSort | 2020 |
| publisher | Cornell University Press |
| record_format | marc |
| series2 | Cornell East Asia series |
| spelling | Anno, Mariko Verfasser (DE-588)122091911X aut Piercing the structure of tradition flute performance, continuity, and freedom in the music of Noh drama Mariko Anno Ithaca ; London Cornell University Press 2020 xxi, 339 Seiten Illustrationen, Notenbeispiele txt rdacontent n rdamedia nc rdacarrier Cornell East Asia series [197] History and construction of the nohkan -- The nohkan and oral transmission: transcription in western staff notation -- The role and melodic patterns of the nohkan in relation to structural principles -- The nohkan's part in Atsumori as planned, prepared, and performed -- The continuity of tradition today: the nohkan's part in adaptations of W. B. Yeats's 'At the Hawk's Well' -- Reflections and directions "Mariko Anno investigates flute performance as a site for exploring the relationship between tradition and innovation. This first English-language monograph traces the characteristics of the Noh flute (nohkan), its music, and transmission methods and considers the instrument's potential for development in the modern world. Anno examines the musical structure and nohkan melodic patterns of five traditional Noh plays and assesses the degree to which Issō School nohkan players maintain, to this day, the continuity of their musical traditions in three contemporary Noh plays influenced by William Butler Yeats"-- Geschichte gnd rswk-swf Flötenspiel (DE-588)4154648-9 gnd rswk-swf Nō-Spiel (DE-588)4131488-8 gnd rswk-swf Flöte (DE-588)4154647-7 gnd rswk-swf Flötenmusik (DE-588)4139784-8 gnd rswk-swf Japan (DE-588)4028495-5 gnd rswk-swf Nōkan Nōkan / History Nō music / History and criticism Music / Japan / History and criticism Music Nō music Japan Criticism, interpretation, etc History Japan (DE-588)4028495-5 g Nō-Spiel (DE-588)4131488-8 s Flöte (DE-588)4154647-7 s Flötenmusik (DE-588)4139784-8 s Flötenspiel (DE-588)4154648-9 s Geschichte z DE-604 Erscheint auch als Online-Ausgabe, PDF ebk 978-1-942242-97-0 Erscheint auch als Online-Ausgabe, epub/mobi ebk. 978-1-5017-5580-4 |
| spellingShingle | Anno, Mariko Piercing the structure of tradition flute performance, continuity, and freedom in the music of Noh drama History and construction of the nohkan -- The nohkan and oral transmission: transcription in western staff notation -- The role and melodic patterns of the nohkan in relation to structural principles -- The nohkan's part in Atsumori as planned, prepared, and performed -- The continuity of tradition today: the nohkan's part in adaptations of W. B. Yeats's 'At the Hawk's Well' -- Reflections and directions Flötenspiel (DE-588)4154648-9 gnd Nō-Spiel (DE-588)4131488-8 gnd Flöte (DE-588)4154647-7 gnd Flötenmusik (DE-588)4139784-8 gnd |
| subject_GND | (DE-588)4154648-9 (DE-588)4131488-8 (DE-588)4154647-7 (DE-588)4139784-8 (DE-588)4028495-5 |
| title | Piercing the structure of tradition flute performance, continuity, and freedom in the music of Noh drama |
| title_auth | Piercing the structure of tradition flute performance, continuity, and freedom in the music of Noh drama |
| title_exact_search | Piercing the structure of tradition flute performance, continuity, and freedom in the music of Noh drama |
| title_exact_search_txtP | Piercing the structure of tradition flute performance, continuity, and freedom in the music of Noh drama |
| title_full | Piercing the structure of tradition flute performance, continuity, and freedom in the music of Noh drama Mariko Anno |
| title_fullStr | Piercing the structure of tradition flute performance, continuity, and freedom in the music of Noh drama Mariko Anno |
| title_full_unstemmed | Piercing the structure of tradition flute performance, continuity, and freedom in the music of Noh drama Mariko Anno |
| title_short | Piercing the structure of tradition |
| title_sort | piercing the structure of tradition flute performance continuity and freedom in the music of noh drama |
| title_sub | flute performance, continuity, and freedom in the music of Noh drama |
| topic | Flötenspiel (DE-588)4154648-9 gnd Nō-Spiel (DE-588)4131488-8 gnd Flöte (DE-588)4154647-7 gnd Flötenmusik (DE-588)4139784-8 gnd |
| topic_facet | Flötenspiel Nō-Spiel Flöte Flötenmusik Japan |
| work_keys_str_mv | AT annomariko piercingthestructureoftraditionfluteperformancecontinuityandfreedominthemusicofnohdrama |