Renaissance polyphony:
This engaging study introduces Renaissance polyphony to a modern audience. It helps readers of all ages and levels of experience make sense of what they are hearing. How does Renaissance music work? How is a piece typical of its style and type; or, if it is exceptional, what makes it so? The makers...
Gespeichert in:
1. Verfasser: | |
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Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Cambridge
Cambridge University Press
2020
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Schriftenreihe: | Cambridge introductions to music
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Schlagworte: | |
Online-Zugang: | BSB01 UBG01 UBR01 UBW01 Volltext |
Zusammenfassung: | This engaging study introduces Renaissance polyphony to a modern audience. It helps readers of all ages and levels of experience make sense of what they are hearing. How does Renaissance music work? How is a piece typical of its style and type; or, if it is exceptional, what makes it so? The makers of polyphony were keenly aware of the specialized nature of their craft. How is this reflected in the music they wrote, and how were they regarded by their patrons and audiences? Through a combination of detailed, nuanced appreciation of musical style and a lucid overview of current debates, this book offers a glimpse of meanings behind and beyond the notes, be they playful or profound. It will enhance the listening experience of students, performers and music lovers alike |
Beschreibung: | Introducing Renaissance Polyphony -- Making polyphony : Sources and Practice -- Makers of Polyphony -- Pitch : an Overview -- Voice-names, ranges, and functions -- Mensural notation, duration, and meter -- Genre, Texts, Form -- 'Cantus magnus' : music for the Mass -- 'Cantus mediocris' : the motet -- 'Cantus parvus' : secular music -- Scoring, texture, scale -- Understanding musical borrowing -- Canons, puzzles, games -- Performance practice: a brief introduction |
Beschreibung: | 1 Online-Ressource (xx, 273 Seiten) |
ISBN: | 9781139017299 |
DOI: | 10.1017/9781139017299 |
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author | Fitch, Fabrice 1967- |
author_GND | (DE-588)1023925214 |
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author_sort | Fitch, Fabrice 1967- |
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illustrated | Not Illustrated |
index_date | 2024-07-03T15:33:05Z |
indexdate | 2024-07-10T08:57:41Z |
institution | BVB |
isbn | 9781139017299 |
language | English |
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oclc_num | 1220909772 |
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physical | 1 Online-Ressource (xx, 273 Seiten) |
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publishDate | 2020 |
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publisher | Cambridge University Press |
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spelling | Fitch, Fabrice 1967- Verfasser (DE-588)1023925214 aut Renaissance polyphony Fabrice Fitch Cambridge Cambridge University Press 2020 1 Online-Ressource (xx, 273 Seiten) txt rdacontent c rdamedia cr rdacarrier Cambridge introductions to music Introducing Renaissance Polyphony -- Making polyphony : Sources and Practice -- Makers of Polyphony -- Pitch : an Overview -- Voice-names, ranges, and functions -- Mensural notation, duration, and meter -- Genre, Texts, Form -- 'Cantus magnus' : music for the Mass -- 'Cantus mediocris' : the motet -- 'Cantus parvus' : secular music -- Scoring, texture, scale -- Understanding musical borrowing -- Canons, puzzles, games -- Performance practice: a brief introduction This engaging study introduces Renaissance polyphony to a modern audience. It helps readers of all ages and levels of experience make sense of what they are hearing. How does Renaissance music work? How is a piece typical of its style and type; or, if it is exceptional, what makes it so? The makers of polyphony were keenly aware of the specialized nature of their craft. How is this reflected in the music they wrote, and how were they regarded by their patrons and audiences? Through a combination of detailed, nuanced appreciation of musical style and a lucid overview of current debates, this book offers a glimpse of meanings behind and beyond the notes, be they playful or profound. It will enhance the listening experience of students, performers and music lovers alike Geschichte 1440-1600 gnd rswk-swf Music / 16th century / History and criticism Counterpoint / History / 16th century Music / To 1500 / History and criticism Counterpoint / History / To 1500 Polyfonie (DE-588)4175288-0 gnd rswk-swf Mehrstimmigkeit Musik (DE-588)4169330-9 gnd rswk-swf Mehrstimmigkeit Musik (DE-588)4169330-9 s Polyfonie (DE-588)4175288-0 s Geschichte 1440-1600 z DE-604 Erscheint auch als Druck-Ausgabe 978-0-521-89933-8 https://doi.org/10.1017/9781139017299 Verlag URL des Erstveröffentlichers Volltext |
spellingShingle | Fitch, Fabrice 1967- Renaissance polyphony Music / 16th century / History and criticism Counterpoint / History / 16th century Music / To 1500 / History and criticism Counterpoint / History / To 1500 Polyfonie (DE-588)4175288-0 gnd Mehrstimmigkeit Musik (DE-588)4169330-9 gnd |
subject_GND | (DE-588)4175288-0 (DE-588)4169330-9 |
title | Renaissance polyphony |
title_auth | Renaissance polyphony |
title_exact_search | Renaissance polyphony |
title_exact_search_txtP | Renaissance polyphony |
title_full | Renaissance polyphony Fabrice Fitch |
title_fullStr | Renaissance polyphony Fabrice Fitch |
title_full_unstemmed | Renaissance polyphony Fabrice Fitch |
title_short | Renaissance polyphony |
title_sort | renaissance polyphony |
topic | Music / 16th century / History and criticism Counterpoint / History / 16th century Music / To 1500 / History and criticism Counterpoint / History / To 1500 Polyfonie (DE-588)4175288-0 gnd Mehrstimmigkeit Musik (DE-588)4169330-9 gnd |
topic_facet | Music / 16th century / History and criticism Counterpoint / History / 16th century Music / To 1500 / History and criticism Counterpoint / History / To 1500 Polyfonie Mehrstimmigkeit Musik |
url | https://doi.org/10.1017/9781139017299 |
work_keys_str_mv | AT fitchfabrice renaissancepolyphony |