Ray Milland: the films, 1929-1984
""With no formal training as an actor, Welsh-born Ray Milland (1907-1986), a former trooper in the British Army's Household Cavalry, enjoyed a half-century career working alongside some of the great directors and stars from the Golden Age of cinema. He won the Academy Award for Best A...
Gespeichert in:
1. Verfasser: | |
---|---|
Format: | Buch |
Sprache: | English |
Veröffentlicht: |
Jefferson, North Carolina
McFarland
2020
|
Schlagworte: | |
Zusammenfassung: | ""With no formal training as an actor, Welsh-born Ray Milland (1907-1986), a former trooper in the British Army's Household Cavalry, enjoyed a half-century career working alongside some of the great directors and stars from the Golden Age of cinema. He won the Academy Award for Best Actor for his performance as the alcoholic writer in The Lost Weekend (1945), a defining moment that enabled him to break free from romantic leads and explore darker shades of his debonair demeanor, such as the veiled menace of his scheming husband in Hitchcock's Dial M For Murder (1954). A consummate professional with wide range, Milland took the directorial reins in several of his starring vehicles in the 1950s, most notably in the intelligent Western A Man Alone (1955). He comfortably slipped into most genres, from romantic comedy to adventure to film noir. Later he turned to science fiction and horror movies, including two with cult filmmaker Roger Corman. This first complete filmography covers the actor's screen career, with a concise introductory biography and an appendix listing his extensive radio and television credits."-Provided by publisher"-- |
Beschreibung: | vii, 329 Seiten Illustrationen 26 cm |
ISBN: | 9781476678870 |
Internformat
MARC
LEADER | 00000nam a2200000 c 4500 | ||
---|---|---|---|
001 | BV046924236 | ||
003 | DE-604 | ||
005 | 20210421 | ||
007 | t | ||
008 | 201005s2020 a||| |||| 00||| eng d | ||
020 | |a 9781476678870 |9 978-1-4766-7887-0 | ||
035 | |a (OCoLC)1249661764 | ||
035 | |a (DE-599)BVBBV046924236 | ||
040 | |a DE-604 |b ger |e rda | ||
041 | 0 | |a eng | |
049 | |a DE-11 | ||
084 | |a AP 51900 |0 (DE-625)7708: |2 rvk | ||
084 | |a AP 59730 |0 (DE-625)7794:688 |2 rvk | ||
100 | 1 | |a McKay, James |d 1959- |e Verfasser |0 (DE-588)142097527 |4 aut | |
245 | 1 | 0 | |a Ray Milland |b the films, 1929-1984 |c James McKay |
264 | 1 | |a Jefferson, North Carolina |b McFarland |c 2020 | |
300 | |a vii, 329 Seiten |b Illustrationen |c 26 cm | ||
336 | |b txt |2 rdacontent | ||
337 | |b n |2 rdamedia | ||
338 | |b nc |2 rdacarrier | ||
520 | 3 | |a ""With no formal training as an actor, Welsh-born Ray Milland (1907-1986), a former trooper in the British Army's Household Cavalry, enjoyed a half-century career working alongside some of the great directors and stars from the Golden Age of cinema. He won the Academy Award for Best Actor for his performance as the alcoholic writer in The Lost Weekend (1945), a defining moment that enabled him to break free from romantic leads and explore darker shades of his debonair demeanor, such as the veiled menace of his scheming husband in Hitchcock's Dial M For Murder (1954). A consummate professional with wide range, Milland took the directorial reins in several of his starring vehicles in the 1950s, most notably in the intelligent Western A Man Alone (1955). He comfortably slipped into most genres, from romantic comedy to adventure to film noir. Later he turned to science fiction and horror movies, including two with cult filmmaker Roger Corman. This first complete filmography covers the actor's screen career, with a concise introductory biography and an appendix listing his extensive radio and television credits."-Provided by publisher"-- | |
653 | 1 | |a Milland, Ray / Criticism and interpretation | |
653 | 1 | |a Milland, Ray | |
653 | 0 | |a Motion pictures | |
653 | 6 | |a Criticism, interpretation, etc | |
999 | |a oai:aleph.bib-bvb.de:BVB01-032333374 |
Datensatz im Suchindex
_version_ | 1804181813841625088 |
---|---|
adam_txt | |
any_adam_object | |
any_adam_object_boolean | |
author | McKay, James 1959- |
author_GND | (DE-588)142097527 |
author_facet | McKay, James 1959- |
author_role | aut |
author_sort | McKay, James 1959- |
author_variant | j m jm |
building | Verbundindex |
bvnumber | BV046924236 |
classification_rvk | AP 51900 AP 59730 |
ctrlnum | (OCoLC)1249661764 (DE-599)BVBBV046924236 |
discipline | Allgemeines |
discipline_str_mv | Allgemeines |
format | Book |
fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>02182nam a2200337 c 4500</leader><controlfield tag="001">BV046924236</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20210421 </controlfield><controlfield tag="007">t</controlfield><controlfield tag="008">201005s2020 a||| |||| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781476678870</subfield><subfield code="9">978-1-4766-7887-0</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1249661764</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV046924236</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-11</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">AP 51900</subfield><subfield code="0">(DE-625)7708:</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">AP 59730</subfield><subfield code="0">(DE-625)7794:688</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">McKay, James</subfield><subfield code="d">1959-</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)142097527</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Ray Milland</subfield><subfield code="b">the films, 1929-1984</subfield><subfield code="c">James McKay</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Jefferson, North Carolina</subfield><subfield code="b">McFarland</subfield><subfield code="c">2020</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">vii, 329 Seiten</subfield><subfield code="b">Illustrationen</subfield><subfield code="c">26 cm</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">""With no formal training as an actor, Welsh-born Ray Milland (1907-1986), a former trooper in the British Army's Household Cavalry, enjoyed a half-century career working alongside some of the great directors and stars from the Golden Age of cinema. He won the Academy Award for Best Actor for his performance as the alcoholic writer in The Lost Weekend (1945), a defining moment that enabled him to break free from romantic leads and explore darker shades of his debonair demeanor, such as the veiled menace of his scheming husband in Hitchcock's Dial M For Murder (1954). A consummate professional with wide range, Milland took the directorial reins in several of his starring vehicles in the 1950s, most notably in the intelligent Western A Man Alone (1955). He comfortably slipped into most genres, from romantic comedy to adventure to film noir. Later he turned to science fiction and horror movies, including two with cult filmmaker Roger Corman. This first complete filmography covers the actor's screen career, with a concise introductory biography and an appendix listing his extensive radio and television credits."-Provided by publisher"--</subfield></datafield><datafield tag="653" ind1=" " ind2="1"><subfield code="a">Milland, Ray / Criticism and interpretation</subfield></datafield><datafield tag="653" ind1=" " ind2="1"><subfield code="a">Milland, Ray</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Motion pictures</subfield></datafield><datafield tag="653" ind1=" " ind2="6"><subfield code="a">Criticism, interpretation, etc</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-032333374</subfield></datafield></record></collection> |
id | DE-604.BV046924236 |
illustrated | Illustrated |
index_date | 2024-07-03T15:32:18Z |
indexdate | 2024-07-10T08:57:37Z |
institution | BVB |
isbn | 9781476678870 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032333374 |
oclc_num | 1249661764 |
open_access_boolean | |
owner | DE-11 |
owner_facet | DE-11 |
physical | vii, 329 Seiten Illustrationen 26 cm |
publishDate | 2020 |
publishDateSearch | 2020 |
publishDateSort | 2020 |
publisher | McFarland |
record_format | marc |
spelling | McKay, James 1959- Verfasser (DE-588)142097527 aut Ray Milland the films, 1929-1984 James McKay Jefferson, North Carolina McFarland 2020 vii, 329 Seiten Illustrationen 26 cm txt rdacontent n rdamedia nc rdacarrier ""With no formal training as an actor, Welsh-born Ray Milland (1907-1986), a former trooper in the British Army's Household Cavalry, enjoyed a half-century career working alongside some of the great directors and stars from the Golden Age of cinema. He won the Academy Award for Best Actor for his performance as the alcoholic writer in The Lost Weekend (1945), a defining moment that enabled him to break free from romantic leads and explore darker shades of his debonair demeanor, such as the veiled menace of his scheming husband in Hitchcock's Dial M For Murder (1954). A consummate professional with wide range, Milland took the directorial reins in several of his starring vehicles in the 1950s, most notably in the intelligent Western A Man Alone (1955). He comfortably slipped into most genres, from romantic comedy to adventure to film noir. Later he turned to science fiction and horror movies, including two with cult filmmaker Roger Corman. This first complete filmography covers the actor's screen career, with a concise introductory biography and an appendix listing his extensive radio and television credits."-Provided by publisher"-- Milland, Ray / Criticism and interpretation Milland, Ray Motion pictures Criticism, interpretation, etc |
spellingShingle | McKay, James 1959- Ray Milland the films, 1929-1984 |
title | Ray Milland the films, 1929-1984 |
title_auth | Ray Milland the films, 1929-1984 |
title_exact_search | Ray Milland the films, 1929-1984 |
title_exact_search_txtP | Ray Milland the films, 1929-1984 |
title_full | Ray Milland the films, 1929-1984 James McKay |
title_fullStr | Ray Milland the films, 1929-1984 James McKay |
title_full_unstemmed | Ray Milland the films, 1929-1984 James McKay |
title_short | Ray Milland |
title_sort | ray milland the films 1929 1984 |
title_sub | the films, 1929-1984 |
work_keys_str_mv | AT mckayjames raymillandthefilms19291984 |