The "black art" renaissance: African sculpture and modernism across continents
"Taking African art's impact on modernism as a global phenomenon, The Black Art Renaissance tracks a series of engagements with canonical African sculpture by European, African American, and African modernists from 1905 to the 1980s. Although it was an episode from the benighted colonial p...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Oakland, California
University of California Press
[2020]
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | "Taking African art's impact on modernism as a global phenomenon, The Black Art Renaissance tracks a series of engagements with canonical African sculpture by European, African American, and African modernists from 1905 to the 1980s. Although it was an episode from the benighted colonial period, the Parisian avant-garde 'discovery of African sculpture-known then as 'art nègre,' or black art-came eventually to permeate Afro-modernisms, wherein black artists and critics commandeered visual and rhetorical uses of the same sculptural canon and the same term"-- |
| Beschreibung: | xx, 277 Seiten Illustrationen, Karten 27 cm |
| ISBN: | 9780520309685 |
Internformat
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| 505 | 8 | |a Rethinking fauve "primitivism" -- Picasso's African influences -- Harlem renaissance and diaspora -- Mancoba between paradigms -- Art Nègre and the École de Dakar -- Epilogue : Was Picasso "black"? | |
| 520 | 3 | |a "Taking African art's impact on modernism as a global phenomenon, The Black Art Renaissance tracks a series of engagements with canonical African sculpture by European, African American, and African modernists from 1905 to the 1980s. Although it was an episode from the benighted colonial period, the Parisian avant-garde 'discovery of African sculpture-known then as 'art nègre,' or black art-came eventually to permeate Afro-modernisms, wherein black artists and critics commandeered visual and rhetorical uses of the same sculptural canon and the same term"-- | |
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Datensatz im Suchindex
| _version_ | 1804181800807825408 |
|---|---|
| adam_text | CONTENTS Prologue / ix Acknowledgments / xv Note on Terms / xix i. 2. 3. 4. 5. Introduction I i Rethinking Fauve “Primitivism” / 23 Picasso’s African Influences I 55 Harlem Renaissance and Diaspora / 93 Mancoba between Paradigms /127 Art Nègre and the École de Dakar / 161 Epilogue: Was Picasso “Black”? / 189 Archive Abbreviations / 197 Notes /199 Selected Bibliography / 257 List of Illustrations I 263 Index / 269
|
| adam_txt |
CONTENTS Prologue / ix Acknowledgments / xv Note on Terms / xix i. 2. 3. 4. 5. Introduction I i Rethinking Fauve “Primitivism” / 23 Picasso’s African Influences I 55 Harlem Renaissance and Diaspora / 93 Mancoba between Paradigms /127 Art Nègre and the École de Dakar / 161 Epilogue: Was Picasso “Black”? / 189 Archive Abbreviations / 197 Notes /199 Selected Bibliography / 257 List of Illustrations I 263 Index / 269 |
| any_adam_object | 1 |
| any_adam_object_boolean | 1 |
| author | Cohen, Joshua I. |
| author_GND | (DE-588)1109817517 |
| author_facet | Cohen, Joshua I. |
| author_role | aut |
| author_sort | Cohen, Joshua I. |
| author_variant | j i c ji jic |
| building | Verbundindex |
| bvnumber | BV046916514 |
| classification_rvk | LO 90854 LH 61045 |
| contents | Rethinking fauve "primitivism" -- Picasso's African influences -- Harlem renaissance and diaspora -- Mancoba between paradigms -- Art Nègre and the École de Dakar -- Epilogue : Was Picasso "black"? |
| ctrlnum | (OCoLC)1202619414 (DE-599)BVBBV046916514 |
| discipline | Kunstgeschichte |
| discipline_str_mv | Kunstgeschichte |
| era | Geschichte 1905-1990 gnd |
| era_facet | Geschichte 1905-1990 |
| format | Book |
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| illustrated | Illustrated |
| index_date | 2024-07-03T15:29:46Z |
| indexdate | 2024-07-10T08:57:25Z |
| institution | BVB |
| isbn | 9780520309685 |
| language | English |
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| spelling | Cohen, Joshua I. Verfasser (DE-588)1109817517 aut The "black art" renaissance African sculpture and modernism across continents Joshua I. Cohen Oakland, California University of California Press [2020] © 2020 xx, 277 Seiten Illustrationen, Karten 27 cm txt rdacontent n rdamedia nc rdacarrier Rethinking fauve "primitivism" -- Picasso's African influences -- Harlem renaissance and diaspora -- Mancoba between paradigms -- Art Nègre and the École de Dakar -- Epilogue : Was Picasso "black"? "Taking African art's impact on modernism as a global phenomenon, The Black Art Renaissance tracks a series of engagements with canonical African sculpture by European, African American, and African modernists from 1905 to the 1980s. Although it was an episode from the benighted colonial period, the Parisian avant-garde 'discovery of African sculpture-known then as 'art nègre,' or black art-came eventually to permeate Afro-modernisms, wherein black artists and critics commandeered visual and rhetorical uses of the same sculptural canon and the same term"-- Picasso, Pablo 1881-1973 (DE-588)118594206 gnd rswk-swf Geschichte 1905-1990 gnd rswk-swf Plastik (DE-588)4046277-8 gnd rswk-swf Moderne (DE-588)4039827-4 gnd rswk-swf Kunst (DE-588)4114333-4 gnd rswk-swf Rezeption (DE-588)4049716-1 gnd rswk-swf Europa (DE-588)4015701-5 gnd rswk-swf Afrika (DE-588)4000695-5 gnd rswk-swf Modernism (Art) / African influences Art, Black / 20th century Art, African / Influence Sculpture, African / Influence ART / Sculpture Art, Black 1900-1999 Afrika (DE-588)4000695-5 g Plastik (DE-588)4046277-8 s Rezeption (DE-588)4049716-1 s Europa (DE-588)4015701-5 g Kunst (DE-588)4114333-4 s Moderne (DE-588)4039827-4 s Geschichte 1905-1990 z DE-604 Picasso, Pablo 1881-1973 (DE-588)118594206 p Digitalisierung UB Regensburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032325825&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Cohen, Joshua I. The "black art" renaissance African sculpture and modernism across continents Rethinking fauve "primitivism" -- Picasso's African influences -- Harlem renaissance and diaspora -- Mancoba between paradigms -- Art Nègre and the École de Dakar -- Epilogue : Was Picasso "black"? Picasso, Pablo 1881-1973 (DE-588)118594206 gnd Plastik (DE-588)4046277-8 gnd Moderne (DE-588)4039827-4 gnd Kunst (DE-588)4114333-4 gnd Rezeption (DE-588)4049716-1 gnd |
| subject_GND | (DE-588)118594206 (DE-588)4046277-8 (DE-588)4039827-4 (DE-588)4114333-4 (DE-588)4049716-1 (DE-588)4015701-5 (DE-588)4000695-5 |
| title | The "black art" renaissance African sculpture and modernism across continents |
| title_auth | The "black art" renaissance African sculpture and modernism across continents |
| title_exact_search | The "black art" renaissance African sculpture and modernism across continents |
| title_exact_search_txtP | The "black art" renaissance African sculpture and modernism across continents |
| title_full | The "black art" renaissance African sculpture and modernism across continents Joshua I. Cohen |
| title_fullStr | The "black art" renaissance African sculpture and modernism across continents Joshua I. Cohen |
| title_full_unstemmed | The "black art" renaissance African sculpture and modernism across continents Joshua I. Cohen |
| title_short | The "black art" renaissance |
| title_sort | the black art renaissance african sculpture and modernism across continents |
| title_sub | African sculpture and modernism across continents |
| topic | Picasso, Pablo 1881-1973 (DE-588)118594206 gnd Plastik (DE-588)4046277-8 gnd Moderne (DE-588)4039827-4 gnd Kunst (DE-588)4114333-4 gnd Rezeption (DE-588)4049716-1 gnd |
| topic_facet | Picasso, Pablo 1881-1973 Plastik Moderne Kunst Rezeption Europa Afrika |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032325825&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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