Pen, print and communication in the eighteenth century:
Gespeichert in:
| Weitere Verfasser: | , |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Liverpool
Liverpool University Press
2020
|
| Schriftenreihe: | Eighteenth-century worlds
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | "'Pen, Print and Communication in the Eighteenth Century' comprises a selection of papers presented at the 2015 Baskerville Society conference and others specially commissioned for the publication." - Acknowledgements |
| Beschreibung: | xii, 239 Seiten Illustrationen |
| ISBN: | 9781789622300 9781802078800 |
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Datensatz im Suchindex
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| adam_text | Contents List of Illustrations vii Acknowledgements xi Introduction Caroline Archer-Parré and Malcolm Dick I I The Growth of Copperplate Script: Joseph Champion and The Universal Penman Nicolas Barker π 2 Authorship in Script and Print: The Example of Engraved Handwriting Manuals of the Eighteenth Century Giles Bergel 31 3 Writing and the Preservation of Cultural Identity: The Penmanship Manuals of Zaharija Orfelin Persida Lazarevic Di Giacomo 43 4 ‘The most beautiful hand’: John Byrom and the Aesthetics of Shorthand Timothy Underhill 59 5 An Archaeology of Letter Writing: The Correspondence of Aristocratic Women in Late Eighteenth- and Early Nineteenth-Century England Ruth Larsen V 75
νί РЕМ, PRINT AND СОМММАПЮХ 6 Private Pleasures and Portable Presses: Do-It-Yourself Printers in the Eighteenth Century Caroline Archer-Parré “] Performance and Print Culture: Two Eighteenth-Century Actresses and Their Image Control Joanna Jarvis 8 Script, Print and the Public-Private Divide: Sir David Ochterlony’s Dying Words Callie Wilkinson 9 Identity, Enigma, Assemblage: John Baskerville’s Vocabulary, or Pocket Dictionary Lynda Muggleston io Marigolds Not Manufacturing: Plants, Print and Commerce in Eighteenth-Century Birmingham Elaine Mitchell и Tourist Experience and the Manufacturing Town: James Bisset’s Magnificent Directory of Birmingham Jenni Dixon 12 Perceptions of England: The Production and Reception of English Theatrical Publications in Germany and the Netherlands during the Eighteenth Century Emil Rybczak 13 Print Culture and Distribution: Circulating the Federalist Papers in Post-Revolutionary America Peter Pellizzari 14 The Serif-Less Letters ofJohn Soane Jon Melton .Notes on Contributors Index
Pen, Print and Communication in the Eighteenth Century During the eighteenth century there was a growing interest in recording, listing and documenting the world, whether for personal interest and private consumption or general record and the greater good. Such documentation was done through both the written and printed word. Each genre had its own material conventions and spawned industries which supported these practices. This volume considers writing and printing in parallel: it highlights the intersections between the two methods of communication: discusses the medium and materiality of the message: considers how writing and printing were deployed in the construction of personal and cultural identities: and explores the different dimensions surrounding the production, distribution and consumption of private and public letters, words and texts during the eighteenth century. In combination, the chapters in this volume consider how the processes of both writing and printing contributed to the creation of cultural identity and taste, assisted in the spread of knowledge and furthered personal, political, economic, social and cultural change in Britain and the wider world. This volume provides an original narrative on the nature of communication and brings a fresh perspective on printing history, print culture and the literate society ol the Enlightenment.
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| adam_txt |
Contents List of Illustrations vii Acknowledgements xi Introduction Caroline Archer-Parré and Malcolm Dick I I The Growth of Copperplate Script: Joseph Champion and The Universal Penman Nicolas Barker π 2 Authorship in Script and Print: The Example of Engraved Handwriting Manuals of the Eighteenth Century Giles Bergel 31 3 Writing and the Preservation of Cultural Identity: The Penmanship Manuals of Zaharija Orfelin Persida Lazarevic Di Giacomo 43 4 ‘The most beautiful hand’: John Byrom and the Aesthetics of Shorthand Timothy Underhill 59 5 An Archaeology of Letter Writing: The Correspondence of Aristocratic Women in Late Eighteenth- and Early Nineteenth-Century England Ruth Larsen V 75
νί РЕМ, PRINT AND СОМММАПЮХ 6 Private Pleasures and Portable Presses: Do-It-Yourself Printers in the Eighteenth Century Caroline Archer-Parré “] Performance and Print Culture: Two Eighteenth-Century Actresses and Their Image Control Joanna Jarvis 8 Script, Print and the Public-Private Divide: Sir David Ochterlony’s Dying Words Callie Wilkinson 9 Identity, Enigma, Assemblage: John Baskerville’s Vocabulary, or Pocket Dictionary Lynda Muggleston io Marigolds Not Manufacturing: Plants, Print and Commerce in Eighteenth-Century Birmingham Elaine Mitchell и Tourist Experience and the Manufacturing Town: James Bisset’s Magnificent Directory of Birmingham Jenni Dixon 12 Perceptions of England: The Production and Reception of English Theatrical Publications in Germany and the Netherlands during the Eighteenth Century Emil Rybczak 13 Print Culture and Distribution: Circulating the Federalist Papers in Post-Revolutionary America Peter Pellizzari 14 The Serif-Less Letters ofJohn Soane Jon Melton .Notes on Contributors Index
Pen, Print and Communication in the Eighteenth Century During the eighteenth century there was a growing interest in recording, listing and documenting the world, whether for personal interest and private consumption or general record and the greater good. Such documentation was done through both the written and printed word. Each genre had its own material conventions and spawned industries which supported these practices. This volume considers writing and printing in parallel: it highlights the intersections between the two methods of communication: discusses the medium and materiality of the message: considers how writing and printing were deployed in the construction of personal and cultural identities: and explores the different dimensions surrounding the production, distribution and consumption of private and public letters, words and texts during the eighteenth century. In combination, the chapters in this volume consider how the processes of both writing and printing contributed to the creation of cultural identity and taste, assisted in the spread of knowledge and furthered personal, political, economic, social and cultural change in Britain and the wider world. This volume provides an original narrative on the nature of communication and brings a fresh perspective on printing history, print culture and the literate society ol the Enlightenment. |
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