The Oxford handbook of the operatic canon:
This collection examines the phenomenon of the operatic canon: its formation, history, current ontology and practical influence, and future. It does so by taking an international and interdisciplinary view: the workshops from which it was derived included the participation of critics, producers, art...
Gespeichert in:
| Weitere Verfasser: | , |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
New York
Oxford University Press
2020
|
| Schriftenreihe: | Oxford handbooks online
|
| Schlagworte: | |
| Online-Zugang: | BSB01 KUBA1 KUBA4 Volltext |
| Zusammenfassung: | This collection examines the phenomenon of the operatic canon: its formation, history, current ontology and practical influence, and future. It does so by taking an international and interdisciplinary view: the workshops from which it was derived included the participation of critics, producers, artistic directors, stage directors, opera company CEOs, and even economists, from the United Kingdom, the United States, France, Italy, Ireland, Germany, the Netherlands, Denmark, and Canada. The volume is structured as a series of dialogues: each subtopic is addressed by two essays, introduced jointly by the authors, and followed by a jointly compiled list of further reading |
| Beschreibung: | Includes bibliographical references and index The practical and symbolic functions of pre-Rameau opera at the Paris Op era before Gluck - Michel Noiray -- - Operatic canons and repertories in Italy around 1900 - Jutta Toelle -- - Phantoms at the Op era: Meyerbeer and de-canonization - Flora Willson -- - The uses and disadvantages of opera history: Unhistorical thinking in fin-de-si ecle Paris - William Gibbons -- - International opera in nineteenth-century New York: Core repertories and canonic values - Karen Ahlquist -- - Canons of real and imagined opera: Buenos Aires and Montevideo, 1810-1860 - Benjamin Walton -- - Viennese operetta canon formation and the journey to prestige - Micaela Baranello -- - Canons of the American Musical - Raymond Knapp -- - Setting the standard: Singers, theater practices, and the operatic canon in nineteenth-century - Kimberly White -- - Redefining the standard: Pauline Viardot and Gluck's Orph ee - Hilary Poriss -- - Sound recording and the operatic canon: Three (3z (Bdrops of the needle (3y (B - Karen Henson -- - Italian opera and the concept of (3z (Bcanon (3y (B in the late eighteenth century - Franco Piperno -- - Opera on film and the canon - Hugo Shirley -- - National and international canons of opera in Tsarist Russia - Rutger Helmers -- - The survival of English opera in nineteenth-century concert life - William Weber -- - Canons of the Risorgimento then and now - Cormac Newark -- - Critical reflections on the operatic canon - John Rockwell -- - Inside and outside the operatic canon, on stage and in the boardroom - Kasper Holten -- - Mark Berry -- - The repertory of the Italian Court Opera in Berlin, 1740-1786 - John Mangum -- - General introduction: Idiosyncrasies of the operatic canon - Cormac Newark, William Weber -- - Catching up and getting ahead: The opera house as temple of art in Berlin c. 1800 - Katherine Hambridge -- - The evolution of French opera repertories in provincial theaters: Three epochs, 1770-1900 - Patrick Ta ieb, Sabine Teulon Lardic -- - The mingling of opera genres: Canonic opera at the Th e atre des Arts in Rouen, 1882-1897 - Yannick Simon -- - From recycled performances to repertoire at the King's Theatre in London, 1705-1820 - Michael Burden -- - Repertory opera and canonic sensibility at the London opera, 1820-1860 - Jennifer Hall-Witt -- - Theaters, markets, and canonic implications in the Italian opera system, 1820-1880 - Carlotta Sorba |
| Beschreibung: | 1 Online-Ressource (552 Seiten) Illustrationen |
| ISBN: | 9780190224226 |
| DOI: | 10.1093/oxfordhb/9780190224202.001.0001 |
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| spelling | The Oxford handbook of the operatic canon edited by Cormac Newark and William Weber Handbook of the operatic canon Operatic canon New York Oxford University Press 2020 1 Online-Ressource (552 Seiten) Illustrationen txt rdacontent sti rdacontent c rdamedia cr rdacarrier Oxford handbooks online Includes bibliographical references and index The practical and symbolic functions of pre-Rameau opera at the Paris Op era before Gluck - Michel Noiray -- - Operatic canons and repertories in Italy around 1900 - Jutta Toelle -- - Phantoms at the Op era: Meyerbeer and de-canonization - Flora Willson -- - The uses and disadvantages of opera history: Unhistorical thinking in fin-de-si ecle Paris - William Gibbons -- - International opera in nineteenth-century New York: Core repertories and canonic values - Karen Ahlquist -- - Canons of real and imagined opera: Buenos Aires and Montevideo, 1810-1860 - Benjamin Walton -- - Viennese operetta canon formation and the journey to prestige - Micaela Baranello -- - Canons of the American Musical - Raymond Knapp -- - Setting the standard: Singers, theater practices, and the operatic canon in nineteenth-century - Kimberly White -- - Redefining the standard: Pauline Viardot and Gluck's Orph ee - Hilary Poriss -- - Sound recording and the operatic canon: Three (3z (Bdrops of the needle (3y (B - Karen Henson -- - Italian opera and the concept of (3z (Bcanon (3y (B in the late eighteenth century - Franco Piperno -- - Opera on film and the canon - Hugo Shirley -- - National and international canons of opera in Tsarist Russia - Rutger Helmers -- - The survival of English opera in nineteenth-century concert life - William Weber -- - Canons of the Risorgimento then and now - Cormac Newark -- - Critical reflections on the operatic canon - John Rockwell -- - Inside and outside the operatic canon, on stage and in the boardroom - Kasper Holten -- - Mark Berry -- - The repertory of the Italian Court Opera in Berlin, 1740-1786 - John Mangum -- - General introduction: Idiosyncrasies of the operatic canon - Cormac Newark, William Weber -- - Catching up and getting ahead: The opera house as temple of art in Berlin c. 1800 - Katherine Hambridge -- - The evolution of French opera repertories in provincial theaters: Three epochs, 1770-1900 - Patrick Ta ieb, Sabine Teulon Lardic -- - The mingling of opera genres: Canonic opera at the Th e atre des Arts in Rouen, 1882-1897 - Yannick Simon -- - From recycled performances to repertoire at the King's Theatre in London, 1705-1820 - Michael Burden -- - Repertory opera and canonic sensibility at the London opera, 1820-1860 - Jennifer Hall-Witt -- - Theaters, markets, and canonic implications in the Italian opera system, 1820-1880 - Carlotta Sorba This collection examines the phenomenon of the operatic canon: its formation, history, current ontology and practical influence, and future. It does so by taking an international and interdisciplinary view: the workshops from which it was derived included the participation of critics, producers, artistic directors, stage directors, opera company CEOs, and even economists, from the United Kingdom, the United States, France, Italy, Ireland, Germany, the Netherlands, Denmark, and Canada. The volume is structured as a series of dialogues: each subtopic is addressed by two essays, introduced jointly by the authors, and followed by a jointly compiled list of further reading Geschichte 1740-2020 gnd rswk-swf Opera Kanon (DE-588)4131583-2 gnd rswk-swf Oper (DE-588)4043582-9 gnd rswk-swf Kanon (DE-588)4131583-2 s Oper (DE-588)4043582-9 s Geschichte 1740-2020 z DE-604 Newark, Cormac 1972- (DE-588)1011155974 edt Weber, William 1940- (DE-588)134152905 edt Erscheint auch als Druck-Ausgabe 978-0-19-022420-2 https://doi.org/10.1093/oxfordhb/9780190224202.001.0001 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | The Oxford handbook of the operatic canon Opera Kanon (DE-588)4131583-2 gnd Oper (DE-588)4043582-9 gnd |
| subject_GND | (DE-588)4131583-2 (DE-588)4043582-9 |
| title | The Oxford handbook of the operatic canon |
| title_alt | Handbook of the operatic canon Operatic canon |
| title_auth | The Oxford handbook of the operatic canon |
| title_exact_search | The Oxford handbook of the operatic canon |
| title_exact_search_txtP | The Oxford handbook of the operatic canon |
| title_full | The Oxford handbook of the operatic canon edited by Cormac Newark and William Weber |
| title_fullStr | The Oxford handbook of the operatic canon edited by Cormac Newark and William Weber |
| title_full_unstemmed | The Oxford handbook of the operatic canon edited by Cormac Newark and William Weber |
| title_short | The Oxford handbook of the operatic canon |
| title_sort | the oxford handbook of the operatic canon |
| topic | Opera Kanon (DE-588)4131583-2 gnd Oper (DE-588)4043582-9 gnd |
| topic_facet | Opera Kanon Oper |
| url | https://doi.org/10.1093/oxfordhb/9780190224202.001.0001 |
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