Multimodality, poetry and poetics:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
London ; New York
Routledge
2020
|
| Schriftenreihe: | Routledge research in language and communication
2 |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | Includes bibliographical references and index |
| Beschreibung: | xi, 191 Seiten, 15 Seiten Bildtafeln Illustrationen |
| ISBN: | 9780367591618 |
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| 650 | 4 | |a Discourse analysis, Literary | |
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Datensatz im Suchindex
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|---|---|
| adam_text | Contents List of Figures Acknowledgements 1 Classical Precedents and Contemporary Multimodality viii ix 1 2 Poetry in Multimodal Presentations 17 3 The Forms and Functions of Rhythm in Poetry: From Metrical to Free Verse 38 4 Imagery in Poetry: Implicit and Explicit 51 5 The Framing of a Poem 65 6 The Basis of a New Poetics 76 7 Implications for Poetics 93 8 A Further Look at the Imaginative and Fictive 105 9 What Part Do Rhetoric and Politics Play in the Relationship between Multimodality and Poetics? 119 10 A New Approach to Literary Study? 133 11 Poetry, Writing Process and the New Poetics 146 12 Implications for Multimodality and Learning Theory 165 References and Bibliography Index 178 184
Figures William Blake, ‘London’ From Songs of Innocence and Experience (1794) 2.1 The Opening Bars of Handel’s L’Allegro, Il Penseroso ed II Moderato 2.2 Ira Lightman, ‘Vista’ 2.3 Verònica Gerber Bicecci and Anna Milsom, ‘Inverted (and Translated) Poem (2017) Visual Essay’ 2.4(i) Clive Scott, ‘Dimanches’ 2.4(ii) Clive Scott, ‘Au Cabaret-Vert’ 4.1 Multimodal Poetics 6.1 ‘Build: Aspects of Construction, Catalogue 13’, Janette Ray Booksellers 6.2 Centre of Ceramic Art Brochure: Cover Art in York 6.3 6.4 Sweet Cream of Carrot Soup 6.5 Text and Image From 1873 Newspaper 6.6 Linda Combi, ‘Herb Garden Melody’ 6.7 Linda Combi, ‘Mosque’ Linda Combi, ‘Politics and Rhetoric’ 6.8 Linda Combi, ‘Flexible Language’ 6.9 Linda Combi, ‘Shipping Forecast’ 6.10 9.1 John Christie and Gael Turnbull, ‘Poem, Print, Note’ 11.1 Mary Webb, ‘Dunwich Study 2,1977, Charcoal on Paper’ 11.2 Mary Webb, ‘New York 1980, Photograph’ 11.3 Mary Webb, ‘Circle Line Series: The Isle of Manhattan 18, 1984, Collage’ 11.4 Mary Webb, ‘Yellow, Black and White 1976, Oil on Canvas’ 1.1 10 26 32 34 35 36 61 78 79 80 82 83 84 85 86 87 88 123 158 159 160 161 Where the figures were originally in colour, these are collected and reproduced in colour at the end of the book.
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| adam_txt |
Contents List of Figures Acknowledgements 1 Classical Precedents and Contemporary Multimodality viii ix 1 2 Poetry in Multimodal Presentations 17 3 The Forms and Functions of Rhythm in Poetry: From Metrical to Free Verse 38 4 Imagery in Poetry: Implicit and Explicit 51 5 The Framing of a Poem 65 6 The Basis of a New Poetics 76 7 Implications for Poetics 93 8 A Further Look at the Imaginative and Fictive 105 9 What Part Do Rhetoric and Politics Play in the Relationship between Multimodality and Poetics? 119 10 A New Approach to Literary Study? 133 11 Poetry, Writing Process and the New Poetics 146 12 Implications for Multimodality and Learning Theory 165 References and Bibliography Index 178 184
Figures William Blake, ‘London’ From Songs of Innocence and Experience (1794) 2.1 The Opening Bars of Handel’s L’Allegro, Il Penseroso ed II Moderato 2.2 Ira Lightman, ‘Vista’ 2.3 Verònica Gerber Bicecci and Anna Milsom, ‘Inverted (and Translated) Poem (2017) Visual Essay’ 2.4(i) Clive Scott, ‘Dimanches’ 2.4(ii) Clive Scott, ‘Au Cabaret-Vert’ 4.1 Multimodal Poetics 6.1 ‘Build: Aspects of Construction, Catalogue 13’, Janette Ray Booksellers 6.2 Centre of Ceramic Art Brochure: Cover Art in York 6.3 6.4 Sweet Cream of Carrot Soup 6.5 Text and Image From 1873 Newspaper 6.6 Linda Combi, ‘Herb Garden Melody’ 6.7 Linda Combi, ‘Mosque’ Linda Combi, ‘Politics and Rhetoric’ 6.8 Linda Combi, ‘Flexible Language’ 6.9 Linda Combi, ‘Shipping Forecast’ 6.10 9.1 John Christie and Gael Turnbull, ‘Poem, Print, Note’ 11.1 Mary Webb, ‘Dunwich Study 2,1977, Charcoal on Paper’ 11.2 Mary Webb, ‘New York 1980, Photograph’ 11.3 Mary Webb, ‘Circle Line Series: The Isle of Manhattan 18, 1984, Collage’ 11.4 Mary Webb, ‘Yellow, Black and White 1976, Oil on Canvas’ 1.1 10 26 32 34 35 36 61 78 79 80 82 83 84 85 86 87 88 123 158 159 160 161 Where the figures were originally in colour, these are collected and reproduced in colour at the end of the book. |
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| dewey-full | 808.1 |
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