The new Beethoven: evolution, analysis and interpretation
Marking the 250th anniversary of the composer's birth, this volume presents twenty-one completely new essays on aspects of Beethoven's personal life, his composing process, his manuscripts, and his greatest works
Gespeichert in:
| Weitere Verfasser: | |
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| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Rochester, NY
University of Rochester Press
2020
|
| Schriftenreihe: | Eastman studies in music
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Inhaltsverzeichnis |
| Zusammenfassung: | Marking the 250th anniversary of the composer's birth, this volume presents twenty-one completely new essays on aspects of Beethoven's personal life, his composing process, his manuscripts, and his greatest works |
| Beschreibung: | 21 articles present a cross-section of current research and thought on Beethoven; includes sections on his life, his masses, his quartets, and more; with a preface, chronological bibliography, introduction, music examples and indices |
| Beschreibung: | xix, 550 Seiten Illustrationen, Notenbeispiele, Portrait (Lewis Lockwood) |
| ISBN: | 9781580469937 |
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| adam_text | Contents Preface xi Chronological Bibliography of Books, Articles, Book Chapters, and Musical Editions by Lewis Lockwood xv Acknowledgments xxi Introduction Jeremy Yudkin 1 Part One: A Creative Life 1 Of Deserters and Orphans: Beethoven s Early Exposure to the Opéras-Comiques of Monsigny Steven M. Whiting 2 “A Really Excellent and Capable Man”: Beethoven and Johann Traeg David Wyn Jones 3 A Four-Leaf Clover: A Newly Discovered Cello, the Premiere of the Ninth Symphony, Beethoven’s Circle of Friends in Bonn, and a Corrected Edition of the Song “Ruf vom Berge,” Wo О 147 Michael Ladenburger 4 5 “Where Thought Touches the Blood”: Rhythmic Disturbance as Physical Realism in Beethoven’s Creative Process Bruce Adolphe The Sanctification of Beethoven in 1827-28 Christopher Reynolds 9 37 50 78 89 Part Two: Prometheus / Eroica 6 The Prometheus Theme and Beethoven s Shift from Avoidance to Embrace of Possibilities Alan Gosman 123
viii 7 8 s* CONTENTS Beethoven at Heiligenstadt in 1802: Deconstruction, Integration, and Creativity William Kinderman 148 “Mit Verstärkung des Orchesters”: The Orchestra Personnel at the First Public Performance of Beethovens Eroica Theodore Albrecht 161 Part Three: Masses 9 “Aber lieber Beethoven, was haben Sie denn wieder da gemacht?” Observations on the Performing Parts for the Premiere of Beethovens Mass in C, Opus 86 Jeremiah W. McGrann 10 Heart to Heart: Beethoven, Archduke Rudolph, and the Missa solemnis Mark Evan Bonds 11 God and the Voice of Beethoven Scott Burnham 205 228 244 Part Four; Quartets 12 “So Here I Am, in the Middle Way”: The Autograph of the “Harp” Quartet and the Expressive Domain of Beethovens Second Maturity M. Lucy Turner 261 13 Meaningful Details: Expressive Markings in Beethoven Manuscripts, with a Focus on Opus 127 Nicholas Kitchen 274 14 The Autograph Score of the Slow Movement of Beethoven’s Last Quartet, Opus 135 Barry Cooper 332 15 Early German-Language Reviews ofBeethoven’s Late String Quartets Robin Wallace 355
CONTENTS S* ІХ Part Five: Explorations 16 Three Movements or Four? The Scherzo Movements in Beethovens Early Sonatas Erica Buurman 389 17 Utopia and Dystopia Revisited: Contrasted Domains in Beethovens Middle-Period F-Major and F-Minor Works Barbara Barry 405 18 Schooling the Quintjäger David B. Levy 19 Cue-Staff Annotations in Beethoven s Piano Works: Reflections and Examples from the Autograph of the Piano Sonata, Opus 101 Federica Rovelli 20 Another Litde Buck Out of Its Stable Richard Kramer 21 Beethovens Cavatina, Haydn’s Seasons, and the Thickness of Inscription Elaine Sisman 437 448 466 483 List of Contributors 529 Index of Works by Beethoven 533 General Index 539
Contents Preface xi Chronological Bibliography of Books, Articles, Book Chapters, and Musical Editions by Lewis Lockwood xv Acknowledgments xxi Introduction Jeremy Yudkin 1 Part One: A Creative Life 1 Of Deserters and Orphans: Beethoven s Early Exposure to the Opéras-Comiques of Monsigny Steven M. Whiting 2 “A Really Excellent and Capable Man”: Beethoven and Johann Traeg David Wyn Jones 3 A Four-Leaf Clover: A Newly Discovered Cello, the Premiere of the Ninth Symphony, Beethoven’s Circle of Friends in Bonn, and a Corrected Edition of the Song “Ruf vom Berge,” Wo О 147 Michael Ladenburger 4 5 “Where Thought Touches the Blood”: Rhythmic Disturbance as Physical Realism in Beethoven’s Creative Process Bruce Adolphe The Sanctification of Beethoven in 1827-28 Christopher Reynolds 9 37 50 78 89 Part Two: Prometheus / Eroica 6 The Prometheus Theme and Beethoven s Shift from Avoidance to Embrace of Possibilities Alan Gosman 123
viii 7 8 s* CONTENTS Beethoven at Heiligenstadt in 1802: Deconstruction, Integration, and Creativity William Kinderman 148 “Mit Verstärkung des Orchesters”: The Orchestra Personnel at the First Public Performance of Beethovens Eroica Theodore Albrecht 161 Part Three: Masses 9 “Aber lieber Beethoven, was haben Sie denn wieder da gemacht?” Observations on the Performing Parts for the Premiere of Beethovens Mass in C, Opus 86 Jeremiah W. McGrann 10 Heart to Heart: Beethoven, Archduke Rudolph, and the Missa solemnis Mark Evan Bonds 11 God and the Voice of Beethoven Scott Burnham 205 228 244 Part Four; Quartets 12 “So Here I Am, in the Middle Way”: The Autograph of the “Harp” Quartet and the Expressive Domain of Beethovens Second Maturity M. Lucy Turner 261 13 Meaningful Details: Expressive Markings in Beethoven Manuscripts, with a Focus on Opus 127 Nicholas Kitchen 274 14 The Autograph Score of the Slow Movement of Beethoven’s Last Quartet, Opus 135 Barry Cooper 332 15 Early German-Language Reviews ofBeethoven’s Late String Quartets Robin Wallace 355
CONTENTS S* ІХ Part Five: Explorations 16 Three Movements or Four? The Scherzo Movements in Beethovens Early Sonatas Erica Buurman 389 17 Utopia and Dystopia Revisited: Contrasted Domains in Beethovens Middle-Period F-Major and F-Minor Works Barbara Barry 405 18 Schooling the Quintjäger David B. Levy 19 Cue-Staff Annotations in Beethoven s Piano Works: Reflections and Examples from the Autograph of the Piano Sonata, Opus 101 Federica Rovelli 20 Another Litde Buck Out of Its Stable Richard Kramer 21 Beethovens Cavatina, Haydn’s Seasons, and the Thickness of Inscription Elaine Sisman 437 448 466 483 List of Contributors 529 Index of Works by Beethoven 533 General Index 539
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| adam_txt |
Contents Preface xi Chronological Bibliography of Books, Articles, Book Chapters, and Musical Editions by Lewis Lockwood xv Acknowledgments xxi Introduction Jeremy Yudkin 1 Part One: A Creative Life 1 Of Deserters and Orphans: Beethoven s Early Exposure to the Opéras-Comiques of Monsigny Steven M. Whiting 2 “A Really Excellent and Capable Man”: Beethoven and Johann Traeg David Wyn Jones 3 A Four-Leaf Clover: A Newly Discovered Cello, the Premiere of the Ninth Symphony, Beethoven’s Circle of Friends in Bonn, and a Corrected Edition of the Song “Ruf vom Berge,” Wo О 147 Michael Ladenburger 4 5 “Where Thought Touches the Blood”: Rhythmic Disturbance as Physical Realism in Beethoven’s Creative Process Bruce Adolphe The Sanctification of Beethoven in 1827-28 Christopher Reynolds 9 37 50 78 89 Part Two: Prometheus / Eroica 6 The Prometheus Theme and Beethoven s Shift from Avoidance to Embrace of Possibilities Alan Gosman 123
viii 7 8 s* CONTENTS Beethoven at Heiligenstadt in 1802: Deconstruction, Integration, and Creativity William Kinderman 148 “Mit Verstärkung des Orchesters”: The Orchestra Personnel at the First Public Performance of Beethovens Eroica Theodore Albrecht 161 Part Three: Masses 9 “Aber lieber Beethoven, was haben Sie denn wieder da gemacht?” Observations on the Performing Parts for the Premiere of Beethovens Mass in C, Opus 86 Jeremiah W. McGrann 10 Heart to Heart: Beethoven, Archduke Rudolph, and the Missa solemnis Mark Evan Bonds 11 God and the Voice of Beethoven Scott Burnham 205 228 244 Part Four; Quartets 12 “So Here I Am, in the Middle Way”: The Autograph of the “Harp” Quartet and the Expressive Domain of Beethovens Second Maturity M. Lucy Turner 261 13 Meaningful Details: Expressive Markings in Beethoven Manuscripts, with a Focus on Opus 127 Nicholas Kitchen 274 14 The Autograph Score of the Slow Movement of Beethoven’s Last Quartet, Opus 135 Barry Cooper 332 15 Early German-Language Reviews ofBeethoven’s Late String Quartets Robin Wallace 355
CONTENTS S* ІХ Part Five: Explorations 16 Three Movements or Four? The Scherzo Movements in Beethovens Early Sonatas Erica Buurman 389 17 Utopia and Dystopia Revisited: Contrasted Domains in Beethovens Middle-Period F-Major and F-Minor Works Barbara Barry 405 18 Schooling the Quintjäger David B. Levy 19 Cue-Staff Annotations in Beethoven s Piano Works: Reflections and Examples from the Autograph of the Piano Sonata, Opus 101 Federica Rovelli 20 Another Litde Buck Out of Its Stable Richard Kramer 21 Beethovens Cavatina, Haydn’s Seasons, and the Thickness of Inscription Elaine Sisman 437 448 466 483 List of Contributors 529 Index of Works by Beethoven 533 General Index 539
Contents Preface xi Chronological Bibliography of Books, Articles, Book Chapters, and Musical Editions by Lewis Lockwood xv Acknowledgments xxi Introduction Jeremy Yudkin 1 Part One: A Creative Life 1 Of Deserters and Orphans: Beethoven s Early Exposure to the Opéras-Comiques of Monsigny Steven M. Whiting 2 “A Really Excellent and Capable Man”: Beethoven and Johann Traeg David Wyn Jones 3 A Four-Leaf Clover: A Newly Discovered Cello, the Premiere of the Ninth Symphony, Beethoven’s Circle of Friends in Bonn, and a Corrected Edition of the Song “Ruf vom Berge,” Wo О 147 Michael Ladenburger 4 5 “Where Thought Touches the Blood”: Rhythmic Disturbance as Physical Realism in Beethoven’s Creative Process Bruce Adolphe The Sanctification of Beethoven in 1827-28 Christopher Reynolds 9 37 50 78 89 Part Two: Prometheus / Eroica 6 The Prometheus Theme and Beethoven s Shift from Avoidance to Embrace of Possibilities Alan Gosman 123
viii 7 8 s* CONTENTS Beethoven at Heiligenstadt in 1802: Deconstruction, Integration, and Creativity William Kinderman 148 “Mit Verstärkung des Orchesters”: The Orchestra Personnel at the First Public Performance of Beethovens Eroica Theodore Albrecht 161 Part Three: Masses 9 “Aber lieber Beethoven, was haben Sie denn wieder da gemacht?” Observations on the Performing Parts for the Premiere of Beethovens Mass in C, Opus 86 Jeremiah W. McGrann 10 Heart to Heart: Beethoven, Archduke Rudolph, and the Missa solemnis Mark Evan Bonds 11 God and the Voice of Beethoven Scott Burnham 205 228 244 Part Four; Quartets 12 “So Here I Am, in the Middle Way”: The Autograph of the “Harp” Quartet and the Expressive Domain of Beethovens Second Maturity M. Lucy Turner 261 13 Meaningful Details: Expressive Markings in Beethoven Manuscripts, with a Focus on Opus 127 Nicholas Kitchen 274 14 The Autograph Score of the Slow Movement of Beethoven’s Last Quartet, Opus 135 Barry Cooper 332 15 Early German-Language Reviews ofBeethoven’s Late String Quartets Robin Wallace 355
CONTENTS S* ІХ Part Five: Explorations 16 Three Movements or Four? The Scherzo Movements in Beethovens Early Sonatas Erica Buurman 389 17 Utopia and Dystopia Revisited: Contrasted Domains in Beethovens Middle-Period F-Major and F-Minor Works Barbara Barry 405 18 Schooling the Quintjäger David B. Levy 19 Cue-Staff Annotations in Beethoven s Piano Works: Reflections and Examples from the Autograph of the Piano Sonata, Opus 101 Federica Rovelli 20 Another Litde Buck Out of Its Stable Richard Kramer 21 Beethovens Cavatina, Haydn’s Seasons, and the Thickness of Inscription Elaine Sisman 437 448 466 483 List of Contributors 529 Index of Works by Beethoven 533 General Index 539 |
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| spelling | The new Beethoven evolution, analysis and interpretation edited by Jeremy Yudkin Rochester, NY University of Rochester Press 2020 xix, 550 Seiten Illustrationen, Notenbeispiele, Portrait (Lewis Lockwood) txt rdacontent n rdamedia nc rdacarrier Eastman studies in music 21 articles present a cross-section of current research and thought on Beethoven; includes sections on his life, his masses, his quartets, and more; with a preface, chronological bibliography, introduction, music examples and indices Marking the 250th anniversary of the composer's birth, this volume presents twenty-one completely new essays on aspects of Beethoven's personal life, his composing process, his manuscripts, and his greatest works Beethoven, Ludwig van / 1770-1827 / Criticism and interpretation Beethoven, Ludwig van 1770-1827 (DE-588)118508288 gnd rswk-swf (DE-588)4143413-4 Aufsatzsammlung gnd-content Beethoven, Ludwig van 1770-1827 (DE-588)118508288 p DE-604 Yudkin, Jeremy 1948- (DE-588)135955416 edt Lockwood, Lewis 1930- (DE-588)119525070 hnr Erscheint auch als Online-Ausgabe 978-1-78744-812-4 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032312427&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032312427&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
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| title | The new Beethoven evolution, analysis and interpretation |
| title_auth | The new Beethoven evolution, analysis and interpretation |
| title_exact_search | The new Beethoven evolution, analysis and interpretation |
| title_exact_search_txtP | The new Beethoven evolution, analysis and interpretation |
| title_full | The new Beethoven evolution, analysis and interpretation edited by Jeremy Yudkin |
| title_fullStr | The new Beethoven evolution, analysis and interpretation edited by Jeremy Yudkin |
| title_full_unstemmed | The new Beethoven evolution, analysis and interpretation edited by Jeremy Yudkin |
| title_short | The new Beethoven |
| title_sort | the new beethoven evolution analysis and interpretation |
| title_sub | evolution, analysis and interpretation |
| topic | Beethoven, Ludwig van / 1770-1827 / Criticism and interpretation Beethoven, Ludwig van 1770-1827 (DE-588)118508288 gnd |
| topic_facet | Beethoven, Ludwig van / 1770-1827 / Criticism and interpretation Beethoven, Ludwig van 1770-1827 Aufsatzsammlung |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032312427&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032312427&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT yudkinjeremy thenewbeethovenevolutionanalysisandinterpretation AT lockwoodlewis thenewbeethovenevolutionanalysisandinterpretation |
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