Renaissance polyphony:
"Renaissance Polyphony This engaging study introduces Renaissance polyphony to a modern audience. It helps readers of all ages and levels of experience make sense of what they are hearing. How does Renaissance music work? How is a piece typical of its style and type; or, if it is exceptional, w...
Gespeichert in:
1. Verfasser: | |
---|---|
Format: | Buch |
Sprache: | English |
Veröffentlicht: |
New York
Cambridge University Press
2020
|
Schriftenreihe: | Cambridge introductions to music
|
Schlagworte: | |
Zusammenfassung: | "Renaissance Polyphony This engaging study introduces Renaissance polyphony to a modern audience. It helps readers of all ages and levels of experience make sense of what they are hearing. How does Renaissance music work? How is a piece typical of its style and type; or, if it is exceptional, what makes it so? The makers of polyphony were keenly aware of the specialized nature of their craft. How is this reflected in the music they wrote, and how were they regarded by their patrons and audiences? Through a combination of detailed, nuanced appreciation of musical style and a lucid overview of current debates, this book offers a glimpse of meanings behind and beyond the notes, be they playful or profound. It will enhance the listening experience of students, performers and music lovers alike"-- |
Beschreibung: | xx, 273 Seiten Illustrationen, Notenbeispiele |
ISBN: | 9780521728171 9780521899338 |
Internformat
MARC
LEADER | 00000nam a22000008c 4500 | ||
---|---|---|---|
001 | BV046901683 | ||
003 | DE-604 | ||
005 | 20201021 | ||
007 | t | ||
008 | 200916s2020 agl| |||| 00||| eng d | ||
020 | |a 9780521728171 |c Paperback |9 978-0-521-72817-1 | ||
020 | |a 9780521899338 |c Hardback |9 978-0-521-89933-8 | ||
035 | |a (OCoLC)1196403153 | ||
035 | |a (DE-599)BVBBV046901683 | ||
040 | |a DE-604 |b ger |e rda | ||
041 | 0 | |a eng | |
049 | |a DE-20 |a DE-824 |a DE-12 | ||
084 | |a MUS |q DE-12 |2 fid | ||
084 | |a LR 55193 |0 (DE-625)109736:13531 |2 rvk | ||
100 | 1 | |a Fitch, Fabrice |d 1967- |e Verfasser |0 (DE-588)1023925214 |4 aut | |
245 | 1 | 0 | |a Renaissance polyphony |c Fabrice Fitch |
264 | 1 | |a New York |b Cambridge University Press |c 2020 | |
300 | |a xx, 273 Seiten |b Illustrationen, Notenbeispiele | ||
336 | |b txt |2 rdacontent | ||
337 | |b n |2 rdamedia | ||
338 | |b nc |2 rdacarrier | ||
490 | 0 | |a Cambridge introductions to music | |
505 | 8 | |a Introducing Renaissance Polyphony -- Making polyphony : Sources and Practice -- Makers of Polyphony -- Pitch : an Overview -- Voice-names, ranges, and functions -- Mensural notation, duration, and meter -- Genre, Texts, Form -- 'Cantus magnus' : music for the Mass -- 'Cantus mediocris' : the motet -- 'Cantus parvus' : secular music -- Scoring, texture, scale -- Understanding musical borrowing -- Canons, puzzles, games -- Performance practice: a brief introduction | |
520 | 3 | |a "Renaissance Polyphony This engaging study introduces Renaissance polyphony to a modern audience. It helps readers of all ages and levels of experience make sense of what they are hearing. How does Renaissance music work? How is a piece typical of its style and type; or, if it is exceptional, what makes it so? The makers of polyphony were keenly aware of the specialized nature of their craft. How is this reflected in the music they wrote, and how were they regarded by their patrons and audiences? Through a combination of detailed, nuanced appreciation of musical style and a lucid overview of current debates, this book offers a glimpse of meanings behind and beyond the notes, be they playful or profound. It will enhance the listening experience of students, performers and music lovers alike"-- | |
648 | 7 | |a Geschichte 1440-1600 |2 gnd |9 rswk-swf | |
650 | 0 | 7 | |a Polyfonie |0 (DE-588)4175288-0 |2 gnd |9 rswk-swf |
650 | 0 | 7 | |a Mehrstimmigkeit |g Musik |0 (DE-588)4169330-9 |2 gnd |9 rswk-swf |
653 | 0 | |a Music / 16th century / History and criticism | |
653 | 0 | |a Counterpoint / History / 16th century | |
653 | 0 | |a Music / To 1500 / History and criticism | |
653 | 0 | |a Counterpoint / History / To 1500 | |
653 | 0 | |a Counterpoint | |
653 | 0 | |a Music | |
653 | 4 | |a To 1599 | |
653 | 6 | |a Criticism, interpretation, etc | |
653 | 6 | |a History | |
689 | 0 | 0 | |a Mehrstimmigkeit |g Musik |0 (DE-588)4169330-9 |D s |
689 | 0 | 1 | |a Polyfonie |0 (DE-588)4175288-0 |D s |
689 | 0 | 2 | |a Geschichte 1440-1600 |A z |
689 | 0 | |5 DE-604 | |
940 | 1 | |q BSB_NED_20201021 | |
999 | |a oai:aleph.bib-bvb.de:BVB01-032311333 | ||
942 | 1 | 1 | |c 780.9 |e 22/bsb |f 09024 |g 4 |
942 | 1 | 1 | |c 781.5 |e 22/bsb |f 09024 |g 4 |
942 | 1 | 1 | |c 781 |e 22/bsb |f 09031 |g 4 |
942 | 1 | 1 | |c 781.4 |e 22/bsb |f 09024 |g 4 |
942 | 1 | 1 | |c 780.9 |e 22/bsb |f 09031 |g 4 |
942 | 1 | 1 | |c 781 |e 22/bsb |f 09024 |g 4 |
942 | 1 | 1 | |c 781.5 |e 22/bsb |f 09031 |g 4 |
942 | 1 | 1 | |c 781.4 |e 22/bsb |f 09031 |g 4 |
Datensatz im Suchindex
_version_ | 1804181774339670016 |
---|---|
adam_txt | |
any_adam_object | |
any_adam_object_boolean | |
author | Fitch, Fabrice 1967- |
author_GND | (DE-588)1023925214 |
author_facet | Fitch, Fabrice 1967- |
author_role | aut |
author_sort | Fitch, Fabrice 1967- |
author_variant | f f ff |
building | Verbundindex |
bvnumber | BV046901683 |
classification_rvk | LR 55193 |
contents | Introducing Renaissance Polyphony -- Making polyphony : Sources and Practice -- Makers of Polyphony -- Pitch : an Overview -- Voice-names, ranges, and functions -- Mensural notation, duration, and meter -- Genre, Texts, Form -- 'Cantus magnus' : music for the Mass -- 'Cantus mediocris' : the motet -- 'Cantus parvus' : secular music -- Scoring, texture, scale -- Understanding musical borrowing -- Canons, puzzles, games -- Performance practice: a brief introduction |
ctrlnum | (OCoLC)1196403153 (DE-599)BVBBV046901683 |
discipline | Musikwissenschaft |
discipline_str_mv | Musikwissenschaft |
era | Geschichte 1440-1600 gnd |
era_facet | Geschichte 1440-1600 |
format | Book |
fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>03349nam a22006258c 4500</leader><controlfield tag="001">BV046901683</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20201021 </controlfield><controlfield tag="007">t</controlfield><controlfield tag="008">200916s2020 agl| |||| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780521728171</subfield><subfield code="c">Paperback</subfield><subfield code="9">978-0-521-72817-1</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780521899338</subfield><subfield code="c">Hardback</subfield><subfield code="9">978-0-521-89933-8</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1196403153</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV046901683</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-20</subfield><subfield code="a">DE-824</subfield><subfield code="a">DE-12</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">MUS</subfield><subfield code="q">DE-12</subfield><subfield code="2">fid</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">LR 55193</subfield><subfield code="0">(DE-625)109736:13531</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Fitch, Fabrice</subfield><subfield code="d">1967-</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)1023925214</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Renaissance polyphony</subfield><subfield code="c">Fabrice Fitch</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">New York</subfield><subfield code="b">Cambridge University Press</subfield><subfield code="c">2020</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">xx, 273 Seiten</subfield><subfield code="b">Illustrationen, Notenbeispiele</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="0" ind2=" "><subfield code="a">Cambridge introductions to music</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">Introducing Renaissance Polyphony -- Making polyphony : Sources and Practice -- Makers of Polyphony -- Pitch : an Overview -- Voice-names, ranges, and functions -- Mensural notation, duration, and meter -- Genre, Texts, Form -- 'Cantus magnus' : music for the Mass -- 'Cantus mediocris' : the motet -- 'Cantus parvus' : secular music -- Scoring, texture, scale -- Understanding musical borrowing -- Canons, puzzles, games -- Performance practice: a brief introduction</subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">"Renaissance Polyphony This engaging study introduces Renaissance polyphony to a modern audience. It helps readers of all ages and levels of experience make sense of what they are hearing. How does Renaissance music work? How is a piece typical of its style and type; or, if it is exceptional, what makes it so? The makers of polyphony were keenly aware of the specialized nature of their craft. How is this reflected in the music they wrote, and how were they regarded by their patrons and audiences? Through a combination of detailed, nuanced appreciation of musical style and a lucid overview of current debates, this book offers a glimpse of meanings behind and beyond the notes, be they playful or profound. It will enhance the listening experience of students, performers and music lovers alike"--</subfield></datafield><datafield tag="648" ind1=" " ind2="7"><subfield code="a">Geschichte 1440-1600</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Polyfonie</subfield><subfield code="0">(DE-588)4175288-0</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Mehrstimmigkeit</subfield><subfield code="g">Musik</subfield><subfield code="0">(DE-588)4169330-9</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Music / 16th century / History and criticism</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Counterpoint / History / 16th century</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Music / To 1500 / History and criticism</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Counterpoint / History / To 1500</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Counterpoint</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Music</subfield></datafield><datafield tag="653" ind1=" " ind2="4"><subfield code="a">To 1599</subfield></datafield><datafield tag="653" ind1=" " ind2="6"><subfield code="a">Criticism, interpretation, etc</subfield></datafield><datafield tag="653" ind1=" " ind2="6"><subfield code="a">History</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Mehrstimmigkeit</subfield><subfield code="g">Musik</subfield><subfield code="0">(DE-588)4169330-9</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Polyfonie</subfield><subfield code="0">(DE-588)4175288-0</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Geschichte 1440-1600</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="940" ind1="1" ind2=" "><subfield code="q">BSB_NED_20201021</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-032311333</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">780.9</subfield><subfield code="e">22/bsb</subfield><subfield code="f">09024</subfield><subfield code="g">4</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">781.5</subfield><subfield code="e">22/bsb</subfield><subfield code="f">09024</subfield><subfield code="g">4</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">781</subfield><subfield code="e">22/bsb</subfield><subfield code="f">09031</subfield><subfield code="g">4</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">781.4</subfield><subfield code="e">22/bsb</subfield><subfield code="f">09024</subfield><subfield code="g">4</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">780.9</subfield><subfield code="e">22/bsb</subfield><subfield code="f">09031</subfield><subfield code="g">4</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">781</subfield><subfield code="e">22/bsb</subfield><subfield code="f">09024</subfield><subfield code="g">4</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">781.5</subfield><subfield code="e">22/bsb</subfield><subfield code="f">09031</subfield><subfield code="g">4</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">781.4</subfield><subfield code="e">22/bsb</subfield><subfield code="f">09031</subfield><subfield code="g">4</subfield></datafield></record></collection> |
id | DE-604.BV046901683 |
illustrated | Illustrated |
index_date | 2024-07-03T15:24:39Z |
indexdate | 2024-07-10T08:57:00Z |
institution | BVB |
isbn | 9780521728171 9780521899338 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032311333 |
oclc_num | 1196403153 |
open_access_boolean | |
owner | DE-20 DE-824 DE-12 |
owner_facet | DE-20 DE-824 DE-12 |
physical | xx, 273 Seiten Illustrationen, Notenbeispiele |
psigel | BSB_NED_20201021 |
publishDate | 2020 |
publishDateSearch | 2020 |
publishDateSort | 2020 |
publisher | Cambridge University Press |
record_format | marc |
series2 | Cambridge introductions to music |
spelling | Fitch, Fabrice 1967- Verfasser (DE-588)1023925214 aut Renaissance polyphony Fabrice Fitch New York Cambridge University Press 2020 xx, 273 Seiten Illustrationen, Notenbeispiele txt rdacontent n rdamedia nc rdacarrier Cambridge introductions to music Introducing Renaissance Polyphony -- Making polyphony : Sources and Practice -- Makers of Polyphony -- Pitch : an Overview -- Voice-names, ranges, and functions -- Mensural notation, duration, and meter -- Genre, Texts, Form -- 'Cantus magnus' : music for the Mass -- 'Cantus mediocris' : the motet -- 'Cantus parvus' : secular music -- Scoring, texture, scale -- Understanding musical borrowing -- Canons, puzzles, games -- Performance practice: a brief introduction "Renaissance Polyphony This engaging study introduces Renaissance polyphony to a modern audience. It helps readers of all ages and levels of experience make sense of what they are hearing. How does Renaissance music work? How is a piece typical of its style and type; or, if it is exceptional, what makes it so? The makers of polyphony were keenly aware of the specialized nature of their craft. How is this reflected in the music they wrote, and how were they regarded by their patrons and audiences? Through a combination of detailed, nuanced appreciation of musical style and a lucid overview of current debates, this book offers a glimpse of meanings behind and beyond the notes, be they playful or profound. It will enhance the listening experience of students, performers and music lovers alike"-- Geschichte 1440-1600 gnd rswk-swf Polyfonie (DE-588)4175288-0 gnd rswk-swf Mehrstimmigkeit Musik (DE-588)4169330-9 gnd rswk-swf Music / 16th century / History and criticism Counterpoint / History / 16th century Music / To 1500 / History and criticism Counterpoint / History / To 1500 Counterpoint Music To 1599 Criticism, interpretation, etc History Mehrstimmigkeit Musik (DE-588)4169330-9 s Polyfonie (DE-588)4175288-0 s Geschichte 1440-1600 z DE-604 |
spellingShingle | Fitch, Fabrice 1967- Renaissance polyphony Introducing Renaissance Polyphony -- Making polyphony : Sources and Practice -- Makers of Polyphony -- Pitch : an Overview -- Voice-names, ranges, and functions -- Mensural notation, duration, and meter -- Genre, Texts, Form -- 'Cantus magnus' : music for the Mass -- 'Cantus mediocris' : the motet -- 'Cantus parvus' : secular music -- Scoring, texture, scale -- Understanding musical borrowing -- Canons, puzzles, games -- Performance practice: a brief introduction Polyfonie (DE-588)4175288-0 gnd Mehrstimmigkeit Musik (DE-588)4169330-9 gnd |
subject_GND | (DE-588)4175288-0 (DE-588)4169330-9 |
title | Renaissance polyphony |
title_auth | Renaissance polyphony |
title_exact_search | Renaissance polyphony |
title_exact_search_txtP | Renaissance polyphony |
title_full | Renaissance polyphony Fabrice Fitch |
title_fullStr | Renaissance polyphony Fabrice Fitch |
title_full_unstemmed | Renaissance polyphony Fabrice Fitch |
title_short | Renaissance polyphony |
title_sort | renaissance polyphony |
topic | Polyfonie (DE-588)4175288-0 gnd Mehrstimmigkeit Musik (DE-588)4169330-9 gnd |
topic_facet | Polyfonie Mehrstimmigkeit Musik |
work_keys_str_mv | AT fitchfabrice renaissancepolyphony |