The Cambridge Stravinsky encyclopedia:
"Although there have been acclaimed volumes on such leading eighteenth and nineteenth century composers as Handel, Mozart, Berlioz, Verdi and Wagner, an encyclopedia devoted to a twentieth century composer is a new initiative for Cambridge University Press. Igor Stravinsky is one of a small num...
Gespeichert in:
Weitere Verfasser: | , |
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Format: | Buch |
Sprache: | English |
Veröffentlicht: |
Cambridge
Cambridge University Press
[2021]
|
Schlagworte: | |
Online-Zugang: | Inhaltsverzeichnis |
Zusammenfassung: | "Although there have been acclaimed volumes on such leading eighteenth and nineteenth century composers as Handel, Mozart, Berlioz, Verdi and Wagner, an encyclopedia devoted to a twentieth century composer is a new initiative for Cambridge University Press. Igor Stravinsky is one of a small number of early modernist composers whose music epitomises the stylistic crisis of twentieth century music and indeed of the arts in general during the last century. In a creative span of some seven decades, he witnessed at first hand the slow decay of the opulent world of post-Wagnerian romanticism, the advent of serialism, and finally, the beginning of the era of stylistic pluralism which marked the last three decades of the twentieth century. Indeed, these developments find a parallel in Stravinsky's own evolution, starting from the Russian nationalist heritage of the early works, a world which is irretrievably shattered in the dissonances and rhythmic innovations of The Rite of Spring, the seismic shock of which continues to resonate to this day. The subsequent neoclassical works anticipate the stylistic diversity of the contemporary musical scene, the composer's multi-faceted artistic personality finding expression in the adoption of a dazzling and at times bewildering range of identities, culminating in his attempts to integrate serial techniques into a personal style during the final period. Whilst avoiding making exaggerated claims for Stravinsky's artistic legacy, it can be stated with confidence that his position in the history of Western art music is such that he is widely recognised as 12 one of the most imposing musical personalities of his time, and as such comparable to Monteverdi, Bach, Beethoven and Wagner" |
Beschreibung: | xiii, 564 Seiten Notenbeispiele |
ISBN: | 9781107140875 1107140870 9781316506202 |
Internformat
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264 | 4 | |c © 2021 | |
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520 | 3 | |a "Although there have been acclaimed volumes on such leading eighteenth and nineteenth century composers as Handel, Mozart, Berlioz, Verdi and Wagner, an encyclopedia devoted to a twentieth century composer is a new initiative for Cambridge University Press. Igor Stravinsky is one of a small number of early modernist composers whose music epitomises the stylistic crisis of twentieth century music and indeed of the arts in general during the last century. In a creative span of some seven decades, he witnessed at first hand the slow decay of the opulent world of post-Wagnerian romanticism, the advent of serialism, and finally, the beginning of the era of stylistic pluralism which marked the last three decades of the twentieth century. Indeed, these developments find a parallel in Stravinsky's own evolution, starting from the Russian nationalist heritage of the early works, a world which is irretrievably shattered in the dissonances and rhythmic innovations of The Rite of Spring, the seismic shock of which continues to resonate to this day. The subsequent neoclassical works anticipate the stylistic diversity of the contemporary musical scene, the composer's multi-faceted artistic personality finding expression in the adoption of a dazzling and at times bewildering range of identities, culminating in his attempts to integrate serial techniques into a personal style during the final period. Whilst avoiding making exaggerated claims for Stravinsky's artistic legacy, it can be stated with confidence that his position in the history of Western art music is such that he is widely recognised as 12 one of the most imposing musical personalities of his time, and as such comparable to Monteverdi, Bach, Beethoven and Wagner" | |
600 | 1 | 7 | |a Stravinsky, Igor |d 1882-1971 |0 (DE-588)118642545 |2 gnd |9 rswk-swf |
653 | 1 | |a Stravinsky, Igor / 1882-1971 / Encyclopedias | |
653 | 1 | |a Stravinsky, Igor / 1882-1971 | |
653 | 6 | |a Encyclopedias | |
655 | 7 | |0 (DE-588)4066724-8 |a Wörterbuch |2 gnd-content | |
655 | 7 | |0 (DE-588)4014986-9 |a Enzyklopädie |2 gnd-content | |
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776 | 0 | 8 | |i Erscheint auch als |n Online-Ausgabe |z 978-1-31-649320-5 |
856 | 4 | 2 | |m Digitalisierung BSB München - ADAM Catalogue Enrichment |q application/pdf |u http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032311296&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |3 Inhaltsverzeichnis |
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Datensatz im Suchindex
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adam_text |
Contents List of Music Examples page vi List of Contributors Editors’ Preface ix Acknowledgements xi List of Abbreviations Entries A֊-Z vii xii i Appendix і Musical Works 506 Appendix 2 Selected Audio Recordings Made by Select Bibliography index Igor Stravinsky 536 541 545 v |
adam_txt |
Contents List of Music Examples page vi List of Contributors Editors’ Preface ix Acknowledgements xi List of Abbreviations Entries A֊-Z vii xii i Appendix і Musical Works 506 Appendix 2 Selected Audio Recordings Made by Select Bibliography index Igor Stravinsky 536 541 545 v |
any_adam_object | 1 |
any_adam_object_boolean | 1 |
author2 | Campbell, Edward 1958- O'Hagan, Peter 1945- |
author2_role | edt edt |
author2_variant | e c ec p o po |
author_GND | (DE-588)143485822 (DE-588)1030310378 |
author_facet | Campbell, Edward 1958- O'Hagan, Peter 1945- |
building | Verbundindex |
bvnumber | BV046901645 |
classification_rvk | LP 94869 |
ctrlnum | (OCoLC)1196403204 (DE-599)BVBBV046901645 |
discipline | Musikwissenschaft |
discipline_str_mv | Musikwissenschaft |
format | Book |
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spelling | The Cambridge Stravinsky encyclopedia edited by Edward Campbell (University of Aberdeen), Peter O'Hagan (Rochampton University, London) The Stravinsky encyclopedia Cambridge Cambridge University Press [2021] © 2021 xiii, 564 Seiten Notenbeispiele txt rdacontent n rdamedia nc rdacarrier "Although there have been acclaimed volumes on such leading eighteenth and nineteenth century composers as Handel, Mozart, Berlioz, Verdi and Wagner, an encyclopedia devoted to a twentieth century composer is a new initiative for Cambridge University Press. Igor Stravinsky is one of a small number of early modernist composers whose music epitomises the stylistic crisis of twentieth century music and indeed of the arts in general during the last century. In a creative span of some seven decades, he witnessed at first hand the slow decay of the opulent world of post-Wagnerian romanticism, the advent of serialism, and finally, the beginning of the era of stylistic pluralism which marked the last three decades of the twentieth century. Indeed, these developments find a parallel in Stravinsky's own evolution, starting from the Russian nationalist heritage of the early works, a world which is irretrievably shattered in the dissonances and rhythmic innovations of The Rite of Spring, the seismic shock of which continues to resonate to this day. The subsequent neoclassical works anticipate the stylistic diversity of the contemporary musical scene, the composer's multi-faceted artistic personality finding expression in the adoption of a dazzling and at times bewildering range of identities, culminating in his attempts to integrate serial techniques into a personal style during the final period. Whilst avoiding making exaggerated claims for Stravinsky's artistic legacy, it can be stated with confidence that his position in the history of Western art music is such that he is widely recognised as 12 one of the most imposing musical personalities of his time, and as such comparable to Monteverdi, Bach, Beethoven and Wagner" Stravinsky, Igor 1882-1971 (DE-588)118642545 gnd rswk-swf Stravinsky, Igor / 1882-1971 / Encyclopedias Stravinsky, Igor / 1882-1971 Encyclopedias (DE-588)4066724-8 Wörterbuch gnd-content (DE-588)4014986-9 Enzyklopädie gnd-content Stravinsky, Igor 1882-1971 (DE-588)118642545 p DE-604 Campbell, Edward 1958- (DE-588)143485822 edt O'Hagan, Peter 1945- (DE-588)1030310378 edt Erscheint auch als Online-Ausgabe 978-1-31-649320-5 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032311296&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
spellingShingle | The Cambridge Stravinsky encyclopedia Stravinsky, Igor 1882-1971 (DE-588)118642545 gnd |
subject_GND | (DE-588)118642545 (DE-588)4066724-8 (DE-588)4014986-9 |
title | The Cambridge Stravinsky encyclopedia |
title_alt | The Stravinsky encyclopedia |
title_auth | The Cambridge Stravinsky encyclopedia |
title_exact_search | The Cambridge Stravinsky encyclopedia |
title_exact_search_txtP | The Cambridge Stravinsky encyclopedia |
title_full | The Cambridge Stravinsky encyclopedia edited by Edward Campbell (University of Aberdeen), Peter O'Hagan (Rochampton University, London) |
title_fullStr | The Cambridge Stravinsky encyclopedia edited by Edward Campbell (University of Aberdeen), Peter O'Hagan (Rochampton University, London) |
title_full_unstemmed | The Cambridge Stravinsky encyclopedia edited by Edward Campbell (University of Aberdeen), Peter O'Hagan (Rochampton University, London) |
title_short | The Cambridge Stravinsky encyclopedia |
title_sort | the cambridge stravinsky encyclopedia |
topic | Stravinsky, Igor 1882-1971 (DE-588)118642545 gnd |
topic_facet | Stravinsky, Igor 1882-1971 Wörterbuch Enzyklopädie |
url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032311296&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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