Fields of view: film, art and spectatorship
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Weitere Verfasser: | |
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
London
BFI Publishing
2020
|
| Schlagworte: | |
| Online-Zugang: | BSB01 UBR01 UBT01 URL des Erstveröffentlichers |
| Beschreibung: | 1 Online-Ressource (xiii, 223 Seiten, 16 ungezählte Seiten Farbtafeln) Illustrationen |
| ISBN: | 9781838719913 9781838719937 9781838719951 |
| DOI: | 10.5040/9781838719913 |
Internformat
MARC
| LEADER | 00000nmm a2200000 c 4500 | ||
|---|---|---|---|
| 001 | BV046900708 | ||
| 003 | DE-604 | ||
| 005 | 20211020 | ||
| 007 | cr|uuu---uuuuu | ||
| 008 | 200916s2020 |||| o||u| ||||||eng d | ||
| 020 | |a 9781838719913 |c Online |9 978-1-8387-1991-3 | ||
| 020 | |a 9781838719937 |c PDF |9 978-1-8387-1993-7 | ||
| 020 | |a 9781838719951 |c EPUB |9 978-1-8387-1995-1 | ||
| 024 | 7 | |a 10.5040/9781838719913 |2 doi | |
| 035 | |a (OCoLC)1245331759 | ||
| 035 | |a (DE-599)BVBBV046900708 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-703 |a DE-12 |a DE-355 |a DE-11 |a DE-Po75 | ||
| 084 | |a AP 53800 |0 (DE-625)7732: |2 rvk | ||
| 100 | 1 | |a Rees, Alan L. |d 1949- |e Verfasser |0 (DE-588)131902695 |4 aut | |
| 245 | 1 | 0 | |a Fields of view |b film, art and spectatorship |c A.L. Rees ; edited by Simon Payne |
| 264 | 1 | |a London |b BFI Publishing |c 2020 | |
| 300 | |a 1 Online-Ressource (xiii, 223 Seiten, 16 ungezählte Seiten Farbtafeln) |b Illustrationen | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b c |2 rdamedia | ||
| 338 | |b cr |2 rdacarrier | ||
| 505 | 8 | |a Foreword -- Fields -- Film machine -- Film as optic and idea -- Expanding cinema -- Film objects -- Projection space -- Time frames -- Realisms -- Asymptote -- Digital dialectic -- Fields in Braque and Gehr -- Classic film theory and the spectator -- Field and gestalt -- Monet, Lumière and cinematic time -- Displacement, sculpture -- Bodies in motion -- Intervals -- Methods of montage -- Frames -- Frames and windows -- Constructivism and computers -- Geometry of intervals -- Index | |
| 648 | 7 | |a Geschichte 1920-2020 |2 gnd |9 rswk-swf | |
| 650 | 0 | 7 | |a Experimentalfilm |0 (DE-588)4153359-8 |2 gnd |9 rswk-swf |
| 689 | 0 | 0 | |a Experimentalfilm |0 (DE-588)4153359-8 |D s |
| 689 | 0 | 1 | |a Geschichte 1920-2020 |A z |
| 689 | 0 | |5 DE-604 | |
| 700 | 1 | |a Payne, Simon |0 (DE-588)1225952808 |4 edt | |
| 776 | 0 | 8 | |i Erscheint auch als |n Druck-Ausgabe, Festeinband |z 978-1-8387-1994-4 |w (DE-604)BV046986500 |
| 776 | 0 | 8 | |i Erscheint auch als |n Druck-Ausgabe, Broschur |z 978-1-8387-1992-0 |
| 856 | 4 | 0 | |u https://doi.org/10.5040/9781838719913 |x Verlag |z URL des Erstveröffentlichers |3 Volltext |
| 912 | |a ZDB-162-BFM | ||
| 940 | 1 | |q ZDB-162-BFM20 | |
| 999 | |a oai:aleph.bib-bvb.de:BVB01-032310370 | ||
| 966 | e | |u https://doi.org/10.5040/9781838719913 |l BSB01 |p ZDB-162-BFM |q ZDB-162-BFM20 |x Verlag |3 Volltext | |
| 966 | e | |u https://doi.org/10.5040/9781838719913 |l UBR01 |p ZDB-162-BFM |q ZDB-162-BFM20 |x Verlag |3 Volltext | |
| 966 | e | |u https://doi.org/10.5040/9781838719913?locatt=label:secondary_bloomsburyCollections |l UBT01 |p ZDB-162-BFM |q ZDB-162-BFM20 |x Verlag |3 Volltext | |
Datensatz im Suchindex
| _version_ | 1804181772546605056 |
|---|---|
| adam_txt | |
| any_adam_object | |
| any_adam_object_boolean | |
| author | Rees, Alan L. 1949- |
| author2 | Payne, Simon |
| author2_role | edt |
| author2_variant | s p sp |
| author_GND | (DE-588)131902695 (DE-588)1225952808 |
| author_facet | Rees, Alan L. 1949- Payne, Simon |
| author_role | aut |
| author_sort | Rees, Alan L. 1949- |
| author_variant | a l r al alr |
| building | Verbundindex |
| bvnumber | BV046900708 |
| classification_rvk | AP 53800 |
| collection | ZDB-162-BFM |
| contents | Foreword -- Fields -- Film machine -- Film as optic and idea -- Expanding cinema -- Film objects -- Projection space -- Time frames -- Realisms -- Asymptote -- Digital dialectic -- Fields in Braque and Gehr -- Classic film theory and the spectator -- Field and gestalt -- Monet, Lumière and cinematic time -- Displacement, sculpture -- Bodies in motion -- Intervals -- Methods of montage -- Frames -- Frames and windows -- Constructivism and computers -- Geometry of intervals -- Index |
| ctrlnum | (OCoLC)1245331759 (DE-599)BVBBV046900708 |
| discipline | Allgemeines |
| discipline_str_mv | Allgemeines |
| doi_str_mv | 10.5040/9781838719913 |
| era | Geschichte 1920-2020 gnd |
| era_facet | Geschichte 1920-2020 |
| format | Electronic eBook |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>02575nmm a2200481 c 4500</leader><controlfield tag="001">BV046900708</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20211020 </controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">200916s2020 |||| o||u| ||||||eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781838719913</subfield><subfield code="c">Online</subfield><subfield code="9">978-1-8387-1991-3</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781838719937</subfield><subfield code="c">PDF</subfield><subfield code="9">978-1-8387-1993-7</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781838719951</subfield><subfield code="c">EPUB</subfield><subfield code="9">978-1-8387-1995-1</subfield></datafield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.5040/9781838719913</subfield><subfield code="2">doi</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1245331759</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV046900708</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-703</subfield><subfield code="a">DE-12</subfield><subfield code="a">DE-355</subfield><subfield code="a">DE-11</subfield><subfield code="a">DE-Po75</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">AP 53800</subfield><subfield code="0">(DE-625)7732:</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Rees, Alan L.</subfield><subfield code="d">1949-</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)131902695</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Fields of view</subfield><subfield code="b">film, art and spectatorship</subfield><subfield code="c">A.L. Rees ; edited by Simon Payne</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">London</subfield><subfield code="b">BFI Publishing</subfield><subfield code="c">2020</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 Online-Ressource (xiii, 223 Seiten, 16 ungezählte Seiten Farbtafeln)</subfield><subfield code="b">Illustrationen</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">Foreword -- Fields -- Film machine -- Film as optic and idea -- Expanding cinema -- Film objects -- Projection space -- Time frames -- Realisms -- Asymptote -- Digital dialectic -- Fields in Braque and Gehr -- Classic film theory and the spectator -- Field and gestalt -- Monet, Lumière and cinematic time -- Displacement, sculpture -- Bodies in motion -- Intervals -- Methods of montage -- Frames -- Frames and windows -- Constructivism and computers -- Geometry of intervals -- Index</subfield></datafield><datafield tag="648" ind1=" " ind2="7"><subfield code="a">Geschichte 1920-2020</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Experimentalfilm</subfield><subfield code="0">(DE-588)4153359-8</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Experimentalfilm</subfield><subfield code="0">(DE-588)4153359-8</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Geschichte 1920-2020</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Payne, Simon</subfield><subfield code="0">(DE-588)1225952808</subfield><subfield code="4">edt</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Druck-Ausgabe, Festeinband</subfield><subfield code="z">978-1-8387-1994-4</subfield><subfield code="w">(DE-604)BV046986500</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Druck-Ausgabe, Broschur</subfield><subfield code="z">978-1-8387-1992-0</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://doi.org/10.5040/9781838719913</subfield><subfield code="x">Verlag</subfield><subfield code="z">URL des Erstveröffentlichers</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-162-BFM</subfield></datafield><datafield tag="940" ind1="1" ind2=" "><subfield code="q">ZDB-162-BFM20</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-032310370</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.5040/9781838719913</subfield><subfield code="l">BSB01</subfield><subfield code="p">ZDB-162-BFM</subfield><subfield code="q">ZDB-162-BFM20</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.5040/9781838719913</subfield><subfield code="l">UBR01</subfield><subfield code="p">ZDB-162-BFM</subfield><subfield code="q">ZDB-162-BFM20</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.5040/9781838719913?locatt=label:secondary_bloomsburyCollections</subfield><subfield code="l">UBT01</subfield><subfield code="p">ZDB-162-BFM</subfield><subfield code="q">ZDB-162-BFM20</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield></record></collection> |
| id | DE-604.BV046900708 |
| illustrated | Not Illustrated |
| index_date | 2024-07-03T15:24:21Z |
| indexdate | 2024-07-10T08:56:58Z |
| institution | BVB |
| isbn | 9781838719913 9781838719937 9781838719951 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032310370 |
| oclc_num | 1245331759 |
| open_access_boolean | |
| owner | DE-703 DE-12 DE-355 DE-BY-UBR DE-11 DE-Po75 |
| owner_facet | DE-703 DE-12 DE-355 DE-BY-UBR DE-11 DE-Po75 |
| physical | 1 Online-Ressource (xiii, 223 Seiten, 16 ungezählte Seiten Farbtafeln) Illustrationen |
| psigel | ZDB-162-BFM ZDB-162-BFM20 ZDB-162-BFM ZDB-162-BFM20 |
| publishDate | 2020 |
| publishDateSearch | 2020 |
| publishDateSort | 2020 |
| publisher | BFI Publishing |
| record_format | marc |
| spelling | Rees, Alan L. 1949- Verfasser (DE-588)131902695 aut Fields of view film, art and spectatorship A.L. Rees ; edited by Simon Payne London BFI Publishing 2020 1 Online-Ressource (xiii, 223 Seiten, 16 ungezählte Seiten Farbtafeln) Illustrationen txt rdacontent c rdamedia cr rdacarrier Foreword -- Fields -- Film machine -- Film as optic and idea -- Expanding cinema -- Film objects -- Projection space -- Time frames -- Realisms -- Asymptote -- Digital dialectic -- Fields in Braque and Gehr -- Classic film theory and the spectator -- Field and gestalt -- Monet, Lumière and cinematic time -- Displacement, sculpture -- Bodies in motion -- Intervals -- Methods of montage -- Frames -- Frames and windows -- Constructivism and computers -- Geometry of intervals -- Index Geschichte 1920-2020 gnd rswk-swf Experimentalfilm (DE-588)4153359-8 gnd rswk-swf Experimentalfilm (DE-588)4153359-8 s Geschichte 1920-2020 z DE-604 Payne, Simon (DE-588)1225952808 edt Erscheint auch als Druck-Ausgabe, Festeinband 978-1-8387-1994-4 (DE-604)BV046986500 Erscheint auch als Druck-Ausgabe, Broschur 978-1-8387-1992-0 https://doi.org/10.5040/9781838719913 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Rees, Alan L. 1949- Fields of view film, art and spectatorship Foreword -- Fields -- Film machine -- Film as optic and idea -- Expanding cinema -- Film objects -- Projection space -- Time frames -- Realisms -- Asymptote -- Digital dialectic -- Fields in Braque and Gehr -- Classic film theory and the spectator -- Field and gestalt -- Monet, Lumière and cinematic time -- Displacement, sculpture -- Bodies in motion -- Intervals -- Methods of montage -- Frames -- Frames and windows -- Constructivism and computers -- Geometry of intervals -- Index Experimentalfilm (DE-588)4153359-8 gnd |
| subject_GND | (DE-588)4153359-8 |
| title | Fields of view film, art and spectatorship |
| title_auth | Fields of view film, art and spectatorship |
| title_exact_search | Fields of view film, art and spectatorship |
| title_exact_search_txtP | Fields of view film, art and spectatorship |
| title_full | Fields of view film, art and spectatorship A.L. Rees ; edited by Simon Payne |
| title_fullStr | Fields of view film, art and spectatorship A.L. Rees ; edited by Simon Payne |
| title_full_unstemmed | Fields of view film, art and spectatorship A.L. Rees ; edited by Simon Payne |
| title_short | Fields of view |
| title_sort | fields of view film art and spectatorship |
| title_sub | film, art and spectatorship |
| topic | Experimentalfilm (DE-588)4153359-8 gnd |
| topic_facet | Experimentalfilm |
| url | https://doi.org/10.5040/9781838719913 |
| work_keys_str_mv | AT reesalanl fieldsofviewfilmartandspectatorship AT paynesimon fieldsofviewfilmartandspectatorship |