Synthetic Cubism at war: new necessities, new challenges: concerning the consequences of the great war in the elaboration of a Synthetic-Cubist syntax
When we talk about the Synthetic Cubism period, what exactly are we referring to? What aesthetic possibilities and considerations define it insofar as its origin and later evolution are concerned? To what extent did the disorder that the Great War unleashed, with all its political, sociological and...
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| Format: | Elektronisch Artikel |
| Sprache: | English |
| Veröffentlicht: |
2020
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| Schlagworte: | |
| Online-Zugang: | Volltext Volltext |
| Zusammenfassung: | When we talk about the Synthetic Cubism period, what exactly are we referring to? What aesthetic possibilities and considerations define it insofar as its origin and later evolution are concerned? To what extent did the disorder that the Great War unleashed, with all its political, sociological and moral demands, influence the reformulation of a purely synthetic syntax? This article attempts to answer these and other questions relating to the sociological-aesthetic interferences that would influence the Parisian Cubist style of the war years, and in particular the works of Juan Gris, María Blanchard, Jacques Lipchitz and Jean Metzinger during the spring and summer that they shared with one another in 1918, until it consolidated into what we now know as Crystal Cubism. |
| Beschreibung: | Online-Ressource Illustrationen |
| ISSN: | 2190-3328 |
| DOI: | 10.11588/riha.2020.0.76083 |
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| spelling | Atencia Conde-Pumpido, Belén Verfasser aut Synthetic Cubism at war: new necessities, new challenges concerning the consequences of the great war in the elaboration of a Synthetic-Cubist syntax Belén Atencia Conde-Pumpido 2020 Online-Ressource Illustrationen txt rdacontent c rdamedia cr rdacarrier When we talk about the Synthetic Cubism period, what exactly are we referring to? What aesthetic possibilities and considerations define it insofar as its origin and later evolution are concerned? To what extent did the disorder that the Great War unleashed, with all its political, sociological and moral demands, influence the reformulation of a purely synthetic syntax? This article attempts to answer these and other questions relating to the sociological-aesthetic interferences that would influence the Parisian Cubist style of the war years, and in particular the works of Juan Gris, María Blanchard, Jacques Lipchitz and Jean Metzinger during the spring and summer that they shared with one another in 1918, until it consolidated into what we now know as Crystal Cubism. Synthetische Malerei (DE-588)4184255-8 gnd rswk-swf Definition (DE-588)4148989-5 gnd rswk-swf Kunstgeschichtsschreibung (DE-588)4033643-8 gnd rswk-swf Stil (DE-588)4124256-7 gnd rswk-swf Synthetische Malerei (DE-588)4184255-8 s Kunstgeschichtsschreibung (DE-588)4033643-8 s Stil (DE-588)4124256-7 s Definition (DE-588)4148989-5 s DE-604 number:250 year:2020 RIHA Journal München, 2020 0250 (02 September 2020) (DE-604)BV036128042 2190-3328 (DE-600)2549868-X https://doi.org/10.11588/riha.2020.0.76083 Verlag kostenfrei Volltext https://nbn-resolving.org/urn:nbn:de:bsz:16-riha-76083-69851 Verlag kostenfrei Volltext |
| spellingShingle | Atencia Conde-Pumpido, Belén Synthetic Cubism at war: new necessities, new challenges concerning the consequences of the great war in the elaboration of a Synthetic-Cubist syntax Synthetische Malerei (DE-588)4184255-8 gnd Definition (DE-588)4148989-5 gnd Kunstgeschichtsschreibung (DE-588)4033643-8 gnd Stil (DE-588)4124256-7 gnd |
| subject_GND | (DE-588)4184255-8 (DE-588)4148989-5 (DE-588)4033643-8 (DE-588)4124256-7 |
| title | Synthetic Cubism at war: new necessities, new challenges concerning the consequences of the great war in the elaboration of a Synthetic-Cubist syntax |
| title_auth | Synthetic Cubism at war: new necessities, new challenges concerning the consequences of the great war in the elaboration of a Synthetic-Cubist syntax |
| title_exact_search | Synthetic Cubism at war: new necessities, new challenges concerning the consequences of the great war in the elaboration of a Synthetic-Cubist syntax |
| title_exact_search_txtP | Synthetic Cubism at war: new necessities, new challenges concerning the consequences of the great war in the elaboration of a Synthetic-Cubist syntax |
| title_full | Synthetic Cubism at war: new necessities, new challenges concerning the consequences of the great war in the elaboration of a Synthetic-Cubist syntax Belén Atencia Conde-Pumpido |
| title_fullStr | Synthetic Cubism at war: new necessities, new challenges concerning the consequences of the great war in the elaboration of a Synthetic-Cubist syntax Belén Atencia Conde-Pumpido |
| title_full_unstemmed | Synthetic Cubism at war: new necessities, new challenges concerning the consequences of the great war in the elaboration of a Synthetic-Cubist syntax Belén Atencia Conde-Pumpido |
| title_short | Synthetic Cubism at war: new necessities, new challenges |
| title_sort | synthetic cubism at war new necessities new challenges concerning the consequences of the great war in the elaboration of a synthetic cubist syntax |
| title_sub | concerning the consequences of the great war in the elaboration of a Synthetic-Cubist syntax |
| topic | Synthetische Malerei (DE-588)4184255-8 gnd Definition (DE-588)4148989-5 gnd Kunstgeschichtsschreibung (DE-588)4033643-8 gnd Stil (DE-588)4124256-7 gnd |
| topic_facet | Synthetische Malerei Definition Kunstgeschichtsschreibung Stil |
| url | https://doi.org/10.11588/riha.2020.0.76083 https://nbn-resolving.org/urn:nbn:de:bsz:16-riha-76083-69851 |
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