Terrified by the close other: is the postwar history of German art ready to embrace "state functionaries"?
The article sets out to investigate the fundamentalproblem for the methodology of postwar German art history,namely, the unavoidable fusion of two markedly differentperspectives, i.e., those of East and West Germany, into acoherent narrative. The reconstruction of key exhibitions andcontroversies sp...
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Elektronisch Artikel |
| Sprache: | English |
| Veröffentlicht: |
2020
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| Online-Zugang: | Volltext Volltext |
| Zusammenfassung: | The article sets out to investigate the fundamentalproblem for the methodology of postwar German art history,namely, the unavoidable fusion of two markedly differentperspectives, i.e., those of East and West Germany, into acoherent narrative. The reconstruction of key exhibitions andcontroversies sparked by East German art, in 1989 and beyond,suggests that the revision of the canon of art history may befaced with greater challenges whenever adopting the perspectiveof the close Other (political or ideological), rather than thatof a remote Other (ethnic or cultural). The incorporation of theclose Other into a uniform narrative on art history can be a mootpoint, most notably in those cases where the western concept ofart calls for a necessary restatement, and one's identity needsto be critically redefined in the process. This is bestexemplified by what happened in Germany after 1989. |
| Beschreibung: | Online-Ressource Illustrationen |
| ISSN: | 2190-3328 |
| DOI: | 10.11588/riha.2020.0.76082 |
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| spelling | Balisz-Schmelz, Justyna 1982- Verfasser (DE-588)1186926244 aut Terrified by the close other is the postwar history of German art ready to embrace "state functionaries"? Justyna Balisz-Schmelz 2020 Online-Ressource Illustrationen txt rdacontent c rdamedia cr rdacarrier The article sets out to investigate the fundamentalproblem for the methodology of postwar German art history,namely, the unavoidable fusion of two markedly differentperspectives, i.e., those of East and West Germany, into acoherent narrative. The reconstruction of key exhibitions andcontroversies sparked by East German art, in 1989 and beyond,suggests that the revision of the canon of art history may befaced with greater challenges whenever adopting the perspectiveof the close Other (political or ideological), rather than thatof a remote Other (ethnic or cultural). The incorporation of theclose Other into a uniform narrative on art history can be a mootpoint, most notably in those cases where the western concept ofart calls for a necessary restatement, and one's identity needsto be critically redefined in the process. This is bestexemplified by what happened in Germany after 1989. number:249 year:2020 RIHA Journal München, 2020 0249 (31 August 2020) (DE-604)BV036128042 2190-3328 (DE-600)2549868-X Parallele Sprachausgabe polnisch Balisz-Schmelz, Justyna Strach przed bliskim Innym (DE-604)BV046899208 https://doi.org/10.11588/riha.2020.0.76082 Verlag kostenfrei Volltext https://nbn-resolving.org/urn:nbn:de:bsz:16-riha-76082-69849 Verlag kostenfrei Volltext |
| spellingShingle | Balisz-Schmelz, Justyna 1982- Terrified by the close other is the postwar history of German art ready to embrace "state functionaries"? |
| title | Terrified by the close other is the postwar history of German art ready to embrace "state functionaries"? |
| title_auth | Terrified by the close other is the postwar history of German art ready to embrace "state functionaries"? |
| title_exact_search | Terrified by the close other is the postwar history of German art ready to embrace "state functionaries"? |
| title_exact_search_txtP | Terrified by the close other is the postwar history of German art ready to embrace "state functionaries"? |
| title_full | Terrified by the close other is the postwar history of German art ready to embrace "state functionaries"? Justyna Balisz-Schmelz |
| title_fullStr | Terrified by the close other is the postwar history of German art ready to embrace "state functionaries"? Justyna Balisz-Schmelz |
| title_full_unstemmed | Terrified by the close other is the postwar history of German art ready to embrace "state functionaries"? Justyna Balisz-Schmelz |
| title_short | Terrified by the close other |
| title_sort | terrified by the close other is the postwar history of german art ready to embrace state functionaries |
| title_sub | is the postwar history of German art ready to embrace "state functionaries"? |
| url | https://doi.org/10.11588/riha.2020.0.76082 https://nbn-resolving.org/urn:nbn:de:bsz:16-riha-76082-69849 |
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