Hooked: art and attachment
"What does it mean to get hooked by a work, whether a bestseller or a classic, a TV series or a painting in a museum? What is this aesthetic experience that makes us feel captivated? What do works of art do, and how, in particular, do they bind us to them? In "Hooked," Rita Felski bui...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Chicago ; London
The University of Chicago Press
2020
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| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Inhaltsverzeichnis Klappentext |
| Zusammenfassung: | "What does it mean to get hooked by a work, whether a bestseller or a classic, a TV series or a painting in a museum? What is this aesthetic experience that makes us feel captivated? What do works of art do, and how, in particular, do they bind us to them? In "Hooked," Rita Felski builds an aesthetics premised on our attachments rather than our free agency and challenges the ethos of critical aloofness that is so much a part of modern intellectuals' self-image. The result is sure to be as widely read, and as controversial, as Felski's 2015 book, "The Limits of Critique." Felski looks at several "attachment devices." One of these is "attunement"--those affinities and stirrings that often fall below the threshold of consciousness. Why, for example, are we drawn to a painting or piece of music in ways we struggle to explain, while being left cold by others whose merits we duly acknowledge? Another attachment device is "identification"--a widespread response to fiction that is often invoked by critics but usually treated as synonymous with either identity or empathy. But Felski shows that identifying has no neat fit with identity categories, and it can trigger ethical, political, or intellectual affinities that have little to do with co-feeling. What people most commonly identify with, Felski argues, are characters who are alluring, arresting, or alive, not in spite of their aesthetic qualities but because of them. This kind of identification is not limited to naïve readers or over-invested viewers, but is also a defining aspect of what scholars in the humanities do. Relatedly, academic "interpretation" emerges here as another circuit of connection: critics forge ties to the works they explicate, the methods they use, the disciplinary identities they inhabit. "Hooked" returns us to the fundamentals of aesthetic experience, showing that the social meanings of artworks do not lie encrypted in their depths, within reach only of expert critics, but are generated within the embrace of captivated audiences"-- |
| Beschreibung: | Includes bibliographical references and index |
| Beschreibung: | xiv, 199 Seiten |
| ISBN: | 9780226729466 9780226729633 |
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| 520 | 3 | |a "What does it mean to get hooked by a work, whether a bestseller or a classic, a TV series or a painting in a museum? What is this aesthetic experience that makes us feel captivated? What do works of art do, and how, in particular, do they bind us to them? In "Hooked," Rita Felski builds an aesthetics premised on our attachments rather than our free agency and challenges the ethos of critical aloofness that is so much a part of modern intellectuals' self-image. The result is sure to be as widely read, and as controversial, as Felski's 2015 book, "The Limits of Critique." Felski looks at several "attachment devices." One of these is "attunement"--those affinities and stirrings that often fall below the threshold of consciousness. | |
| 520 | 3 | |a Why, for example, are we drawn to a painting or piece of music in ways we struggle to explain, while being left cold by others whose merits we duly acknowledge? Another attachment device is "identification"--a widespread response to fiction that is often invoked by critics but usually treated as synonymous with either identity or empathy. But Felski shows that identifying has no neat fit with identity categories, and it can trigger ethical, political, or intellectual affinities that have little to do with co-feeling. What people most commonly identify with, Felski argues, are characters who are alluring, arresting, or alive, not in spite of their aesthetic qualities but because of them. This kind of identification is not limited to naïve readers or over-invested viewers, but is also a defining aspect of what scholars in the humanities do. | |
| 520 | 3 | |a Relatedly, academic "interpretation" emerges here as another circuit of connection: critics forge ties to the works they explicate, the methods they use, the disciplinary identities they inhabit. "Hooked" returns us to the fundamentals of aesthetic experience, showing that the social meanings of artworks do not lie encrypted in their depths, within reach only of expert critics, but are generated within the embrace of captivated audiences"-- | |
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Datensatz im Suchindex
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|---|---|
| adam_text | Contents Preface vii CHAPTER 1 On Being Attached і CHAPTER 2 Art and Attunement 41 CHAPTER 3 Identification: A Defense CHAPTER 4 Interpreting as Relating Acknowledgments 165 Notes 169 Index 189
Contents Preface vii 1 On Being Attached i CHAPTER CHAPTER 2 Art and Attunement 41 3 Identification: A Defense 79 CHAPTER 4 Interpreting as Relating 121 CHAPTER Acknowledgments 165 Notes 169 Index 189
ow does a novel entice or enlist us? How does a song surprise or seduce us? Why do we bristle when a friend belittles a book we love, or fall into a funk when a favored TV series comes to an end? What characterizes the aesthetic experiences of feeling captivated by works of art? Wresting the language of affinity away from accusations of sticky sentiment and manipulative marketing, Felski argues that “being hooked” is as funda mental to the appreciation of high art as to the enjoyment of popular culture. Hooked zeroes in on three attachment devices that connect audiences to works of art: identification, attunement, and interpretation. Drawing on examples from literature, film, music, and painting—from Joni Mitchell to Matisse, from Thomas Bernhard to Thelma and Louise—Felski returns us to the fundamentals of aesthetic experience, showing that the social meanings of artworks are gen erated not just by critics, but also by the responses of captivated audiences. H
|
| adam_txt |
Contents Preface vii CHAPTER 1 On Being Attached і CHAPTER 2 Art and Attunement 41 CHAPTER 3 Identification: A Defense CHAPTER 4 Interpreting as Relating Acknowledgments 165 Notes 169 Index 189
Contents Preface vii 1 On Being Attached i CHAPTER CHAPTER 2 Art and Attunement 41 3 Identification: A Defense 79 CHAPTER 4 Interpreting as Relating 121 CHAPTER Acknowledgments 165 Notes 169 Index 189
ow does a novel entice or enlist us? How does a song surprise or seduce us? Why do we bristle when a friend belittles a book we love, or fall into a funk when a favored TV series comes to an end? What characterizes the aesthetic experiences of feeling captivated by works of art? Wresting the language of affinity away from accusations of sticky sentiment and manipulative marketing, Felski argues that “being hooked” is as funda mental to the appreciation of high art as to the enjoyment of popular culture. Hooked zeroes in on three attachment devices that connect audiences to works of art: identification, attunement, and interpretation. Drawing on examples from literature, film, music, and painting—from Joni Mitchell to Matisse, from Thomas Bernhard to Thelma and Louise—Felski returns us to the fundamentals of aesthetic experience, showing that the social meanings of artworks are gen erated not just by critics, but also by the responses of captivated audiences. H |
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| indexdate | 2024-07-10T08:56:49Z |
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| publisher | The University of Chicago Press |
| record_format | marc |
| spelling | Felski, Rita 1956- Verfasser (DE-588)135784107 aut Hooked art and attachment Rita Felski Chicago ; London The University of Chicago Press 2020 xiv, 199 Seiten txt rdacontent n rdamedia nc rdacarrier Includes bibliographical references and index "What does it mean to get hooked by a work, whether a bestseller or a classic, a TV series or a painting in a museum? What is this aesthetic experience that makes us feel captivated? What do works of art do, and how, in particular, do they bind us to them? In "Hooked," Rita Felski builds an aesthetics premised on our attachments rather than our free agency and challenges the ethos of critical aloofness that is so much a part of modern intellectuals' self-image. The result is sure to be as widely read, and as controversial, as Felski's 2015 book, "The Limits of Critique." Felski looks at several "attachment devices." One of these is "attunement"--those affinities and stirrings that often fall below the threshold of consciousness. Why, for example, are we drawn to a painting or piece of music in ways we struggle to explain, while being left cold by others whose merits we duly acknowledge? Another attachment device is "identification"--a widespread response to fiction that is often invoked by critics but usually treated as synonymous with either identity or empathy. But Felski shows that identifying has no neat fit with identity categories, and it can trigger ethical, political, or intellectual affinities that have little to do with co-feeling. What people most commonly identify with, Felski argues, are characters who are alluring, arresting, or alive, not in spite of their aesthetic qualities but because of them. This kind of identification is not limited to naïve readers or over-invested viewers, but is also a defining aspect of what scholars in the humanities do. Relatedly, academic "interpretation" emerges here as another circuit of connection: critics forge ties to the works they explicate, the methods they use, the disciplinary identities they inhabit. "Hooked" returns us to the fundamentals of aesthetic experience, showing that the social meanings of artworks do not lie encrypted in their depths, within reach only of expert critics, but are generated within the embrace of captivated audiences"-- Aesthetics Experience Interest (Psychology) Hermeneutics Affekt (DE-588)4135470-9 gnd rswk-swf Erleben (DE-588)4134678-6 gnd rswk-swf Ästhetik (DE-588)4000626-8 gnd rswk-swf Literatur (DE-588)4035964-5 gnd rswk-swf Kunst (DE-588)4114333-4 gnd rswk-swf Literatur (DE-588)4035964-5 s Kunst (DE-588)4114333-4 s Ästhetik (DE-588)4000626-8 s Erleben (DE-588)4134678-6 s Affekt (DE-588)4135470-9 s DE-604 Erscheint auch als Online-Ausgabe, e-book 978-0-226-72977-0 Digitalisierung UB Bamberg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032305176&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Augsburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032305176&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Augsburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032305176&sequence=000005&line_number=0003&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
| spellingShingle | Felski, Rita 1956- Hooked art and attachment Aesthetics Experience Interest (Psychology) Hermeneutics Affekt (DE-588)4135470-9 gnd Erleben (DE-588)4134678-6 gnd Ästhetik (DE-588)4000626-8 gnd Literatur (DE-588)4035964-5 gnd Kunst (DE-588)4114333-4 gnd |
| subject_GND | (DE-588)4135470-9 (DE-588)4134678-6 (DE-588)4000626-8 (DE-588)4035964-5 (DE-588)4114333-4 |
| title | Hooked art and attachment |
| title_auth | Hooked art and attachment |
| title_exact_search | Hooked art and attachment |
| title_exact_search_txtP | Hooked art and attachment |
| title_full | Hooked art and attachment Rita Felski |
| title_fullStr | Hooked art and attachment Rita Felski |
| title_full_unstemmed | Hooked art and attachment Rita Felski |
| title_short | Hooked |
| title_sort | hooked art and attachment |
| title_sub | art and attachment |
| topic | Aesthetics Experience Interest (Psychology) Hermeneutics Affekt (DE-588)4135470-9 gnd Erleben (DE-588)4134678-6 gnd Ästhetik (DE-588)4000626-8 gnd Literatur (DE-588)4035964-5 gnd Kunst (DE-588)4114333-4 gnd |
| topic_facet | Aesthetics Experience Interest (Psychology) Hermeneutics Affekt Erleben Ästhetik Literatur Kunst |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032305176&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032305176&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032305176&sequence=000005&line_number=0003&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT felskirita hookedartandattachment |
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