Das aktuelle Disziplinarrecht: Leitfaden für den öffentlichen Dienst
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| Format: | Elektronisch E-Book |
| Sprache: | German |
| Veröffentlicht: |
Stuttgart
Richard Boorberg Verlag
2020
|
| Ausgabe: | 5th ed |
| Schlagworte: | |
| Online-Zugang: | HWR01 Inhaltsverzeichnis |
| Beschreibung: | Description based on publisher supplied metadata and other sources |
| Beschreibung: | 1 online resource (179 pages) |
| ISBN: | 9783415068315 |
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Datensatz im Suchindex
| _version_ | 1804181762826305536 |
|---|---|
| adam_text | CONTENTS
THE ISSUE OF EMOTIONALITY AND AESTHETIC EXPERIENCE
AS ITS SPECIFIC
EXAMPLE..................................................................................................
9
PART ONE: FORGOTTEN EMOTIONALITY AND THE ISSUES IN ITS
RESEARCH............................. 9
CHAPTER 1. SUPPRESSION OF THE ISSUE OF EMOTIONALITY AND ITS CAUSES
...........................
11
1.1. METAPHYSICAL STATUS OF
EMOTIONS...................................................................................13
1.2. THE EPISTEMIC ISSUE OF
EMOTIONS....................................................................................16
1.3. SUBJECTIVIST ISSUE OF
EMOTIONALITY..................................................................................
18
CHAPTER 2. THE SIGNIFICANCE AND ONTIC PRIORITY OF THE EMOTIONALITY ISSUE
..................
21
2.1. THE FUNDAMENTALITY OF
EMOTIONALITY.............................................................................21
2.2. ONTIC PRIORITY OF
EMOTIONALITY.........................................................................................
23
2.3. ONTOLOGICAL PRIORITY OF
EMOTIONALITY..............................................................................25
CHAPTER 3. AESTHETIC EXPERIENCE AS AN EXAMPLE OF EM OTIONALITY
.................................
28
3.1 AESTHETIC EXPERIENCE HAS SOMATIC
MANIFESTATIONS......................................................28
3.2. AESTHETIC EXPERIENCE IS PERCEIVED
SUBJECTIVELY........................................................29
3.3 AESTHETIC EXPERIENCE MOTIVATES OUR ACTIONS
..............................................................
30
3.4. EXPRESSION OF AESTHETIC
EXPERIENCE................................................................................31
3.5. COGNITIVE FUNCTION OF AESTHETIC EXPERIENCE
................................................................
32
PART TWO: PREPARATORY ANALYSIS FOR THE INVESTIGATION OF AESTHETIC
EXPERIENCE 35
CHAPTER 4. THE EXPOSITION AND STRUCTURE OF ISSUE OF BEAUTY AND AESTHETIC
EXPERIENCE..................................................................................................................................37
4.1. THE HISTORICAL APPROACHES TO THE INVESTIGATION OF BEAUTY - PRELUDE
......................
37
4.1.1.
IDEALISM...................................................................................................................
37
4.1.2. CLASSICAL CONCEPTS OF
BEAUTY..............................................................................
38
4.1.3. SUBJECTIVIST
APPROACH...........................................................................................
40
4.1.4. BEAUTY AS A VALUE WITHOUT
PURPOSE....................................................................41
4.1.5. AESTHETICS AS AN INDEPENDENT PHILOSOPHICAL DISCIPLINE
..................................
42
4.2. CONTEMPORARY APPROACHES TO THE INVESTIGATION OF AESTHETIC
EXPERIENCE
.............
44
4.2.1. PHENOMENOLOGY OF
BEAUTY................................................................................44
4.2.2. EXPERIMENTAL AND EMPIRIC
AESTHETICS..................................................................45
4.2.3. THE PSYCHOLOGY OF
BEAUTY......................................................................................46
4.2.4. EVOLUTIONARY
AESTHETICS.........................................................................................
46
4.2.5. NEUROPHENOMENOLOGY AND
NEUROAESTHETICS....................................................47
4.2.6. CULTURAL ANTHROPOLOGY AND COMPARATIVE
AESTHETICS........................................48
4.2.7. COMPUTATIONAL
AESTHETICS.....................................................................................49
4.3. TERMINOLOGICAL DEFINITION OF
RESEARCH...........................................................................49
4.3.1. BEAUTY IS NOT A R T
....................................................................................................50
4.3.2. AESTHETIC EXPERIENCE IS NOT B
EAUTY....................................................................51
4.3.3. WHAT IS AN
EXPERIENCE?..........................................................................................
52
4.3.4. AESTHETIC
EXPERIENCE..............................................................................................55
4.4. STRUCTURAL ISSUES OF
RESEARCH............................................................................................
59
4.4.1. WHAT DO WE LIKE? - WHAT FEATURES ARE COMMON TO BEAUTIFUL THINGS?
.......
59
4.4.2. WHAT IS THE COURSE OF AN AESTHETIC EXPERIENCE? - WHAT DO WE
EXPERIENCE IN IT?
......................................................................................................60
4.4.3. WHAT IS AESTHETIC EXPERIENCE
ABOUT?..................................................................60
4.5. METHODS
USED....................................................................................................................
60
4.5.1. THE PHENOMENOLOGICAL APPROACH
.......................................................................
60
4.5.2. THE COGNITIVE-SCIENTIFIC APPROACH
......................................................................
61
4.5.3. THE HERMENEUTIC
APPROACH.................................................................................
62
4.5.4. THE EVOLUTIONARY
APPROACH..................................................................................
63
4.6. PRELIMINARY RESEARCH O
UTLINE...........................................................................................
63
THE ANALYSIS OF BEAUTY AND AESTHETIC EXPERIENCE
FROM THE FIRST AND THIRD PERSON POINT OF V IE W
.............................................
65
PART THREE: A PHENOMENOLOGICAL-EXISTENTIAL ANALYSIS OF AESTHETIC
EXPERIENCE FROM TH E FIRST PERSON POINT OF V IE W
..............................................................65
CHAPTER 5. THE CONTENT OF THE AESTHETIC EXPERIENCE
.......................................................
67
5.1. HUSSERL - AESTHETIC EXPERIENCE IS SOM ATIC
...................................................................
67
5.2. HEIDEGGER - AESTHETIC EXPERIENCE IS UNDERSTANDING
.................................................
70
5.2.1. WHAT DO BEAUTIFUL THINGS HAVE IN
COMMON?.................................................71
5.2.2.
LIKING.........................................................................................................................75
5.2.2.1. THE TEMPORALITY OF AESTHETIC EXPERIENCE - MERLEAU-PONTY
INTERLUDE.....................................................................................................
79
5.2.2.2. AESTHETIC EXPERIENCE ENRICHES
...............................................................
82
5.2.4. WHAT MATTERS TO US IN EXPERIENCING BEAUTY?
.....................................................
84
PART FOUR: AESTHETIC EXPERIENCE FROM A NEUROSCIENTIFIC P
ERSPECTIVE.......................87
CHAPTER 6. INSIDE THE
BRAIN.....................................................................................................89
6.1. WHAT DO VARIOUS AESTHETIC EXPERIENCES HAVE IN
COMMON?...................................90
6.1.1. THE BRAIN CENTRES ACTIVE DURING AESTHETIC EXPERIENCE AND
AESTHETIC
ASSESSMENT - THE NEUROBIOLOGY OF
BEAUTY........................................................ 90
6.1.1.1. STRUCTURAL
LEVEL.......................................................................................90
6.1.1.1.1. THE MEDIAL ORBITOFRONTAL C ORTEX
.......................................
90
6.1.1.1.2. THE INSULAR
CORTEX................................................................
94
6.1.1.1.3. THE NUCLEUS
ACCUMBENS.................................................... 95
6.1.1.1.4. OTHER AREAS OF
ACTIVITY........................................................ 96
6.1.1.2. CELL
LEVEL.............................................................................................
97
6.1.1.2.1. BIOCHEMICAL CORRELATES OF AESTHETIC EXPERIENCE........... 97
6.1.1.2.2. DOPAM
INE............................................................................
97
6.1.1:2.3. O
PIOIDS................................................................................
99
6.1.1.2.4. OXYTOCIN
..............................................................................
99
6.1.1.2.5.
VASOPRESSIN..........................................................................100
6.1.13. CONCLUSIONS ABOUT NEUROBIOCHEMICAL INTERSECTIONS
......................
101
6.2. WHAT HAPPENS IN AESTHETIC
EXPERIENCE?...................................................................102
6.2.1. PLEASANT FEELINGS AS REWARD - ROLLS S THEORY OF
EMOTIONS............................103
6.2.3. EVOLUTIONARY
TELEOLOGY........................................................................................104
6.2.4. SOCIAL ASPECTS OF EVOLUTIONARY
EXPERIENCE.......................................................108
6.2.5.
FASHION...................................................................................................................
112
6.2.6. COMMONALITY OR ORIGINALITY - THE PROBLEM OF AESTHETIC EXPERIENCE
...........
114
6.3. MORE DISTANT AREAS INVOLVED IN REWARD
SYSTEM........................................................117
6.3.1. SCHILLERIAN INTERLUDE - CORRELATIONS BETWEEN BEAUTY AND GOODNESS
.......
118
6.3.2. THE BEAUTY D ILEM M
A...........................................................................................
123
6.4. WHAT MATTERS TO US IN AESTHETIC EXPERIENCE FROM AN EVOLUTIONARY
PERSPECTIVE? 128
6.4.1. (BEAUTY) REWARD STEMS FROM ENJOYM
ENT........................................................129
6.4.2. REWARD SYSTEMS FROM EXISTENCE (1 )
.................................................................
132
6.4.3. A SHORT INTERLUDE - SEXUAL BEHAVIOURAL STRATEGIES OR A LESSON
ON GAME THEORY AS AN INSIGHT INTO THE PURPOSE OF ATTRACTIVENESS
.............
134
6.4.4. REWARD SYSTEMS FROM EXISTENCE (2 )
...................................................................
136
6.4.5. EXISTENCE OF THE LINE VS. EXISTENCE OF THE
INDIVIDUAL?.....................................140
6.4.6. THE IMPORTANCE OF BEAUTY TO AN
INDIVIDUAL......................................................140
6.4.7. BEAUTY AS A SEARCH FOR A BETTER AND SUPERIOR WORLD
.......................................
146
AN ATTEMPT TO SUMMARIZE THE MEANING OF EMOTION
AND AN OUTLINE OF THE PHILOSOPHY OF EMOTIONALITY
FROM A SECOND PERSON POINT OF V IE W
................................................................
149
PART FIVE: THE COGNITIVE ASPECTS OF EMOTIONS AND THE IMPORTANCE
OF THEIR
EXPRESSION................................................................................................................149
CHAPTER 7. WHY DO WE HAVE
EMOTIONS?............................................................................
151
7.1.1. EMOTIONS DRAW ATTENTION TO THE INFORMATION THAT IS IMPORTANT
FOR THE
SUBJECT................................................................................................
151
7.1.2. EMOTIONS AND DRAWING ATTENTION TO OUR OWN S
TATE....................................155
7.1.3. ART AS THE EXPRESSION OF THE
(IN)VISIBLE............................................................163
7.2. PHILOSOPHY OF EMOTIONALITY FROM THE SECOND-PERSON PERSPECTIVE
.......................
166
CHAPTER 8.
CONCLUSION...........................................................................................................
173
REFERENCES
..................................................................................
.
..........................................
177
ABOUT A U TH O
R...........................................................................................................................198
|
| adam_txt |
CONTENTS
THE ISSUE OF EMOTIONALITY AND AESTHETIC EXPERIENCE
AS ITS SPECIFIC
EXAMPLE.
9
PART ONE: FORGOTTEN EMOTIONALITY AND THE ISSUES IN ITS
RESEARCH. 9
CHAPTER 1. SUPPRESSION OF THE ISSUE OF EMOTIONALITY AND ITS CAUSES
.
11
1.1. METAPHYSICAL STATUS OF
EMOTIONS.13
1.2. THE EPISTEMIC ISSUE OF
EMOTIONS.16
1.3. SUBJECTIVIST ISSUE OF
EMOTIONALITY.
18
CHAPTER 2. THE SIGNIFICANCE AND ONTIC PRIORITY OF THE EMOTIONALITY ISSUE
.
21
2.1. THE FUNDAMENTALITY OF
EMOTIONALITY.21
2.2. ONTIC PRIORITY OF
EMOTIONALITY.
23
2.3. ONTOLOGICAL PRIORITY OF
EMOTIONALITY.25
CHAPTER 3. AESTHETIC EXPERIENCE AS AN EXAMPLE OF EM OTIONALITY
.
28
3.1 AESTHETIC EXPERIENCE HAS SOMATIC
MANIFESTATIONS.28
3.2. AESTHETIC EXPERIENCE IS PERCEIVED
SUBJECTIVELY.29
3.3 AESTHETIC EXPERIENCE MOTIVATES OUR ACTIONS
.
30
3.4. EXPRESSION OF AESTHETIC
EXPERIENCE.31
3.5. COGNITIVE FUNCTION OF AESTHETIC EXPERIENCE
.
32
PART TWO: PREPARATORY ANALYSIS FOR THE INVESTIGATION OF AESTHETIC
EXPERIENCE 35
CHAPTER 4. THE EXPOSITION AND STRUCTURE OF ISSUE OF BEAUTY AND AESTHETIC
EXPERIENCE.37
4.1. THE HISTORICAL APPROACHES TO THE INVESTIGATION OF BEAUTY - PRELUDE
.
37
4.1.1.
IDEALISM.
37
4.1.2. CLASSICAL CONCEPTS OF
BEAUTY.
38
4.1.3. SUBJECTIVIST
APPROACH.
40
4.1.4. BEAUTY AS A VALUE WITHOUT
PURPOSE.41
4.1.5. AESTHETICS AS AN INDEPENDENT PHILOSOPHICAL DISCIPLINE
.
42
4.2. CONTEMPORARY APPROACHES TO THE INVESTIGATION OF AESTHETIC
EXPERIENCE
.
44
4.2.1. PHENOMENOLOGY OF
BEAUTY.44
4.2.2. EXPERIMENTAL AND EMPIRIC
AESTHETICS.45
4.2.3. THE PSYCHOLOGY OF
BEAUTY.46
4.2.4. EVOLUTIONARY
AESTHETICS.
46
4.2.5. NEUROPHENOMENOLOGY AND
NEUROAESTHETICS.47
4.2.6. CULTURAL ANTHROPOLOGY AND COMPARATIVE
AESTHETICS.48
4.2.7. COMPUTATIONAL
AESTHETICS.49
4.3. TERMINOLOGICAL DEFINITION OF
RESEARCH.49
4.3.1. BEAUTY IS NOT A R T
.50
4.3.2. AESTHETIC EXPERIENCE IS NOT B
EAUTY.51
4.3.3. WHAT IS AN
EXPERIENCE?.
52
4.3.4. AESTHETIC
EXPERIENCE.55
4.4. STRUCTURAL ISSUES OF
RESEARCH.
59
4.4.1. WHAT DO WE LIKE? - WHAT FEATURES ARE COMMON TO BEAUTIFUL THINGS?
.
59
4.4.2. WHAT IS THE COURSE OF AN AESTHETIC EXPERIENCE? - WHAT DO WE
EXPERIENCE IN IT?
.60
4.4.3. WHAT IS AESTHETIC EXPERIENCE
ABOUT?.60
4.5. METHODS
USED.
60
4.5.1. THE PHENOMENOLOGICAL APPROACH
.
60
4.5.2. THE COGNITIVE-SCIENTIFIC APPROACH
.
61
4.5.3. THE HERMENEUTIC
APPROACH.
62
4.5.4. THE EVOLUTIONARY
APPROACH.
63
4.6. PRELIMINARY RESEARCH O
UTLINE.
63
THE ANALYSIS OF BEAUTY AND AESTHETIC EXPERIENCE
FROM THE FIRST AND THIRD PERSON POINT OF V IE W
.
65
PART THREE: A PHENOMENOLOGICAL-EXISTENTIAL ANALYSIS OF AESTHETIC
EXPERIENCE FROM TH E FIRST PERSON POINT OF V IE W
.65
CHAPTER 5. THE CONTENT OF THE AESTHETIC EXPERIENCE
.
67
5.1. HUSSERL - AESTHETIC EXPERIENCE IS SOM ATIC
.
67
5.2. HEIDEGGER - AESTHETIC EXPERIENCE IS UNDERSTANDING
.
70
5.2.1. WHAT DO "BEAUTIFUL THINGS" HAVE IN
COMMON?.71
5.2.2.
LIKING.75
5.2.2.1. THE TEMPORALITY OF AESTHETIC EXPERIENCE - MERLEAU-PONTY
INTERLUDE.
79
5.2.2.2. AESTHETIC EXPERIENCE ENRICHES
.
82
5.2.4. WHAT MATTERS TO US IN EXPERIENCING BEAUTY?
.
84
PART FOUR: AESTHETIC EXPERIENCE FROM A NEUROSCIENTIFIC P
ERSPECTIVE.87
CHAPTER 6. INSIDE THE
BRAIN.89
6.1. WHAT DO VARIOUS AESTHETIC EXPERIENCES HAVE IN
COMMON?.90
6.1.1. THE BRAIN CENTRES ACTIVE DURING AESTHETIC EXPERIENCE AND
AESTHETIC
ASSESSMENT - THE NEUROBIOLOGY OF
BEAUTY. 90
6.1.1.1. STRUCTURAL
LEVEL.90
6.1.1.1.1. THE MEDIAL ORBITOFRONTAL C ORTEX
.
90
6.1.1.1.2. THE INSULAR
CORTEX.
94
6.1.1.1.3. THE NUCLEUS
ACCUMBENS. 95
6.1.1.1.4. OTHER AREAS OF
ACTIVITY. 96
6.1.1.2. CELL
LEVEL.
97
6.1.1.2.1. BIOCHEMICAL CORRELATES OF AESTHETIC EXPERIENCE. 97
6.1.1.2.2. DOPAM
INE.
97
6.1.1:2.3. O
PIOIDS.
99
6.1.1.2.4. OXYTOCIN
.
99
6.1.1.2.5.
VASOPRESSIN.100
6.1.13. CONCLUSIONS ABOUT NEUROBIOCHEMICAL INTERSECTIONS
.
101
6.2. WHAT HAPPENS IN AESTHETIC
EXPERIENCE?.102
6.2.1. PLEASANT FEELINGS AS REWARD - ROLLS'S THEORY OF
EMOTIONS.103
6.2.3. EVOLUTIONARY
TELEOLOGY.104
6.2.4. SOCIAL ASPECTS OF EVOLUTIONARY
EXPERIENCE.108
6.2.5.
FASHION.
112
6.2.6. COMMONALITY OR ORIGINALITY - THE PROBLEM OF AESTHETIC EXPERIENCE
.
114
6.3. MORE DISTANT AREAS INVOLVED IN REWARD
SYSTEM.117
6.3.1. SCHILLERIAN INTERLUDE - CORRELATIONS BETWEEN BEAUTY AND GOODNESS
.
118
6.3.2. THE BEAUTY D ILEM M
A.
123
6.4. WHAT MATTERS TO US IN AESTHETIC EXPERIENCE FROM AN EVOLUTIONARY
PERSPECTIVE? 128
6.4.1. (BEAUTY) REWARD STEMS FROM ENJOYM
ENT.129
6.4.2. REWARD SYSTEMS FROM EXISTENCE (1 )
.
132
6.4.3. A SHORT INTERLUDE - SEXUAL BEHAVIOURAL STRATEGIES OR A LESSON
ON GAME THEORY AS AN INSIGHT INTO THE PURPOSE OF ATTRACTIVENESS
.
134
6.4.4. REWARD SYSTEMS FROM EXISTENCE (2 )
.
136
6.4.5. EXISTENCE OF THE LINE VS. EXISTENCE OF THE
INDIVIDUAL?.140
6.4.6. THE IMPORTANCE OF BEAUTY TO AN
INDIVIDUAL.140
6.4.7. BEAUTY AS A SEARCH FOR A BETTER AND SUPERIOR WORLD
.
146
AN ATTEMPT TO SUMMARIZE THE MEANING OF EMOTION
AND AN OUTLINE OF THE PHILOSOPHY OF EMOTIONALITY
FROM A SECOND PERSON POINT OF V IE W
.
149
PART FIVE: THE COGNITIVE ASPECTS OF EMOTIONS AND THE IMPORTANCE
OF THEIR
EXPRESSION.149
CHAPTER 7. WHY DO WE HAVE
EMOTIONS?.
151
7.1.1. EMOTIONS DRAW ATTENTION TO THE INFORMATION THAT IS IMPORTANT
FOR THE
SUBJECT.
151
7.1.2. EMOTIONS AND DRAWING ATTENTION TO OUR OWN S
TATE.155
7.1.3. ART AS THE EXPRESSION OF THE
(IN)VISIBLE.163
7.2. PHILOSOPHY OF EMOTIONALITY FROM THE SECOND-PERSON PERSPECTIVE
.
166
CHAPTER 8.
CONCLUSION.
173
REFERENCES
.
.
.
177
ABOUT A U TH O
R.198 |
| any_adam_object | 1 |
| any_adam_object_boolean | 1 |
| author | Ebert, Frank |
| author_facet | Ebert, Frank |
| author_role | aut |
| author_sort | Ebert, Frank |
| author_variant | f e fe |
| building | Verbundindex |
| bvnumber | BV046895318 |
| classification_rvk | PN 282 |
| collection | ZDB-30-PQE |
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| discipline | Rechtswissenschaft |
| discipline_str_mv | Rechtswissenschaft |
| edition | 5th ed |
| format | Electronic eBook |
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| geographic | Deutschland (DE-588)4011882-4 gnd |
| geographic_facet | Deutschland |
| id | DE-604.BV046895318 |
| illustrated | Not Illustrated |
| index_date | 2024-07-03T15:22:19Z |
| indexdate | 2024-07-10T08:56:49Z |
| institution | BVB |
| isbn | 9783415068315 |
| language | German |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032305093 |
| oclc_num | 1197719199 |
| open_access_boolean | |
| owner | DE-2070s |
| owner_facet | DE-2070s |
| physical | 1 online resource (179 pages) |
| psigel | ZDB-30-PQE ZDB-30-PQE HWR_PDA_PQE |
| publishDate | 2020 |
| publishDateSearch | 2020 |
| publishDateSort | 2020 |
| publisher | Richard Boorberg Verlag |
| record_format | marc |
| spelling | Ebert, Frank Verfasser aut Das aktuelle Disziplinarrecht Leitfaden für den öffentlichen Dienst 5th ed Stuttgart Richard Boorberg Verlag 2020 © 2020 1 online resource (179 pages) txt rdacontent c rdamedia cr rdacarrier Description based on publisher supplied metadata and other sources Bundesdisziplinarrecht (DE-588)4146941-0 gnd rswk-swf Disziplinarverfahren (DE-588)4012519-1 gnd rswk-swf Disziplinarrecht (DE-588)4012517-8 gnd rswk-swf Deutschland (DE-588)4011882-4 gnd rswk-swf Deutschland (DE-588)4011882-4 g Disziplinarrecht (DE-588)4012517-8 s Disziplinarverfahren (DE-588)4012519-1 s DE-604 Bundesdisziplinarrecht (DE-588)4146941-0 s Erscheint auch als Druck-Ausgabe Ebert, Frank Das aktuelle Disziplinarrecht : Leitfaden für den öffentlichen Dienst Stuttgart : Richard Boorberg Verlag,c2020 9783415068308 DNB Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032305093&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Ebert, Frank Das aktuelle Disziplinarrecht Leitfaden für den öffentlichen Dienst Bundesdisziplinarrecht (DE-588)4146941-0 gnd Disziplinarverfahren (DE-588)4012519-1 gnd Disziplinarrecht (DE-588)4012517-8 gnd |
| subject_GND | (DE-588)4146941-0 (DE-588)4012519-1 (DE-588)4012517-8 (DE-588)4011882-4 |
| title | Das aktuelle Disziplinarrecht Leitfaden für den öffentlichen Dienst |
| title_auth | Das aktuelle Disziplinarrecht Leitfaden für den öffentlichen Dienst |
| title_exact_search | Das aktuelle Disziplinarrecht Leitfaden für den öffentlichen Dienst |
| title_exact_search_txtP | Das aktuelle Disziplinarrecht Leitfaden für den öffentlichen Dienst |
| title_full | Das aktuelle Disziplinarrecht Leitfaden für den öffentlichen Dienst |
| title_fullStr | Das aktuelle Disziplinarrecht Leitfaden für den öffentlichen Dienst |
| title_full_unstemmed | Das aktuelle Disziplinarrecht Leitfaden für den öffentlichen Dienst |
| title_short | Das aktuelle Disziplinarrecht |
| title_sort | das aktuelle disziplinarrecht leitfaden fur den offentlichen dienst |
| title_sub | Leitfaden für den öffentlichen Dienst |
| topic | Bundesdisziplinarrecht (DE-588)4146941-0 gnd Disziplinarverfahren (DE-588)4012519-1 gnd Disziplinarrecht (DE-588)4012517-8 gnd |
| topic_facet | Bundesdisziplinarrecht Disziplinarverfahren Disziplinarrecht Deutschland |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032305093&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT ebertfrank dasaktuelledisziplinarrechtleitfadenfurdenoffentlichendienst |