Nasljedovanje antike: = Afterlife of antiquity
Gespeichert in:
| Körperschaft: | |
|---|---|
| Weitere Verfasser: | |
| Format: | Tagungsbericht Buch |
| Sprache: | English Italian |
| Veröffentlicht: |
Rijeka
Filozofski fakultet
2020
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| Schriftenreihe: | Ikon
broj 13 (2020) |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Inhaltsverzeichnis Inhaltsverzeichnis |
| Beschreibung: | "[...] papers presented at the Thirteenth International Conference of Iconographic Studies, Rijeka (May 30-31, 2019) entitled 'Afterlife of Antiquity - Case Studies and New Perspectives in Iconology' at the Faculty of Humanities and Social Sciences in Rijeka organized by the Center for Iconographic Studies University of Rijeka ..." -- Foreword |
| Beschreibung: | 402 Seiten Illustrationen 31 cm |
Internformat
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| 245 | 1 | 0 | |a Nasljedovanje antike |b = Afterlife of antiquity |c urednica/editor, Marina Vicelja-Matijašić |
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| 246 | 1 | 3 | |a Case studies and new perspectives in iconology |
| 246 | 1 | 1 | |a Afterlife of antiquity |
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Datensatz im Suchindex
| _version_ | 1804181756296822784 |
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| adam_text | Sadržaj Contents Uvodna riječ / Foreword........................................................................................... 7 Claudia Geri Via Aby Warburg and the Afterlife of Antiquity Morphology and History............................................................................................ 9 Han Lamers Afterlife of Antiquity: Historical Meanderings.......................................................... 19 Katia Mazzucco Nachlebende, Nachleben Vehicles of Afterlife in (Some) Images and Words of the Warburg Library...............35 Rebeka Vidrih Triple Martyrdom at Notre Dame de Mouzon....................................................... ..47 Doron Bauer Reused Roman Sarcophagi and the Emergence of Romanesque Sculpture in Northern Spain.......... ......... ........................................................................ . 57 Romana Rupiewicz The Motion of Celestial Bodies in Medieval Iconography Christian Assimilation of Ancient Cosmology.......................................................... 67 Fabio Tononi Andrea Mantegna and the Iconography of Mourners Aby Warburg s Notion of Pathosformeln and the Theory of Aesthetic Response .... 79 Barbara Baert Afterlife Studies and the Occasio Grisaille in Mantua (School of Mantegna, 1495-1510)............................................................................ 95 Mauro Salis When did Amphitrite Cross the Tyrrhenian Sea? Some Reflections on the Appearance of Grisaille, Myth and the Classical Renaissance Style in the Periphery of the Crown of Aragon................................. 109 Stephanie
Heremans Fritz Saxl as Reader of Aby Warburg s Sassetti Essay.............................................. 121 Simona Drăgan Ancient Survivals, Ingenious Meanings Iconographie Echoes and Symbols of Dante s Iphigenia in the Sienese Art of the Early Renaissance....................................................................................... 135 Thodoris Koutsogiannis Ancient Greek Figures in Renaissance Germany via Italy Cyriacus of Ancona s Drawings and Their Distorted Perception.......................... 149
Giacomo Montanari Da Ciriaco a Sandro Modelli culturali e figurativi dell Antica Grecia dai viaggi del Pizzecolli ai dipinti di Botticelli............................................................................... 165 Alessandra Galizzi Kroegel From War Hero to Slave to Love On the Reception of Achilles on Scyros in the Renaissance...................... ........... 179 Giuseppe Capriotti - Francesca Casamassima Hermaphroditus and Iphis Texts and Images from two Ovidian Myths to Visualize Sexual Ambiguity in the Early Modern Age........................................................................................ 199 Lasse Hodne The Afterlife of Greece Warburg s Nietzschean Critique ofWinckelmann................................................. 213 Laura Stagno Roman History Themes for Andrea Doha s Palazzo del Principe........................... 227 Filipa Araujo Love is a fire that burns unseen The Reception of Greek Erotic Representations in Alciato s Emblemata and Camões......... ............................................................ . 245 Jasenka Gudelj Resemiotization of Eastern Adriatic Antiquities Uses and Abuses of the Ancient Past............. ................................... ........ . 261 Antun Bace - Maja Zeman Ancient Water-God in the Residences of Early Modern Dubrovnik............... . 277 Agnieszka Skrodzka Antique Inspirations in the Ideological Programmes of Artworks of King Stanisław August s Patronage (1764-1795)................................................ 293 Ylva Haidenthaller Adapting Antiquity References to Classical Literature
on Early Modern Swedish Medals................... 303 Irena Kraševac Classical Themes as Iconographie Motifs in Historical Allegorical Painting Examples by Gustav Klimt in the Rijeka Municipal Theatre and Ivan Tišov at the University Library in Zagreb......................................................................... 315 Palma KarkovićTakalić Maritime Parnassus and the Iconographie Program of the Main Façade of the Municipal Theatre of Rijeka......................................................................... 323
Claudio Zambianchi Lost and Found: Archaeological Fragments and Contemporary Art..................... 335 Rita Ladogana - Ciro Parodo - Marco Giuman The Infallible Sign of the Destiny Reflections on the Iconography of the Myth of the Foundation of Rome in the Art of the Fascist Era..................................................................................... 345 Roberta Minnucci Heaps of Rags and Double Visions The Interpretation of the Classical Venus in Arte Povera..................... ................. 361 Anthi-Danaé Spathoni Idyllic, Pastoral and Abstract CyTwombly s Reinvented Arcadia........................... .............................................. 373 Karen von Veh Classical Mythology as Satire The Realities of a New South Africa in Diane Victor s Birth of a Nation Series...... 383 Jarosław Janowski Existence and Transience The Ancient Idea of Number in Conceptual Art................... ................................ 393
Sadržaj Contents Uvodna riječ / Foreword........................................................................................... 7 Claudia Geri Via Aby Warburg and the Afterlife of Antiquity Morphology and History............................................................................................ 9 Han Lamers Afterlife of Antiquity: Historical Meanderings.......................................................... 19 Katia Mazzucco Nachlebende, Nachleben Vehicles of Afterlife in (Some) Images and Words of the Warburg Library...............35 Rebeka Vidrih Triple Martyrdom at Notre Dame de Mouzon....................................................... ..47 Doron Bauer Reused Roman Sarcophagi and the Emergence of Romanesque Sculpture in Northern Spain.......... ......... ........................................................................ . 57 Romana Rupiewicz The Motion of Celestial Bodies in Medieval Iconography Christian Assimilation of Ancient Cosmology.......................................................... 67 Fabio Tononi Andrea Mantegna and the Iconography of Mourners Aby Warburg s Notion of Pathosformeln and the Theory of Aesthetic Response .... 79 Barbara Baert Afterlife Studies and the Occasio Grisaille in Mantua (School of Mantegna, 1495-1510)............................................................................ 95 Mauro Salis When did Amphitrite Cross the Tyrrhenian Sea? Some Reflections on the Appearance of Grisaille, Myth and the Classical Renaissance Style in the Periphery of the Crown of Aragon................................. 109 Stephanie
Heremans Fritz Saxl as Reader of Aby Warburg s Sassetti Essay.............................................. 121 Simona Drăgan Ancient Survivals, Ingenious Meanings Iconographie Echoes and Symbols of Dante s Iphigenia in the Sienese Art of the Early Renaissance....................................................................................... 135 Thodoris Koutsogiannis Ancient Greek Figures in Renaissance Germany via Italy Cyriacus of Ancona s Drawings and Their Distorted Perception.......................... 149
Giacomo Montanari Da Ciriaco a Sandro Modelli culturali e figurativi dell Antica Grecia dai viaggi del Pizzecolli ai dipinti di Botticelli............................................................................... 165 Alessandra Galizzi Kroegel From War Hero to Slave to Love On the Reception of Achilles on Scyros in the Renaissance...................... ........... 179 Giuseppe Capriotti - Francesca Casamassima Hermaphroditus and Iphis Texts and Images from two Ovidian Myths to Visualize Sexual Ambiguity in the Early Modern Age........................................................................................ 199 Lasse Hodne The Afterlife of Greece Warburg s Nietzschean Critique ofWinckelmann................................................. 213 Laura Stagno Roman History Themes for Andrea Doha s Palazzo del Principe........................... 227 Filipa Araujo Love is a fire that burns unseen The Reception of Greek Erotic Representations in Alciato s Emblemata and Camões......... ............................................................ . 245 Jasenka Gudelj Resemiotization of Eastern Adriatic Antiquities Uses and Abuses of the Ancient Past............. ................................... ........ . 261 Antun Bace - Maja Zeman Ancient Water-God in the Residences of Early Modern Dubrovnik............... . 277 Agnieszka Skrodzka Antique Inspirations in the Ideological Programmes of Artworks of King Stanisław August s Patronage (1764-1795)................................................ 293 Ylva Haidenthaller Adapting Antiquity References to Classical Literature
on Early Modern Swedish Medals................... 303 Irena Kraševac Classical Themes as Iconographie Motifs in Historical Allegorical Painting Examples by Gustav Klimt in the Rijeka Municipal Theatre and Ivan Tišov at the University Library in Zagreb......................................................................... 315 Palma KarkovićTakalić Maritime Parnassus and the Iconographie Program of the Main Façade of the Municipal Theatre of Rijeka......................................................................... 323
Claudio Zambianchi Lost and Found: Archaeological Fragments and Contemporary Art..................... 335 Rita Ladogana - Ciro Parodo - Marco Giuman The Infallible Sign of the Destiny Reflections on the Iconography of the Myth of the Foundation of Rome in the Art of the Fascist Era..................................................................................... 345 Roberta Minnucci Heaps of Rags and Double Visions The Interpretation of the Classical Venus in Arte Povera..................... ................. 361 Anthi-Danaé Spathoni Idyllic, Pastoral and Abstract CyTwombly s Reinvented Arcadia........................... .............................................. 373 Karen von Veh Classical Mythology as Satire The Realities of a New South Africa in Diane Victor s Birth of a Nation Series...... 383 Jarosław Janowski Existence and Transience The Ancient Idea of Number in Conceptual Art................... ................................ 393
Sadržaj Contents Uvodna riječ / Foreword........................................................................................... 7 Claudia Geri Via Aby Warburg and the Afterlife of Antiquity Morphology and History............................................................................................ 9 Han Lamers Afterlife of Antiquity: Historical Meanderings.......................................................... 19 Katia Mazzucco Nachlebende, Nachleben Vehicles of Afterlife in (Some) Images and Words of the Warburg Library...............35 Rebeka Vidrih Triple Martyrdom at Notre Dame de Mouzon....................................................... ..47 Doron Bauer Reused Roman Sarcophagi and the Emergence of Romanesque Sculpture in Northern Spain.......... ......... ........................................................................ . 57 Romana Rupiewicz The Motion of Celestial Bodies in Medieval Iconography Christian Assimilation of Ancient Cosmology.......................................................... 67 Fabio Tononi Andrea Mantegna and the Iconography of Mourners Aby Warburg s Notion of Pathosformeln and the Theory of Aesthetic Response .... 79 Barbara Baert Afterlife Studies and the Occasio Grisaille in Mantua (School of Mantegna, 1495-1510)............................................................................ 95 Mauro Salis When did Amphitrite Cross the Tyrrhenian Sea? Some Reflections on the Appearance of Grisaille, Myth and the Classical Renaissance Style in the Periphery of the Crown of Aragon................................. 109 Stephanie
Heremans Fritz Saxl as Reader of Aby Warburg s Sassetti Essay.............................................. 121 Simona Drăgan Ancient Survivals, Ingenious Meanings Iconographie Echoes and Symbols of Dante s Iphigenia in the Sienese Art of the Early Renaissance....................................................................................... 135 Thodoris Koutsogiannis Ancient Greek Figures in Renaissance Germany via Italy Cyriacus of Ancona s Drawings and Their Distorted Perception.......................... 149
Giacomo Montanari Da Ciriaco a Sandro Modelli culturali e figurativi dell Antica Grecia dai viaggi del Pizzecolli ai dipinti di Botticelli............................................................................... 165 Alessandra Galizzi Kroegel From War Hero to Slave to Love On the Reception of Achilles on Scyros in the Renaissance...................... ........... 179 Giuseppe Capriotti - Francesca Casamassima Hermaphroditus and Iphis Texts and Images from two Ovidian Myths to Visualize Sexual Ambiguity in the Early Modern Age........................................................................................ 199 Lasse Hodne The Afterlife of Greece Warburg s Nietzschean Critique ofWinckelmann................................................. 213 Laura Stagno Roman History Themes for Andrea Doha s Palazzo del Principe........................... 227 Filipa Araujo Love is a fire that burns unseen The Reception of Greek Erotic Representations in Alciato s Emblemata and Camões......... ............................................................ . 245 Jasenka Gudelj Resemiotization of Eastern Adriatic Antiquities Uses and Abuses of the Ancient Past............. ................................... ........ . 261 Antun Bace - Maja Zeman Ancient Water-God in the Residences of Early Modern Dubrovnik............... . 277 Agnieszka Skrodzka Antique Inspirations in the Ideological Programmes of Artworks of King Stanisław August s Patronage (1764-1795)................................................ 293 Ylva Haidenthaller Adapting Antiquity References to Classical Literature
on Early Modern Swedish Medals................... 303 Irena Kraševac Classical Themes as Iconographie Motifs in Historical Allegorical Painting Examples by Gustav Klimt in the Rijeka Municipal Theatre and Ivan Tišov at the University Library in Zagreb......................................................................... 315 Palma KarkovićTakalić Maritime Parnassus and the Iconographie Program of the Main Façade of the Municipal Theatre of Rijeka......................................................................... 323
Claudio Zambianchi Lost and Found: Archaeological Fragments and Contemporary Art..................... 335 Rita Ladogana - Ciro Parodo - Marco Giuman The Infallible Sign of the Destiny Reflections on the Iconography of the Myth of the Foundation of Rome in the Art of the Fascist Era..................................................................................... 345 Roberta Minnucci Heaps of Rags and Double Visions The Interpretation of the Classical Venus in Arte Povera..................... ................. 361 Anthi-Danaé Spathoni Idyllic, Pastoral and Abstract CyTwombly s Reinvented Arcadia........................... .............................................. 373 Karen von Veh Classical Mythology as Satire The Realities of a New South Africa in Diane Victor s Birth of a Nation Series...... 383 Jarosław Janowski Existence and Transience The Ancient Idea of Number in Conceptual Art................... ................................ 393
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Sadržaj Contents Uvodna riječ / Foreword. 7 Claudia Geri Via Aby Warburg and the Afterlife of Antiquity Morphology and History. 9 Han Lamers Afterlife of Antiquity: Historical Meanderings. 19 Katia Mazzucco Nachlebende, Nachleben Vehicles of Afterlife in (Some) Images and Words of the Warburg Library.35 Rebeka Vidrih Triple Martyrdom at Notre Dame de Mouzon. .47 Doron Bauer Reused Roman Sarcophagi and the Emergence of Romanesque Sculpture in Northern Spain. . . . 57 Romana Rupiewicz The Motion of Celestial Bodies in Medieval Iconography Christian Assimilation of Ancient Cosmology. 67 Fabio Tononi Andrea Mantegna and the Iconography of Mourners Aby Warburg's Notion of Pathosformeln and the Theory of Aesthetic Response . 79 Barbara Baert Afterlife Studies and the Occasio Grisaille in Mantua (School of Mantegna, 1495-1510). 95 Mauro Salis When did Amphitrite Cross the Tyrrhenian Sea? Some Reflections on the Appearance of Grisaille, Myth and the Classical Renaissance Style in the Periphery of the Crown of Aragon. 109 Stephanie
Heremans Fritz Saxl as Reader of Aby Warburg's Sassetti Essay. 121 Simona Drăgan Ancient Survivals, Ingenious Meanings Iconographie Echoes and Symbols of Dante's Iphigenia in the Sienese Art of the Early Renaissance. 135 Thodoris Koutsogiannis Ancient Greek Figures in Renaissance Germany via Italy Cyriacus of Ancona's Drawings and Their Distorted Perception. 149
Giacomo Montanari Da Ciriaco a Sandro Modelli culturali e figurativi dell'Antica Grecia dai viaggi del Pizzecolli ai dipinti di Botticelli. 165 Alessandra Galizzi Kroegel From War Hero to Slave to Love On the Reception of Achilles on Scyros in the Renaissance. . 179 Giuseppe Capriotti - Francesca Casamassima Hermaphroditus and Iphis Texts and Images from two Ovidian Myths to Visualize Sexual Ambiguity in the Early Modern Age. 199 Lasse Hodne The Afterlife of Greece Warburg's Nietzschean Critique ofWinckelmann. 213 Laura Stagno Roman History Themes for Andrea Doha's Palazzo del Principe. 227 Filipa Araujo "Love is a fire that burns unseen" The Reception of Greek Erotic Representations in Alciato's Emblemata and Camões. . . 245 Jasenka Gudelj Resemiotization of Eastern Adriatic Antiquities Uses and Abuses of the Ancient Past. . . . 261 Antun Bace - Maja Zeman Ancient Water-God in the Residences of Early Modern Dubrovnik. . 277 Agnieszka Skrodzka Antique Inspirations in the Ideological Programmes of Artworks of King Stanisław August's Patronage (1764-1795). 293 Ylva Haidenthaller Adapting Antiquity References to Classical Literature
on Early Modern Swedish Medals. 303 Irena Kraševac Classical Themes as Iconographie Motifs in Historical Allegorical Painting Examples by Gustav Klimt in the Rijeka Municipal Theatre and Ivan Tišov at the University Library in Zagreb. 315 Palma KarkovićTakalić Maritime Parnassus and the Iconographie Program of the Main Façade of the Municipal Theatre of Rijeka. 323
Claudio Zambianchi Lost and Found: Archaeological Fragments and Contemporary Art. 335 Rita Ladogana - Ciro Parodo - Marco Giuman "The Infallible Sign of the Destiny" Reflections on the Iconography of the Myth of the Foundation of Rome in the Art of the Fascist Era. 345 Roberta Minnucci Heaps of Rags and Double Visions The Interpretation of the Classical Venus in Arte Povera. . 361 Anthi-Danaé Spathoni Idyllic, Pastoral and Abstract CyTwombly's Reinvented Arcadia. . 373 Karen von Veh Classical Mythology as Satire The Realities of a'New'South Africa in Diane Victor's Birth of a Nation Series. 383 Jarosław Janowski Existence and Transience The Ancient Idea of Number in Conceptual Art. . 393
Sadržaj Contents Uvodna riječ / Foreword. 7 Claudia Geri Via Aby Warburg and the Afterlife of Antiquity Morphology and History. 9 Han Lamers Afterlife of Antiquity: Historical Meanderings. 19 Katia Mazzucco Nachlebende, Nachleben Vehicles of Afterlife in (Some) Images and Words of the Warburg Library.35 Rebeka Vidrih Triple Martyrdom at Notre Dame de Mouzon. .47 Doron Bauer Reused Roman Sarcophagi and the Emergence of Romanesque Sculpture in Northern Spain. . . . 57 Romana Rupiewicz The Motion of Celestial Bodies in Medieval Iconography Christian Assimilation of Ancient Cosmology. 67 Fabio Tononi Andrea Mantegna and the Iconography of Mourners Aby Warburg's Notion of Pathosformeln and the Theory of Aesthetic Response . 79 Barbara Baert Afterlife Studies and the Occasio Grisaille in Mantua (School of Mantegna, 1495-1510). 95 Mauro Salis When did Amphitrite Cross the Tyrrhenian Sea? Some Reflections on the Appearance of Grisaille, Myth and the Classical Renaissance Style in the Periphery of the Crown of Aragon. 109 Stephanie
Heremans Fritz Saxl as Reader of Aby Warburg's Sassetti Essay. 121 Simona Drăgan Ancient Survivals, Ingenious Meanings Iconographie Echoes and Symbols of Dante's Iphigenia in the Sienese Art of the Early Renaissance. 135 Thodoris Koutsogiannis Ancient Greek Figures in Renaissance Germany via Italy Cyriacus of Ancona's Drawings and Their Distorted Perception. 149
Giacomo Montanari Da Ciriaco a Sandro Modelli culturali e figurativi dell'Antica Grecia dai viaggi del Pizzecolli ai dipinti di Botticelli. 165 Alessandra Galizzi Kroegel From War Hero to Slave to Love On the Reception of Achilles on Scyros in the Renaissance. . 179 Giuseppe Capriotti - Francesca Casamassima Hermaphroditus and Iphis Texts and Images from two Ovidian Myths to Visualize Sexual Ambiguity in the Early Modern Age. 199 Lasse Hodne The Afterlife of Greece Warburg's Nietzschean Critique ofWinckelmann. 213 Laura Stagno Roman History Themes for Andrea Doha's Palazzo del Principe. 227 Filipa Araujo "Love is a fire that burns unseen" The Reception of Greek Erotic Representations in Alciato's Emblemata and Camões. . . 245 Jasenka Gudelj Resemiotization of Eastern Adriatic Antiquities Uses and Abuses of the Ancient Past. . . . 261 Antun Bace - Maja Zeman Ancient Water-God in the Residences of Early Modern Dubrovnik. . 277 Agnieszka Skrodzka Antique Inspirations in the Ideological Programmes of Artworks of King Stanisław August's Patronage (1764-1795). 293 Ylva Haidenthaller Adapting Antiquity References to Classical Literature
on Early Modern Swedish Medals. 303 Irena Kraševac Classical Themes as Iconographie Motifs in Historical Allegorical Painting Examples by Gustav Klimt in the Rijeka Municipal Theatre and Ivan Tišov at the University Library in Zagreb. 315 Palma KarkovićTakalić Maritime Parnassus and the Iconographie Program of the Main Façade of the Municipal Theatre of Rijeka. 323
Claudio Zambianchi Lost and Found: Archaeological Fragments and Contemporary Art. 335 Rita Ladogana - Ciro Parodo - Marco Giuman "The Infallible Sign of the Destiny" Reflections on the Iconography of the Myth of the Foundation of Rome in the Art of the Fascist Era. 345 Roberta Minnucci Heaps of Rags and Double Visions The Interpretation of the Classical Venus in Arte Povera. . 361 Anthi-Danaé Spathoni Idyllic, Pastoral and Abstract CyTwombly's Reinvented Arcadia. . 373 Karen von Veh Classical Mythology as Satire The Realities of a'New'South Africa in Diane Victor's Birth of a Nation Series. 383 Jarosław Janowski Existence and Transience The Ancient Idea of Number in Conceptual Art. . 393
Sadržaj Contents Uvodna riječ / Foreword. 7 Claudia Geri Via Aby Warburg and the Afterlife of Antiquity Morphology and History. 9 Han Lamers Afterlife of Antiquity: Historical Meanderings. 19 Katia Mazzucco Nachlebende, Nachleben Vehicles of Afterlife in (Some) Images and Words of the Warburg Library.35 Rebeka Vidrih Triple Martyrdom at Notre Dame de Mouzon. .47 Doron Bauer Reused Roman Sarcophagi and the Emergence of Romanesque Sculpture in Northern Spain. . . . 57 Romana Rupiewicz The Motion of Celestial Bodies in Medieval Iconography Christian Assimilation of Ancient Cosmology. 67 Fabio Tononi Andrea Mantegna and the Iconography of Mourners Aby Warburg's Notion of Pathosformeln and the Theory of Aesthetic Response . 79 Barbara Baert Afterlife Studies and the Occasio Grisaille in Mantua (School of Mantegna, 1495-1510). 95 Mauro Salis When did Amphitrite Cross the Tyrrhenian Sea? Some Reflections on the Appearance of Grisaille, Myth and the Classical Renaissance Style in the Periphery of the Crown of Aragon. 109 Stephanie
Heremans Fritz Saxl as Reader of Aby Warburg's Sassetti Essay. 121 Simona Drăgan Ancient Survivals, Ingenious Meanings Iconographie Echoes and Symbols of Dante's Iphigenia in the Sienese Art of the Early Renaissance. 135 Thodoris Koutsogiannis Ancient Greek Figures in Renaissance Germany via Italy Cyriacus of Ancona's Drawings and Their Distorted Perception. 149
Giacomo Montanari Da Ciriaco a Sandro Modelli culturali e figurativi dell'Antica Grecia dai viaggi del Pizzecolli ai dipinti di Botticelli. 165 Alessandra Galizzi Kroegel From War Hero to Slave to Love On the Reception of Achilles on Scyros in the Renaissance. . 179 Giuseppe Capriotti - Francesca Casamassima Hermaphroditus and Iphis Texts and Images from two Ovidian Myths to Visualize Sexual Ambiguity in the Early Modern Age. 199 Lasse Hodne The Afterlife of Greece Warburg's Nietzschean Critique ofWinckelmann. 213 Laura Stagno Roman History Themes for Andrea Doha's Palazzo del Principe. 227 Filipa Araujo "Love is a fire that burns unseen" The Reception of Greek Erotic Representations in Alciato's Emblemata and Camões. . . 245 Jasenka Gudelj Resemiotization of Eastern Adriatic Antiquities Uses and Abuses of the Ancient Past. . . . 261 Antun Bace - Maja Zeman Ancient Water-God in the Residences of Early Modern Dubrovnik. . 277 Agnieszka Skrodzka Antique Inspirations in the Ideological Programmes of Artworks of King Stanisław August's Patronage (1764-1795). 293 Ylva Haidenthaller Adapting Antiquity References to Classical Literature
on Early Modern Swedish Medals. 303 Irena Kraševac Classical Themes as Iconographie Motifs in Historical Allegorical Painting Examples by Gustav Klimt in the Rijeka Municipal Theatre and Ivan Tišov at the University Library in Zagreb. 315 Palma KarkovićTakalić Maritime Parnassus and the Iconographie Program of the Main Façade of the Municipal Theatre of Rijeka. 323
Claudio Zambianchi Lost and Found: Archaeological Fragments and Contemporary Art. 335 Rita Ladogana - Ciro Parodo - Marco Giuman "The Infallible Sign of the Destiny" Reflections on the Iconography of the Myth of the Foundation of Rome in the Art of the Fascist Era. 345 Roberta Minnucci Heaps of Rags and Double Visions The Interpretation of the Classical Venus in Arte Povera. . 361 Anthi-Danaé Spathoni Idyllic, Pastoral and Abstract CyTwombly's Reinvented Arcadia. . 373 Karen von Veh Classical Mythology as Satire The Realities of a'New'South Africa in Diane Victor's Birth of a Nation Series. 383 Jarosław Janowski Existence and Transience The Ancient Idea of Number in Conceptual Art. . 393 |
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| any_adam_object_boolean | 1 |
| author2 | Vicelja, Marina ca. 20./21. Jh |
| author2_role | edt |
| author2_variant | m v mv |
| author_GND | (DE-588)138197636 |
| author_corporate | Međunarodni znanstveni skup ikonografskih studija Nasljedovanje antike. Primjeri i nove perspektive u ikonologiji Rijeka |
| author_corporate_role | aut |
| author_facet | Vicelja, Marina ca. 20./21. Jh Međunarodni znanstveni skup ikonografskih studija Nasljedovanje antike. Primjeri i nove perspektive u ikonologiji Rijeka |
| author_sort | Međunarodni znanstveni skup ikonografskih studija Nasljedovanje antike. Primjeri i nove perspektive u ikonologiji Rijeka |
| building | Verbundindex |
| bvnumber | BV046890819 |
| ctrlnum | (OCoLC)1197708379 (DE-599)BVBBV046890819 |
| era | Geschichte gnd |
| era_facet | Geschichte |
| format | Conference Proceeding Book |
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| genre_facet | Konferenzschrift University of Rijeka 30.05.2019-31.05.2019 Rijeka |
| id | DE-604.BV046890819 |
| illustrated | Illustrated |
| index_date | 2024-07-03T15:21:05Z |
| indexdate | 2024-07-10T08:56:43Z |
| institution | BVB |
| institution_GND | (DE-588)1217356320 |
| language | English Italian |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032300639 |
| oclc_num | 1197708379 |
| open_access_boolean | |
| owner | DE-12 DE-Y3 DE-Y2 |
| owner_facet | DE-12 DE-Y3 DE-Y2 |
| physical | 402 Seiten Illustrationen 31 cm |
| psigel | gbd_4_2010 BSB_NED_20201218 |
| publishDate | 2020 |
| publishDateSearch | 2020 |
| publishDateSort | 2020 |
| publisher | Filozofski fakultet |
| record_format | marc |
| series | Ikon |
| series2 | Ikon |
| spelling | Međunarodni znanstveni skup ikonografskih studija Nasljedovanje antike. Primjeri i nove perspektive u ikonologiji 2019 Rijeka Verfasser (DE-588)1217356320 aut Nasljedovanje antike = Afterlife of antiquity urednica/editor, Marina Vicelja-Matijašić Primjeri i nove perspektive u ikonologiji Case studies and new perspectives in iconology Afterlife of antiquity Rijeka Filozofski fakultet 2020 402 Seiten Illustrationen 31 cm txt rdacontent n rdamedia nc rdacarrier Ikon broj 13 (2020) "[...] papers presented at the Thirteenth International Conference of Iconographic Studies, Rijeka (May 30-31, 2019) entitled 'Afterlife of Antiquity - Case Studies and New Perspectives in Iconology' at the Faculty of Humanities and Social Sciences in Rijeka organized by the Center for Iconographic Studies University of Rijeka ..." -- Foreword Beiträge überwiegend englisch, 1 Beitrag italienisch Geschichte gnd rswk-swf Rezeption (DE-588)4049716-1 gnd rswk-swf Antike (DE-588)4068754-5 gnd rswk-swf Kunst (DE-588)4114333-4 gnd rswk-swf Antiquity iconographic influences iconology visual arts (DE-588)1071861417 Konferenzschrift University of Rijeka 30.05.2019-31.05.2019 Rijeka gnd-content Rezeption & Wirkungsgeschichte (DE-2581)TH000005250 gbd Antike (DE-588)4068754-5 s Rezeption (DE-588)4049716-1 s Kunst (DE-588)4114333-4 s Geschichte z DE-604 Vicelja, Marina ca. 20./21. Jh. (DE-588)138197636 edt Ikon broj 13 (2020) (DE-604)BV037480230 13 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032300639&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032300639&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032300639&sequence=000005&line_number=0003&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Nasljedovanje antike = Afterlife of antiquity Ikon Rezeption (DE-588)4049716-1 gnd Antike (DE-588)4068754-5 gnd Kunst (DE-588)4114333-4 gnd |
| subject_GND | (DE-588)4049716-1 (DE-588)4068754-5 (DE-588)4114333-4 (DE-588)1071861417 |
| title | Nasljedovanje antike = Afterlife of antiquity |
| title_alt | Primjeri i nove perspektive u ikonologiji Case studies and new perspectives in iconology Afterlife of antiquity |
| title_auth | Nasljedovanje antike = Afterlife of antiquity |
| title_exact_search | Nasljedovanje antike = Afterlife of antiquity |
| title_exact_search_txtP | Nasljedovanje antike = Afterlife of antiquity |
| title_full | Nasljedovanje antike = Afterlife of antiquity urednica/editor, Marina Vicelja-Matijašić |
| title_fullStr | Nasljedovanje antike = Afterlife of antiquity urednica/editor, Marina Vicelja-Matijašić |
| title_full_unstemmed | Nasljedovanje antike = Afterlife of antiquity urednica/editor, Marina Vicelja-Matijašić |
| title_short | Nasljedovanje antike |
| title_sort | nasljedovanje antike afterlife of antiquity |
| title_sub | = Afterlife of antiquity |
| topic | Rezeption (DE-588)4049716-1 gnd Antike (DE-588)4068754-5 gnd Kunst (DE-588)4114333-4 gnd |
| topic_facet | Rezeption Antike Kunst Konferenzschrift University of Rijeka 30.05.2019-31.05.2019 Rijeka |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032300639&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032300639&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032300639&sequence=000005&line_number=0003&func_code=DB_RECORDS&service_type=MEDIA |
| volume_link | (DE-604)BV037480230 |
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