Diary of a foreigner in Paris:
"Every "diary" is a portrait, chronicle, tale, record, history. Notes taken day by day are not a diary but merely moments selected at random in the current of time, in the river of the passing day. A "diary" is a tale: the tale of a tranche de vie (the very definition of the...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Weitere Verfasser: | |
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York
New York Review Books
[2020]
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| Schriftenreihe: | NYRB classics
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| Schlagworte: | |
| Zusammenfassung: | "Every "diary" is a portrait, chronicle, tale, record, history. Notes taken day by day are not a diary but merely moments selected at random in the current of time, in the river of the passing day. A "diary" is a tale: the tale of a tranche de vie (the very definition of the novel, according to one celebrated school), of a period, a year, many years of our life. And as life follows the logic of a tale, it has a beginning, middle, and end (a life is a series of beginnings, middles, and ends, within the closed circle of the beginning, middle, and end of life, in the circle of life). It's not true that a "diary" begins by chance, progresses by chance, has no conclusion but the end of life. A diary, like every tale, calls for a beginning, a plot, and a denouement. The subject of Diary of a Foreigner in Paris is my return to Paris after a fourteen-year absence. It's my discovery of a new France, of a new French people. It's the portrait of a moment in the history of the French nation, of French civilization, that coincides with a particular moment in my life, in the story of my life. I don't claim to be breaking new ground in the "diary" genre. I'm simply suggesting that a diary is a tale, as a play is a tale. And now I arrive at my point: a "diary" is a theatrical work brought to the boards of the page. It's the point at which a tale comes closest to the theater. Everything there tends toward an ending, a conclusion, following the classical rules of unity, but centered on the character called "I." It's the Das Da, Kafka's "present moment," brought to the stage-page. My "diary," at least, is this."-- |
| Beschreibung: | xxii, 252 Seiten |
| ISBN: | 9781681374161 |
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| 520 | 3 | |a "Every "diary" is a portrait, chronicle, tale, record, history. Notes taken day by day are not a diary but merely moments selected at random in the current of time, in the river of the passing day. A "diary" is a tale: the tale of a tranche de vie (the very definition of the novel, according to one celebrated school), of a period, a year, many years of our life. And as life follows the logic of a tale, it has a beginning, middle, and end (a life is a series of beginnings, middles, and ends, within the closed circle of the beginning, middle, and end of life, in the circle of life). It's not true that a "diary" begins by chance, progresses by chance, has no conclusion but the end of life. A diary, like every tale, calls for a beginning, a plot, and a denouement. The subject of Diary of a Foreigner in Paris is my return to Paris after a fourteen-year absence. It's my discovery of a new France, of a new French people. It's the portrait of a moment in the history of the French nation, of French civilization, that coincides with a particular moment in my life, in the story of my life. I don't claim to be breaking new ground in the "diary" genre. I'm simply suggesting that a diary is a tale, as a play is a tale. And now I arrive at my point: a "diary" is a theatrical work brought to the boards of the page. It's the point at which a tale comes closest to the theater. Everything there tends toward an ending, a conclusion, following the classical rules of unity, but centered on the character called "I." It's the Das Da, Kafka's "present moment," brought to the stage-page. My "diary," at least, is this."-- | |
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| author | Malaparte, Curzio 1898-1957 |
| author2 | Twilley, Stephen |
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| author2_variant | s t st |
| author_GND | (DE-588)118781383 (DE-588)121588912 |
| author_facet | Malaparte, Curzio 1898-1957 Twilley, Stephen |
| author_role | aut |
| author_sort | Malaparte, Curzio 1898-1957 |
| author_variant | c m cm |
| building | Verbundindex |
| bvnumber | BV046890368 |
| ctrlnum | (OCoLC)1192501810 (DE-599)BVBBV046890368 |
| era | Geschichte 1947-1948 gnd |
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| genre_facet | Tagebuch |
| geographic | Paris (DE-588)4044660-8 gnd |
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| id | DE-604.BV046890368 |
| illustrated | Not Illustrated |
| index_date | 2024-07-03T15:20:57Z |
| indexdate | 2024-07-10T08:56:42Z |
| institution | BVB |
| isbn | 9781681374161 |
| language | English |
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| physical | xxii, 252 Seiten |
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| publishDate | 2020 |
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| publisher | New York Review Books |
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| spelling | Malaparte, Curzio 1898-1957 Verfasser (DE-588)118781383 aut Diario di uno straniero a Parigi Diary of a foreigner in Paris Curzio Malaparte ; translated from the Italian and French by Stephen Twilley ; introduction by Edmund White New York New York Review Books [2020] xxii, 252 Seiten txt rdacontent n rdamedia nc rdacarrier NYRB classics "Every "diary" is a portrait, chronicle, tale, record, history. Notes taken day by day are not a diary but merely moments selected at random in the current of time, in the river of the passing day. A "diary" is a tale: the tale of a tranche de vie (the very definition of the novel, according to one celebrated school), of a period, a year, many years of our life. And as life follows the logic of a tale, it has a beginning, middle, and end (a life is a series of beginnings, middles, and ends, within the closed circle of the beginning, middle, and end of life, in the circle of life). It's not true that a "diary" begins by chance, progresses by chance, has no conclusion but the end of life. A diary, like every tale, calls for a beginning, a plot, and a denouement. The subject of Diary of a Foreigner in Paris is my return to Paris after a fourteen-year absence. It's my discovery of a new France, of a new French people. It's the portrait of a moment in the history of the French nation, of French civilization, that coincides with a particular moment in my life, in the story of my life. I don't claim to be breaking new ground in the "diary" genre. I'm simply suggesting that a diary is a tale, as a play is a tale. And now I arrive at my point: a "diary" is a theatrical work brought to the boards of the page. It's the point at which a tale comes closest to the theater. Everything there tends toward an ending, a conclusion, following the classical rules of unity, but centered on the character called "I." It's the Das Da, Kafka's "present moment," brought to the stage-page. My "diary," at least, is this."-- Geschichte 1947-1948 gnd rswk-swf Paris (DE-588)4044660-8 gnd rswk-swf Paris (France) / Intellectual life / 20th century Paris (France) / History / 1944- / Anecdotes Malaparte, Curzio / 1898-1957 / Diaries Journalists / Italy / Biography HISTORY / Europe / France Malaparte, Curzio / 1898-1957 Intellectual life Journalists France / Paris Italy Since 1900 Biographies Anecdotes Diaries History (DE-588)4058900-6 Tagebuch gnd-content Paris (DE-588)4044660-8 g Geschichte 1947-1948 z DE-604 Twilley, Stephen trl White, Edmund 1940- (DE-588)121588912 win Online version Malaparte, Curzio, 1898- Diary of a foreigner in Paris [New York]: New York Review Books, [2020] 9781681374178 |
| spellingShingle | Malaparte, Curzio 1898-1957 Diary of a foreigner in Paris |
| subject_GND | (DE-588)4044660-8 (DE-588)4058900-6 |
| title | Diary of a foreigner in Paris |
| title_alt | Diario di uno straniero a Parigi |
| title_auth | Diary of a foreigner in Paris |
| title_exact_search | Diary of a foreigner in Paris |
| title_exact_search_txtP | Diary of a foreigner in Paris |
| title_full | Diary of a foreigner in Paris Curzio Malaparte ; translated from the Italian and French by Stephen Twilley ; introduction by Edmund White |
| title_fullStr | Diary of a foreigner in Paris Curzio Malaparte ; translated from the Italian and French by Stephen Twilley ; introduction by Edmund White |
| title_full_unstemmed | Diary of a foreigner in Paris Curzio Malaparte ; translated from the Italian and French by Stephen Twilley ; introduction by Edmund White |
| title_short | Diary of a foreigner in Paris |
| title_sort | diary of a foreigner in paris |
| topic_facet | Paris Tagebuch |
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