Meryl McMaster - as immense as the sky:
From a rising generation of indigenous artists in Canada, Meryl McMaster (b. 1988, Ottawa) uses photography to explore identity and its distinct cultural landscapes with extraordinary visual impact. Creating elaborate, sculptural garments and props, her performative self-portraits present journeys w...
Gespeichert in:
| Weitere Verfasser: | , |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Birmingham
Ikon Gallery
[2020]
|
| Schlagworte: | |
| Zusammenfassung: | From a rising generation of indigenous artists in Canada, Meryl McMaster (b. 1988, Ottawa) uses photography to explore identity and its distinct cultural landscapes with extraordinary visual impact. Creating elaborate, sculptural garments and props, her performative self-portraits present journeys which are both actual and imaginative, into the realms of her ancestors. McMaster is of the nêhiyawak community (Plains Cree) and a member of the Siksika First Nation (Alberta, Canada) on her father's side, and Euro-Canadian (British and Dutch) on her mother's. In her recent series 'As Immense as the Sky' (2019), McMaster draws on place-based narratives, memory and self. Captured across ancestral sites in Saskatchewan and early settlements in Ontario and Newfoundland, she interprets, and re-stages patrimonial stories collected from relatives and community knowledge-keepers. Acknowledging the personal and social history and effects of colonisation, McMaster contemplates how ancestral stories are written into the landscape by the people who once lived, as well as those who still reside there. She presents herself in nature, viewing the environment and seasons as an integral part of the cultural context. Works from her series Edge of a Moment (2017), taken in Head-Smashed-In Buffalo Jump in Alberta (an important historical site for the Siksika First Nation), address the environmental consequences of colonisation. McMaster references the dangers of unsustainable land usage and the erasure of key species within ancestral ecosystems. This catalogue features exclusive new texts from influential American writer and curator Lucy Lippard, and the Indigenous Canadian writer and curator Lindsay Nixon. Exhibition: Ikon Gallery, Birmingham, UK (04.23.2019-23.12.2020) |
| Beschreibung: | Impressum: "Meryl McMaster. As Immense as the Sky", Ikon Gallery, Birmingham, 4 December 2019 - 23 February 2020, curated by Jonathan Watkins |
| Beschreibung: | 59 Seiten |
| ISBN: | 9781911155249 1911155245 |
Internformat
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| 500 | |a Impressum: "Meryl McMaster. As Immense as the Sky", Ikon Gallery, Birmingham, 4 December 2019 - 23 February 2020, curated by Jonathan Watkins | ||
| 520 | 3 | |a From a rising generation of indigenous artists in Canada, Meryl McMaster (b. 1988, Ottawa) uses photography to explore identity and its distinct cultural landscapes with extraordinary visual impact. Creating elaborate, sculptural garments and props, her performative self-portraits present journeys which are both actual and imaginative, into the realms of her ancestors. McMaster is of the nêhiyawak community (Plains Cree) and a member of the Siksika First Nation (Alberta, Canada) on her father's side, and Euro-Canadian (British and Dutch) on her mother's. In her recent series 'As Immense as the Sky' (2019), McMaster draws on place-based narratives, memory and self. Captured across ancestral sites in Saskatchewan and early settlements in Ontario and Newfoundland, she interprets, and re-stages patrimonial stories collected from relatives and community knowledge-keepers. Acknowledging the personal and social history and effects of colonisation, McMaster contemplates how ancestral stories are written into the landscape by the people who once lived, as well as those who still reside there. She presents herself in nature, viewing the environment and seasons as an integral part of the cultural context. Works from her series Edge of a Moment (2017), taken in Head-Smashed-In Buffalo Jump in Alberta (an important historical site for the Siksika First Nation), address the environmental consequences of colonisation. McMaster references the dangers of unsustainable land usage and the erasure of key species within ancestral ecosystems. This catalogue features exclusive new texts from influential American writer and curator Lucy Lippard, and the Indigenous Canadian writer and curator Lindsay Nixon. Exhibition: Ikon Gallery, Birmingham, UK (04.23.2019-23.12.2020) | |
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Datensatz im Suchindex
| _version_ | 1811026460539879424 |
|---|---|
| adam_text | |
| adam_txt | |
| any_adam_object | |
| any_adam_object_boolean | |
| author2 | McMaster, Meryl 1988- Watkins, Jonathan 1957- |
| author2_role | pht aui |
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| author_GND | (DE-588)1054973903 (DE-588)119445883 (DE-588)1024347850 |
| author_facet | McMaster, Meryl 1988- Watkins, Jonathan 1957- |
| building | Verbundindex |
| bvnumber | BV046889346 |
| callnumber-first | T - Technology |
| callnumber-label | TR655 |
| callnumber-raw | TR655 |
| callnumber-search | TR655 |
| callnumber-sort | TR 3655 |
| callnumber-subject | TR - Photography |
| classification_rvk | AP 94100 |
| ctrlnum | (OCoLC)1193156019 (DE-599)KXP1703786572 |
| dewey-full | 779 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 779 - Photographic images |
| dewey-raw | 779 |
| dewey-search | 779 |
| dewey-sort | 3779 |
| dewey-tens | 770 - Photography, computer art, cinematography |
| discipline | Kunstgeschichte Allgemeines |
| discipline_str_mv | Kunstgeschichte Allgemeines |
| format | Book |
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| id | DE-604.BV046889346 |
| illustrated | Not Illustrated |
| index_date | 2024-07-03T15:20:39Z |
| indexdate | 2024-09-23T22:10:21Z |
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| isbn | 9781911155249 1911155245 |
| language | English |
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| physical | 59 Seiten |
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| spelling | McMaster, Meryl 1988- (DE-588)1054973903 pht Meryl McMaster - as immense as the sky texts by Lucy Lippard, Lindsay Nixon and foreword by Jonathan Watkins As immense as the sky Birmingham Ikon Gallery [2020] 59 Seiten sti rdacontent txt rdacontent n rdamedia nc rdacarrier Impressum: "Meryl McMaster. As Immense as the Sky", Ikon Gallery, Birmingham, 4 December 2019 - 23 February 2020, curated by Jonathan Watkins From a rising generation of indigenous artists in Canada, Meryl McMaster (b. 1988, Ottawa) uses photography to explore identity and its distinct cultural landscapes with extraordinary visual impact. Creating elaborate, sculptural garments and props, her performative self-portraits present journeys which are both actual and imaginative, into the realms of her ancestors. McMaster is of the nêhiyawak community (Plains Cree) and a member of the Siksika First Nation (Alberta, Canada) on her father's side, and Euro-Canadian (British and Dutch) on her mother's. In her recent series 'As Immense as the Sky' (2019), McMaster draws on place-based narratives, memory and self. Captured across ancestral sites in Saskatchewan and early settlements in Ontario and Newfoundland, she interprets, and re-stages patrimonial stories collected from relatives and community knowledge-keepers. Acknowledging the personal and social history and effects of colonisation, McMaster contemplates how ancestral stories are written into the landscape by the people who once lived, as well as those who still reside there. She presents herself in nature, viewing the environment and seasons as an integral part of the cultural context. Works from her series Edge of a Moment (2017), taken in Head-Smashed-In Buffalo Jump in Alberta (an important historical site for the Siksika First Nation), address the environmental consequences of colonisation. McMaster references the dangers of unsustainable land usage and the erasure of key species within ancestral ecosystems. This catalogue features exclusive new texts from influential American writer and curator Lucy Lippard, and the Indigenous Canadian writer and curator Lindsay Nixon. Exhibition: Ikon Gallery, Birmingham, UK (04.23.2019-23.12.2020) McMaster, Meryl 1988- (DE-588)1054973903 gnd rswk-swf Fotografie (DE-588)4045895-7 gnd rswk-swf Blackfoot (DE-588)4069512-8 gnd rswk-swf Photography, Artistic / 21st century / Exhibitions Photography / Canada / 21st century / Exhibitions Photography Photography, Artistic Exhibition catalogs Canada (DE-588)4135467-9 Ausstellungskatalog Ikon Gallery 04.12.2019-23.02.2020 Birmingham gnd-content (DE-588)4145395-5 Bildband gnd-content McMaster, Meryl 1988- (DE-588)1054973903 p Fotografie (DE-588)4045895-7 s Blackfoot (DE-588)4069512-8 s DE-604 Lippard, Lucy R. 1937- (DE-588)119445883 wst Nixon, Lindsay wst Watkins, Jonathan 1957- (DE-588)1024347850 aui orm Ikon Gallery (DE-588)5063314-4 his |
| spellingShingle | Meryl McMaster - as immense as the sky McMaster, Meryl 1988- (DE-588)1054973903 gnd Fotografie (DE-588)4045895-7 gnd Blackfoot (DE-588)4069512-8 gnd |
| subject_GND | (DE-588)1054973903 (DE-588)4045895-7 (DE-588)4069512-8 (DE-588)4135467-9 (DE-588)4145395-5 |
| title | Meryl McMaster - as immense as the sky |
| title_alt | As immense as the sky |
| title_auth | Meryl McMaster - as immense as the sky |
| title_exact_search | Meryl McMaster - as immense as the sky |
| title_exact_search_txtP | Meryl McMaster - as immense as the sky |
| title_full | Meryl McMaster - as immense as the sky texts by Lucy Lippard, Lindsay Nixon and foreword by Jonathan Watkins |
| title_fullStr | Meryl McMaster - as immense as the sky texts by Lucy Lippard, Lindsay Nixon and foreword by Jonathan Watkins |
| title_full_unstemmed | Meryl McMaster - as immense as the sky texts by Lucy Lippard, Lindsay Nixon and foreword by Jonathan Watkins |
| title_short | Meryl McMaster - as immense as the sky |
| title_sort | meryl mcmaster as immense as the sky |
| topic | McMaster, Meryl 1988- (DE-588)1054973903 gnd Fotografie (DE-588)4045895-7 gnd Blackfoot (DE-588)4069512-8 gnd |
| topic_facet | McMaster, Meryl 1988- Fotografie Blackfoot Ausstellungskatalog Ikon Gallery 04.12.2019-23.02.2020 Birmingham Bildband |
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