Art in the cinema: the mid-century art documentary
"In the years immediately following the Second World War, art documentaries played an important part in an emerging cinephile culture favoring experimental shorts. In the 1940s and 1950s, hundreds of art documentaries were produced, many of them being highly personal, poetic, reflexive and expe...
Gespeichert in:
| Weitere Verfasser: | , , |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
London ; New York
Bloomsbury Academic
2021
|
| Schlagworte: | |
| Online-Zugang: | BSB01 UBR01 UBT01 Volltext |
| Zusammenfassung: | "In the years immediately following the Second World War, art documentaries played an important part in an emerging cinephile culture favoring experimental shorts. In the 1940s and 1950s, hundreds of art documentaries were produced, many of them being highly personal, poetic, reflexive and experimental films that offer a thrilling cinematic experience. With the exception of Alain Resnais's Van Gogh (1948), Henri-Georges Clouzot's Le Mystère Picasso (1956) and a few others, most of them fell into oblivion and they have received only scant scholarly attention. This book aims to rectify this situation by discussing the most innovative, experimental and influential postwar art documentaries, connecting them to contemporaneous museological developments and Euro-American cultural and political relationships. With an international team of contributors with expertise across art history and film studies, Art in the Cinema draws attention to film projects by André Bazin, Ilya Bolotowsky, Paul Haesaerts, Carlo Ragghianti, John Read, Dudley Shaw Aston, Henri Storck and Willard Van Dyke among others"-- |
| Beschreibung: | 1 Online-Ressource (xv, 237 Seiten) Illustrationen |
| ISBN: | 9781350160323 9781350160309 9781350160316 |
| DOI: | 10.5040/9781350160323 |
Internformat
MARC
| LEADER | 00000nmm a2200000 c 4500 | ||
|---|---|---|---|
| 001 | BV046889088 | ||
| 003 | DE-604 | ||
| 005 | 20211007 | ||
| 007 | cr|uuu---uuuuu | ||
| 008 | 200908s2021 |||| o||u| ||||||eng d | ||
| 020 | |a 9781350160323 |c Online |9 978-1-350-16032-3 | ||
| 020 | |a 9781350160309 |c EPDF |9 978-1-350-16030-9 | ||
| 020 | |a 9781350160316 |c EPUB |9 978-1-350-16031-6 | ||
| 024 | 7 | |a 10.5040/9781350160323 |2 doi | |
| 035 | |a (OCoLC)1197713655 | ||
| 035 | |a (DE-599)BVBBV046889088 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-703 |a DE-12 |a DE-355 |a DE-11 | ||
| 084 | |a AP 49400 |0 (DE-625)7564: |2 rvk | ||
| 245 | 1 | 0 | |a Art in the cinema |b the mid-century art documentary |c edited by Steven Jacobs, Birgit Cleppe and Dimitrios Latsis |
| 264 | 1 | |a London ; New York |b Bloomsbury Academic |c 2021 | |
| 300 | |a 1 Online-Ressource (xv, 237 Seiten) |b Illustrationen | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b c |2 rdamedia | ||
| 338 | |b cr |2 rdacarrier | ||
| 505 | 8 | |a Introduction: The Mid-Century Celluloid Museum / Steven Jacobs and Dimitrios Latsis -- The Institutional Breeding Grounds of the Postwar Film on Art / Birgit Cleppe -- American Art Comes of Age: Documentaries and the Nation at the Dawn of the Cold War / Dimitrios Latsis -- Art History with a Camera: Rubens (1948) and Paul Haesaerts's Concept of Cinéma Critique / Steven Jacobs and Joséphine-Charlotte Vandekerckhove -- Carlo Ludovico Ragghianti's Critolfims and Beyond: From Cinema to Information Technology / Emanuele Pellegrini -- André Bazin's Art Documentary in Saintonge / Angela Dalle Vacche -- Projecting Cultural Diplomacy: Cold War Politics, Films on Art, and Willard Van Dyke's The Photographer / Natasha Ritsma -- Henry Moore and A Sculptor's Landscape: Modernity, the Land and the Bomb in Two Television Films by John Read / John Wyver -- Creative Process, Material Inscription and Dudley Shaw Ashton's Figures in a Landscape (1953) / Lucy Reynolds -- Neoplasticism and Cinema: Ilya Bolotowsky's Experimental Films on Art / Henning Engelke | |
| 520 | 3 | |a "In the years immediately following the Second World War, art documentaries played an important part in an emerging cinephile culture favoring experimental shorts. In the 1940s and 1950s, hundreds of art documentaries were produced, many of them being highly personal, poetic, reflexive and experimental films that offer a thrilling cinematic experience. With the exception of Alain Resnais's Van Gogh (1948), Henri-Georges Clouzot's Le Mystère Picasso (1956) and a few others, most of them fell into oblivion and they have received only scant scholarly attention. This book aims to rectify this situation by discussing the most innovative, experimental and influential postwar art documentaries, connecting them to contemporaneous museological developments and Euro-American cultural and political relationships. With an international team of contributors with expertise across art history and film studies, Art in the Cinema draws attention to film projects by André Bazin, Ilya Bolotowsky, Paul Haesaerts, Carlo Ragghianti, John Read, Dudley Shaw Aston, Henri Storck and Willard Van Dyke among others"-- | |
| 650 | 0 | 7 | |a Kunst |0 (DE-588)4114333-4 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Film |0 (DE-588)4017102-4 |2 gnd |9 rswk-swf |
| 653 | 0 | |a Art in motion pictures | |
| 653 | 0 | |a Artists in motion pictures | |
| 653 | 0 | |a Art and motion pictures | |
| 653 | 0 | |a Documentary films / History and criticism | |
| 653 | 0 | |a Art and motion pictures | |
| 653 | 0 | |a Art in motion pictures | |
| 653 | 0 | |a Artists in motion pictures | |
| 653 | 0 | |a Documentary films | |
| 653 | 6 | |a Criticism, interpretation, etc | |
| 655 | 7 | |0 (DE-588)4143413-4 |a Aufsatzsammlung |2 gnd-content | |
| 689 | 0 | 0 | |a Kunst |0 (DE-588)4114333-4 |D s |
| 689 | 0 | 1 | |a Film |0 (DE-588)4017102-4 |D s |
| 689 | 0 | |5 DE-604 | |
| 700 | 1 | |a Jacobs, Steven |d 1967- |0 (DE-588)131807668 |4 edt | |
| 700 | 1 | |a Cleppe, Birgit |0 (DE-588)1222548550 |4 edt | |
| 700 | 1 | |a Latsis, Dimitrios |4 edt | |
| 776 | 0 | 8 | |i Erscheint auch als |n Druck-Ausgabe |z 978-1-7883-1367-4 |w (DE-604)BV046986471 |
| 856 | 4 | 0 | |u https://doi.org/10.5040/9781350160323 |x Verlag |z URL des Erstveröffentlichers |3 Volltext |
| 912 | |a ZDB-162-BFM | ||
| 940 | 1 | |q ZDB-162-BFM20 | |
| 999 | |a oai:aleph.bib-bvb.de:BVB01-032298952 | ||
| 966 | e | |u https://doi.org/10.5040/9781350160323 |l BSB01 |p ZDB-162-BFM |x Verlag |3 Volltext | |
| 966 | e | |u https://doi.org/10.5040/9781350160323?locatt=label:secondary_bloomsburyCollections |l UBR01 |p ZDB-162-BFM |q UBR Paketkauf 2020 |x Verlag |3 Volltext | |
| 966 | e | |u https://doi.org/10.5040/9781350160323 |l UBT01 |p ZDB-162-BFM |q ZDB-162-BFM20 |x Verlag |3 Volltext | |
Datensatz im Suchindex
| _version_ | 1804181753272729600 |
|---|---|
| adam_txt | |
| any_adam_object | |
| any_adam_object_boolean | |
| author2 | Jacobs, Steven 1967- Cleppe, Birgit Latsis, Dimitrios |
| author2_role | edt edt edt |
| author2_variant | s j sj b c bc d l dl |
| author_GND | (DE-588)131807668 (DE-588)1222548550 |
| author_facet | Jacobs, Steven 1967- Cleppe, Birgit Latsis, Dimitrios |
| building | Verbundindex |
| bvnumber | BV046889088 |
| classification_rvk | AP 49400 |
| collection | ZDB-162-BFM |
| contents | Introduction: The Mid-Century Celluloid Museum / Steven Jacobs and Dimitrios Latsis -- The Institutional Breeding Grounds of the Postwar Film on Art / Birgit Cleppe -- American Art Comes of Age: Documentaries and the Nation at the Dawn of the Cold War / Dimitrios Latsis -- Art History with a Camera: Rubens (1948) and Paul Haesaerts's Concept of Cinéma Critique / Steven Jacobs and Joséphine-Charlotte Vandekerckhove -- Carlo Ludovico Ragghianti's Critolfims and Beyond: From Cinema to Information Technology / Emanuele Pellegrini -- André Bazin's Art Documentary in Saintonge / Angela Dalle Vacche -- Projecting Cultural Diplomacy: Cold War Politics, Films on Art, and Willard Van Dyke's The Photographer / Natasha Ritsma -- Henry Moore and A Sculptor's Landscape: Modernity, the Land and the Bomb in Two Television Films by John Read / John Wyver -- Creative Process, Material Inscription and Dudley Shaw Ashton's Figures in a Landscape (1953) / Lucy Reynolds -- Neoplasticism and Cinema: Ilya Bolotowsky's Experimental Films on Art / Henning Engelke |
| ctrlnum | (OCoLC)1197713655 (DE-599)BVBBV046889088 |
| discipline | Allgemeines |
| discipline_str_mv | Allgemeines |
| doi_str_mv | 10.5040/9781350160323 |
| format | Electronic eBook |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>04635nmm a2200613 c 4500</leader><controlfield tag="001">BV046889088</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20211007 </controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">200908s2021 |||| o||u| ||||||eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781350160323</subfield><subfield code="c">Online</subfield><subfield code="9">978-1-350-16032-3</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781350160309</subfield><subfield code="c">EPDF</subfield><subfield code="9">978-1-350-16030-9</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781350160316</subfield><subfield code="c">EPUB</subfield><subfield code="9">978-1-350-16031-6</subfield></datafield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.5040/9781350160323</subfield><subfield code="2">doi</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1197713655</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV046889088</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-703</subfield><subfield code="a">DE-12</subfield><subfield code="a">DE-355</subfield><subfield code="a">DE-11</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">AP 49400</subfield><subfield code="0">(DE-625)7564:</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Art in the cinema</subfield><subfield code="b">the mid-century art documentary</subfield><subfield code="c">edited by Steven Jacobs, Birgit Cleppe and Dimitrios Latsis</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">London ; New York</subfield><subfield code="b">Bloomsbury Academic</subfield><subfield code="c">2021</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 Online-Ressource (xv, 237 Seiten)</subfield><subfield code="b">Illustrationen</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">Introduction: The Mid-Century Celluloid Museum / Steven Jacobs and Dimitrios Latsis -- The Institutional Breeding Grounds of the Postwar Film on Art / Birgit Cleppe -- American Art Comes of Age: Documentaries and the Nation at the Dawn of the Cold War / Dimitrios Latsis -- Art History with a Camera: Rubens (1948) and Paul Haesaerts's Concept of Cinéma Critique / Steven Jacobs and Joséphine-Charlotte Vandekerckhove -- Carlo Ludovico Ragghianti's Critolfims and Beyond: From Cinema to Information Technology / Emanuele Pellegrini -- André Bazin's Art Documentary in Saintonge / Angela Dalle Vacche -- Projecting Cultural Diplomacy: Cold War Politics, Films on Art, and Willard Van Dyke's The Photographer / Natasha Ritsma -- Henry Moore and A Sculptor's Landscape: Modernity, the Land and the Bomb in Two Television Films by John Read / John Wyver -- Creative Process, Material Inscription and Dudley Shaw Ashton's Figures in a Landscape (1953) / Lucy Reynolds -- Neoplasticism and Cinema: Ilya Bolotowsky's Experimental Films on Art / Henning Engelke</subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">"In the years immediately following the Second World War, art documentaries played an important part in an emerging cinephile culture favoring experimental shorts. In the 1940s and 1950s, hundreds of art documentaries were produced, many of them being highly personal, poetic, reflexive and experimental films that offer a thrilling cinematic experience. With the exception of Alain Resnais's Van Gogh (1948), Henri-Georges Clouzot's Le Mystère Picasso (1956) and a few others, most of them fell into oblivion and they have received only scant scholarly attention. This book aims to rectify this situation by discussing the most innovative, experimental and influential postwar art documentaries, connecting them to contemporaneous museological developments and Euro-American cultural and political relationships. With an international team of contributors with expertise across art history and film studies, Art in the Cinema draws attention to film projects by André Bazin, Ilya Bolotowsky, Paul Haesaerts, Carlo Ragghianti, John Read, Dudley Shaw Aston, Henri Storck and Willard Van Dyke among others"--</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Kunst</subfield><subfield code="0">(DE-588)4114333-4</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Film</subfield><subfield code="0">(DE-588)4017102-4</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Art in motion pictures</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Artists in motion pictures</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Art and motion pictures</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Documentary films / History and criticism</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Art and motion pictures</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Art in motion pictures</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Artists in motion pictures</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Documentary films</subfield></datafield><datafield tag="653" ind1=" " ind2="6"><subfield code="a">Criticism, interpretation, etc</subfield></datafield><datafield tag="655" ind1=" " ind2="7"><subfield code="0">(DE-588)4143413-4</subfield><subfield code="a">Aufsatzsammlung</subfield><subfield code="2">gnd-content</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Kunst</subfield><subfield code="0">(DE-588)4114333-4</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Film</subfield><subfield code="0">(DE-588)4017102-4</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Jacobs, Steven</subfield><subfield code="d">1967-</subfield><subfield code="0">(DE-588)131807668</subfield><subfield code="4">edt</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Cleppe, Birgit</subfield><subfield code="0">(DE-588)1222548550</subfield><subfield code="4">edt</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Latsis, Dimitrios</subfield><subfield code="4">edt</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Druck-Ausgabe</subfield><subfield code="z">978-1-7883-1367-4</subfield><subfield code="w">(DE-604)BV046986471</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://doi.org/10.5040/9781350160323</subfield><subfield code="x">Verlag</subfield><subfield code="z">URL des Erstveröffentlichers</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-162-BFM</subfield></datafield><datafield tag="940" ind1="1" ind2=" "><subfield code="q">ZDB-162-BFM20</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-032298952</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.5040/9781350160323</subfield><subfield code="l">BSB01</subfield><subfield code="p">ZDB-162-BFM</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.5040/9781350160323?locatt=label:secondary_bloomsburyCollections</subfield><subfield code="l">UBR01</subfield><subfield code="p">ZDB-162-BFM</subfield><subfield code="q">UBR Paketkauf 2020</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.5040/9781350160323</subfield><subfield code="l">UBT01</subfield><subfield code="p">ZDB-162-BFM</subfield><subfield code="q">ZDB-162-BFM20</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield></record></collection> |
| genre | (DE-588)4143413-4 Aufsatzsammlung gnd-content |
| genre_facet | Aufsatzsammlung |
| id | DE-604.BV046889088 |
| illustrated | Not Illustrated |
| index_date | 2024-07-03T15:20:33Z |
| indexdate | 2024-07-10T08:56:40Z |
| institution | BVB |
| isbn | 9781350160323 9781350160309 9781350160316 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032298952 |
| oclc_num | 1197713655 |
| open_access_boolean | |
| owner | DE-703 DE-12 DE-355 DE-BY-UBR DE-11 |
| owner_facet | DE-703 DE-12 DE-355 DE-BY-UBR DE-11 |
| physical | 1 Online-Ressource (xv, 237 Seiten) Illustrationen |
| psigel | ZDB-162-BFM ZDB-162-BFM20 ZDB-162-BFM UBR Paketkauf 2020 ZDB-162-BFM ZDB-162-BFM20 |
| publishDate | 2021 |
| publishDateSearch | 2021 |
| publishDateSort | 2021 |
| publisher | Bloomsbury Academic |
| record_format | marc |
| spelling | Art in the cinema the mid-century art documentary edited by Steven Jacobs, Birgit Cleppe and Dimitrios Latsis London ; New York Bloomsbury Academic 2021 1 Online-Ressource (xv, 237 Seiten) Illustrationen txt rdacontent c rdamedia cr rdacarrier Introduction: The Mid-Century Celluloid Museum / Steven Jacobs and Dimitrios Latsis -- The Institutional Breeding Grounds of the Postwar Film on Art / Birgit Cleppe -- American Art Comes of Age: Documentaries and the Nation at the Dawn of the Cold War / Dimitrios Latsis -- Art History with a Camera: Rubens (1948) and Paul Haesaerts's Concept of Cinéma Critique / Steven Jacobs and Joséphine-Charlotte Vandekerckhove -- Carlo Ludovico Ragghianti's Critolfims and Beyond: From Cinema to Information Technology / Emanuele Pellegrini -- André Bazin's Art Documentary in Saintonge / Angela Dalle Vacche -- Projecting Cultural Diplomacy: Cold War Politics, Films on Art, and Willard Van Dyke's The Photographer / Natasha Ritsma -- Henry Moore and A Sculptor's Landscape: Modernity, the Land and the Bomb in Two Television Films by John Read / John Wyver -- Creative Process, Material Inscription and Dudley Shaw Ashton's Figures in a Landscape (1953) / Lucy Reynolds -- Neoplasticism and Cinema: Ilya Bolotowsky's Experimental Films on Art / Henning Engelke "In the years immediately following the Second World War, art documentaries played an important part in an emerging cinephile culture favoring experimental shorts. In the 1940s and 1950s, hundreds of art documentaries were produced, many of them being highly personal, poetic, reflexive and experimental films that offer a thrilling cinematic experience. With the exception of Alain Resnais's Van Gogh (1948), Henri-Georges Clouzot's Le Mystère Picasso (1956) and a few others, most of them fell into oblivion and they have received only scant scholarly attention. This book aims to rectify this situation by discussing the most innovative, experimental and influential postwar art documentaries, connecting them to contemporaneous museological developments and Euro-American cultural and political relationships. With an international team of contributors with expertise across art history and film studies, Art in the Cinema draws attention to film projects by André Bazin, Ilya Bolotowsky, Paul Haesaerts, Carlo Ragghianti, John Read, Dudley Shaw Aston, Henri Storck and Willard Van Dyke among others"-- Kunst (DE-588)4114333-4 gnd rswk-swf Film (DE-588)4017102-4 gnd rswk-swf Art in motion pictures Artists in motion pictures Art and motion pictures Documentary films / History and criticism Documentary films Criticism, interpretation, etc (DE-588)4143413-4 Aufsatzsammlung gnd-content Kunst (DE-588)4114333-4 s Film (DE-588)4017102-4 s DE-604 Jacobs, Steven 1967- (DE-588)131807668 edt Cleppe, Birgit (DE-588)1222548550 edt Latsis, Dimitrios edt Erscheint auch als Druck-Ausgabe 978-1-7883-1367-4 (DE-604)BV046986471 https://doi.org/10.5040/9781350160323 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Art in the cinema the mid-century art documentary Introduction: The Mid-Century Celluloid Museum / Steven Jacobs and Dimitrios Latsis -- The Institutional Breeding Grounds of the Postwar Film on Art / Birgit Cleppe -- American Art Comes of Age: Documentaries and the Nation at the Dawn of the Cold War / Dimitrios Latsis -- Art History with a Camera: Rubens (1948) and Paul Haesaerts's Concept of Cinéma Critique / Steven Jacobs and Joséphine-Charlotte Vandekerckhove -- Carlo Ludovico Ragghianti's Critolfims and Beyond: From Cinema to Information Technology / Emanuele Pellegrini -- André Bazin's Art Documentary in Saintonge / Angela Dalle Vacche -- Projecting Cultural Diplomacy: Cold War Politics, Films on Art, and Willard Van Dyke's The Photographer / Natasha Ritsma -- Henry Moore and A Sculptor's Landscape: Modernity, the Land and the Bomb in Two Television Films by John Read / John Wyver -- Creative Process, Material Inscription and Dudley Shaw Ashton's Figures in a Landscape (1953) / Lucy Reynolds -- Neoplasticism and Cinema: Ilya Bolotowsky's Experimental Films on Art / Henning Engelke Kunst (DE-588)4114333-4 gnd Film (DE-588)4017102-4 gnd |
| subject_GND | (DE-588)4114333-4 (DE-588)4017102-4 (DE-588)4143413-4 |
| title | Art in the cinema the mid-century art documentary |
| title_auth | Art in the cinema the mid-century art documentary |
| title_exact_search | Art in the cinema the mid-century art documentary |
| title_exact_search_txtP | Art in the cinema the mid-century art documentary |
| title_full | Art in the cinema the mid-century art documentary edited by Steven Jacobs, Birgit Cleppe and Dimitrios Latsis |
| title_fullStr | Art in the cinema the mid-century art documentary edited by Steven Jacobs, Birgit Cleppe and Dimitrios Latsis |
| title_full_unstemmed | Art in the cinema the mid-century art documentary edited by Steven Jacobs, Birgit Cleppe and Dimitrios Latsis |
| title_short | Art in the cinema |
| title_sort | art in the cinema the mid century art documentary |
| title_sub | the mid-century art documentary |
| topic | Kunst (DE-588)4114333-4 gnd Film (DE-588)4017102-4 gnd |
| topic_facet | Kunst Film Aufsatzsammlung |
| url | https://doi.org/10.5040/9781350160323 |
| work_keys_str_mv | AT jacobssteven artinthecinemathemidcenturyartdocumentary AT cleppebirgit artinthecinemathemidcenturyartdocumentary AT latsisdimitrios artinthecinemathemidcenturyartdocumentary |